#BookReview Best of Friends by Kamila Shamsie

Best of FriendsAbout the Book

Fourteen-year-old Maryam and Zahra have always been the best of friends, despite their different backgrounds. Maryam takes for granted that she will stay in Karachi and inherit the family business; while Zahra keeps her desires secret, and dreams of escaping abroad.

This year, 1988, anything seems possible for the girls; and for Pakistan, emerging from the darkness of dictatorship into a bright future under another young woman, Benazir Bhutto. But a snap decision at a party celebrating the return of democracy brings the girls’ childhoods abruptly to an end. Its consequences will shape their futures in ways they cannot imagine.

Three decades later, in London, Zahra and Maryam are still best friends despite living very different lives. But when unwelcome ghosts from their shared past re-enter their world, both women find themselves driven to act in ways that will stretch and twist their bond beyond all recognition.

Format: Hardback (336 pages)               Publisher: Bloomsbury
Publication date: 27th September 2022 Genre: Literary Fiction

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My Review

This was a book of two halves for me. I really enjoyed the first section set in Karachi in 1988 in which we meet Zahra and Maryam as teenagers.

Although close friends, there are already signs of differences between them: social, financial and in terms of outlook on life.  As part of a wealthy and influential family, Maryam’s future path seems clear, whereas Zahra’s future will depend on her gaining a scholarship through her own efforts.  And where Maryam tends to see things in absolutes, Zahra possesses a more thoughtful and enquiring outlook. ‘There were things Zahra wanted from the world that Maryam didn’t understand’. What they do share is a growing awareness of their own physicality and sexual allure. However they live in a society in which, as Maryam observes, ‘Men strode, owning the world. Women walked with smaller steps, watched and watchful’.  The event that occurs after a party may seem relatively trivial to us but it has serious repercussions for Maryam and Zahra, a shameful breach of social conventions. It changes the path Maryam has confidently expected her life to take and also sows a little seed of resentment about Zahra’s role in how events played out that evening. For Zahra, the feeling of terror she experienced is an unwelcome reminder of the fears she has for her father’s safety from the dictatorial government of General Zia.

The politics of Pakistan play an interesting role in this part of the book. The death of General Zia in a plane crash relieves Zahra’s fears for her family but also gives her a sense of empowerment and of new possibilties as a result of the election of Benazir Bhutto as Prime Minister. ‘She’d felt different since Benazir’s inauguration. A woman was in power.’

Teenage Maryam asks Zahra, ‘What do you think we’ll be doing at forty?’ The second part of the book, set in London in 2019, answers that question. Two newspaper interviews with each woman describe events in their life in the intervening years. Maryam, a millionaire at 26, is now the head of a venture capital firm with a financial interest in, amongst other things, a video and photo sharing application making use of ‘face tagging’ technology. Zahra, formerly a successful barrister, is now head of the Centre for Civil Liberties. Maryam is optimistic about the new (we presume Conservative) government. Zahra opposes government policies, including around the use of facial recognition technology. For me, the potential for conflict between them felt a little too contrived. It seemed strange they should have stayed friends given their views and values differ so fundamentally.  Perhaps the most resilient link between them is Maryam’s daughter, Zola, who is Zahra’s goddaughter.

When the event that occurred in Karachi all those years ago raises its head once more it introduces an element of drama. Both women seem to view the event as a pivotal, defining moment in their lives. ‘All that shame and fear we carry around from childhood.’ This felt an over-exaggeration to me given both women have achieved success in their lives subsequently. Their responses to this perceived new ‘threat’ are markedly different. Maryam’s response is to use her power and influence to rid herself of the problem using ‘older forms of justice’. Zahra’s response is rather bizarre, akin to an act of emotional self-harm. Confronting the issue and the way they have each responded to it, brings out deep-seated and long hidden resentments that seem likely to destroy the friendship for ever. ‘It was so easy, too easy, for each of them to draw blood; they knew all the exposed places, the armour chinks and the softness of the belly beneath.’

Early in the book when Zahra detects that Maryam has told her a lie, she observes, ‘A drift had begun, which would only grow as the years went on. Deep down they both knew that no one had the kind of friendship when they were forty that the two of them had at fourteen’. Essentially the second part of the book is the playing out of that drift, a rather slow playing out it has to be said.

Even if I wasn’t enamoured with the second part of the book, I acknowledge there is some great writing. For example, I loved the early scenes in Karachi which gave a great sense of what life there was like in the 1980s. And a scene towards the end of the book in which Zahra visits a detention centre for people refused leave to remain stands out because of the way it reveals the harsh realities of the UK immigration system and the malign power of political influence.

I received a proof copy courtesy of Bloomsbury via Readers First.

In three words: Insightful, assured, intimate


Kamila ShamsieAbout the Author

Kamila Shamsie was born and grew up in Karachi, Pakistan. Her most recent novel Home Fire won the Women’s Prize in 2018. It was also longlisted for the Man Booker Prize 2017, shortlisted for the Costa Best Novel Award and DSC Prize, and won the London Hellenic Prize.

She is the author of six previous novels: In the City by the Sea (shortlisted for the John Llewelyn Rhys Prize); Salt and Saffron; Kartography (also shortlisted for the John Llewelyn Rhys Prize) Broken Verses; Burnt Shadows, shortlisted for the Orange Prize for Fiction and winner of the Premio Boccaccio (Italy) and the Anisfield-Wolf Award (US); and A God in Every Stone, shortlisted for the Women’s Baileys Prize, the Walter Scott Prize and the DSC Prize. Three of her novels have received awards from Pakistan’s Academy of Letters and her work has been translated into over 25 languages.

Kamila Shamsie is a Fellow of the Royal Society of Literature and was named a Granta Best of Young British Novelist in 2013. She is a professor of creative writing at the University of Manchester and lives in London. (Photo: Twitter profile)

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#BookReview Seek The Singing Fish by Roma Wells

Cover Image Seek The Singing FishAbout the Book

Growing up in the lagoon town of Batticaloa, a young girl, with an unquenchable curiosity and love of the natural world, is entangled in the trauma and turmoil of the Sri Lankan civil war.

Uprooted from everything she holds dear, tragedy and betrayal set in motion an unforgettable odyssey.

Torn from east to west, struggling with what it means to belong, she desperately seeks a way home to the land of the singing fish.

Format: Paperback (320 pages)    Publisher: époque press
Publication date: 23rd June 2022 Genre: Literary Fiction

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My Review

The protagonist of the book is Mila, a young Sri Lankan girl. The fact that Mila directly addresses the reader, whom she has named ‘Shi’ meaning breath of life, gives the book a very intimate feel.

The author confides that she has always been magnetised by the concept of refuge and Mila’s earliest refuge is her father’s library, his ‘inky jungle’, a place crammed full of books, a ‘forest of reworked trees’. The room also contains Mila’s own personal little hideaway. Her father’s stories and the facts he relates from his encyclopedia feed Mila’s curiosity and thirst for knowledge. She develops a passionate interest in animals, both vertebrate and invertebrate, transfixed by the intricacies of their anatomical structure and habits. Comparisons between animal and human behaviour become a key part of how she sees the world. So a shop owner who has set up a line of teddy bear ‘customers’ for her toddler to practice serving reminds Mila of the way meerkats teach their pups to hunt, and a man singing songs that his listeners later find themselves humming calls to mind how humpback whales spread their melodies to other whales far across the ocean.

Although we sometimes talk about people behaving like animals very rarely does animal behaviour descend to the level of cruelty inflicted by humans, as Mila soon discovers. The peace of her childhood is disrupted in the most profound way when the Sri Lankan civil war reaches her home town of Batticaloa.  The comparison between the natural beauty of the country and the ugliness of war is starkly depicted.

Suddenly Mila is alone and forced to fend for herself. ‘War strips and chews away everything you’re sure of and vomits out a perturbing sort of uncertainty.’ Betrayed by someone who preys on Mila’s vulnerability, she finds herself thousands of miles from home, a victim of modern slavery.  The next few years test Mila’s strength of will and resilience. Unwilling to trust any offer of help in case it ends in another betrayal, she lives a hand to mouth existence on the streets where every day is a struggle to survive.

Eventually she finds a refuge, one that neatly echoes her father’s library. It’s a place that not only provides her with a place of safety and a space to heal but offers her literary nourishment. ‘Chunky stewing tomes and spines that flaked away like almond shavings. Old, new, spiced and crumbling fellows, all bustling together; real breathing books.’  Gradually Mila is coaxed out of the shell she has contructed around herself and presented with the possibility of returning home to Sri Lanka.  However, there is a further journey for Mila to make and a discovery that will bring home the terrible cost of war, whilst also demonstrating that with time and patience there is the possibility of healing.

It is impossible to write a review of Seek The Singing Fish without mentioning the beautiful, lush prose that seems to flow effortlessly from the author’s pen. For example, this mouthwatering description of wares displayed in a local market. ‘Cashew apples, avocado, and sweet citrus carambola oozed beside guavas, pineapples and spiky rambutan. Possum purple passionfruit jostled with jackfruit, plump mangos beamed by breadfruit while red lady papayas sang sweetly to passing nostrils.’ Don’t you just love the image of fruit jostling, beaming or singing?

As Mila warns the reader at the beginning of the book, it’s not a ‘polished little tale wrapped neatly in a bow but an untamed eruption’. Mila’s story is harrowing at times, not least because it is based on real life experiences, but it is infused with an appreciation for the natural world.  I thought Seek The Singing Fish was a hugely impressive debut novel.

My thanks to Seán at époque press for my digital review copy.

In three words: Powerful, moving, lyrical

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Roma WellsAbout the Author

Roma Wells is a Sri Lankan and Irish writer with a family heritage entwined with wild animals and sectarian conflict. Roma studied International Relations at Cambridge University and has worked in journalism, foreign affairs and international development. She is happiest scribbling under trees and at home you will find her bonding with an array of local wildlife. Seek The Singing Fish is Roma’s debut novel.

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