Book Review – The Draw of the Sea by Wyl Menmuir #20BOS26

About the Book

Since the earliest stages of human development, the sea has fascinated and entranced us. It feeds us, sustaining communities and providing livelihoods, but it also holds immense destructive power which can take all those away in an instant.

It connects us to far away places, offering the promise of new lands and voyages of discovery, but also shapes our borders, carving divisions between landmasses and eroding the very ground beneath our feet.

In this beautifully-written meditation on what it is that draws us to the waters’ edge, author Wyl Menmuir tells the stories of the people whose lives revolve around the sea in the Cornish community where he lives.

Format: Hardback (299 pages) Publisher: Aurum
Publication date: 5th July 2022 Genre: Nonfiction

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My Review

I was fortunate enough to meet Wyl when we were both members of the judging panel for the Winston Graham Historical Prize 2026. At the time he was engaged in restoring a sixteen foot wooden Wayfarer dinghy at the National Maritime Museum in Falmouth. The project is documented in his latest book, Seaworthy, due for publication in 2028 but if you can’t wait that long you can find lots about the restoration on his YouTube channel.

For many years now my husband and I have made an annual trip to Falmouth and it’s always a thrill when the train crosses the Tamar Bridge and we know we’ve arrived in Cornwall. Therefore it was an obvious choice for me to pick up Wyl’s book The Draw of the Sea since much of the book focuses on Cornwall, his adopted county, along with the Scilly Isles. (Since The Draw of the Sea was published, Wyl has written two further books: The Heart of the Woods, about the role of trees and woodlands in our lives, and The Spirit of Stone, which explores the ways in rock and earth form part of our identities, histories and futures.)

The Draw of the Sea is the product of Wyl’s conversations with people who are drawn to, and interact, with the sea in different ways. Everyone from sailors, fishermen, surfers and marine biologists to pilot gig rowers, artists and even mermaids. As he notes wryly, ‘Ask ten different people what they see when they look at the coastline and you will get eleven different answers.’ The beachcombers (known as ‘wreckers’ in Cornwall), watching for the approach of storms or scanning online forums for news of container spills. Surfers, watching for the perfect wave. Gig rowers and sea swimmers, seeking out flat, sheltered water.

There is a really engaging personal element to the book. We get to learn a lot about Wyl’s own interests: surfing, sailing, swimming, beachcombing. There’s a lovely section in which he describes a day out with his wife, son and daughter searching for cowrie shells on a sandbar. ‘While the finding of cowries is an individual pursuit, the keeping of them is not. We admire each other’s finds and then pool them. At home, we have a glass jar on a shelf on the French dresser to which we add our cowries. […] They are a family archive of time spent together. […] They are heavy with memory, of the sensation of the sun on my back, the squelch of bladder-wrack and kelp beneath my feet, of the sound of the children laughing together.’

His curiosity and willingness to ‘get stuck in’ is evident as he tries his hand at crafting a belly board, learning how to free dive and joining the crew of a three-masted tall ship in Svalbard.

As you might expect, there is a strong ecological message. One of the very early chapters focuses on the prevalence of plastic and other detritus of human activity amongst things washed up by the sea. Bizarrely, this includes LEGO pieces from a container spill in the 1990s, with particular items being prized by collectors. And he describes the rise of protest groups such Surfers Against Sewage. Perched on a cliff top looking out to the horizon, he observes, ‘It would be easy to believe the sea went on forever, that it would take all we could throw at it and then some. It is the kind of thinking that got us to where we are now, the kind of thinking that runs along the lines that the seas are big enough to restore themselves, that they will continue to provide as they always have done, the the warning signs we are seeing now are blips.’

The book has some wonderful black and white photographs. I particulary enjoyed the Glossary of Sea Words which includes many old Cornish words. For example, ‘bremming’ the term for the glow caused by a school of mackerel when they disturb phospherescent blooms or ‘cowsberny’ to describe a sea that is the colour of cow dung.

The Draw of the Sea is a fascinating book that will make you reflect on your own relationship with the sea, whether that’s memories of childhood seaside holidays building sandcastles, cliff top birdwatching, walking coastal paths or simply enjoying the sheer thrill of watching waves crash against the shore.

The Draw of the Sea is book 15 of my 20 Books of Summer.

In three words: Thought-provoking, insightful, expansive
Try something similar: Dark, Salt, Clear by Lamorna Ash

About the Author

Wyl Menmuir is an award-winning author based in Cornwall. His 2016 debut novel, The Many, was longlisted for the Man Booker Award Prize and his second novel, Fox Fires, was published in 2021. Wyl has written for BBC Radio 4’s Open Book, The Guardian and The Observer, and his short fiction has been published by the National Trust and Nightjar Press among others. He is co-creator of the Cornish writing centre, The Writers’ Block, and lectures in creative writing at Falmouth University.

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Book Review – Relative Failures: The Lives of Willie Wilde, Mabel Beardsley and Howard Sturgis by Matthew Sturgis @HoZ_Books

About the Book

History remembers the greats – but what about those who lived alongside them?

In the cultural ferment of late nineteenth-century London, three fascinating but often overlooked figures navigated the world in the shadow of their celebrated brothers. Willie Wilde, the hapless yet charming older sibling of Oscar, never quite matched his brother’s literary genius. Mabel Beardsley, the striking and ambitious sister of Aubrey, played a crucial role in his artistic ascent before forging her own path on the stage. And Howard Sturgis, a minor novelist with a sharp wit, watched as his brother Julian achieved the success he himself never quite grasped.

Moving through bohemian clubland, West End theatres, literary salons, and the pages of The Yellow Book, these siblings were more than just footnotes to history. Their lives – filled with ambition, scandal, devotion, and missteps – offer a fresh perspective on the glittering world of the 1890s.

Drawing on family history, sharp storytelling, and original research, Matthew Sturgis reveals the vibrant, overlooked figures who shaped their era. For lovers of literary and cultural history, it is an invitation to explore the road less travelled – a sidelight that, as Mabel Beardsley knew well, can sometimes be the most illuminating.

Format: Hardcover (320 pages) Publisher: Apollo
Publication date: 16th April 2026 Genre: Nonfiction, Biography

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My Review

The concept of exploring the lives of three siblings of more famous individuals is an interesting one. As the author argues in the Introduction, ‘There is, of course, a curious attraction about ‘minor’ figures: they offer the excitement of discovery; they are alive with possibility; they lead one down the road less travelled. The very fact that they are so little known ignites our curiosity.’

What must it be like to grow up as ‘the brother of…’ or ‘the sister of…’? Does that allow you to bask in their reflected glory or act as a constant reminder that you will always be in second place? Do you ride on their coat-tails in an attempt to make a name for yourself or devote yourself to promoting their work or preserving their legacy? The three lives the author has chosen display elements of all these but also reveal some fascinating characters who enjoyed a particular kind of lifestyle and common social connections.

Although as equally gifted as his younger brother Oscar, Willie’s is a story of someone never able to fulfil his potential, drifting from one thing to another. However, he always took pleasure in Oscar’s success, promoting his work in whatever way he could. Always the life and soul of the party, as the author notes, ‘A fatal sort of indolence was beginning to make itself apparent as perhaps Willie’s most distinctive characteristic, just ahead of his capacity for food and drink.’ He wasn’t good at managing money either, being declared bankrupt in 1881. However, he never wavered in his support for his brother, even after the disgrace of Oscar’s trial and imprisonment.

Mabel Beardsley was also a passionate advocate of her brother Aubrey’s artistic talent, including after his early death. She herself harboured ambitions as an actress but was destined never to be more than second-rate, often cast in roles that reflected her off-stage persona. Mabel’s real forte was as hostess, at first presiding over the family’s Thursday afternoon tea parties attended by musicians, artists and writers, and later her own soirees. A striking rather than beautiful woman, she had plenty of admirers and a wide circle of friends. Always beautifully attired and never one to turn down an invitation, I think Mabel would have been a lot of fun to be around. I found her courage during her final illness rather moving.

The author admits he chose to include Howard Sturgis partly because he was a distant relation – a great-great-uncle. Yet while most people will have heard of Oscar Wilde and many of Aubrey Beardsley, I doubt whether pretty much anyone today has heard of Howard’s brother Julian or read one of his novels, including me. Therefore in this final part of the book it is Julian who rather fades into the background.

I found Howard an entertaining character. Much like Mabel, he was ‘a host of genius’, albeit a rather laidback one. “No attempt was made to dragoon the houseguests into organized activities or exhausting expeditions. The ‘plans for the day were made on the spur of the moment’ and rarely extended beyond a constitutional walk.” Howard had female friends but showed no romantic interest in them. Instead he had close male friendships that were passionate but probably not sexual in nature. Later in life he formed a friendship with the author Henry James and Edith Wharton. Although he wrote one reasonably successful novel, his later years were overshadowed by money worries and ill health.

It’s clear from the copious footnotes and end notes that a huge amount of research went into the book. There were times when I thought there was a little too much extraneous detail but overall I found Relative Failures an engrossing read with many humorous moments.

I won a proof copy in a giveaway organised by the publisher.

In three words: Detailed, fascinating, lively

About the Author

Matthew Sturgis is the author of acclaimed biographies of Oscar Wilde, Aubrey Beardsley and Walter Sickert, as well as Passionate Attitudes: The English Decadence of the 1890s. He has contributed to the TLS, Harpers & Queen and the Independent.

Oscar: A Life – a Sunday Times and TLS Book of the Year – was nominated for the Wolfson History Prize. (Photo: Agent website)

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