When Are You Reading? Challenge 2018: An Update

When Are You Reading Challenge 2018

One of the reading challenges I signed up to for 2018 was this one hosted by Sam at Taking on a World of Words.  It involves reading a book predominantly set in each of  twelve time periods.

I’m very happy with my progress so far as I’ve read books that fit into eight of the twelve time periods, although it does help that I read a lot of historical fiction.  You can see my list below, followed by details of the books I’ve read so far with links to my reviews.  Clicking on the title of those I’ve still to read will take you to the book’s entry on Goodreads.

It’s not too late to join in – just leave a comment on Sam’s post here with a link to your blog or your challenge post on your blog.  If you don’t have a blog, you could always create a shelf on Goodreads for the challenge.

Pre 1500                               1066: What Fates Impose by G. K. Holloway  READ 

1500-1599                            The Assassin of Verona by Benet Brandreth

1600-1699                            Traitor by David Hingley READ

1700-1799                            The Optickal Illusion by Rachel Halliburton  READ

1800-1899                            Death Comes For The Archbishop by Willa Cather   READ

1900-1919                            The Power House by John Buchan READ

1920-1939                            A Madras Miasma by Brian Stoddart

1940-1959                            Dear Mrs Bird by AJ Pearce  READ

1960-1979                            All The Beautiful Girls by Elizabeth Church READ

1980-1999                            Six Stories by Matt Wesolowski

2000-Present                       Three Things About Elsie by Joanna Cannon READ

The Future                          The Last Man by Mary Shelley

 


1066WhatFatesImpose1066: What Fates Impose by G. K Holloway

England is in crisis. King Edward has no heir and promises never to produce one. There are no obvious successors available to replace him, but quite a few claimants are eager to take the crown. While power struggles break out between the various factions at court, enemies abroad plot to make England their own. There are raids across the borders with Wales and Scotland. Harold Godwinson, Earl of Wessex, is seen by many as the one man who can bring stability to the kingdom. He has powerful friends and two women who love him, but he has enemies who will stop at nothing to gain power. As 1066 begins, England heads for an uncertain future. It seems even the heavens are against Harold. Intelligent and courageous, can Harold forge his own destiny – or does he have to bow to what fates impose?

traitor coverTraitor (Mercia Blakewood #3) by David Hingley

May 1665. With winter passed, Mercia Blakewood is at last headed back to England from America, hoping to leave behind the shadow cast by death and heartache. She expects a welcome from the King considering her earlier mission at his behalf, but the reception she receives after her long voyage home could hardly be called warm.

With the country now at war with the Dutch, the Crown has decided that Mercia is an asset to be used once again. More manipulation lies ahead as Mercia must accept a clandestine role at the heart of the glittering and debauched royal court to unmask a spy and traitor.

The Optickal IllusionThe Optickal Illusion by Rachel Halliburton

It is 1797 and in Georgian London, nothing is certain anymore: the future of the monarchy is in question, the city is aflame with conspiracies, and the French could invade any day. Amidst this feverish atmosphere, the American painter Benjamin West is visited by a dubious duo comprised of a blundering father and vibrant daughter, the Provises, who claim they have a secret that has obsessed painters for centuries: the Venetian techniques of master painter Titian.

West was once the most celebrated painter in London, but he hasn’t produced anything of note in years, so against his better judgment he agrees to let the intriguing Ann Jemima Provis visit his studio and demonstrate the techniques from the document. What unravels reveals more than West has ever understood—about himself, the treachery of the art world, and the seductive promise of greatness. Rich in period detail of a meticulously crafted Georgian society, The Optickal Illusion demonstrates the lengths women must go to make their mark on a society that seeks to underplay their abilities.

Death Comes For The ArchbishopDeath Comes for the Archbishop by Willa Cather

In 1851 Father Jean Marie Latour comes as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, although he must contend with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness.

The novel is based on the life of Jean-Baptiste Lamy (1814-1888), and partially chronicles the construction of the Cathedral Basilica of St. Francis of Assisi.

The Power-House CoverThe Power-House by John Buchan

When his friend Charles Pitt-Heron vanishes mysteriously, Sir Edward Leithen is at first only mildly concerned. But a series of strange events that follow Pitt-Heron’s disappearance convinces Leithen that he is dealing with a sinister secret society. Their codename is ‘The Power-House’. The authorities are unable to act without evidence. As he gets deeper involved with the underworld, Leithen finds himself facing the enemy alone and in terrible danger.

Dear Mrs BirdDear Mrs. Bird by AJ Pearce

London, 1940. Emmeline Lake is Doing Her Bit for the war effort, volunteering as a telephone operator with the Auxiliary Fire Services. When Emmy sees an advertisement for a job at the London Evening Chronicle, her dreams of becoming a Lady War Correspondent suddenly seem achievable. But the job turns out to be working as a typist for the fierce and renowned advice columnist, Henrietta Bird. Emmy is disappointed, but gamely bucks up and buckles down.

Mrs. Bird is very clear: letters containing any Unpleasantness must go straight in the bin. But when Emmy reads poignant notes from women who may have Gone Too Far with the wrong men, or who can’t bear to let their children be evacuated, she is unable to resist responding. As the German planes make their nightly raids, and London picks up the smoldering pieces each morning, Emmy secretly begins to write back to the readers who have poured out their troubles.

All the Beautiful Girls UKAll the Beautiful Girls by Elizabeth J. Church

It was unimaginable. When she was eight years old, Lily Decker somehow survived the auto accident that killed her parents and sister, but neither her emotionally distant aunt nor her all-too-attentive uncle could ease her grief.  Dancing proves to be Lily’s only solace, and eventually, she receives a “scholarship” to a local dance academy – courtesy of a mysterious benefactor.

Grown and ready to leave home for good, Lily changes her name to Ruby Wilde and heads to Las Vegas to be a troupe dancer, but her sensual beauty and voluptuous figure land her work instead as a showgirl performing everywhere from Les Folies Bergere at the Tropicana to the Stardust’s Lido de Paris. Wearing costumes dripping with feathers and rhinestones, five-inch heels, and sky-high headdresses, Ruby may have all the looks of a Sin City success story, but she still must learn to navigate the world of men – and figure out what real love looks like.

Three Things About ElsieThree Things About Elsie by Joanna Cannon

There are three things you should know about Elsie.  The first thing is that she’s my best friend.  The second is that she always knows what to say to make me feel better.  And the third thing… might take a little bit more explaining.

84-year-old Florence has fallen in her flat at Cherry Tree Home for the Elderly. As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly a man who died sixty years ago?

When Are You Reading Challenge 2018

Book Review: The Gallows Pole by Benjamin Myers

WaltScott_The Gallows PoleAbout the Book

“I saw them. Stag-headed men dancing at on the moor at midnight, nostrils flared and steam rising…”

An England divided. From his remote moorland home, David Hartley assembles a gang of weavers and land-workers to embark upon a criminal enterprise that will capsize the economy and become the biggest fraud in British history.  They are the Cragg Vale Coiners and their business is ‘clipping’ – the forging of coins, a treasonous offence punishable by death.  A charismatic leader, Hartley cares for the poor and uses violence and intimidation against his opponents. He is also prone to self-delusion and strange visions of mythical creatures.

When excise officer William Deighton vows to bring down the Coiners and one of their own becomes turncoat, Hartley’s empire begins to crumble. With the industrial age set to change the face of England forever, the fate of his empire is under threat.

Forensically assembled from historical accounts and legal documents, The Gallows Pole is a true story of resistance that combines poetry, landscape, crime and historical fiction, whose themes continue to resonate. Here is a rarely-told alternative history of the North.

Format: ebook, paperback, hardcover  (360 pp.) Publisher: Bluemoose Books
Published: 17th May 2017                                          Genre: Historical Fiction

Purchase Links (Kindle edition currently 99p on Amazon UK)
Amazon.co.uk  ǀ  Amazon.com  ¦ Publisher ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programmePublisher

Find The Gallows Pole on Goodreads


My Review

The Gallows Pole is one of the books long-listed for The Walter Scott Prize for Historical Fiction 2018.  Click here for the full long-list and links to information or my reviews of the long-listed books.

The book recounts events that took place in Calderdale, West Yorkshire, over a few years in the 1760s: the exploits of a gang known as the ‘Cragg Vale Coiners’.  ‘Coining’ was the illegal practice of removing shavings of gold from the edges of genuine coins, milling the edges of those coins smooth again and then using the shavings to produce counterfeit coins.

The narrative is interspersed with excerpts from a document written in the first person using vernacular dialogue, eccentric spelling and very little punctuation.  Its author is the so-called ’King’ of the coiners, David Hartley.  It’s his jail cell testimony – not confession, mind you – he’s keen to point that out.  Hartley recounts his first exposure to the coining process in the forges of The Black Country: ‘…What they done is smelt and pour and hammer and mould What they done is hoist and heft and scald and steam And what they done was learn us a new trayde a new way.’

The Gallows Pole transports the reader to a period when the first impact of industrialization and mechanisation was starting to be felt by residents of places like Calderdale.  Power was becoming concentrated in the hands of landowners, of factory and mill owners and employment was taking the place of self-employment or small-scale agriculture.  Old ways were coming into conflict with the forces of progress and modernity.  For many ordinary people, their whole way of life was changing, not necessarily for the better (reminiscent in some ways of the modern day impact of globalisation).   It’s not surprising that desperation and poverty should force some to look outside the law for the means to survive.  Or, that men like Hartley, should reject the notion of change altogether.  [Readers who dislike swearing should skip the next quotation.]

‘An he seys the day of the hand loom is over mass produckshun is cumin wether you lyke it or not aye mass produckshun and organysed laber is what I’m talkin abowt and if youv got any sens about yer yerll embrayce the new ways.  And I says fuck the new ways and fuck the company and fuck your fucken scut with a rusted nyfe if yor still thinken on telling King David of Cragg Vale wer it is he can or cannit wander you soppybolickt daft doylem fiddler of beests.’

I think you may be starting to get a sense that creative use of language is a key element of this book.  [Can I give a shoutout to the copy editors and proof-readers of the book at this point.]  The author evocatively conjures up the atmosphere of the moors; its bleakness but also its harsh beauty.  ‘Then when the downpour eased and the clouds passed over to slowly bank across the open moors in the direction of Haworth, the valley slopes were left with a fresh dusting of white, a patchwork of powdered shapes divided by the black streaks of stone walls that snaked over and around copses, hamlets and the top quarries…’

There is a rhythmic, almost poetic quality to the language with frequent use of alliteration and assonance: ‘In to dell and dingle.  Gulch and gully.’ ‘From the dells and dales and dingles.’ ‘Slipping and sliding.  Gasping and striding.’  Some of the prose is positively audacious – for its use of repetition:

‘Tom Spencer walked to Horsehold and folk there gave up their coin.  Tom Spencer walked to Burnt Stubb and folk there gave up their coin.  Tom Spencer walked to Boulder Clough and folk there gave up their coin.  Tom Spencer walked to Midgley and folk there gave up their coin…’

And for the lists – sometimes long lists – of names and of places giving a sing-song quality to the writing.

‘Up they came and over they came and through they came.  Many men.
Isaac Dewhurst and Absolom Butts.
Thomas Clayton and Benjamin Sutcliffe.
Abraham Lumb and Aloysius Smith and Nathan Horsfall and Matthew Hepworth and Joseph Gelder and Jonathan Bolton.
John Wilcox and Jonas Eastwood.
Fathers and brothers and sons and uncles.  Up they came.  And others too.’

The language at times is earthy and raw with visceral descriptions of bodily sensations and creative evocations of sights, sounds, smells, tastes.  ‘Soot and ash.  Snot and spume. Quag and sump and clotted moss.’ 

The story that unfolds is as compelling as the language. However, despite his criminal activity and the violence perpetrated by those around him, the reader is left with a sense of David Hartley as a tragic figure.  He certainly becomes a folk hero in the eyes of the local community.  That is, to those who don’t attempt to resist him, swindle him, usurp him or bring him to justice.  Retribution is swift and violent for them.

There is a real sense of period atmosphere in The Gallows Pole, of a time when life was hard for many and death was an often close companion.  It was definitely not the time or place to be a woman; relegated to the role of child bearer, provider of sexual pleasure (willingly or not) and household drudge.   The only sign of tenderness is between Hartley and his wife, and even that is relative.

The Gallows Pole made a deep impression on me.  The story was powerfully told and had a marvellous sense of authenticity.  However, it was the imaginative writing that really drew me in.  It may not turn out to be the closest to my heart of the books on the long-list but its author has certainly earned my admiration. I realise it’s early to be making predictions, especially as I haven’t read all the books on the long-list yet.   Nevertheless, I’m going to stick my neck out and say I can see The Gallows Pole being the Days Without End of 2018.  In other words, not only making the shortlist but possibly being the eventual winner.  If I’m wrong, forget you read this.  If it turns out I’m right, remember, you saw it here first.

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In three words: Gritty, compelling, immersive

Try something similar…Days Without End by Sebastian Barry (click here to read my review)


Benjamin MyersAbout the Author

Benjamin Myers was born in Durham, UK, in 1976.  He is an award-winning author and journalist. As a journalist he has written about the arts and nature for publications including New Statesman, The Guardian, NME, Mojo, Time Out, New Scientist, Caught By The River, The Morning Star, Vice, The Quietus, Melody Maker and numerous others.

Pig Iron (2012) was the winner of the inaugural Gordon Burn Prize and runner-up in The Guardian’s Not The Booker Prize. A controversial combination of biography and novel, Richard (2010), was a bestseller and chosen as a Sunday Times book of the year.  Myers’ short story ‘The Folk Song Singer’ was awarded the Tom-Gallon Prize in 2014 by the Society of Authors and published by Galley Beggar Press. His short stories and poetry have appeared in dozens of anthologies.

His novel Beastings (2014) won the Portico Prize For Literature, was the recipient of the Northern Writers’ Award and longlisted for a Jerwood Fiction Uncovered Award 2015. Widely acclaimed, it featured on several end of year lists, and was chosen by Robert Macfarlane in The Big Issue as one of his books of 2014.  Turning Blue (2016) was described as a “folk crime” novel, and praised by writers including Val McDermid. A sequel These Darkening Days followed in 2017.

Recipient of the Roger Deakin Award, his novel The Gallows Pole was published to acclaim in 2017.  His latest book, Under The Rock, a work of non-fiction, is published May 2018.

He currently lives in the Upper Calder Valley, West Yorkshire, UK.

Connect with Benjamin

Website ǀ  Twitter  ǀ  Goodreads

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