Book Review – The Eagle & the Wolf by Gordon Doherty @GordonDoherty @HarperCollins #20BOS26

About the Book

As Hun hordes and Germanic tribes maraud through Imperial lands, two legendary men – Attila the Hun and the “Last of the Romans” General Flavius Aetius find their fortunes entangled with the chaos.

Flavius Aetius, a noble Roman son, is an outsider in a savage land. He has been banished, given as hostage to the barbaric Huns and sent to the edge of the world.

What the Huns do not know, however, is that his father and mother have been murdered in a coup. He is an orphan, with no value at all. His life hangs on a lie.

In this new harsh world, he manages to find one grudging ally, a young boy named Attila.

A brotherhood is formed. One that, the shamans foretell, will shatter the world.

Format: Hardcover (448 pages) Publisher: HarperCollins
Publication date: 13th August 2026 Genre: Historical Fiction

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My Review

Gordon Doherty has become one of my go-to authors for exciting historical fiction set in the Roman age. I’ve read a number of the books in his ‘Legionary’ series, including the most recent and, sadly, the final instalment Devotio – as well as the ‘Rise of Emperors’ trilogy co-written with Simon Turney. What I’ve come to expect is action-packed stories rich in authentic historical detail. I’m happy to say The Eagle & the Wolf, the first in the new ‘Age of Attila’ series, delivers in all those respects.

I’m probably not alone in having learned about the Huns in history lessons without actually knowing much detail about how they lived. The author sets that right by piecing together the scant information that exists to provide the reader with fascinating detail about their culture, religous beliefs and lifestyle. For example, that at this time the Huns were not a homogeneous group but a collection of nomadic tribes each ruled by their own king.

In the first few weeks following his capture and arrival in the Hun camp, Flavius Aetius is a young man who feels alone in the world. He does not understand the Hun language, finds the food unpalatable, is alarmed at the strange physical appearance of the spiritual leaders of the tribe and is fearful there are some in the camp who know his secret, that he is not the valuable hostage they believe. He plans an escape only to realise the harsh landscape make that impossible. Gradually he is introduced to the ways of the tribe by a young man, Attila, who himself carries a burden. Cleverly, the author has Flavius discover some of the more lurid myths about the Huns are just that, myths. He develops a growing appreciation for their superb horsemanship and skill with bow, spear and lasso. Under Attila’s tutelage he starts to acquire these skills himself whilst also demonstrating his own gift for quick thinking.

Suddenly everything changes and it is now Attila who is uprooted from the tribe and sent to Rome while Flavius is forced to remain, the result of a betrayal by the last person he would have expected.

When they are renuited years later both Flavius and Attila have things they are prepared to risk everything to protect. Unfortunately, there are others who know that too. And although both men have gained valuable military knowledge, they’ve also learned neither the Huns nor the Romans has a monopoly on treachery. There are men on either side who are prepared to do anything to gain power and who will be utterly ruthless when it comes to dispatching their enemies, often in the most gruesome manner imaginable.

The book is set in a turbulent period in the history of the Roman Empire when it could no longer be regarded as a single entity, its decline very much apparent and the signs of its fall there to see. The author guides the reader through the complexities of the shifts of power and the forming and reforming of allegiances, some between former enemies.

The climax of the book takes place at the strategically important city of Arelate, under siege by the Visigoths for many months. Lifting the siege becomes both a military objective and a very personal mission for Flavius. He may have been brought up on Homer’s epic poem the Iliad rather than the Odyssey, but Flavius proves himself just as wily as the latter’s eponymous hero. Sometimes what looks to be the case really isn’t.

If you long for descriptions of the cut and thrust of battle this is one of the points in the book where you won’t be disappointed. Prepare yourself for the ‘thunderclap’ of shields clashing together and the ‘shriek’ of iron weapons meeting while arrows rain down and the Hun forces come together in their ‘whirling cyclone’ formation.

As always, there’s much to be learned from the Historical Notes and the Glossary. I can also recommend checking out the author’s Instagram reels.

Gordon describes The Eagle & the Wolf as ‘the first volume of what promises to be an epic saga’ and hopes we’ll stick around for volume two. I know I will.

I received an advance review copy courtesy of HarperCollins via NetGalley. The Eagle & the Wolf is book 14 of my 20 Books of Summer.

In three words: Epic, action-packed, authentic
Try something similar: Sword of the War God by Tim Hodkinson

About the Author

Gordon Doherty is a Scottish writer, addicted to reading and writing historical fiction. His love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. His expeditions since have taken him all over the world and back and forth through time (metaphorically, at least), allowing him to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age. (Photo: Goodreads author page)

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Book Review – The Draw of the Sea by Wyl Menmuir #20BOS26

About the Book

Since the earliest stages of human development, the sea has fascinated and entranced us. It feeds us, sustaining communities and providing livelihoods, but it also holds immense destructive power which can take all those away in an instant.

It connects us to far away places, offering the promise of new lands and voyages of discovery, but also shapes our borders, carving divisions between landmasses and eroding the very ground beneath our feet.

In this beautifully-written meditation on what it is that draws us to the waters’ edge, author Wyl Menmuir tells the stories of the people whose lives revolve around the sea in the Cornish community where he lives.

Format: Hardback (299 pages) Publisher: Aurum
Publication date: 5th July 2022 Genre: Nonfiction

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My Review

I was fortunate enough to meet Wyl when we were both members of the judging panel for the Winston Graham Historical Prize 2026. At the time he was engaged in restoring a sixteen foot wooden Wayfarer dinghy at the National Maritime Museum in Falmouth. The project is documented in his latest book, Seaworthy, due for publication in 2028 but if you can’t wait that long you can find lots about the restoration on his YouTube channel.

For many years now my husband and I have made an annual trip to Falmouth and it’s always a thrill when the train crosses the Tamar Bridge and we know we’ve arrived in Cornwall. Therefore it was an obvious choice for me to pick up Wyl’s book The Draw of the Sea since much of the book focuses on Cornwall, his adopted county, along with the Scilly Isles. (Since The Draw of the Sea was published, Wyl has written two further books: The Heart of the Woods, about the role of trees and woodlands in our lives, and The Spirit of Stone, which explores the ways in rock and earth form part of our identities, histories and futures.)

The Draw of the Sea is the product of Wyl’s conversations with people who are drawn to, and interact, with the sea in different ways. Everyone from sailors, fishermen, surfers and marine biologists to pilot gig rowers, artists and even mermaids. As he notes wryly, ‘Ask ten different people what they see when they look at the coastline and you will get eleven different answers.’ The beachcombers (known as ‘wreckers’ in Cornwall), watching for the approach of storms or scanning online forums for news of container spills. Surfers, watching for the perfect wave. Gig rowers and sea swimmers, seeking out flat, sheltered water.

There is a really engaging personal element to the book. We get to learn a lot about Wyl’s own interests: surfing, sailing, swimming, beachcombing. There’s a lovely section in which he describes a day out with his wife, son and daughter searching for cowrie shells on a sandbar. ‘While the finding of cowries is an individual pursuit, the keeping of them is not. We admire each other’s finds and then pool them. At home, we have a glass jar on a shelf on the French dresser to which we add our cowries. […] They are a family archive of time spent together. […] They are heavy with memory, of the sensation of the sun on my back, the squelch of bladder-wrack and kelp beneath my feet, of the sound of the children laughing together.’

His curiosity and willingness to ‘get stuck in’ is evident as he tries his hand at crafting a belly board, learning how to free dive and joining the crew of a three-masted tall ship in Svalbard.

As you might expect, there is a strong ecological message. One of the very early chapters focuses on the prevalence of plastic and other detritus of human activity amongst things washed up by the sea. Bizarrely, this includes LEGO pieces from a container spill in the 1990s, with particular items being prized by collectors. And he describes the rise of protest groups such Surfers Against Sewage. Perched on a cliff top looking out to the horizon, he observes, ‘It would be easy to believe the sea went on forever, that it would take all we could throw at it and then some. It is the kind of thinking that got us to where we are now, the kind of thinking that runs along the lines that the seas are big enough to restore themselves, that they will continue to provide as they always have done, the the warning signs we are seeing now are blips.’

The book has some wonderful black and white photographs. I particulary enjoyed the Glossary of Sea Words which includes many old Cornish words. For example, ‘bremming’ the term for the glow caused by a school of mackerel when they disturb phospherescent blooms or ‘cowsberny’ to describe a sea that is the colour of cow dung.

The Draw of the Sea is a fascinating book that will make you reflect on your own relationship with the sea, whether that’s memories of childhood seaside holidays building sandcastles, cliff top birdwatching, walking coastal paths or simply enjoying the sheer thrill of watching waves crash against the shore.

The Draw of the Sea is book 15 of my 20 Books of Summer.

In three words: Thought-provoking, insightful, expansive
Try something similar: Dark, Salt, Clear by Lamorna Ash

About the Author

Wyl Menmuir is an award-winning author based in Cornwall. His 2016 debut novel, The Many, was longlisted for the Man Booker Award Prize and his second novel, Fox Fires, was published in 2021. Wyl has written for BBC Radio 4’s Open Book, The Guardian and The Observer, and his short fiction has been published by the National Trust and Nightjar Press among others. He is co-creator of the Cornish writing centre, The Writers’ Block, and lectures in creative writing at Falmouth University.

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