#BookReview The Porcelain Doll by Kristen Loesch @AllisonandBusby

The Porcelain DollI’m delighted to be celebrating publication day of The Porcelain Doll by Kristen Loesch by sharing my review of this captivating historical novel. My thanks to Christina at Allison & Busby for my review copy.


The Porcelain DollAbout the Book

‘She was called Kukolka,’ he says. Little doll. It’s an unwelcome reminder of Mum’s porcelain prisoners back in London. Of all the things we could have brought with us from Russia – and we weren’t able to bring very much – she chose them.

Rosie’s only inheritance from her reclusive mother is a book of Russian fairy tales. But there is another story lurking between the lines.

Not so long ago, Rosie lived peacefully in Moscow and her mother told fairy tales at bedtime. But one summer night, all that came abruptly to an end when her father and sister were gunned down. Years later, Rosie is a doctoral student at Oxford, with a fiancé who knows nothing of her former life and an ailing, alcoholic mother lost to a notebook full of eerie, handwritten little stories.

Desperate for answers to the questions that have tormented her, Rosie returns to her homeland and uncovers a devastating family history which spans the 1917 Revolution, the siege of Leningrad, Stalin’s purges and beyond. At the heart of those answers stands a young noblewoman, Tonya, as pretty as a porcelain doll, whose actions reverberate across the century.

Format: Hardcover (384 pages)           Publisher: Allison & Busby
Publication date: 17th February 2022 Genre: Historical Fiction

Find The Porcelain Doll on Goodreads

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My Review

I often find that in novels with a dual time structure one of the timelines – usually the earlier one – is more engaging than the other. This was definitely not the case in The Porcelain Doll because the author has managed to create two equally compelling storylines that blend past and present in a deliciously satisfying way.  The structure works because the connections between the two stories are so strong that  one never seems secondary to the other. Indeed, it feels that one could not exist without the other.

Starting in Russia in 1915, Tonya’s story spans decades encompassing the Revolution of October 1917, the Russian Civil War, the Stalinist purges of the 1930s, the siege of Leningrad during World War 2 and beyond. All of these events impact on Tonya and those close to her in dramatic ways, forcing her to make almost impossible choices to protect herself and those she cares for. As she observes at one point, ‘the choice in this country is not between right and wrong. It is between life and death’. Hers is a powerful, often harrowing, story of betrayal, loss, sacrifice and the sheer will to survive, often against seemingly insurmountable odds. It’s also a heart-breaking love story that brought to mind elements of Dr. Zhivago by Boris Pasternak.

Rosie’s story takes place in 1991, an equally pivotal time in Russian history. It’s the era of perestroika and glasnost that would ultimately result in the collapse of the Soviet Union. But a new regime does not mean that old wounds can be forgotten. Far from it. The turbulent events in the country of Rosie’s birth reflect that in her own life. She continues to be haunted by memories of events earlier in her life, events that have left her with unanswered questions and a kind of survivor’s guilt. At one point Rosie is warned, ‘There is no enlightenment to be found in the past. No healing. No solace. Whatever we are looking for will not be there’. However, that warning doesn’t stop Rosie trying to find out more about her family history and to decode the answers she believes lie hidden in her mother’s stories.  What she discovers will change everything she thinks she knows and thought she wanted.

As the two storylines interweave, nothing is quite what it seems – and often no-one is quite what they seem either. The way the author has crafted the multi-layered plot is akin to a Rubik’s Cube where you think you’ve just about arrived at the solution only to find there’s a piece out of place. There are some moments of breathtaking revelation and twists that I certainly didn’t see coming.

Storytelling is an underlying theme of the book whether that’s stories created to entertain, to pass on cultural myths and legends, to record for posterity life experiences, to act as propaganda or set out a vision for the future.  Storytelling itself may even be a means of survival. And sometimes stories are the only way traumatic events can be processed and communicated.

I absolutely loved The Porcelain Doll. It kept me enthralled until the very last page.

In three words: Dramatic, emotional, captivating

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Kristen LoeschAbout the Author

Kristen Loesch grew up in San Francisco. She holds a BA in History, as well as a Master’s degree in Slavonic Studies from the University of Cambridge. Her debut historical novel, The Porcelain Doll, was shortlisted for the Caledonia Novel Award and longlisted for the Bath Novel Award. After a decade living in Europe, she now resides in the Pacific Northwest with her husband and children.

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#BlogTour #BookReview The City of Tears by Kate Mosse @RandomTTours @panmacmillan

City of Tears BT PosterWelcome to the final stop on the blog tour for The City of Tears by Kate Mosse, which was published in paperback on 20th January 2022. My thanks to Anne at Random Things Tours for inviting me to take part in the tour and to Pan Macmillan for my digital review copy. Do check out the post by my tour buddy for today, Hayley at The Lotus Readers.


The City of TearsAbout the Book

August 1572: Minou Joubert and her family are in Paris for a Royal Wedding, an alliance between the Catholic Crown and the Huguenot King of Navarre intended to bring peace to France after a decade of religious wars. So too is their oldest enemy, Vidal, still in pursuit of a relic that will change the course of history. But within days of the marriage, thousands will lie dead in the streets and Minou’s beloved family will be scattered to the four winds…

A gripping, breathtaking novel of revenge, persecution and loss, the action sweeps from Paris and Chartres to the city of tears itself, Amsterdam.

Format: Paperback (560 pages)         Publisher: Pan Macmillan
Publication date: 20th January 2022 Genre: Historical Fiction

Find The City of Tears (The Burning Chambers #2) on Goodreads

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The City of Tears Blog Tour Graphic


My Review

The City of Tears is the follow-up to the best-selling The Burning Chambers and the second book in a planned series following the fortunes of a cast of characters from 1562 to 1862. (The prologue gives a brief glimpse of the final part of the series.) If you’ve not read The Burning Chambers you need not worry because the author includes brief recaps of events in the first book and if, like me, you have limited knowledge of the Wars of Religion that are the backdrop to events in the book, the author’s Historical Note will tell you everything you need to know.

The book blends actual historical events, such as the St. Bartholomew’s Massacre, with the story of Minou and Piet Reydon, and their family. In this turbulent period of history, during which the conflict between Catholics and Protestants over religious doctrine swept across Europe, few families were left unaffected and the Reydon family are no exception.  Forced to flee France, the family become separated and Minou and Piet are left not knowing whether some of their loved ones are alive or dead. The decisions they are forced to make even threaten their previously strong relationship.  Yet, through it all, Minou never gives up hope of a reunion. ‘Even in the worst of times, it was a miracle how the human heart kept beating.’

In addition to wider geopolitical events affecting their lives, Vidal, their implacable enemy from the first book, remains in the picture. Now in a position of power within the Catholic faction, he is totally ruthless and a force to be reckoned with. A ‘malignant and vengeful man’, his actions are fuelled by a lethal combination of a desire for revenge, fanatical religious zeal and a sense of injustice. Although responsible for some unspeakable acts, one has to admit he does make a fantastic villain!

As might be expected from a series that will span three hundred years, the theme of inheritance features strongly, whether that’s by way of physical features, blood ties or ownership of assets and property. Alongside Vidal’s pursuit of relics of religious significance, objects handed down through the generations feature as well, precious memories of those who have gone before. Issues of displacement, the plight of refugees and religious intolerance remain, regrettably, only too familiar.

The historical detail in The City of Tears is evidence of the meticulous research for which the author has become renowned. The book has a great sense of place such that you can easily imagine yourself walking the streets of Paris or Amsterdam, the city of tears of the title. (To find out more about how Kate goes about research for her books you can read my write-up of her appearance at Henley Literary Festival 2021 here.) 

To plagiarise part of my review of The Burning Chambers, if you gave Mary Berry flour, butter, eggs and sugar, you could be absolutely sure she’d create the perfect Victoria sponge cake.  In the same way, in The City of Tears, Kate Mosse skilfully combines all the ingredients necessary for a deliciously satisfying historical fiction novel, including a thrilling and dramatic climax (even if, perhaps appropriately, there is the threat of soggy bottoms).

In three words: Gripping, authentic, dramatic

Try something similar: The Silver Wolf by J. C. Harvey

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Kate MosseAbout the Author

Kate Mosse is a number one international bestselling novelist, playwright and non-fiction writer. The author of eight novels and short story collections – including the multimillion-selling Languedoc Trilogy (Labyrinth, Sepulchre and Citadel) and Gothic fiction The Winter Ghosts and The Taxidermist’s Daughter, which she is adapting for the stage – her books have been translated into thirty-eight languages and published in more than forty countries. She is the Founder Director of the Women’s Prize for Fiction and a regular interviewer for theatre & fiction events. Kate divides her time between Chichester in West Sussex and Carcassonne in south-west France.

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