Book Review – V is for Venom: Agatha Christie’s Chemicals of Death by Kathryn Harkup @BloomsburyBooks

About the Book

Fourteen stories. Fourteen more poisons. Just because it’s fiction doesn’t mean it’s all made-up …

Agatha Christie is renowned for her captivating plots and creative ways of killing off ill-fated victims. And what better way to add intrigue to a story than poison? The surreptitious ways they can be administered and the characteristic symptoms they produce make these killer chemicals the ideal method of murder in a ‘whodunit’.

Christie perfected the use of poisons in her plots; her deft and varied use of toxic substances is one of her great strengths as a writer. But how is it that some compounds prove so fatal, and in such tiny amounts?

Format: Paperback (320 pages) Publisher: Bloomsbury Sigma
Publication date: 24th September 2026 Genre: Nonfiction, Science

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My Review

In V is for Venom, the follow-up to A is for Arsenic, Kathryn Harkup explores some more of the poisons used by Agatha Christie to kill off characters in her crime novels, everything from arrow poison to snake venom. The author is clearly an admirer of Christie both for her ingenuity and the scientific knowledge that underpinned her plots. Harkup goes out of her way to avoid spoilers for the benefit of those who’ve not read the novels she references, but where these are unavoidable they’re flagged well in advance.

The author identifies the source of each of the fourteen poisons, their effects on the human body, whether an antidote exists and real-life cases where the poison has been used. At the end of the book there’s a table listing all of Agatha Christie’s novels and stories along with the murder method(s) that feature in each one.

V for Venom is definitely not a handbook for would-be poisoners. As the author demonstrates many of the substances are incredibly difficult to come by, determining what is a lethal dose is often problematic, the availability of effective antidotes is greater than when Christie was writing her novels, there is increased knowledge of how poisons affect the body and the ability of scientific professionals to identify poisons is way more advanced. And, of course, you still have to ensure you get away with it.

As the author explains, a poison which kills instantly is rare. It’s more often the case that the administering of the poison is the start of a chain of effects on the body that will ultimately prove fatal if not treated promptly and in the correct way. For this reason, Christie’s plots often place the victim in a position where there will be a long delay before starting treatment and/or identification of the substance involved. And in some cases, which Harkup refers to as ‘hopeful’ murders, the administration of the lethal substance may be left to chance, just waiting for the victim to drink from a bottle containing a toxic substance that has been swapped for something else or to spread marmalade on their toast.

The sections of each chapter which deal with the effects of each chemical on the human body contain the greatest amount of scientific detail. Despite being rubbish at chemistry at school even I was able to understand this thanks to the author’s clear explanations and the accompanying diagrams.

There were many surprises in the book. For example, that the difference between a therapeutic and lethal dose can be small and that whether the substance proves fatal can depend on a number of other factors. For example, the age or health of the victim, the method by which the poison is administered or its interaction with other substances such as alcohol, the latter scotching the notion (no pun intended) that a glass of brandy is the best thing to give to a potential victim of poisoning.

I also learned some fascinating facts:

  • Bacteria have been the dominant organisms on the planet for three billion years and can even survive in the vacuum of space
  • Christie invented only one poison to kill off a character. It features in her 1962 novel The Mirror Crack’d from Side to Side
  • Gas was the most common method of suicide in the UK up until the 1960s when so-called ‘town gas’ which contained carbon monoxide was replaced by natural gas
  • There is a half-eaten Walnut Whip in a display case in a medical museum in London, a relic of a failed attempt to disguise the bitter taste of a poison with chocolate
  • Christie’s story Three Blind Mice has never been published in the UK as it provides the basis for the plot of The Mousetrap and would reveal the identity of the murderer. Famously, the audience are asked not to reveal this information at the end of every performance.

Even if you’ve never read an Agatha Christie novel, I believe V for Venom can be enjoyed as a work of popular science. If you are a Christie fan, it’s probably going to make you want to reread some of the books mentioned just to see the mistakes the murderer made. For those new to Agatha Christie’s oeuvre, why not try two stories referenced in this book – A Pocket Full of Rye, featuring Miss Marple, and Death in the Clouds, featuring Hercule Poirot.

I came away from the book with an even higher regard for Agatha Christie’s creativity and ingenuity, a kind of awed admiration for scientists who have experimented on themselves as part of their research into poisons and, most of all, a renewed sense of wonder at the intricacies of the human body.

I received an advance reader copy courtesy of Bloomsbury Sigma.

In three words: Fascinating, well-researched, accessible
Try something similar: A Pocket Full of Rye or Death in the Clouds by Agatha Christie

About the Author

Kathryn Harkup is a former chemist turned author. She writes and gives regular public talks on the disgusting and dangerous side of science. Her first book was the international best-seller A is for Arsenic: The Poisons of Agatha Christie, which was shortlisted for a Mystery Readers International Macavity Award and a BMA Book Award. Her subsequent books include its follow-up, V is for Venom, Making the Monster: The Science of Mary Shelley’s Frankenstein, and Death by Shakespeare. (Photo: Author website)

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Book Review – The Draw of the Sea by Wyl Menmuir #20BOS26

About the Book

Since the earliest stages of human development, the sea has fascinated and entranced us. It feeds us, sustaining communities and providing livelihoods, but it also holds immense destructive power which can take all those away in an instant.

It connects us to far away places, offering the promise of new lands and voyages of discovery, but also shapes our borders, carving divisions between landmasses and eroding the very ground beneath our feet.

In this beautifully-written meditation on what it is that draws us to the waters’ edge, author Wyl Menmuir tells the stories of the people whose lives revolve around the sea in the Cornish community where he lives.

Format: Hardback (299 pages) Publisher: Aurum
Publication date: 5th July 2022 Genre: Nonfiction

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My Review

I was fortunate enough to meet Wyl when we were both members of the judging panel for the Winston Graham Historical Prize 2026. At the time he was engaged in restoring a sixteen foot wooden Wayfarer dinghy at the National Maritime Museum in Falmouth. The project is documented in his latest book, Seaworthy, due for publication in 2028 but if you can’t wait that long you can find lots about the restoration on his YouTube channel.

For many years now my husband and I have made an annual trip to Falmouth and it’s always a thrill when the train crosses the Tamar Bridge and we know we’ve arrived in Cornwall. Therefore it was an obvious choice for me to pick up Wyl’s book The Draw of the Sea since much of the book focuses on Cornwall, his adopted county, along with the Scilly Isles. (Since The Draw of the Sea was published, Wyl has written two further books: The Heart of the Woods, about the role of trees and woodlands in our lives, and The Spirit of Stone, which explores the ways in rock and earth form part of our identities, histories and futures.)

The Draw of the Sea is the product of Wyl’s conversations with people who are drawn to, and interact, with the sea in different ways. Everyone from sailors, fishermen, surfers and marine biologists to pilot gig rowers, artists and even mermaids. As he notes wryly, ‘Ask ten different people what they see when they look at the coastline and you will get eleven different answers.’ The beachcombers (known as ‘wreckers’ in Cornwall), watching for the approach of storms or scanning online forums for news of container spills. Surfers, watching for the perfect wave. Gig rowers and sea swimmers, seeking out flat, sheltered water.

There is a really engaging personal element to the book. We get to learn a lot about Wyl’s own interests: surfing, sailing, swimming, beachcombing. There’s a lovely section in which he describes a day out with his wife, son and daughter searching for cowrie shells on a sandbar. ‘While the finding of cowries is an individual pursuit, the keeping of them is not. We admire each other’s finds and then pool them. At home, we have a glass jar on a shelf on the French dresser to which we add our cowries. […] They are a family archive of time spent together. […] They are heavy with memory, of the sensation of the sun on my back, the squelch of bladder-wrack and kelp beneath my feet, of the sound of the children laughing together.’

His curiosity and willingness to ‘get stuck in’ is evident as he tries his hand at crafting a belly board, learning how to free dive and joining the crew of a three-masted tall ship in Svalbard.

As you might expect, there is a strong ecological message. One of the very early chapters focuses on the prevalence of plastic and other detritus of human activity amongst things washed up by the sea. Bizarrely, this includes LEGO pieces from a container spill in the 1990s, with particular items being prized by collectors. And he describes the rise of protest groups such Surfers Against Sewage. Perched on a cliff top looking out to the horizon, he observes, ‘It would be easy to believe the sea went on forever, that it would take all we could throw at it and then some. It is the kind of thinking that got us to where we are now, the kind of thinking that runs along the lines that the seas are big enough to restore themselves, that they will continue to provide as they always have done, the the warning signs we are seeing now are blips.’

The book has some wonderful black and white photographs. I particulary enjoyed the Glossary of Sea Words which includes many old Cornish words. For example, ‘bremming’ the term for the glow caused by a school of mackerel when they disturb phospherescent blooms or ‘cowsberny’ to describe a sea that is the colour of cow dung.

The Draw of the Sea is a fascinating book that will make you reflect on your own relationship with the sea, whether that’s memories of childhood seaside holidays building sandcastles, cliff top birdwatching, walking coastal paths or simply enjoying the sheer thrill of watching waves crash against the shore.

The Draw of the Sea is book 15 of my 20 Books of Summer.

In three words: Thought-provoking, insightful, expansive
Try something similar: Dark, Salt, Clear by Lamorna Ash

About the Author

Wyl Menmuir is an award-winning author based in Cornwall. His 2016 debut novel, The Many, was longlisted for the Man Booker Award Prize and his second novel, Fox Fires, was published in 2021. Wyl has written for BBC Radio 4’s Open Book, The Guardian and The Observer, and his short fiction has been published by the National Trust and Nightjar Press among others. He is co-creator of the Cornish writing centre, The Writers’ Block, and lectures in creative writing at Falmouth University.

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