Throwback Thursday: The Thirteenth Tale by Diane Setterfield

ThrowbackThursday

Throwback Thursday is a weekly meme created by Renee at It’s Book Talk.  It’s designed as an opportunity to share old favourites as well as books that we’ve finally got around to reading that were published over a year ago.

Today I’m reviewing The Thirteenth Tale by Diane Setterfield.  Published to critical acclaim in 2006 and described as ‘a love letter to reading’, The Thirteenth Tale was Diane’s first novel.  It spent three weeks at number one in The New York Times hardback fiction list.


The Thirteenth TaleAbout the Book

All children mythologize their birth… So begins the prologue of reclusive author Vida Winter’s collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist.

The enigmatic Winter has spent six decades creating various outlandish life histories for herself – all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter’s story and her own, Margaret takes on the commission.

As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and wilful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire.

Margaret succumbs to the power of Vida’s storytelling but remains suspicious of the author’s sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.

Format: ebook (418 pp.)    Publisher: Orion
Published: 8th December 2011 [September 2006] Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Thirteenth Tale on Goodreads


My Review

I was part way through The Thirteenth Tale when I was lucky enough to hear Diane Setterfield speak at this year’s Henley Literary Festival about her approach to writing and, in particular, about her forthcoming book, Once Upon A River. You can read my full review of the event here.  (Oh, and look out for my review of Once Upon A River as part of the blog tour starting in December.)

I was struck by Diane’s thoughts on storytelling as an important theme in her books.  Admitting she’d always had an interest – and not just a professional interest – in storytelling, Diane observed that we all organise information, gossip, and so on into stories about ourselves.  Diane described humans as intrinsically ‘storytelling animals’.  To quote from The Thirteenth Tale, “Everybody has a story.”

The book epitomises that emphasis on storytelling because, not only is its main character, Vida Winter, an author but she is a notably reclusive one who has carefully guarded the true facts of her life, spreading misinformation in its place.  Furthermore, the plot centres on the mystery of a ‘missing’ thirteenth tale from her most famous collection of stories.  What could be more enticing than the prospect of tracking down and reading a missing story?

Having heard Diane’s thoughts made me return to the book with renewed interest and with an increased awareness of the way in which storytelling permeates the book.  Many of the characters are in search of or trying to make sense of the story of their life; others are facing up to the need to finally reveal it.  In some cases, uncovering the true nature of their story does not bring them the clarity or satisfaction they hoped for.  As Aurelius Love observes, “Perhaps it’s better not to have a story at all, rather than have one that keep changing.  I have spent my whole life chasing after my story, and never quite catching it.”

There is also a sense in the book of the story of Vida’s life having an existence of its own; that it is fighting to make itself heard.  At one point she comments: “Silence is not a natural environment for stories.  They need words.  Without them they grow pale, sicken and die.”

I found The Thirteenth Tale an engrossing read; full of atmosphere and with a series of intriguing mysteries at its heart helped by some fine writing. ‘From the day I was born grief was always present.  It settled like dust upon the household.  It covered everything; it invaded us with every breath we took.  It shrouded us in our own separate mysteries.’  The settings have a real sense of the Gothic.  I’m now excited to start reading Once Upon A River very shortly.

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Try something similar…The Clockmaker’s Daughter by Kate Morton (read my spoiler free review here)


Diane SetterfieldAbout the Author

Diane Setterfield’s bestselling novel, The Thirteenth Tale (2006) was published in 38 countries worldwide and has sold more than three million copies. Her second novel, Bellman & Black (2013) was a genre-defying tale of rooks and Victorian retail.  January 2019 sees the publication of her new title, Once Upon a River, which has been called ‘bewitching’ and ‘enchanting’.

Born in Englefield, Berkshire in 1964, Diane spent most of her childhood in the nearby village of Theale.  Diane studied French Literature at the University of Bristol.  She taught English at the Institut Universitaire de Technologie and the Ecole nationale supérieure de Chimie, both in Mulhouse, France, and later lectured in French at the University of Central Lancashire in the UK. She left academia in the late 1990s to pursue writing.  Diane now lives in Oxford. When not writing she reads widely, and when not actually reading she is usually talking or thinking about reading.

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Book Review: A Pivotal Right (Shaking the Tree#2) by K. A. Servian

04_A Pivotal Right_Blog Tour Banner_FINAL

I’m delighted to be hosting today’s stop on the blog tour for A Pivotal Right by K. A. ServianA Pivotal Right is the second book in the author’s ‘Shaking the Tree’ series and the sequel to A Moral Compass.  I read A Moral Compass last year and really enjoyed it so I was thrilled when Amy at Historical Fiction Virtual Book Tours contacted me about taking part in the tour for A Pivotal Right.  Read my review below.

You can see the other great book bloggers taking part on the tour page along with links to their reviews of the book, extracts and other content.  If you’re a US resident, the tour page is also where you can enter the giveaway for a chance to win one of 10 ecopies of The Moral Compass.  Please read the terms and conditions for the giveaway.


A Pivotal RightAbout the Book

Florence struggled for breath as she stared into the face of a ghost. “Jack?”

Twenty years after being forced apart Jack and Florence have been offered a second chance at love. But can they find their way back to each other through all the misunderstandings, guilt and pain?

And what of their daughter, Viola? Her plan to become a doctor is based on the belief she has inherited her gift her medicine from Emile, the man she believed was her father. How will she reconcile her future with the discovery that she is Jack’s child?

Format: Paperback, ebook (428 pp.)    Publisher: Sweetpea Publishing
Published: 15th August 2018         Genre: Historical Fiction, Romance

Purchase Links*
Amazon.co.uk ǀ Amazon.com ǀ Barnes & Noble
*links provided for convenience, not as part of any affiliate programme

Find A Pivotal Right (Shaking the Tree #2) on Goodreads


My Review

Although A Pivotal Right can be read as a standalone, for maximum enjoyment I would recommend starting with the first book in the series, A Moral Compass, not least because the importance of the role of one character in the first book will only become clear to new readers some way through the second.  However, there is plenty of recapping of events in the first book for the new reader starting with A Pivotal Right.

In fact, readers starting the series with A Pivotal Right will find themselves in much the same position as Florence’s daughter, Viola; learning surprising things about her mother’s past in a series of unexpected, and at times shocking, revelations.  I found Viola an engaging character: independent-minded, ambitious, a little headstrong at times but displaying the same belief in equality and fairness as her principled mother (including in the ‘pivotal right’ of universal suffrage).

The book has some swift changes in location and timeline as events of the twenty years between A Moral Compass and A Pivotal Right are revealed.    At times, there is a sense of history repeating itself as Viola undergoes a traumatic experience that  mirrors her mother’s similar experience years before.  (The author certainly does like to create some really amoral characters.) As the events of the book unfold, many of the characters face moral choices between following their heart or fulfilling their responsibilities to others and between staying true to their principles or standing by promises made long ago.

One of the things that originally drew me to the first book in the series, A Moral Compass, was the New Zealand setting.  I did find myself wishing for a little more local colour, as the New Zealand that Florence and Viola experience in A Pivotal Right is predominantly ‘European’: taking tea with other ladies, leaving calling cards, attending church.   The indigenous population is largely absent.  I did enjoy the brief foray outside Auckland, Wellington and Christchurch when Viola and her companion, Matilda, travel to a remote sheep station.

A few potentially intriguing story lines were briefly introduced but not fully developed, such as Florence’s brother’s interracial marriage, the simmering conflict between the indigenous Maoris and European settlers and the campaign for women’s suffrage in New Zealand (although the latter two are covered in the author’s interesting historical notes at the end of the book).  Maybe the author will explore these in future books.

A Pivotal Right kept me thoroughly entertained with its gradual reveal of the events in the twenty years since the reader said goodbye to Florence and Jack at the end of the first book.  It’s a story of missed opportunities, misunderstandings and secrets but also of the possibility of second chances in life and love.  I was excited to see at the end of the book a reference to a third in the series, Slaves in Petticoats, billed as ‘coming soon’.

I received a review copy courtesy of the author and Historical Fiction Virtual Book Tours.

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In three words: Appealing, historical, romance

Try something similar…A Moral Compass by K. A. Servian (read my spoiler free review here)


K A ServianAbout the Author

As a life-long creative, Kathy gained qualifications in fashion design, applied design to fabric and jewellery making and enjoyed a twenty-year-plus career in the fashion and applied arts industries as a pattern maker, designer and owner of her own clothing and jewellery labels.

She then discovered a love of teaching and began passing on the skills accumulated over the years: design, pattern-making, sewing, Art Clay Silver, screen-printing and machine embroidery to name a few.

Creative writing started as a self-dare to see if she had the chops to write a manuscript. Writing quickly became an obsession and Kathy’s first novel, Peak Hill, which was developed from the original manuscript, was a finalist in the Romance Writers of New Zealand Pacific Hearts Full Manuscript contest in 2016.

Kathy now squeezes full-time study for an advanced diploma in creative writing in around working on her novels, knocking out the occasional short story, teaching part-time and being a wife and mother.

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