The Winston Graham Historical Prize 2026 @Cornwall_Museum @ardevor #WGHPrize

It’s a busy time of year for literary prizes, whether it’s the announcement of winners (The Baillie Gifford Prize for Nonfiction, The Booker Prize), the publication of longlists and shortlists, or the closing dates for submission of entries (The Women’s Prize for Fiction/Nonfiction 2026, The Walter Scott Prize for Historical Fiction 2026). Also in the latter category is The Winston Graham Historical Prize 2026, entries for which closed on 1st October.

Author Winston Graham
Winston Graham

The Prize is the result of a bequest by Winston Graham, author of the Poldark series, to the Royal Institute of Cornwall, the charity which runs the Cornwall Museum & Art Gallery in Truro. Winston Graham researched many of his bestselling novels in the Royal Cornwall Museum’s Courtenary Library. Originally limited to books set in Cornwall or the South West, the Prize was relaunched in 2024 with a nationwide scope.

To be eligible for the 2026 Prize, novels must have been published in the UK between 30 September 2024 and 30 September 2025, set at least 60 years ago in the UK and Ireland with a strong sense of place, and written by authors resident in the UK. The prize is unusual in that the shortlist is created by a Readers’ Committee who whittle down the entries to just a handful of novels.

Last year’s prize was awarded to Andrew Miller’s novel The Land in Winter, which also won the Walter Scott Prize for Historical Fiction 2025 and is shortlisted for the Booker Prize. Many of the books on last year’s shortlist I’ve either read or have in my TBR pile.

Previous winners of the Winston Graham Historical Prize include Benjamin Myers for Cuddy, Kayte Nunn for The Botanist’s Daughter, Ian Mortimer for The Outcasts of Time and Martin Sutton for Lost Paradise.

The shortlist for the 2026 Prize will be published in January (something for us fans of historical fiction to look out for) and the winner, determined by a judging panel chaired by author Charlotte Hobson, will be announced at a ceremony at the Cornwall Museum & Art Gallery in March.

My bookish chat with Ross Gilfillan, author of In Leicester Fields

I’m delighted to welcome back author Ross Gilfillan to What Cathy Read Next. Ross’s historical novel, In Leicester Fields, was published on 26th September 2025 and is available to purchase now in paperbook or as an ebook. Read on as I chat to Ross about the main characters, his research and his writing heroes.

About the Book

London, 1783. Dying artist Henry Grace seeks redemption for unspeakable crimes committed with a secret society, but his act of atonement threatens the city’s most powerful men.

When fiery female apprentice Michel Angelo and Grub Street journalist Morris “Mouse” Malone investigate Grace’s final masterpiece, they are drawn into a world of scandal, opium and murder that stretches from the stark wards of the Foundling Hospital to the artists’ salons of Paris and Venice.

Find In Leicester Fields on Goodreads

Q&A with Ross Gilfillan, author of In Leicester Fields

Q. Can you give us brief pen pictures of your main characters?

Henry Grace, a celebrated artist torn apart by guilt. Michel Angelo, his fiery female apprentice. Mouse Malone, a journalist on The Enquirer, a Grub Street newspaper.  Osiris De’Ath, a charismatic force for evil. 

At the start of In Leicester Fields we briefly encounter the bricklayer, who acts like the Chorus or Prologue in a play. You can read an excerpt that illustrates his role here.

Q. Can you tell us some more about Henry Grace?

There was a time, and not so long ago, when Henry was a handsome young man and a much sought-after painter. Following a Grand Tour taken some years ago, Henry did something which gave his painting a sudden and much talked-about depth. What Henry did brought him riches and fame but also plunged him into a terrible morass of consuming and inescapable guilt. To make atonement for his sins, he takes up his paintbrush and, sequestered in his attic room, begins painting a secret, epic masterpiece which will serve as his own confession and an indictment of his accomplices. He works in darkness alleviated only by a thin strip of light for reasons the reader will discover.

Q. The book is set in 18th century London. What do you think is the secret of creating a strong sense of time and place?

It has always been profoundly important for me to create a credible sense of time and place. I want the reader to see the streets and people as they might have been viewed at the time and to do this convincingly takes research and in my case, one or two visual aids. Tacked-up on my writing-room wall in Suffolk is a hugely detailed 6′ x 4′ map of London as the cartographer John Roque mapped it in the mid-eighteenth century and using this I’m able to walk my characters past buildings which were landmarks of that time and to have them inhabit streets that have long since been erased by development.

Q. How did you go about your research for the book?  Did you discover anything that surprised you during your research?

Most of my research necessarily comes from books rather than the internet. Research is immensely important not only because it lends credibility and prevents accidental anachronisms. On several occasions, I have unearthed absolute treasure, something which took my breath away and sent the novel off in a new and exciting direction. It was just such a discovery which gave In Leicester Fields its dark centre. Researching 18th century remedies for syphilis – some of which left the patients in a worse condition – I stumbled across a measure so evil and so desperate it left me shocked, but equally certain that this was the very thing to account for Henry Grace’s unbearable burden of guilt.

Q. Do you have any writing heroes?

I remember enjoying 18th century writers such as Samuel Richardson, Henry Fielding, Richard Sheridan and Laurence Sterne. I love a novel that opens with brooding darkness and uncertainty. This probably comes from my love of Charles Dickens. My personal writing heroes are mainly 19th century English, European and American writers but I also like a lot of contemporary writing. I’m presently reading Marilynne Robinson’s Housekeeping

About the Author

Ross Gilfillan is an established literary novelist and former Daily Mail book reviewer (1998–2009). The Snake-Oil Dickens Man was 4th Estate’s lead fiction title at the Frankfurt Book Fair and sold at auction. His second novel, The Edge of the Crowd, was runner-up for the Encore Award for Best Second Novel. After completing a non-fiction title, Crime and Punishment in Victorian London, and debuting in crime fiction with The Capos Daughter (Rampart Books, 2025) under his pseudonym J.R. Fillan, Gilfillan now returns to his roots in literary historical fiction with the devastating In Leicester Fields.

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