Review: The Light Between Oceans by M. L. Stedman

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An emotional tale of love and loss that asks can it ever be justifiable to do the wrong thing for the right reasons?

About the Book

Publisher’s Description: The year is 1926. After four harrowing years on the Western Front, Tom Sherbourne takes up the post of lighthouse keeper on remote Janus Rock. In the small coastal town on his way to Janus, Tom meets the headstrong, vibrant Isabel. They fall in love, and on his first shore leave they marry, then return to Janus together—both eager to begin their life, cocooned from the rest of the world with just each other, the gulls, and the stars for company. Years later, after two miscarriages and one still birth, Isabel’s grief is all consuming. But one fateful, April morning she hears the sound of cries carried in on the wind: a small boat has washed ashore, its occupants a dead man and a squalling baby girl. Tom wants to report the boat immediately, but Isabel resists, pleading with him to put it off for just one day. Against Tom’s judgment, they claim the girl as their own and name her Lucy—a devastating, resounding choice that forever changes two worlds.

My Review

This best-selling, multi-award winning novel – made into a film in 2016 – forms part of my From Page to Screen Reading Challenge. I will be comparing the book and the film in a separate post.

I found the story of Tom and Isabel emotionally engaging, even harrowing at times as their longing to have a child is tragically denied.  The dilemma for the author is to make the reader understand and empathise with their decision to claim the rescued baby as their own. Isabel’s profound grief at her failed pregnancies, culminating in a kind of madness, is convincingly portrayed and it seems understandable that she should view the miracle of the baby as a sort of divine compensation for and acknowledgement of her loss.   From the reader’s first introduction to Tom, it is apparent he feels an immense sense of guilt that he should have survived the war unscathed when so many of his comrades did not. This overwhelming sense of guilt is the key to his decision to acquiesce to Isabel’s plea not to report the boat, his actions when he learns the truth about the baby’s origins and, ultimately, his desire to protect Isabel from the consequences of their actions.

For me, the standout aspect of the book was the depiction of Janus in all its raw beauty and the guardian role of the lighthouse ‘slicing the darkness like a sword’. There is much imaginative and lyrical writing:

‘The water sloshed like white paint, milky-thick, the foam occasionally scraped off long enough to reveal a deep blue undercoat.’  

‘The wind continued its ancient vendetta against the windows, accompanied by the liquid thunder of waves.’

I have to admit that, once Janus was left behind, I found the story less compelling and Isabel’s ultimate choice didn’t completely convince me given all that had gone before.  I am rather averse to excessively schmaltzy endings and to me the final chapter read like it was designed to provide a suitably “Hollywood” finale (as indeed it now has).

Book facts: 356 pages, publication date July 2012

My rating: 4 (out of 5)

In three words: Emotional, lyrical, thought-provoking

Try something similar…Sarah Thornhill by Kate Grenville

About the Author

M.L. Stedman was born and raised in Western Australia and now lives in London. The Light Between Oceans is her first novel.

Book Review – The Good People by Hannah Kent

About the Book

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County Kerry, Ireland, 1825. Nóra, bereft after the sudden death of her beloved husband, finds herself alone and caring for her young grandson Micheál. Micheál cannot speak and cannot walk and Nóra is desperate to know what is wrong with him. What happened to the healthy, happy grandson she met when her daughter was still alive?

Mary arrives in the valley to help Nóra just as the whispers are spreading: the stories of unexplained misfortunes, of illnesses, and the rumours that Micheál is a changeling child who is bringing bad luck to the valley.

Nance’s knowledge keeps her apart. To the new priest, she is a threat, but to the valley people she is a wanderer, a healer. Nance knows how to use the plants and berries of the woodland; she understands the magic in the old ways. And she might be able to help Micheál.

As these three women are drawn together in the hope of restoring Micheál, their world of folklore and belief, of ritual and stories, tightens around them. It will lead them down a dangerous path, and force them to question everything they have ever known.

Format: Hardcover (400 pages) Publisher: Picador
Publication date: 9th February 2017 Genre: Historical Fiction

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My Review

Still mourning the death of her daughter, newly widowed Nora finds herself alone and trying to care for her grandson, Micheál. She cannot understand what has happened to turn him from a healthy child into one who cannot speak or walk. Ashamed and fearful of what neighbours will say about the afflicted child, Nora hires a young girl, Mary, to help care for him out of the public gaze. However, rumours about the circumstances of her husband’s death and the presence of an ‘unnatural’ child soon start to circulate. Nora becomes convinced Micheál is a ‘changeling’ – a child of the fairies or ‘Good People’ substituted for the real Micheál. In the hope of restoring what she believes is her ‘real’ grandson, she enlists the help of Mary and the local wise-woman, Nance, embarking on a path that will have far-reaching consequences for them all.

The author creates an evocative and moving picture of what life was like for people eking out a subsistence existence in 19th century Ireland where famine and homelessness was only ever a short distance away: a cow that stops giving milk, a crop that fails, inclement weather, illness or bereavement.

‘They’re worried about the butter. About being forced on the road. About having no money to pay the rent with. About neighbours turning on them, wishing them ill. Wishing sickness and death on them.’

How it can lead to a community seeking answers in the supernatural – in this case, the ‘Good People’ or fairies who dwell amongst them and who it is believed can bring good or bad luck. The story of Nora and Michael shows the desperate actions to which people can be driven by grinding poverty, ignorance and fear, and hatred and suspicion of anyone who is different, like Nance Roche, or afflicted with physical or mental illness, like Micheál.   Nora is a woman driven mad by grief and although she does some very terrible things, she never loses the reader’s sympathy completely. The fact the story is inspired by actual cases adds to the sense of realism.

I felt the author created a fully realised picture of a community of that time and its rituals: the customs associated with wakes and burials, gatherings around the well or at the blacksmith’s forge.  I thought she captured the lilt and rhythm of the dialect without trespassing into “Oirishness”. There was some wonderfully lyrical writing, particularly descriptions of nature.

‘December arrived and bled the days of sunlight, while the nights grew bitter, wind-rattled.’

‘She thought of how , in the valley, the people would soon pluck the yellow flowers for the goodness they drew from the sun, pulling primrose and marsh marigold and buttercups, rubbing them on the cows’ udders to bless the butter in them, placing them on doorways and doorsteps, those thresholds where the unknown world could bleed into the known, flowers to seal the cracks from where luck could be leached…’

I have not read Hannah Kent’s first novel, Burial Rites, but on the strength of this book, it will definitely be going on my wishlist.

I received an advance review copy courtesy of Pan MacMillan via NetGalley.

In three words: Emotional, lyrical, enthralling
Try something similar: The Signal Flame by Andrew Krivak

About the Author

Hannah Kent’s debut novel, the international bestseller Burial Rites was translated into 28 languages. It won the ABIA Literary Fiction Book of the Year, the Indie Awards Debut Fiction Book of the Year and the Victorian Premier’s People’s Choice Award, amongst others. Burial Rites was also shortlisted for the Baileys Women’s Prize for Fiction (formerly the Orange Prize), the Guardian First Book Award, the Stella Prize and the International IMPAC Dublin Literary Award. It is currently being adapted to film.

Hannah co-founded the Australian literary journal Kill Your Darlings, where she is currently publishing director. The Good People is Hannah’s second novel and was shortlisted for the Walter Scott Prize for Historical Fiction 2017.

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