Tag: literary fiction

#BookReview A Thousand Moons by Sebastian Barry

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A Thousand MoonsAbout the Book

Even when you come out of bloodshed and disaster in the end you have got to learn to live.

Narrated by Winona – the young Lakota orphan adopted by soldiers Thomas McNulty and John Cole in Days Without End – A Thousand Moons continues Sebastian Barry’s extraordinary fictional exploration of late nineteenth century America.

Living with Thomas and John on the farm they work in 1870s Tennessee, educated and loved, Winona is employed by the lawyer Briscoe in the nearby town of Paris, as she tries to forge a life for herself beyond the violence and dispossession of her past. But the fragile harmony of this shared world, in the aftermath of the Civil War, is soon threatened by a further traumatic event, one which Winona struggles to confront let alone understand.

Format: Hardcover (272 pages)        Publisher: Faber & Faber
Publication date: 19th March 2020 Genre: Historical Fiction, Literary Fiction

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My Review

A Thousand Moons is the follow-up to Days Without End, a book I read in 2017 and absolutely loved.  It also won The Walter Scott Prize for Historical Fiction that year. A Thousand Moons continues the story of John Cole and Thomas McNulty but told from the point of view of Winona, the orphaned Indian girl they adopted. Although A Thousand Moons can be read as a standalone, I think you would be missing a literary treat in not reading Days Without End.

In a recent Faber Members’ Q&A, Sebastian Barry was asked if, when he completed Days Without End, he knew at that point he would write Winona’s story from her point of view in his next novel. He said he didn’t think so, partly because he wouldn’t dare to think he could, being in his words “a straight, white, old, Irish man”. However, he describes how Winona seemed to decide it for him, creeping very quietly into his workroom and instructing him to start. He said, “I borrowed a smidgen of her great courage and did.”

I think in that answer Sebastian Barry sums up his key achievement in A Thousand Moons, that of creating a distinctive and engaging narrative voice for Winona and communicating her resolve to take control of her life.  For the latter, she calls on the legacy of her mother and her Lakota heritage, recalling “Oh, but was I not the niece of a great leader, and the daughter of a warring woman?” And she has need of that courage when a dramatic event occurs which she scarcely understands but which she senses threatens the safety of the life John and Thomas have made for themselves.

“I come from the saddest story that ever was on the earth.  I’m one of the last to know what was taken from me and what was there before it was taken.” Along with everything she’s endured up until now, Winona has no illusions about her low status and the prejudice (and worse) she still faces. “The world wanted bad things to happen to Indian girls.” As she learns, an Indian isn’t regarded as a citizen and therefore has no protection from the law.

What I particularly liked about the book is the heartfelt, wise and non-judgmental view Winona gives the reader of the loving relationship between John Cole and Thomas McNulty.  “Their love was the first commandment of my world – Thou shalt hope to love like them.”  There is also a fabulous set of secondary characters all of whom, like Winona, Thomas and John, are in some way outsiders. Theses including Lige Magan, owner of the farm and Rosalee Bougereau and her brother, Tennyson, both ex-slaves.    A particularly lovely scene is the celebrations on the farm for Whit Monday when having feasted on roast sucklin pig, Lige picks up his fiddle, Thomas McNulty dons a dress from his performing days, Rosalee sings songs and Winona performs Lakota dances. It’s a time, Winona reflects, “when love was palpable between us. And the way that John Cole touched Thomas”s back as the two of them stood watching in the long shadows of May.”

Thomas and John’s love is also directed towards Winona, for which she is daily grateful, musing “How was I so lucky to have these good-as-women men?”  However, the reader is reminded there can be a good and bad side to everyone. As depicted in Days Without End, Thomas and John were both soldiers involved in violence against the Lakota tribe. Yet they also killed to protect Winona and took her in to become part of their unconventional ‘family’.

As you might expect from a book by Sebastian Barry there is some wonderful writing.  For example, Winona’s description of herself as “a fragment, a torn leaf, torn away from the plains” or her description of her ‘mother and father’ (as she has come to think of them), “John Cole, the keel of my boat. Thomas the oars and the sails.”

There is a lot to love about A Thousand Moons.  My one slight reservation was I found the way the repercussions of the dramatic event referred to earlier was wrapped up a little rushed and unconvincing. However, the final scene was everything I hoped for. 

I received an advance review copy courtesy of Faber & Faber via NetGalley.

In three words: Moving, assured, insightful

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SebastianBarryAbout the Author

Sebastian Barry was born in Dublin in 1955. His novels and plays have won, among other awards, the Kerry Group Irish Fiction Prize, the Costa Book of the Year award, the Irish Book Awards Best Novel, the Independent Booksellers Prize and the James Tait Black Memorial Prize. He also had two consecutive novels, A Long Long Way (2005) and The Secret Scripture (2008), shortlisted for the MAN Booker Prize. He lives in Wicklow with his wife and three children. (Photo/bio credit: publisher author page)

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#BlogTour #BookReview The Far Field by Madhuri Vijay @MidasPR @groveatlantic @dylanthomprize #SUDTP20

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Blog-Tour-Begins

Welcome to today’s stop on the mega blog tour celebrating the authors on the longlist for the Dylan Thomas Prize 2020. I’m delighted to bring you my review of one of the longlisted books – The Far Field by Madhuri Vijay. My thanks to Martina at Midas PR for inviting me to take part in the tour and for my review copy.

Look out for the announcement of the shortlist on 7th April. Ensure you don’t miss a thing by following the hashtag #SUDTP20 on Twitter.

If you missed it, you can also read my review here of another of the longlisted books, On Earth We’re Briefly Gorgeous by Ocean Vuong.

Dylan Thomas Prize TimetableAbout the Dylan Thomas Prize

Launched in 2006, the annual Swansea University International Dylan Thomas Prizeis one of the most prestigious awards for young writers, aimed at encouraging raw creative talent worldwide. It celebrates and nurtures international literary excellence.

The £30,000 Prize is awarded to the best published literary work in the English language, written by an author aged 39 or under.

The Far FieldAbout the Book

In the wake of her mother’s death, Shalini, a privileged and restless young woman from Bangalore, sets out for a remote Himalayan village in the troubled northern region of Kashmir. Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him.

But upon her arrival, Shalini is brought face to face with Kashmir’s politics, as well as the tangled history of the local family that takes her in. And when life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could hold dangerous repercussions for the very people she has come to love.

Format: Paperback (464 pages)          Publisher: Grove Press
Publication date: 2nd January 2020 Genre: Literary Fiction

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Purchase links*
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*links provided for convenience not as part of an affiliate programme

My Review

The book switches back and forth in time between Shalini’s memories of her childhood and the visits of Bashir Ahmed, and her journey to Kashmir to try to track him down following her mother’s death. It’s skilfully plotted so there’s always more to be revealed and there is a tantalising sense of tension throughout. I expect I’m not the only reader who had a disturbing sense of history potentially repeating itself at certain moments.

The author brilliantly conveys the tensions within Shalini’s family, in particular her mercurial mother who can change from charming to disdainful in a moment, what Shalini refers to as her mother’s ‘lightning switch from one self to another.’ It’s something her father finds difficult to handle.  With Bashir Ahmed and her mother, it’s a different matter. Shalini recalls, ‘Looking back, I can see that something powerful occurred in that moment and it still astonishes me all these years later: Bashir Ahmed understood in about five minutes what took my father decades‘.

Like some three dimensional chess game, Shalini recalls her younger self’s struggle to make sense of ‘these shifting, traitorous pieces – mother, visitor, father – trying to keep track of their masked sentences, their mutable moods, waiting for a clear sign of what my next move should be.’ The burden of keeping secrets is also evident. Shalini reflects, ‘I thought of all the secrets I had carried as far back into my childhood as I could remember. I felt them pile one on top of another, suffocating me.’ However, perhaps some secrets are best left buried.

The author’s acute observation of the way in which people interact is memorably displayed in a scene depicting what must surely be the most ill-judged dinner party in history.

I loved the descriptions of the small Kashmiri village where Bashir Ahmed’s family live and the details of everyday life. ‘…The houses were flung wide upon the mountainside, like a handful of brightly coloured toys tossed by a careless hand, separated by narrow rocky ridges and terraced cornfields.’ The generous hospitality offered to Shalini both by Bashir Ahmed’s family, and earlier by Abdul Latief and his wife, Zoya, shows how this is embedded in Indian culture. However, the tension between the different religious communities and the shadow of past events are always in the background, as Shalini will discover as she faces difficult decisions about her future and comes face to face with the realities of life in Kashmir. The contrasts are stark: ‘...this place, these people, this life, with its secrets and its violence, its hardness and its beauty.’

One of the question the book poses is whether the impulse to act is always the wisest option, even for the best of intentions. “Isn’t that the important thing, to do something?” Shalini insists at one point. On the other hand, is the price of not acting just as high? Shalini’s experiences lead her to conclude that, in her family at least, ‘Ours has always been a story of cowardice, of things left unsaid.’ The book also reveals the unintended consequences on others of our actions. In Shalini’s case, this is manifested in a quite devastating way.

The Far Field is the sort of book I love: great writing, a compelling story that immerses me in the lives of its characters, and that gives me an insight into the culture and history of an area of the world about which I knew little. I am grateful to the Dylan Thomas Prize and Midas PR for the opportunity to read a book I might not otherwise have come across. It certainly deserves its place on the longlist, I hope it makes the shortlist and I would love to see it win.

In three words: Assured, acutely-observed, compelling

Try something similar: The Storyteller by Pierre Jarawan

Madhuri-VijayAbout the Author

Madhuri Vijay was born and raised in Bangalore. She is the recipient of a Pushcart Prize, and her writing has appeared in Best American Non-Required Reading, Narrative Magazine, and Elle India, among other publications.

The Far Field is her first book. She currently lives in Hawaii. [Photo credit: Dylan Thomas Prize/Manvi Rao]

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