#BookReview Invitation to a Bonfire by Adrienne Celt #20BooksOfSummer23

About the Book

Zoya Andropova, a young Russian refugee, finds herself in an elite New Jersey boarding school. Having lost her family, her home and her sense of purpose, Zoya struggles to belong, a task made more difficult by her new country’s paranoia about Soviet spies.

When she meets charismatic fellow Russian émigré Leo Orlov – whose books Zoya has obsessed over for years – everything seems to change. But she soon discovers that Leo is bound by the sinister orchestrations of his brilliant wife, Vera, and that their relationship is far more complex than Zoya could ever have imagined.

Format: Paperback (256 pages) Publisher: Raven Books
Publication date: 27th June 2019 Genre: Historical Fiction

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My Review

I received this as part of a Reading Heels book subscription back in 2019. (Reading in Heels is no longer in business.) For me it was a ‘curate’s egg’, i.e. good in parts.

It’s apparently loosely inspired by the marriage of Vladimir and Vera Nabokov and supposedly set in the 1920s and 1930s, although it didn’t feel much like that to me, of which more later. The story is told by way of letters between Leo Orlov (for whom read Nabokov) and his wife Vera, occasional other official documents such as police witness statements but mainly through the journal of Zoya, a young Russian orphan sent to the United States as part of a refugee programme. Yes, that well-worn narrative structure, the journal; written by someone with an amazing memory, who can reproduce conversations verbatim and recall scenes from when they were in the crib.

The author achieves a good variation of styles between the different narrative structures, especially in the letters between Lev and Vera. Other reviewers have commented on how cleverly Celt mimcs Nabokov’s style but since I’ve never read anything by Nabokov this rather passed me by. I think this was one of my problems with the book in that I was missing allusions to Nabokov’s life and work.

For me, the first section of the book was rather slow and, frankly, lacked credibility. I found it difficult to believe that a Russian refugee would be placed in ‘an elite New Jersey boarding school’. If the intention was to contrast Zoya’s situation with that of the girls from privileged families who attend the school then that at least succeeded as Donne School comes across as a sort of toxic Mallory Towers. Zoya is ostracised and bullied mercilessly with the staff seemingly having no duty of care. This section, which accounts for about half the book, feels distinctly anachronistic with references to ‘bobby socks’ and the like which I don’t think were prevalent in the 1920s! Eventually Zoya is put to work in the greenhouse of the school, on the strength of having grown some lilacs from seed brought from her homeland. She’s obviously a horticultural genius because lilac is a shrub which takes at least three years to bloom and doesn’t seem the sort of thing you’d grow on your windowsill.

Over the years Zoya has become obsessed with the books of Leo Orlov so depending on your point of view it’s either convenient, fate or incredible coincidence when he arrives at Donne School. To borrow from the film Casablanca, it’s not so much “Of all the gin joints, in all the towns, in all the world, she walks into mine” as “Of all the schools, in all the towns, in all the world, he becomes a teacher at mine”. They embark on a passionate affair, their sexual encounters being intensely sensual, erotic but at the same time slightly disturbing.

I can’t say I was a fan of Leo, but then again perhaps I wasn’t intended to be. He’s completely untrustworthy, manipulative and self-centered. I couldn’t buy into the whole ‘I’m a literary genius so I must be allowed to get away with anything’. Zoya is the perfect victim; she’s needy and, apart from John her workmate, friendless. Lev attempts to convince Zoya that Vera is the villain of the piece, a controlling woman who has suppressed an early work of genius. At the same time, he’s professing his undying love to Vera in passionate letters whilst simultaneously plotting to get rid of her. ‘He was a writer. He could come up with the right set of circumstances to forestall any serious suspicion.’ Too right.

The publisher describes the book as ‘a gripping psychological thriller’ and there is a definite change of tone in the final quarter of the book as the Lev-Vera-Zoya triangle plays out in a quite unexpected way. This was the part of the book I enjoyed the most.

Invitation to a Bonfire is the second book from my 20 Books of Summer 2023 reading list.

In three words: Intimate, sensual, slow-moving


About the Author

Adrienne Celt’s debut novel, The Daughters, won the PEN Southwest Book Award for Fiction and was an NPR Best Book of the Year. Her story ‘Temples’ was included in The O. Henry Prize Stories 2016 after originally appearing in Epoch. Celt’s short fiction appears or is forthcoming in Zyzzyva, Ecotone, the Kenyon Review, Prairie Schooner, Esquire, Electric Literature, and Carve Magazine, among others; her nonfiction has appeared in the Rumpus, Tin House‘s ‘OpenBar’, Lit Hub, the Toast, Catapult, the Millions, and elsewhere.

Adrienne has an MFA in fiction from Arizona State University, draws weekly web comics at loveamongthelampreys.com, and lives in Tucson, Arizona. (Photo: Author website)

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#BookReview The Painter of Souls by Philip Kazan #20BooksOfSummer23

About the Book

Beauty can be a gift…or a wicked temptation…

So it is for Filippo Lippi, growing up in Renaissance Florence. He has a talent – not only can he see the beauty in everything, he can capture it, paint it. But while beauty can seduce you, and art can transport you – it cannot always feed you or protect you.

To survive, Pippo Lippi, orphan, street urchin, budding rogue, must first become Fra Filippo Carmelite friar, man of God. His life will take him down two paths at once. He will become a gambler, a forger, a seducer of nuns; and at the same time he will be the greatest painter of his time, the teacher of Botticelli and the confidante of the Medicis.

So who is he really – lover, believer, father, teacher, artist? Which man? Which life? Is anything true except the paintings?

Format: Paperback (288 pages) Publisher: Orion
Publication date: 3rd November 2016 Genre: Historical Fiction

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My Review

The Painter of Souls is the first book on my 20 Books of Summer 2023 list which tells you everything you need to know about how this reading challenge is going. On the other hand, it’s made me read a book that has been sitting on my bookshelf for five years. I came to it with high expectations as the two other books by the author I’ve read – The Black Earth and The Phoenix of Florence – were both five star reads for me. (Links from the title will take you to my review.) I wasn’t disappointed because I loved The Painter of Souls.

In his Acknowledgments, the author notes that almost nothing is really known about Filippo Lippi the person. We have some bare facts about his life and, of course, his art but that’s about it. However I recall a comment made by author Robert Harris at last year’s Henley Literary Festival that when it comes to history, there are always gaps in our knowledge but those gaps are great things because after all if we knew everything there wouldn’t be any point in writing historical fiction. In this spirit, Philip Kazan has taken the known facts and used his imagination to fill in the gaps so Pippo (the name he is often referred by in the book) comes alive on the page as we witness his journey from street urchin to Carmelite friar to acclaimed painter. The book is peopled with other real life figures, from Cosimo de’Medici to the sculptor, Donatello.

In the author’s hands, Pippo’s journey is the result of a combination of a natural talent for drawing – as a young boy he survives by selling sketches of people in the market place – and good fortune. Having been taken in by the Carmelite monastery, his talent for art is gradually recognised and he is soon assisting the Florentine artist Masaccio to paint frescoes of religious subjects commissioned by wealthy individuals. Pippo finds a kindred spirit as well as a mentor in Masaccio whose paintings are notable for featuring lifelike figures, often based on real people observed on the streets of Florence, and realistic backgrounds. Pippo is truly a ‘painter of souls’ prioritising reality over tradition and artifice, and incorporating human emotions into the figures he paints. There is one particularly poignant scene where he sketches a destitute young mother with her child.

Despite Pippo’s reputation as a painter growing, he cannot escape his past. ‘This is who he is: a mongrel, a badly cooked dish of vagabond, friar, maker of pictures.’ His early life comes back to haunt him in the most profound way when a friend of his youth, now a young man living a dissolute lifestyle, falls foul of the ruling council of Florence.

I loved the evocative descriptions of fifteenth century Florence: its streets, buildings and squares; the sights, sounds and smells of everyday life. It is definitely now a city I am keen to visit to, as it were, walk in Pippo’s footsteps.

Even if you’re not that interested in art, I think you would be swept along by Pippo’s story, and his humanity. ‘The world is beautiful. We are beautiful. [… ] The trick is to see it. No . . . No. The trick is to look. Always to look.’

Having become thoroughly immersed in the details of Pippo’s eventful life, you can imagine my disappointment when I got to the end of the book and found it was only the first in a planned series – and the author has yet to write any more! I really wanted to find out what happens to Pippo to get himself into the situation we learn about in the Prologue set in 1469, the year of his death. (And while you’re at it, Philip, please can we also have a sequel to The Phoenix of Florence.)

In three words: Emotional, evocative, engrossing

Try something similar: The Birth of Venus by Sarah Dunant


About the Author

Philip Kazan was born in London and grew-up on Dartmoor. He is the author of two previous novels set in fifteenth-century Florence and the Petroc series following a thirteenth-century adventurer. After living in New York and Vermont, Philip is back on the edge of Dartmoor with his wife and three children. (Photo: Twitter profile)

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