Book Review – The Prisoner of Zenda by Anthony Hope @ourclassicsclub #ccspin

About the Book

English gentleman Rudolph Rassendyll bears a striking resemblance to Rudolf Elphberg who is about to be crowned King of Ruritania. When the rival to the throne, Black Michael of Strelsau, attempts to seize power by imprisoning Elphberg in the Castle of Zenda, Rassendyll is obliged to impersonate the King to uphold the rightful sovereignty and ensure political stability.

Rassendyll endures a trial of strength in his encounters with the notorious Rupert of Hentzau, and a test of a different sort as he grows to love the Princess Flavia.

Format: Audiobook (5h 31m) Publisher: Audible
Publication date: 24th August 2008 [1894] Genre: Classics

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My Review

The Prisoner of Zenda was the book chosen for me in the latest Classics Club Spin. First published in 1894, the book has been filmed five times. The Prisoner of Zenda is set in the fictional country of Ruritania, located somewhere in Central Europe. It actually spawned a genre, the ‘Ruritanian romance’, inspiring many similar books.

English gentleman Rudolf Rassendyll, distantly related to the ruling house of Ruritania, and having nothing better to occupy himself with, travels from London to witness Rudolf Elphberg being crowned King of Ruritania. Rassendyll bears an uncanny resemblence to the King, notably his shock of red hair, and when the King is drugged and kidnapped by his brother, the Duke of Strelsau (known by the soubriquet ‘Black Michael’), Rassendyll takes the King’s place. He carries it off with aplomb, no-one noticing the swap, not even the Princess Flavia whom the King has been expected to wed. Black Michael of course knows about the deception but cannot reveal it without exposing himself as the kidnapper of the King.

Despite his best efforts, Rassendyll falls in love with Princess Flavia but there is a rival for her affections – Black Michael. When Michael’s mistress learns of this, she reveals to Rassendyll the location where the King is being kept prisoner – the Castle of Zenda. Rassendyll and his compatriots embark on a mission to free the King from the seemingly impregnable castle. To do this they must overcome ‘The Six’, highly skilled mercenaries employed by Black Michael. One of these is the dashing Rupert of Henzau, the subject of the book’s sequel.

The Prisoner of Zenda is an enjoyably swashbuckling adventure. It’s a story in which the women are beautiful, the villains are dastardly and there are narrow escapes galore. I was reminded of John Buchan’s description of what he referred to as his ‘shockers’, such as The Thirty-Nine Steps, as tales ‘where the incidents defy the probabilities, and march just inside the borders of the possible’.

As it happens Buchan wrote his own homage to The Prisoner of Zenda, his 1935 novel The House of the Four Winds, set in the fictional country of Evallonia. Ursula Buchan, Buchan’s granddaughter and biographer, described it as ‘probably JB’s worst novel’ and as ‘Ruritania without the charm’. I’m afraid I felt much the same when I read it.

I listened to the audiobook version ably narrated by James Wilby.

About the Author

Sir Anthony Hope Hawkins was born in 1863 and was a prolific writer of adventure novels although he is best known for The Prisoner of Zenda (1894) and its sequel Rupert of Henzau (1898).

Hope trained as a lawyer and barrister but eventually turned to writing. His short pieces appeared in periodicals but he was forced to self-publish his first novel. It is said the idea for The Prisoner of Zenda came to him whilst walking in London, completing the first draft in just a month.

Hope wrote and co-wrote many plays and political non-fiction during the First World War, some for the Ministry of Information. He died in 1933.

Book Review – Ravenglass by Carolyn Kirby @novelcarolyn @northodoxpress

About the Book

In 18th century Whitehaven, Kit Ravenglass grows up in a house of secrets. A shameful mystery surrounds his mother’s death, and his formidable, newly rich father is gambling everything on shipping ventures. Kit takes solace in his beloved sister Fliss, and her sumptuous silks, although he knows better than to reveal his delight in feminine fashion. As the family’s debts mount, Kit’s father turns to the transatlantic slave trade – a ruthless and bloody traffic to which more than a fortune might be lost.

At a private Naval Academy, Kit is jolted into unruly boyhood and scandal before his first taste of life at sea. Adventures will see him turn fugitive and begin living as ‘Stella,’ before being swept into the heady violence of Bonnie Prince Charlie’s rebellion. Driven by love, revenge and a desire to live truly and freely, Kit must find a way to survive these turbulent times – and to unravel the tragic secrets of the Ravenglass family.

Format: Paperback (448 pages) Publisher: Northodox Press
Publication date: 25th September 2025 Genre: Historical Fiction

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My Review

It was only as I was planning my trip tomorrow to see Carolyn Kirby interview fellow author Andrew Taylor at Oxford Literary Festival (event details here) that I realised I’d never published my review of this wonderful book, one of my favourite historical novels of last year.

From his earliest years, Kit has felt uncomfortable in male attire and found pleasure in wearing his sister’s clothing. He even invents a female persona for himself, whom he christens Stella. It is something he knows will inevitably bring him into conflict with his father. ‘For more than anything, my father wanted me to be manly. And so it was my fate to always let him down.’

The opening section of the book is set in Whitehaven, a port on the north-west coast of England. It’s a ‘wind blasted’ town where the presence of the sea constantly assails the senses. There’s the ‘the crack of sailcloth, the creaking of hulls and the disquieting growls of the shipmen’, the taste of salt on the tongue and the odour of the harbour, a ‘rumbling, pulsing shit-slopping belly’. The town’s fortunes rest on trade, with ships coming and going carrying coal and other cargo. Sadly it’s also reliant on the increasingly lucrative slave trade with Kit’s father being a leading share-holder of the Resolve, a slave ship.

The author immerses the reader in daily life in 18th century Whitehaven, introducing us to archaic industries such as the milling of snuff. I particularly loved the description of the Lammas Day fair where activities include boxing bouts, races and a cockerel eating competition (yes, really). ‘Prentices and servant-girls, all in their best holland coats and camlet petticoats, crowd around peddlers of trinket-toys and ribbands.‘ Unfortunately events take a darker turn with Kit an unwilling witness to an example of everything he abhors about being a man.

Determined to purge his son of his ‘unmanly’ tendencies, Kit is sent to sea by his father where he experiences the rigours of life on board a ship where, on the lower decks, ‘nothing is odourless’, including the old seaman he is expected to share a hammock with. Completely against his nature, Kit finds himself having to demonstrate ‘manliness’, whether that’s uttering oaths, entertaining the crew with bawdy, bloodthirsty songs or climbing the mast in a storm. It typifies Kit’s struggle between what is expected of him as a man and what he instinctively feels to be his true identity.

Following a series of tragic events, Kit takes to the road dressed as a woman, resurrecting Stella. What follows is a series of adventures that have a picaresque quality, involving encounters with a multitude of colourful characters. For example, millinery shop owner Mrs McMemeny, complete with green velvet eye patch. Kit’s travels take him to Carlisle, Edinburgh and beyond, often buffeted by external events such as the Jacobite Revolution. And sometimes Kit discovers he’s got people completely wrong.

As well as being a thrilling adventure story, Ravenglass explores themes of sexuality and identity. Events often turn on items of clothing: a sulphur-yellow quilted petticoat, an embroidered silk waistcoat. And a person’s true sex is often revealed through bodily functions: menstruation or lack of menstruation, the way you pass urine, the inconvenient growth of hair.

A small niggle is that I would have liked more detail about Kit’s later years but aside from that I loved everything about Ravenglass. It’s a historical romp with a wonderfully engaging central character and authentic detail. A great example of accomplished storytelling.

In three words: Sweeping, immersive, spirited
Try something similar: The Romantic by William Boyd

About the Author

Carolyn Kirby’s debut novel The Conviction of Cora Burns was chosen for awards by the Historical Writers Association and by the Specsavers/Crimefest debut crime fiction prize. Carolyn’s second novel When We Fall was one of The Times’ top 20 historical novels of 2020. Originally from the northeast of England, Carolyn studied history at St Hilda’s College, Oxford and she is now on the organising committee for the annual St Hilda’s Crime Fiction Weekend.

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