From Page to Screen: Carol by Patricia Highsmith

Carol BloomsburyFrom Page to ScreenCarol Film Poster

About the Book: Carol (The Price of  Salt)  by Patricia Highsmith

Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter.  Standing there, Therese is wholly unprepared for the first shock of love.  Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn’t love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter.  As Therese becomes irresistibly drawn into Carol’s world, she soon realises how much they both stand to lose…

Read my review of the book here.

About the Film: Carol (2015)

Carol is directed by Todd Haynes from a screenplay by Phyllis Nagy based on Patricia Highsmith’s novel.  It stars Cate Blanchett as Carol Aird and Rooney Mara as Therese Belivet.

More information about the film can be found here.

Book v Film (Spoiler free)

In the book, the reader sees everything through the eyes of Therese so, as I remarked in my review, Carol remains ‘something of an enigma, slightly distant and often unreadable’.  At times, Therese is unsure exactly what Carol’s feelings for her are.  The film gives us much more insight into Carol’s character and her domestic situation.  For instance, there are scenes between Carol and her daughter, Rindy, that demonstrate the strength of Carol’s love for her daughter.  We also get to understand more about the strains in the relationship between Carol and her husband, Harge.   I’d have to say that possibly the film gives a more rounded picture of Harge or at least we start to understand a little why he feels as he does.

Conversely, the film gives us less of Therese’s back-story and her struggles to make her way in her chosen career (which for some reason has been changed from stage design to photography). It struck me watching the film that both Therese’s boyfriend, Richard, and Carol’s husband, Harge, want to control them, make them part of their own respective families,  make them conform to some conventional picture of womanhood/motherhood.

From a structural point of view, I liked the way the film opens with a scene near the end of the book and then proceeds in flashback until it returns us to that same scene at the end of the film.    The story line follows the book pretty closely although Highsmith, as you might expect, inserts a more suspenseful element into some scenes.  The film includes additional scenes that show just what Carol is expected to go through to win access to her daughter in the custody battle with Harge.  Similarly, the viewer witnesses the decision she finally makes about how she intends to live her life and whether Therese will have a place in it.

As you might expect from an experienced director like Todd Haynes, the film is beautifully shot with a wonderful period atmosphere, whether that‘s the crowded streets of New York or the slightly rundown look of Therese’s apartment.  The costumes are simply gorgeous.   When it comes to the leads, Cate Blanchett is Carol for me and Rooney Mara, with her gamine look reminiscent of a young Audrey Hepburn, is perfect as Therese.   They are really mesmerising in those key scenes where Carol and Therese lock eyes with each other across a room.

The Verdict

The film respects the main story line of the novel and is a beautifully crafted piece of work with superb acting. It is also great to see a film that provides not one but two strong lead roles for female actors.  I really loved it.  The film does however shift the emphasis from Therese to Carol, making Carol a less enigmatic character than in the book.  I think the book gives a more complex picture of the relationship between the two women.  The film is wonderful entertainment but I think the book wins out for its more nuanced examination of the relationship between two people at a time when such a relationship was considered immoral by many.

What do you think?  Have you read the book or seen the film?

Book Review: Olive Kitteridge by Elizabeth Strout

AOlive Kitteridgebout the Book

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life – sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition – its conflicts, its tragedies and joys, and the endurance it requires.

Format: eBook, paperback (270 pp.)  Publisher: Pocket Books
Published: 4th July 2008                        Genre: Literary Fiction, Short Story

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find Olive Kitteridge on Goodreads


My Review

Olive Kitteridge was my read for this month’s theme of The BookBum Club – New Year, New Author.  Although I have several books by Elizabeth Strout on my bookshelves (real and virtual), I’d never actually read one so this was a great opportunity to rectify that omission. The book is also on my TBR Pile Challenge list which was an extra motivation for selecting it.

The book is subtitled A Novel in Stories and in some of the stories, Olive is the main character but in others she has the equivalent of a walk-on part.    At first, Olive comes across as direct, bordering on unpleasant, but gradually the reader gets a sense that in fact she is remarkably astute; she just has no time for people who try to put on an act.  ‘He is like her that way, can’t stand the blah-blah-blah.’  Olive also shows herself to be sensitive to other’s moods and needs.  In ‘Starving’, Olive’s encounter with a distraught girl produces ‘a kind of warm electricity, something astonishing and unworldly in the feeling of the room’.

As the book progresses, we learn of the many tragedies, challenges and disappointments in Olive’s life – truly she ‘has lived through her own sorrows’ – and I found myself sympathising with her simple desire to be a valued part of her son’s life and admiring her loyalty and devotion ‘in sickness and in health’ to her husband, Henry.  Looking back, Olive regrets not celebrating the small moments of happiness that occur in life – a walk in the crisp autumn air, holding hands with her husband, Henry.  ‘Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it.’   A message for us all there.

I found some of the stories bleak, many thought-provoking, others heart-warming and hopeful.  In every case, I felt as though I was reading about real people.  I came to know their habits, their likes and dislikes.  I could also imagine myself on the streets of Crosby.  This ability to create realistic characters and an authentic sense of place is the author’s real achievement, I think.

In my edition, the last story was ‘The Burgess Boys’, which is the title of another book by Elizabeth Strout.   This confused me a bit because it didn’t feature Olive at all so I can only assume it was intended to be an introduction to this later novel.  The penultimate story, ‘River’, certainly seems a more fitting and satisfying conclusion to the novel.   From feeling quite ambivalent about Olive after the first few chapters, I grew to understand her, admire her and, by the end of the book, feel a real affection for her.  Olive is a survivor and for me the lasting message of the book is the triumph of the human spirit over adversity.  May we all share this feeling: ‘Olive felt something she had not expected to feel again: a sudden surging greediness for life.’

Follow my blog with Bloglovin

In three words: Intimate, acutely-observed, insightful

Try something similar…Dance of the Happy Shades by Alice Munro (click here to read my review)


Elizabeth StroutAbout the Author

Elizabeth Strout is the author of several novels, including: Abide with Me, a national bestseller and BookSense pick, and Amy and Isabelle, which won the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize, and was a finalist for the PEN/Faulkner Award and the Orange Prize in England. In 2009 she was awarded the Pulitzer Prize for her book Olive Kitteridge. Her short stories have been published in a number of magazines, including The New Yorker. She teaches at the Master of Fine Arts program at Queens University of Charlotte.

Connect with Elizabeth

Website  ǀ  Facebook ǀ  Twitter  ǀ  Goodreads

TBR Challenge 2018