About the Book
Paris, 1938. Annie Mayer arrives in France with dreams of becoming a ballerina. But when the war reaches Paris, she’s forced to keep her Jewish heritage a secret. Then a fellow dancer offers her a lifeline: a ballroom partnership that gives her a new identity. Together, Annie and her partner captivate audiences across occupied Europe, using her newfound fame and alias to aid the Resistance.
New York, 2012. Miriam, haunted by her past, travels from London to New York to settle her great-aunt Esther’s estate. Among Esther’s belongings, she discovers notebooks detailing a secret family history and the story of a brave dancer who risked everything to help Jewish families during the war.
Format: Paperback (368 pages) Publisher: Aria
Publication date: 13th February 2025 Genre: Historical Fiction
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My Review
This dual timeline story moves back and forth between Miriam’s journey of discovery into the past of her recently deceased great-aunt Esther and Esther’s experiences growing up in Paris, including during the German occupation of that city. I thought both storylines were strong and, in fact, could have been novels in their own right. However, the frequent connections and parallels between the two women’s experiences binds them together in a satisfying way.
The book description is a little misleading in that the sections set in wartime Paris are told by means of a memoir written by Esther. We never hear Annie’s story first-hand which means that some of her experiences, even quite significant and traumatic ones, we only learn about by means of letters or conversations recalled by Esther. For me, Annie was the most interesting character so I regretted she wasn’t given a narrative of her own.
Both Esther and Miriam harbour guilt about the part they played in past tragedies, the nature of which are only gradually revealed. And they have both experienced fractured family relationships. Miriam’s experiences have resulted in a tendency to self-sabotage (although she prefers to think of it as self-protection), believing that any relationship she forms is destined to end in disaster. Luckily (no pun intended) she has a encounter of the ‘meet cute’ variety with a man who resists all her attempts to push him away. (I did think his character could have been more developed.)
As we learn, for much of Esther’s life, she was prevented from forming the relationship she really craved. Her memoir, written specifically for Miriam, whilst describing the horrors that Jewish people suffered at the hands of the Nazis, is also her way of demonstrating that it is possible to move on from terrible experiences and find fulfilment, if only you have the courage to take a chance.
The author’s professional and personal interest in dance is evident in the novel, especially in the scenes set in the Bal Tabarin theatre in Paris, renowned for its spectacular floor shows, daring tableaux and gorgeous costumes. In Miriam’s story, learning to dance is shown to be both an act of self-expression and intimacy. And how, especially in the case of the tango, the concentration required to master the intricate steps can provide a temporary distraction from external worries.
Despite some reservations about the narrative structure, I found The Paris Dancer an absorbing story with moments of real tension and emotion.
I received a digital review copy courtesy of Aria via NetGalley.
In three words: Dramatic, emotional, insightful
Try something similar: The Paris Network by Siobhan Curham
About the Author
Nicola Rayner, born in South Wales, is a novelist and dancer writer based in London. journalist. She is the author of The Girl Before You, which was picked by the Observer, picked by the same newspaper as a debut to look out for in 2019, optioned for television and translated into multiple languages. Her second novel, You and Me, was published by Avon, HarperCollins in October 2020.
In her day job as a journalist, Nicola has written about dance for almost two decades, cutting her teeth on the tango section of Time Out Buenos Aires. She edited the magazine Dance Today from 2010 to 2015 and worked as assistant editor of Dancing Times, the UK’s leading dance publication, from 2019 to 2022. She continues to dance everything from ballroom to breakdance, with varying degrees of finesses.
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