Blog Tour – Page 224 – What Cathy Read Next…

The Start of Someting Wonderful Blog_Tour

I’m delighted to co-host today’s stop on the blog tour for The Start of Something Wonderful by Jane Lambert. You can read an extract from the novel below, a heartwarming and uplifting story about starting over and following your dreams.

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About the Book (previously published as Learning to Fly)

Forty-year-old air stewardess, Emily Forsyth, thought she had everything a woman could wish for: a glamorous, jet-set lifestyle, a designer wardrobe and a dishy pilot boyfriend. Until he breaks up with her…

Catapulted into a mid-life crisis she wishes she’d had earlier, she decides to turn her life upside-down, quitting her job and instead beginning to chase her long-held dreams of becoming an actress!

Leaving the skies behind her, Emily heads for the bright lights of London’s West End – but is it too late to reach for the stars?

Format: ebook (364 pp.) Publisher: HQ Digital
Published: 5^th January 2018 Genre: Fiction

Purchase Links*
Amazon.co.uk ǀ Barnes & Noble ǀ iBooks ǀ Kobo
*links provided for convenience, not as part of any affiliate programme

Find The Start of Something Wonderful on Goodreads

Extract from The Start of Something Wonderful by Jane Lambert

I AM BEGINNING TO WORRY. There’s a dark side to my character emerging that I didn’t know was there.

Whilst I’m naturally over the moon and grateful for this understudy job, as the weeks go by, I’m becoming a teensy-weensy bit frustrated. I know the part now, and whilst I may not have starred in my own TV series or graced the cover of celebrity mags, dare I say it, I think I could play the role just as well. Does that sound conceited? Day after day, week after week, the waiting, the hoping …

Wishing someone to be struck down with laryngitis or a mild tummy bug is one thing, but willing someone’s foot to get trapped in a revolving set is something else entirely. Evil. I’m horrified that I’m capable of such a thought.

I breeze through the stage door, clutching the latest copy of Hello! and a bag of Jelly Babies.

‘Evening, Arthur. Dressing room ten, please.’

‘Reckon you’ll no’ be havin’ much time for readin’ the night, doll,’ he wheezes, glancing at my magazine as he hands me the key.

‘Mmm?’ I say, signing in, then checking my pigeonhole, mind elsewhere.

‘It’s no’ for me to say,’ he says, hoisting a shaggy eyebrow.

I slowly start to climb the spiral staircase, calling in at the greenroom on the way for a brew.

‘Company manager’s been looking for you,’ grunts one of the lighting guys from behind his Autocar magazine.

‘Right. Thanks,’ I say breezily, spilling milk everywhere, my stomach dropping ten floors. Surely not? I mean, I saw Sophie barely two hours ago. I watched her performance from the darkness of the stage-right wings and she was on fine form, giving her ‘I-love-you-but-we-must-part’ speech.

It was at that point that I’d decided to make a break for it. Technically, I’m not supposed to leave the building until the curtain comes down, but I’ve religiously watched and mouthed every performance from the wings of Brighton’s Theatre Royal, to this, our final fortnight at The Dukes in Edinburgh. With just five minutes of the matinée left, what could possibly happen to her?

Mistake no. 1: leaving theatre early

Mistake no. 2: gorging on all-you-can-eat buffet

Mistake no. 3: succumbing to large glass of house red

Mistake no. 4: ordering garlic bread

Mistake no. 5: forgetting to switch on mobile phone

Mistake no. 6: arriving five minutes late for ‘the half’

‘… so, the silly cow’s been whisked off to A&E to have it x-rayed. You know what this means?’ says Simon, our company manager, running his hand nervously through his mop of unruly hair.

An eerie sensation ripples through my body. I feel a stab of guilt. My visualisation powers have taken on a telekinetic life of their own, like in some Stephen King horror film. I hadn’t intended anything serious to happen – just a minor ailment, something to lay her low for a week, a cold perhaps, allowing my agent sufficient time to arrange invitations and tickets for casting directors and producers.

I swallow hard and force my lips into a weak smile. There is an expectant silence. This is the stuff of Hollywood musicals: the leading actress is taken ill, and the understudy has to take over at short notice.

I can do it. I’ve been practising for months, says the heroine, with an assured toss of her pretty head. Bravo! More! A star is born! This is the moment I have waited for, longed for all these weeks, these seventy-two performances, so why do I now have this overwhelming desire to flee the theatre and catch the first National Express coach out of town? Well, apart from my all-consuming guilt, the auditorium will be packed to the rafters with legions of excited fans waiting to see Sophie Butterfield and her co-star, Rick Romano, give their highly acclaimed, headline-grabbing performances as star-crossed lovers, Constance and Enrique.

The fact that their on-stage passion has spilled over into reality has fuelled the public’s imagination. The House-Full sign is now a permanent fixture on the pavement, while armies of eager punters camp outside in all weathers, hoping for returns.

Exquisite pairing!
The chemistry between Romano and Butterfield
is electric. Beg, steal or borrow a ticket!
~ The Billingham Gazette

This romantic duo sets the stage alight.
You’d be mad to miss it!
~ The Yorkshire Evening Post

‘You up for it?’ Simon asks, knowing full well it doesn’t matter whether I’m ‘up for it’ or not. Why else have I been travelling up and down the country, getting paid £500 per week plus touring allowance? So I may sit in my dressing room, stuffing my face with Hobnobs and tea whilst reading trashy magazines, or to be allowed to finally finish reading Doctor Zhivago, which I started back in 2010?

Nah – if it’s all the same to you, Simon, I’d rather give it a miss.

About the Author

Jane was born in Yorkshire and brought up on the west coast of Scotland. She studied French and German at Stirling University, taught English in Vienna and travelled the world as cabin crew before making the life-changing (and slightly mad) decision to become an actress in her mid-thirties. She has appeared in “The Curious Incident of the Dog in the Night-time”, “Calendar Girls” and “Deathtrap” in London’s West End.

While hanging around as an understudy in draughty theatre dressing rooms and grotty digs on tour, she wrote her first novel, The Start of Something Wonderful, and has now discovered her true path in life

Connect with Jane

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I’m thrilled to be hosting today’s stop on the blog tour for Beautiful Star & Other Stories by Andrew Swanston. Andrew is the author of the exciting Thomas Hill series (The King’s Spy, The King’s Exile and The King’s Return) set in the English Civil War. Incendium, the first in a new series set in the 1570s featuring lawyer and spy Christopher Ratcliff, was published in February 2017 (as A. D. Swanston).

As well as my review of Beautiful Star & Other Stories, I’m delighted to bring you a fascinating interview with Andrew. Among other things, he talks about the most productive time for writing, the importance of detail to create historical authenticity and the benefits of ‘feet on the ground’ research.

About the Book

History is brought alive by the people it affects, rather than those who created it.

In Beautiful Star we meet Eilmer, a monk in 1010 with Icarus-like dreams; Charles II, hiding in 1651, and befriended by a small boy; and Jane Wenham, the Witch of Walkern, seen through the eyes of her grand-daughter. This moving and affecting journey through time brings a new perspective to the defence of Corfe Castle, the battle of Waterloo, the siege of Toulon and, in the title story, the devastating dangers of a fisherman’s life in 1875.

In Beautiful Star & Other Stories Andrew Swanston brings history to life, giving voices to the previously silent – the bystanders and observers, the poor and the peripheral – and bringing us a rich and refreshing perspective on the past.

Format: Paperback (256 pp.) Publisher: The Dome Press
Published: 11^th January 2018 Genre: Historical Fiction, Short Stories

Purchase Links*
Amazon.co.uk ǀ Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find Beautiful Star & Other Stories on Goodreads

Interview with Andrew Swanston

The stories in Beautiful Star involve both real and imaginary characters. Which do you find the more difficult to write?

Interesting question. Imaginary characters are easier in that, within the historical framework of the story, they can do and say and think and look like whatever one wants them to. Real characters are easier in that they bring their personalities and their stories with them. Mixing the two is the most difficult task and what I like best.

What do you like about the short story format? What are its challenges?

In Beautiful Star, Julia Paterson tells her friend Willy Miller that flowers are neither wild nor tame, they are just flowers. So it is, for me, with stories – some longer, others shorter, but all just stories with plots and characters, beginnings, middles and endings. As a boy I loved the Sherlock Holmes stories. Strong characters, fast-moving plots, atmospheric but not very descriptive. Excellent examples of the art.

I’m sure that asking which of the stories in Beautiful Star you like best would be like asking you to choose a favourite child. Instead, I’ll ask which was the ‘naughtiest child’- the story you found most challenging to write, and why?

I think ‘A Witch and a Bitch’ was the most difficult because in making Jane Wenham’s imaginary grand-daughter the narrator I had to try to imagine the feelings of a teenage girl seeing her grandmother absurdly condemned to death in cruel circumstances three hundred years ago.

If you could be transported back in time to a period of history when and where would it be?

The seventeenth century – a time of conflict and change – has always appealed to me, which is why I wrote the Thomas Hill stories. During the War of the Three Kingdoms, I would have been a royalist and would have hoped to survive until the Restoration when the king and his court set a splendid example of debauchery and excess. Lovely.

You’ve written books set in the English Civil War (the Thomas Hill series), the Battle of Waterloo and, in your latest book Incendium, the reign of Elizabeth I. What attracts you to a particular historical period?

I am most interested in how major events such as the massacre of the Huguenots, the execution of Charles I or the return of Napoleon from Elba would have affected the daily lives of the people of the time. What would they have been thinking? Catholic retaliation in London, a republican tyranny, a French invasion? Poverty, starvation, disease?

What do you think is the key to creating an authentic picture of a particular historical period?

Detail, detail and more detail. Food, clothes, money, transport, anything and everything that enables the reader to ‘see’ a picture without its having to be described.

How do you approach the research for your books? Do you enjoy the process of research?

I love the research, especially meeting and talking to experts, who, without exception, I have found to be generous and supportive. I also love libraries, most of all The British Library. Best of all, though, is what I call ‘tramping the streets’ – visits to Malmesbury, Romsey, Waterloo, Stationers’ Hall, St Monans and elsewhere, often accompanied by my willing assistant (wife).

Do you have a special place to write or any writing rituals?

I write in my little study, usually with the door closed. That tells everyone that I am working and should only be disturbed if war has been declared. I have no particular rituals but am most productive in the pre-drinks hours of three to six.

What other writers of historical fiction do you admire?

At the head of a long and distinguished list of ‘auto-buys’ are C J Sansom, Robert Harris and Rory Clements. There are many others. [I agree. Those are some of my favourites too!]

What are you working on next?

The sequel to Incendium, set in 1574. I would very much like also to write another collection of shorter stories.

Thank you, Andrew, for those fascinating answers to my questions. Now, read on for my review of Beautiful Star & Other Stories….

My Review

In Beautiful Star, the author has taken what might have been considered footnotes in history and fashioned them into compelling, character-driven stories. I felt the stories really came alive when the author unleashed his writer’s imagination to conjure up the sights, sounds and smells of the period and to populate the historical fact with believable characters.

I simply devoured the stories in Beautiful Star and found something to enjoy, wonder at or be intrigued by in each of them.

In the title story, ‘Beautiful Star’, set in a Fife fishing village in 1875, the reader gets a wonderful insight into the lives of the fishermen and their families. There is fascinating detail about the craft of ship building (including the local boats known as Fifies), the seasonal nature of life in the village driven by the movement of shoals of fish and the colourful itinerant workers who flock to St Monans during ‘the Drave’, when the herring shoals congregate in the Forth of Fife. My favourite amongst these were the ‘fisher lassies’, who arrive to gut, sort and pack the herring. Spending most of their time up to their elbows in fish guts and salt, the leisure time of these tough, hardworking women is spent knitting, often while going for an evening stroll.

The fisherman prove to be superstitious folk with intriguing customs like starting every voyage with dry feet (prepare to be amazed by how this is achieved). But then, if you were setting sail in small boats for long periods of time then you’d probably be superstitious as well. In fact, the dangers of the sea and the potential impact on individual families and the whole village of disaster become all too clearly revealed. The story may be set in 1875, before satellite tracking and modern safety rules, but it still made me think of fisherman today and the perils they face on the open sea.

In ‘The Flying Monk’ we learn that experimentation with manned flight goes back further than you might think and did not start with the Wright Brothers. The protagonist of this story, a monk called Eilmer, also witnesses two sightings of Halley’s Comet. Such astronomical events were often viewed as harbingers of disaster. Observing the comet in 1066, the author has Eilmer remark, ‘It is a sign from God. Mark it well and be prepared. England’s enemies will come soon.’ He wasn’t wrong, was he?

A few highlights from other stories. In ‘HMS Association’, set in 1708, instinctive, local knowledge of the sea is dismissed resulting in tragedy, emphasising the limitations of navigation in inclement weather at the time. In ‘A Witch and a Bitch’, set in 1730, there is a reminder of how accusations of witchcraft were often directed at women viewed as ‘different’. As the accused woman remarks, “If they want to hang me, they will. An old woman on her own, they’ll find reasons enough if they choose.” In ‘The Castle’, set in the latter part of the English Civil War, the chatelaine of Corfe Castle steadfastly tries to carry out a vow made to her dead husband to defend the castle from Parliament’s forces. In the end, her future is determined by a man who thinks he knows better what’s good for her. No change there then. I particularly liked ‘A Tree’ set in 1651, probably the most impressionistic of the stories. In it, events of the Restoration are seen through the eyes of a 7-year-old boy who has a chance encounter with a mysterious stranger whilst perched in a tree.

The book’s description states that ‘history is brought alive by the people it affects’. I think the final story in the collection, ‘The Button Seller and the Drummer Boy’, set at the Battle of Waterloo, illustrates this really well. It’s easy to forget that war, as well as bringing death and destruction, is also a source of business opportunity for some. Such is the case for our button seller, whose travels through France and Belgium in search of orders for his company’s buttons for military uniforms, brings him to the site of the battle as it rages. He is confronted by the realities of war; that smart uniforms bearing the correct regimental buttons mean nothing in the face of bullets, sabres and cannon fire and will ultimately end up being valued only by those plundering bodies.

I really loved Beautiful Star & Other Stories and would recommend the collection for any lover of history (I think it might even convert some people who think history is dull) and those for whom the lives of the people who fought in a battle are more interesting than the battle itself. I really hope Andrew is true to his answer to my final interview question and writes another collection soon.

My grateful thanks to The Dome Press for my review copy, in return for my honest and unbiased review.

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In three words: Fascinating, intimate, thought-provoking

Try something similar…The Path of the King by John Buchan