#BookReview City of Spies by Mara Timon @ZaffreBooks @ReadersFirst1

City of Spies Mara TimonAbout the Book

Lisbon, 1943. When her cover is blown, SOE agent Elisabeth de Mornay flees Paris. Pursued by the Gestapo, she makes her way to neutral Lisbon, where Europe’s elite rub shoulders with diplomats, businessmen, smugglers, and spies.

Posing as wealthy French widow Solange Verin, Elisabeth must infiltrate a German espionage ring targeting Allied ships, before more British servicemen are killed.

The closer Elisabeth comes to discovering the truth, the greater the risk grows. With a German officer watching her every step, it will take all Elisabeth’s resourcefulness and determination to complete her mission.

But in a city where no one is who they claim to be, who can she trust?

Format: Paperback (464 pages)                Publisher: Zaffre
Publication date: 17th September 2020 Genre: Historical Fiction

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My Review

If you’d asked me for my thoughts about City of Spies at the end of Part One, I might have observed that it reminded me of other books I’ve read that feature women working undercover with the French Resistance in World War 2. Set in June 1943 and written in a rather breathless style made up of short or incomplete sentences, the first part of the book sees SOE agent and wireless operator Elisabeth (codename Cecile) forced to make a rapid escape from occupied France. Having said that, not only does it vividly illustrate the constant risk of discovery faced by SOE agents, it also reveals something of Elisabeth’s character. She’s resourceful, courageous, has a keen instinct for danger and, when required, is a deadly opponent.

If the first part of the book was all action, once the story moves to the melting pot that is wartime Lisbon, it’s intrigue and drama that take centre stage. In adopting her new identity, that of French widow Solange Verin, Elisabeth has to use all the espionage skills she learned during her SOE training – adopting disguises, establishing a safe house, following people without being detected and losing those trying to keep tabs on her. Oh, and her skill with a gun or knife comes in useful too.

Elisabeth’s new mission takes her to the glamorous hotels of Lisbon, the beachfront bars of Estoril and exclusive soirees in private villas. There she rubs shoulders with society ladies, diplomats and German officers hoping she may come across useful information to convey back to Britain. As she recognises, this involves her setting herself up as “live bait” but it’s a challenge she relishes, for both patriotic and personal reasons, in order to take the fight to the Germans.

Officially neutral, Lisbon is in reality anything but, living up to its reputation as the “City of Spies”. Among the lessons Elisabeth learns are that there are informers everywhere, few people are exactly what they seem and knowing who to trust is not easy. As one character observes to Elisabeth, “In our line of work…there is rarely certainty. We have to make do with probability, with calculated risks”.

I won’t reveal any more of the plot except to say there are twists and turns aplenty and the tension and excitement really builds in the final chapters. For me, it also had the perfect ending. To find out why I say that you’ll have to read City of Spies for yourself!

The Man Who Never WasBy the way, don’t be put off by the extensive character list at the beginning of the book; you won’t need to remember who everyone is. However, if you’re the sort of person who sits through the credits at the end of a film, you’ll find it interesting to see which of the characters who feature in the book (even only as passing references) existed in real life and which are invented. Personally, I was excited to come across a mention of ‘Major Martin’ as he features in one of my favourite war films, The Man Who Never Was, based on the book of the same name by Ewan Montagu.

There were some great bonus items at the back of my copy of the book – the fascinating Historical Note and the author’s essay “Touring the City of Spies” in which she suggests places to visit and things to do in the city and its environs. These include eating local seafood in the Bairro Alto and listening to fado in the Alfama District. (I remember my parents having a record by the famed fado singer, Amalia.) There’s also a Q&A with the author in which she reveals, among other things, what she’s working on next.

The cover quote “Casablanca meets Le Carré” has it spot on. City of Spies has drama, intrigue, a formidable leading character and a fascinating setting. Add a handsome German officer to provide temptation and what more could you ask for from a wartime spy novel?

I received an advance review copy courtesy of Zaffre and Readers First.

In three words: Compelling, dramatic, atmospheric

Try something similar: Trapeze by Simon Mawer

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Mara Timon author City of SpiesAbout the Author

Mara Timon is a native New Yorker and self-proclaimed citizen of the world who began a love affair with London about 20 years ago. She started writing short stories as a teenager, and when a programme on the BBC caught her interest, she followed the ‘what ifs’ until a novel began to appear. Mara lives in London and is working on her next book. She loves reading, writing, running, Pilates, red wine, and spending time with friends and family – not necessarily in that order. (Photo credit: Twitter profile)

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#BookReview Charlotte by Helen Moffett @ZaffreBooks

9781785769108About the Book

Everybody thinks that Charlotte Lucas has no prospects. She is unmarried, plain, poor, and reaching a dangerous age.

When she stuns the neighbourhood by accepting the proposal of buffoonish clergyman Mr Collins, her best friend Lizzy Bennet is appalled by her decision. Yet this is the only way Charlotte knows how to provide for her future.

Her married life propels Charlotte into a new world: not only of duty and longed-for children, but secrets, grief, unexpected love and friendship, and a kind of freedom.

This powerful reimagining takes up where Austen left off, showing us a woman determined to carve a place for herself in the world. Charlotte offers a fresh, feminist addition to the post-Austen canon, beautifully imagined, and brimming with passion and intelligence.

Format: (Hardcover, 368 pages)              Publisher: Manilla Press
Publication date: 3rd September 2020 Genre: Historical fiction

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My Review

The Charlotte who emerges from the book is loyal, honest, intelligent, an attentive, loving mother and wife. Above all, she’s a pragmatist, her aim being ‘to secure a future free of anxiety and material want’ for herself and her children. The author provides the reader with a different picture of the relationship between Charlotte and Mr Collins than might be imagined from Pride and Prejudice. Although a marriage of convenience initially, there is mutual affection and, at times, even desire between the pair. Yes, really. Granted, Mr Collins remains his overly talkative self and pathetically grateful for every favour that comes his way from his patron, Lady Catherine, but there are some touching scenes in which he and Charlotte are brought together by grief.

The author has some fun imagining “what happened next” to the other Bennet sisters and expanding the role of some of the secondary characters from Pride and Prejudice, notably Anne de Bourgh, daughter of the formidable Lady Catherine. There are also literary allusions to spot such as a first meeting on a moonlit road, a female character with a fondness for wearing men’s clothes and a wet-shirted emergence from water.

An invented character, Austrian musician and piano tuner Jacob Rosenstein, acts as a vehicle for Charlotte to recount, in a series of flashbacks, scenes from Pride and Prejudice (seen from her point of view) as well as details of the early part of her marriage. He also acts as a welcome distraction from her grief over a family tragedy.

The book is written in elegant prose reminiscent of, but not slavishly copying, Jane Austen’s style. Much tea is consumed, health-giving country walks are taken and musical evenings are enjoyed.

A repeated theme of the book is the inferior status of women whether manifested through inheritance laws, social conventions or the constraints of marriage. It leads Charlotte to reflect on ‘the swinging unfairness of the lot that made her a woman’ making her ‘little better than a parcel to be lodged where first a father and then a husband decreed’. Having said this, Charlotte proves herself adept at subtle manipulation and the end of the book sees her influencing the turn of events.

I received an advance review copy courtesy of Manilla Press and Readers First.

In three words: Tender, assured, engaging

Try something similar: The Other Bennet Sister by Janice Hadlow or Longbourn by Jo Baker

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EQngv350_400x400About the Author

Helen Moffett is a South African writer, freelance editor, activist, and award-winning poet. She had a PhD on Pre-Raphaelite poetry and has authored or co-authored university textbooks, short story anthologies, non-fiction books on the environment, two poetry collections, and various academic projects. Charlotte is her first novel. (Photo credit: Twitter profile)

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