#BookReview The Well of Saint Nobody by Neil Jordan @HoZ_Books

About the Book

William Barrow finds himself in lonely retirement in West Cork. Once an internationally renowned pianist, a terrible skin disease has attacked his hands and made it impossible for him to perform.

Tara is a piano teacher with barely enough pupils to pay the month’s rent. In the local café, the elegant writing of a job advertisement catches her ‘WANTED. HOUSEKEEPER.’

She begins to work in William’s house, keeping to herself the knowledge that they have met three times before, encounters that have changed her life. He is oblivious to this, while she spins tales of the well discovered in his back garden and of a mythical saint, of the healing powers of the water and the moss that surrounds it. But as the moss begins to heal William’s troubled hands, the lines between legend and reality begin to blur, secrets resurface, and past and present collide in unexpected ways.

Format: eARC (352 pages) Publisher: Head of Zeus
Publication date: 3rd August 2023 Genre: Contemporary Fiction

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My Review

I’m always a little wary of books that seem to include an element of magical realism but in this case I was pleasantly surprised – although others may be disappointed – that it features relatively little in the story, or none at all depending on how you feel about the seemingly healing powers of the moss that grows on the walls of the ancient well. For me, it was much more a story about relationships although, later in the book, it briefly takes a more dramatic turn.

There’s a strong theme of storytelling in the book. For example, Tara’s recounting of the legend of the well takes on a life of its own as people become enthralled by the story and invest in its seemingly preternatural powers. Tara herself is, in a way, yearning for discovery of her own story, hoping to provoke a memory that, for a long time, seems unlikely to happen. Storytelling often involves invention and that too features in the book. If this is all sounding rather cryptic then that’s because I don’t want to give too much away.

The Well of Saint Nobody is a gentle, touching story about healing: physical, mental and emotional. Whether there’s magic involved I leave up to you to decide.

I received a digital review copy courtesy of Head of Zeus via NetGalley.

In three words: Intimate, engrossing, moving

Try something similar: Only May by Carol Lovekin


About the Author

Neil Jordan is an Irish film director, screenwriter and author based in Dublin. His first book, Night in Tunisia, won a Somerset Maugham Award and the Guardian Fiction Prize in 1979. He is also a former winner of the Rooney Prize for Irish Literature, the Irish PEN Award, and the Kerry Group Irish Fiction Award. Jordan’s films include Angel, the Academy Award-winning The Crying Game, Michael Collins and The Butcher Boy.

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#BookReview #BlogTour The Black Crescent by Jane Johnson @HoZ_Books #TheBlackCrescent

Welcome to the opening day of the blog tour for The Black Crescent by Jane Johnson which will be published on 3rd August and is available for pre-order now. My thanks to Poppy at Ransom PR for inviting me to take part in the tour and to Head of Zeus for my review copy. Do check out the post by my tour buddy for today, Sarah at A Cottage Full of Books.

You can listen to Jane talking about the book here.


About the Book

Hamou Badi is born in a mountain village with the magical signs of the zouhry on his hands. In Morocco, the zouhry is a figure of legend, a child of both humans and djinns, capable of finding all manner of lost objects, hidden water.

But instead, Hamou finds a body.

This unsolved murder instils in Hamou a deep desire for order and he trains as an officer of the law, working for the French in Casablanca. But the city is trapped in the turmoil of the nationalist uprising, and soon he will be forced to choose between all he knows and all he loves…

Format: Hardback (400 pages) Publisher: Head of Zeus
Publication date: 3rd August 2023 Genre: Historical Fiction

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My Review

In her Author Note, Jane Johnson writes, ‘I love to learn when I write fiction, and I hope readers will enjoy learning alongside me.’ I certainly did. Although I was aware of a French influence in the history of Morocco, I knew nothing about the extent of French control over the country and, in particular, the period of unrest that followed the exile of the Sultan of Morocco in 1953. Nor was I aware of the brutal actions taken by the French authorities to suppress the independence movement, some parts of which (like the fictional Black Crescent of the title) turned to increasingly violent measures.

Hamou Badi is our witness to these events, events he views with increasing horror. ‘Violent deaths became a daily occurrence. Regime collaborators killed by nationalists. Nationalists executed by the authorities. Moroccan activists killed by settlers. Settlers murdered by terrorists.’ He struggles with a growing sense of complicity; he joined the French police force out of a desire to do good but finds his integrity increasingly compromised.

Hamou comes to epitomise a person caught between two worlds and two identities. As he observes, ‘There it was, he was alone again, stranded in that no-man’s land between the rock of the French regime and the hard place inhabited by his own people.’ That there will come a breaking point seems unavoidable and when it does, it has devastating consequences.

Hamou is a solitary, self-effacing person making him an entirely sympathetic character. His innate sense of justice and humanity shines through everything he does. For instance, the kindness he shows towards Didi, a young beggar. And his instinctive desire to help those in trouble will reap rewards at crucial points.

Although there are brutal scenes at some points in the story, there’s also humour particularly towards the end of the book as Hamou takes up a new role and is presented with some tricky problems to solve. There was even a laugh out loud moment, which rarely happens for me.

The author’s love for Morocco, its people and its culture is evident throughout the book. (You can read about her very special – and romantic – connection with the country on her website.) In particular, there are wonderful (and mouth-watering) descriptions of the food of Morocco but also of its landscape, architecture, traditions, social and religious customs and rich history. The strong sense of community in which ties of blood are of particular importance is exemplified by Hamou’s family. But there is also a sense of change in the air, a transition from old ways to more modern ways, with some things lost in the process but others gained.

I’ve enjoyed all the books I’ve read by Jane Johnson – Court of Lions, The Sea Gate and The White Hare – but I think The Black Crescent is her best yet. It had everything I look for in historical fiction: a fascinating period setting, an engaging central character and a compelling story line that transported me to a different time and place. And, for me, it had the perfect ending.

In three words: Immersive, powerful, assured


About the Author

Jane Johnson is a British novelist, historian and publisher. She is the UK publisher of many bestselling authors, including George R.R. Martin. She has written for both adults and children, including the bestselling novels The Tenth Gift and The Salt Road. Jane is married to a Berber chef she met while climbing in Morocco. She divides her time between London, Cornwall and the Anti-Atlas Mountains.

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