Book Review: Mr Peacock’s Possessions by Lydia Syson

Mr Peacock's PossessionsAbout the Book

Oceania 1879. A family of settlers from New Zealand are the sole inhabitants of a remote volcanic island.

For two years they have struggled with the harsh reality of trying to make this unforgiving place a paradise they can call their own. At last, a ship appears. The six Pacific Islanders on board have travelled eight hundred miles across the ocean in search of work and new horizons. Hopes are high for all, until a vulnerable boy vanishes. In their search for the lost child, settlers and newcomers together uncover far more than they were looking for. The island’s secrets force them all to question their deepest convictions.

Format: ebook, hardcover (432 pp.)    Publisher: Bonnier Zaffre
Published: 17th May 2018                      Genre: Historical Fiction

Purchase Links*
Amazon.co.uk ǀ  Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

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My Review

Joseph Peacock, the Mr Peacock of the title, is a patriarchal figure, presiding over what he views as his own ‘Garden of Eden.  His wife and family have trailed behind him from island to island, leaving behind a legacy of failed ventures and catastrophes, as he searches for land he can call his own.  ‘Plenty proved not enough for Mr Peacock.  It wasn’t his, you see.’  Arriving on the remote Monday Island (also known as Blackbird Island), not visited by passing ships from one year to the next, they find it is definitely not the Paradise they had been promised.  Cheated by those they had trusted for supplies, for a long time they lead a hand to mouth existence, at near starvation point and relying only on their survival skills and what they can forage from the island.

Ah yes, the island. At times nurturing, at other times sinister and threatening.  ‘In fact, everything here grew a sight too much for Ma’s liking.  It didn’t seem right, all this unearned fecundity.  Flowers that unfurled their perfume unbidden, petals and even leaves so brightly-coloured they seemed brazen.  Vines carelessly floating their seeds any which way and honeyed fruit that flaunted itself, then rotted, reeking, where it softly fell.’   At times, the island almost seems a living being. ‘The air itself feels violent, as though the island is gathering itself for something.  She imagines it breathing, heaving, maybe shifting.’ Furthermore, it turns out the island has hidden dangers and harbours terrible secrets.

I really liked the distinctive, almost poetic, narrative voice the author creates for Kalala, one of the six Pacific Islanders who arrive on the island to work for the Peacocks, and through whose eyes the reader witnesses some of the events.  For example, this description of their voyage to Monday Island.  Esperanza pitch and roll, still in deep water plenty lengths from land, and beyond her monstrous roaring.’

I loved the way the author explored the idea of possession in all its myriad meanings. For example, it becomes clear that Joseph Peacock considers his family, and the Pacific Islanders contracted to work for him, as ‘possessions’ he owns.  However, his most prized possession is the island itself.  Greeting Kalala for the first time as he struggles ashore, Peacock says, ‘Welcome to my island.’ – note the ‘my’ there.  But the islanders too covet the tangible rewards they will receive in return for their work. ‘For have we not come here, we six, we islanders in hope of great possessions.’

Through the course of the book, the reader begins to understand just how crucial it is to Mr Peacock to possess land, not just as something to claim ownership of in the present – although that’s important – but to be able to pass on to his eldest son, Albert. ‘All this work has always been for Albert.  It’s all Pa cared about.  Not him, exactly.  But his name.  Securing the future for the Peacock family, a tiny empire nobody could ever take away because it belonged to no one, where nobody else could give orders.  Peacock land for generations.’

This desire to pass on land, as a testament to everything he has worked for and the obstacles he has overcome, is at the root of Peacock’s troubled relationship with Albert.  Because Albert doesn’t seem to share his father’s burning desire for ownership of land; in fact, Albert hates the island as he hated the voyage there.  For Peacock, Albert is a disappointment, branding him ‘weak’, ‘a shirker’, physically chastising him and viewing him as someone who constantly falls short of his expectations, particularly in comparison with his daughter, Lizzie.

It transpires that the relationship between Peacock and his daughter, Lizzie, is equally complex.   Courageous, strong and adventurous, she shares a similar temperament to her father.  ‘For Lizzie was her father’s daughter, a moth to the flame of new hopes and possibilities.’ For a long time Lizzie is blind to her father’s faults and his true nature, even though the other children see it only too clearly.  Eventually Lizzie finds herself facing an awful choice.  Because she too has ‘possessions’ – her family – she feels bound to protect.

Of course, the term ‘possessed’ may also be used to describe being taken over by strong emotions and, at times, we get glimpses of Joseph Peacock as a man possessed by a sort of  madness.  Here is a portrait of a monster, someone possessed by a desire for control, manipulative and violent.  Before the end of the book the reader will be witness to the disastrous and tragic consequences of his desire for possession and the lengths to which he will go.

Mr Peacock’s Possessions is like the strange but wonderful lovechild of Swiss Family Robinson, Lord of the Flies and The Tempest. It will appeal to readers who like their historical fiction full of atmosphere and compelling characters…and an undertone of menace.  Highly recommended.  I can see this novel making some literary prize shortlists.

I received an advance review copy courtesy of publishers, Bonnier Zaffre, and NetGalley in return for an honest and unbiased review.

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In three words: Atmospheric, compelling, intense

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Lydia SysonAbout the Author

Lydia Syson is a fifth-generation North Londoner who now lives south of the river with her partner and four children. After an early career as a BBC World Service Radio producer, she turned from the spoken to the written word, and developed an enduring obsession with history. Her PhD about poets, explorers and Timbuktu was followed by a biography of Britain’s first fertility guru, Doctor of Love: James Graham and His Celestial Bed, and then two YA novels for Hot Key Books set in the Spanish Civil War (A World Between Us) and World War Two (That Burning Summer). Liberty’s Fire, a passionate tale of the Paris Commune of 1871, is the third of her novels to be inspired, very loosely, by family history: Lydia’s anarchist great-great-grandmother moved in Communard circles in late nineteenth-century London.

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Book Review: The Magpie Tree by Katherine Stansfield

The Magpie Tree CoverAbout the Book

Jamaica Inn, 1844: the talk is of witches. A boy has vanished in the woods of Trethevy on the North Cornish coast, and a reward is offered for his return.

Shilly has had enough of such dark doings, but her new companion, the woman who calls herself Anna Drake, insists they investigate. Anna wants to open a detective agency, and the reward would fund it. They soon learn of a mysterious pair of strangers who have likely taken the boy, and of Saint Nectan who, legend has it, kept safe the people of the woods. As Shilly and Anna seek the missing child, the case takes another turn – murder.

Something is stirring in the woods and old sins have come home to roost.

Format: Hardcover, ebook (320 pp.)    Publisher: Allison & Busby
Published: 22nd March 2018                  Genre: Historical Fiction, Historical Mystery

Purchase Links*
Publisher | Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops) *links provided for convenience, not as part of any affiliate programme

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My Review

The book’s compelling opening line, ‘The day I went to Jamaica Inn was the day I saw a man hanged’, brought to mind Daphne du Maurier and the opening lines of her novel, My Cousin Rachel: ‘They used to hang men at Four Turnings in the old days.’    Indeed, in the first paragraphs of the book, the author inserts plenty of enticing nuggets of information and clues about what may have occurred in the previous book in the series, Falling Creatures.  As a reader, I was at once intrigued and curious to learn more about the characters I was meeting and what their experiences had been up until now.

And what interesting characters are our two protagonists: Shilly, and the woman who calls herself Anna.  There are hints of some sort of tragedy in Shilly’s past, which in part explains her weakness for alcohol to try to keep the demons at bay.  Shilly is sensitive to those forces that can’t be explained by science, seeing visions that at times provide valuable information.  Or perhaps they’re nothing more than the manifestations of over-indulgence.  Anna is the complete opposite – although they do say opposites attract, don’t they?  She’s practical, preferring factual explanations for seemingly strange events over belief in superstition or magic.  Shilly recognises this difference between them: ‘On the moor, in the woods, wherever we were in Cornwall, there were things she couldn’t make sense of.  Things she needed me for.’  However, just like Shilly, there are elements of Anna’s previous life that are a mystery also.  Together Anna and Shilly make an unconventional and engaging crime detecting partnership.  However, it’s a partnership in which Anna definitely wears the trousers (and often not just metaphorically).

Shilly and Anna learn of the reward being offered by landowner, Sir Vivian Orton for information about a missing local boy and, since they are in need of funds and Anna is keen to further her ambition of becoming a detective, they travel to Trethevy to begin their investigation.    Suspicion has fallen on two women new to the area, ‘furriners’ believed by the locals to be involved in witchcraft and to have spirited the boy away.  I’m not going to say anything more about the plot but leave you to discover it for yourself.  However, eventually Shilly and Anna do uncover the solution to the mystery but not before sins of the past have been revealed and a kind of retribution has taken place.

There is some gorgeously sensual writing and I also loved the inclusion of fragments of Cornish dialect.  The author injects an air of mystery and the supernatural into the story that provides an extra dimension.  For example, the spooky magpie tree of the title, considered by some of the locals to be sacred, that has shades of Daphne du Maurier’s ‘The Birds’.  There is also a sense of the forces of nature at work, such as the forest that seems to shift in order to help, hinder, confuse, hide or reveal.    The book also engages with the notion of difference, with the two women suspected of involvement in the disappearance being regarded with suspicion and becoming convenient scapegoats largely because they are ‘furriners’.

I loved The Magpie Tree.  It ticked all the boxes for me as a historical mystery: intriguing story line, interesting and engaging central characters, great period detail and atmospheric location.   Immediately I turned the final page, I added the previous book in the series, Falling Creatures, to my wish-list and I’ll be eagerly awaiting news of the next book in the series.   Click here to read Katherine’s guest post, ‘Sequels: looking back or looking forward?’ published on my blog recently.

The Magpie TreeI received a review copy courtesy of publishers, Allison & Busby, in return for an honest and unbiased review.  (Can I just say that, as far as I’m concerned, Allison & Busby are hitting it out of the park when it comes to my kind of historical fiction novel lately.)

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In three words: Atmospheric, intriguing, mysterious

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About the Author

Katherine Stansfield is a novelist and poet whose debut novel, The Visitor, won the Holyer an Gof Fiction Award.  She grew up in the wilds of Bodmin Moor in Cornwall and lived on the west coast of Wales for many years.

Katherine Stansfield
Photo credit: Keith Morris

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