#BookReview A Tree Grows In Brooklyn by Betty Smith @ourclassicsclub

A Tree Grows in BrooklynAbout the Book

The Nolan family are first-generation immigrants to the United States. Originating in Ireland and Austria, their life in the Williamsburg slums of Brooklyn is poor and deprived, but their sacrifices make it possible for their children to grow up in a land of boundless opportunity.

Francie Nolan is the eldest daughter of the family. Alert, imaginative and resourceful, her journey through the first years of a century of profound change is difficult – and transformative. But amid the poverty and suffering among the poor of Brooklyn, there is hope, and the prospect of a brighter future.

Format: Paperback (496 pages)                         Publisher: Cornerstone
Publication date: 17th September 1992 [1943] Genre: Literary Fiction, Modern Classics

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My Review

It’s always tricky to write a review of a book that so many people love and that is regarded as a modern classic. Having now joined the ranks of admirers of the book, I thought I’d share just a few of the things I especially loved about the book.

  • Completely identifying with young Francie’s love of reading: “She read everything she could find: trash, classics, timetables and the grocer’s price list.”
  • How the neighbourhood is brought to life: Francie’s and her brother Neeley’s Saturday morning trips to the ‘junkie’ to sell rubbish they’ve collected during the week followed by a visit to Cheap Charlie’s penny candy store; the musicians, pretzel seller and organ grinder who visit their street from time to time.
  • Learning of occupations you didn’t know existed, such as singing waiters.
  • The multicultural nature of early 20th century New York with Jewish, Irish and other nationalities living side by side.
  • The strong female characters. “Those were the Rommely women: Mary, the mother, Evy, Sissy, and Katie, her daughters, and Francie, who would grow up to be a Rommely woman even though her name was Nolan. They were all slender, frail creatures with wondering eyes and soft fluttery voices.  But they were made out of thin invisible steel.”
  • The way the book is a love letter to Brooklyn: ‘She looked out over Brooklyn. The starlight half revealed, half concealed. She looked out over the flat roofs, uneven in height, broken once in a while by a slanting roof from a house left over from older times. The chimney pots on the roofs…and on some, the shadows looking of pigeon cotes… sometimes, faintly heard, the sleepy cooing of pigeons… the twin spires of the Church, remotely brooding over the dark tenements.. And at the end of their street, the great Bridge that threw itself like a sigh across the East River.’
  • The theme of resilience and overcoming adversity, epitomized by the tree of the book’s title. Katie: “Look at that tree growing there out of that grating. It gets no sun, and water only when it rains. It’s growing out of sour earth. And it’s strong because its hard struggle to live is making it strong. My children will be strong that way.”  
  • The power of a book to take Francie, as so many other readers, to other worlds. ‘Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she was tired of quiet hours. There would be love stories when she came to adolescence and, when she wanted to feel a closeness to someone, she could read a biography,’
  • Imagining the mischievous smile on Betty Smith’s face as writes the following section in which her teacher responds to Francie’s choice of subject matter for a composition competition. “But poverty, starvation and drunkenness are ugly subjects to choose.  We all admit these things exist.  But one doesn’t write about them.”
  • The echoes of Hitchcock’s film Rear Window in the view Francie has into neighbouring apartments on a Saturday night. ‘Through the leaves, she looked into the open uncurtained windows and saw growlers being rushed out and returned overflowing with cook foaming beer. Kids ran in and out, going to and returning from the butcher’s, the grocer’s and the baker’s. Women came in with bulky hock-shop bundles. The man’s Sunday suit was home again.  On Monday, it would go back to the pawnbroker’s for another week… Francie saw young girls making preparations to go out with their fellers. Since none of the flats had bathrooms, the girls stood before their kitchen sinks in their camisoles and petticoats, and the line the arm made, curved over the head while they washed under the arm, was very beautiful.’

As you may have gathered, I loved my time spent with the Nolan family. A Tree Grows in Brooklyn is a book from my Classics Club list. In fact, I’ll confess it’s a book I was supposed to read for a Classics Club spin – and not even the last one, but the one before that. Worth the wait.

In three words: Absorbing, emotional, inspiring

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Betty SmithAbout the Author

Betty Smith was born Elisabeth Wehner on December 15, 1896, the same date as – but five years earlier than – her fictional heroine Francie Nolan. The daughter of German immigrants, she grew up poor in the Williamsburg section of Brooklyn, the very world she recreates with such meticulous detail in A Tree Grows in Brooklyn. Smith also wrote other novels and had a long career as a dramatist, writing one-act and full-length plays for which she received both the Rockefeller Fellowship and the Dramatists Guild Fellowship. She died in 1972. (Photo credit: Publisher author profile)

#BookReview Daughters of Night by Laura Shepherd-Robinson @MantleBooks

Daughters of NightAbout the Book

Lucia’s fingers found her own. She gazed at Caro as if from a distance. Her lips parted, her words a whisper: ‘He knows.’

London, 1782. Desperate for her politician husband to return home from France, Caroline ‘Caro’ Corsham is already in a state of anxiety when she finds a well-dressed woman mortally wounded in the bowers of the Vauxhall Pleasure Gardens. The Bow Street constables are swift to act, until they discover that the deceased woman was a highly-paid prostitute, at which point they cease to care entirely. But Caro has motives of her own for wanting to see justice done, and so sets out to solve the crime herself. Enlisting the help of thief-taker, Peregrine Child, their inquiry delves into the hidden corners of Georgian society, a world of artifice, deception and secret lives.

But with many gentlemen refusing to speak about their dealings with the dead woman, and Caro’s own reputation under threat, finding the killer will be harder, and more treacherous than she can know . . .

Format: Hardcovere (592 pages)         Publisher: Mantle
Publication date: 18th February 2021 Genre: Historical Fiction, Crime, Mystery

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My Review

In my review of Laura Shepherd-Robinson’s first book, Blood & Sugar, I recall mentioning how good it would have been for Caroline, wife of the novel’s protagonist Harry Corsham, to have had a bigger role. And do you know what, in Daughters of Night I got my wish!

Teaming up with thief-taker, Peregrine Child, Caroline – known as ‘Caro’ – sets out to investigate the death of the woman she believed to be an Italian Countess but whose real identity was somewhat different.  They make a great partnership with Peregrine especially admiring of Caro’s questioning skills, likening it to ‘having Torquemada on your team’. What their enquiries reveal is that firstly, no-one in authority particularly cares about solving the murder and secondly, there are those who definitely do not want any light shone on their activities.  Despite the risks to their reputations (such as remain), to their lives and those of their loved ones, Peregrine and Caro press on with their investigation, uncovering some very sordid secrets in the process. Despite pressure from her family, Caro remains defiant to the end, managing to bring about her revenge on the culprits in her own way.

Daughters of Night positively oozes period atmosphere, transporting the reader from the bowers and pathways of the Vauxhall Pleasure Gardens to the taverns, coffee-houses and “fleshpots” of Covent Garden.  It was fascinating to discover the existence of things such as ‘Puss and Mew’ shops (illegal gin shops) and mixed doubles boxing matches.  Equally fascinating, but rather more distasteful, was learning about the varieties of brothels that existed in Georgian London including ‘posture houses’ where girls posed naked and ‘tableaux houses’ where young girls acted out classical scenes before audiences of men, often in order to solicit bids for their virginity.   The book reveals there existed a hierarchy of prostitutes with those at the top of their ‘profession’ becoming celebrities of their day.

Daughters of Night is another hugely impressive historical crime novel from the pen of Laura Shepherd-Robinson. Its intricate plot, with its twists and turns, kept me glued to the book until the final page. And was it my imagination or were Caro’s closing thoughts a nod to those of another famous literary heroine, Scarlett O’Hara? “There will be a plan, she told herself. I just haven’t thought of it yet. Let tomorrow bring what it will bring.” I’m sure I’m not the only reader keen to find out what tomorrow does bring for Caro.  Although Laura has revealed her next novel will be a standalone historical mystery, she also hasn’t ruled out a return for Harry and Caro at some point.  Fingers crossed from this reader.

I received a digital review copy courtesy of Mantle Books via NetGalley, although having seen the gorgeous hardcover with its fabulous endpapers, I may have to treat myself when my first post-lockdown trip to a bookshop finally comes about.

In three words: Gripping, atmospheric, immersive

Try something similar: To The Dark (Simon Westow #3) by Chris Nickson

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Laura Shepherd-RobinsonAbout the Author

Laura Shepherd-Robinson was born in Bristol in 1976. She has a BSc in Politics from the University of Bristol and an MSc in Political Theory from the London School of Economics. Laura worked in politics for nearly twenty years before re-entering normal life to complete an MA in Creative Writing at City University. She lives in London with her husband, Adrian.

Blood & Sugar, her first novel, won the Historical Writers’ Association Debut Crown, was a Waterstones Thriller of the Month, and a Guardian and Telegraph novel of the year. It was also shortlisted for the Crime Writers’ Association John Creasey (New Blood) Dagger and the Sapere Historical Dagger; and the Amazon Publishing/Capital Crime Best Debut Novel. (Photo/bio credit: Author website)

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