Interview with Shaun Ebelthite, author of White Water, Black Death

Today’s guest on What Cathy Read Next is Shaun Ebelthite, author of White Water, Black Death. As someone whose idea of the perfect holiday is several weeks on a luxurious cruise ship visiting exotic places, the premise of Shaun’s novel – an outbreak of a deadly plague onboard a cruise ship – should have had me breaking out in a cold sweat. Instead, it intrigued me and I’m very much looking forward to reading White Water, Black Death (isn’t that a clever title?) just as soon as it reaches the top of my review pile. I just may not choose to read it while on my next cruise….

I’m delighted that Shaun has agreed to answer some questions about White Water, Black Death, the inspiration for the book, and his experience of being a first-time author.

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WhiteWaterBlackDeath2About the Book

“A cruise ship is the perfect target for a biological attack”. These are the chilling words emailed to the Seaborne Symphony in the mid-Atlantic.

Magazine editor Geneva Jones has been sent on the trans-Atlantic cruise to help secure a major advertising agreement from the CEO of the cruise line, Rachel Atkinson, but her efforts to win her over are curtailed by a mysterious crew death. Geneva suspects foul play. Rachel insists its suicide. A former investigative journalist, Geneva can’t resist digging deeper, but what she finds is far more devastating. There’s an Ebola outbreak on the ship, everyone is trapped aboard and Rachel is trying to keep it secret.

Geneva knows enough about Ebola to be terrified, but she’s also onto the biggest story of her career. As panic surges through the ship, she becomes fixated on a single question. How was the virus brought aboard? The answer is worse than she could have imagined, and the greatest exposé she’ll ever get, if she can only prove it.

Praise for White Water, Black Death:

“This story will be every cruise ship passenger’s worst nightmare… no one is above suspicion. This is a fast-paced thriller that will have the reader on the edge of their seat.” (Reader’s Favorite)

White Water, Black Death maintains a fast pace and keeps the reader guessing to the very last page. It may also be the most dangerous book of the year.” (Maritime Reviews)

Format: ebook (284 pp.)                   Publisher: J John Riley Books
Published: 5th September 2017      Genre: Thriller

Purchase Links*
Amazon.co.uk ǀ Amazon.com
*links provided for convenience, not as part of any affiliate programme

 

Find White Water, Black Death on Goodreads


Q&A: Shaun Ebelthite, author of White Water, Black Death

Without giving too much away, can you tell me a bit about White Water, Black Death?

White Water, Black Death opens with a cruise ship Captain trying to decide whether to respond to an SOS call in the middle of the Atlantic, with a major storm bearing down on his ship, while a journalist he doesn’t trust is trying to pre-empt his every move. What neither of them, or any of the other characters, realise is that the entire ship is already a giant floating Petri dish, with the most dangerous virus of the 21st century crawling on every surface.  With White Water, Black Death, I wanted to tell a story that hadn’t been told before. Although there have been plenty of plague ship books and ‘outbreak’ type novels, none that I’ve read have focused on something that can happen so easily in real life, with ‘everyday’ characters to which I hope most readers will be able to relate. Instead of a CIA operative or doctor with the NSA, my characters are the people that would be on the frontline if a cruise ship really were the target of a biological attack.

How did you get the idea for the book?

When the Ebola virus broke out in West Africa, and cruise ships began cancelling port calls in the affected countries, I did a ship tour in Dubai and was handed a questionnaire asking about my travel history and current health. I realised then that a cruise ship’s only defence against a virus being brought aboard is a) the infected person knows they’re infected and b) that person is honest enough to tell the cruise line. It made me wonder what would happen if someone knowingly infected themselves with a deadly virus before entering a congested and isolated community, such as a cruise ship.

White Water, Black Death is your first novel so can you tell us a bit about your writing journey?

I wrote White Water, Black Death quite quickly; the main thrust of the story was finished in two or three months. The really time-consuming, but equally rewarding, part was editing it and re-writing it several times to flesh out the story with believable characters and events. I’ve been writing since I was a child, with dozens of unfinished manuscripts gathering e-dust, but this was the first one I managed to finish.  I think it was because I wrote out the major plot thread first, giving me a structure on which I could add and amend.

You have a lot of experience in the cruise industry. How realistic is the scenario at the heart of the book – an outbreak of a highly contagious virus?

It’s terrifyingly realistic. Your average cruise is a week to two weeks in length, while Ebola takes around two to seven days to show symptoms after infection. That makes it easily spreadable aboard a cruise ship because by the time people start showing symptoms, it would be too late to contain it. On a trans-Atlantic cruise, where a ship is at sea for up to a week without making any port calls, the consequences would be catastrophic. And that’s if any of the nearby ports could even provide help. In 2014 when a cruise ship had a passenger onboard who had only treated an Ebola patient (she had no symptoms) it caused panic and Mexico actually shut its maritime border to the ship.

The book describes the panic that sets in amongst the passengers once the outbreak becomes public. How did you approach writing those scenes?

White Water, Black Death is about the choices we make as people under extraordinary stress. It’s a pressure-cooker environment and I tapped into that emotion by using my writing as an outlet for the stress and feeling of being entrapped that I felt in my job. I was also writing the book through the night most days, as that was the only time I could set aside, and those feelings of exhaustion helped me tap into the kind of emotion I was trying to give my characters.

The characters in the book are presented with a number of moral dilemmas, such as the conflict between doing the right thing and commercial pressures. Is this something you feel strongly about?

Yes, but not in any ideological sense. I really wanted to tell a story that was nuanced, rather than black and white in terms of right and wrong. I think very few people are inherently selfish or ‘bad’ in the storytelling sense. Aaron wants to find out the truth about Chantal, his mother, Rachel, wants to protect her company, Geneva wants a good scoop and the Captain wants to protect the ship and its crew and passengers which may not necessarily fit with Rachel’s goals. The dilemmas they each face are (I hope!) true to life in the sense that they’re faced with questions that people would need to answer if this happened in real life.

What was the biggest challenge you encountered when writing White Water, Black Death?

Each of my characters has divergent goals, or things that they care about or want to protect in the crisis, but I’d like the reader to be sympathetic to the plight of each. I’m obviously not the best judge of whether I’ve succeeded, but trying to come close was the greatest challenge from a story telling point of view. In terms of the actual act of writing, the greatest challenge was finding time – inspiration can strike at the most inconvenient times!

Which other writers do you admire?

Patrick O’Brien and Douglas Reeman are my two favourite authors. Having to pick between them would be my own ‘Sophie’s Choice’ crisis.

Has writing your book put you off booking a trans-Atlantic cruise?

Not in the slightest. Cruise holidays are like Marmite for a lot of people. You either love it or hate it, but I definitely love it and even if I survived an ordeal such as that in White Water, Black Death, I would still always choose travel by ocean over anything else.

What are you working on next?

I’ve started writing a psychological thriller set aboard a luxury train in Africa. Its predominantly American and British passengers find themselves stranded in the wilderness when the train comes to a halt late at night on the first day of the trip. They’re told it’s because the railway line is badly maintained and they need to wait for repairs to be done, but then they hear rumours of a coup d’état, and foreigners are being targeted. I’m not sure where it’ll go from there, but that’s one of six or seven stories I’m kicking around.

Thank you, Shaun, for those fascinating answers. I know thriller fans are going to love the intriguing premise of White Water, Black Death.


ShaunEbelthiteAbout the Author

Shaun Ebelthite was born in Namibia, raised in South Africa and educated in Dubai in the Middle East where he is a maritime and cruise journalist. He has been covering all aspects of ocean transport for more than five years and runs the Middle East’s foremost online cruise magazine. He has had two children’s books published, and is now branching out into a new genre with his first thriller, White Water, Black Death.

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Interview with Libbet Bradstreet, author of Bells of Avalon

 

Today’s guest on What Cathy Read Next is Libbet Bradstreet, author of Bells of Avalon. I love my historical fiction and I’m a sucker for anything set in Hollywood. So I’m very much looking forward to reading Bells of Avalon just as soon as it reaches the top of my review pile.  In the meantime, I’m delighted that Libbet has agreed to answer some questions about Bells of Avalon, the inspiration for the book, and her approach to writing.

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Bells of AvalonAbout the Book

Thrust into a limelight she never chose, Katie’s been paired with Danny for as long as she can remember. Films, roadshow tours, and drugstore appearances…post-war Hollywood can’t seem to get enough of the sweetheart team. They’ll even fall in love one day. But young love seldom survives the fog wake of Los Angeles – a place of dreams and nightmares.

 

 

Format: ebook (260 pp.), Audiobook                   Publisher:
Published: 26th July 2015                                       Genre: Historical Fiction

Purchase Links*
Amazon.co.uk ǀ Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find Bells of Avalon on Goodreads


Q&A: Libbet Bradstreet, author of Bells of Avalon

Without giving too much away, can you tell me a bit about Bells of Avalon?

I would say it’s tale about old Hollywood – and friendship. There’s something about the relationships that we form in our youth; they carry a certain intensity – a certain weight. They have the ability to haunt you for the rest of your life. That can be both a good and a bad thing. There’s a wonderful line at the end of Stephen King’s short story, The Body, that says, “I never had any friends later on like the ones I had when I was twelve. Jesus, did you?” I thought about that a lot while writing the book.

How did you get the idea for the book?

I’ve been obsessed with the glamour of vaudeville and the golden age of Hollywood since I was a young. Over the years, I devoured pretty much everything I could find on the subject. Soon I began to discover that – beneath all that sharp glamour – there was a darkness that lay just as deep. So many actors from the early days of film have tragic stories. Many paid a dehumanizing price for fame – for survival within the industry. And despite their contributions to film, many have been forgotten. I think that’s a harsh reality that most of us can relate to, regardless of our occupation. I guess this book was written, partially, as sort of tribute to those forgotten actors who inspired me so much as teenager.

Bells of Avalon is your first novel, so can you tell us a bit about your writing journey?

I’ve had an interest in writing since I was very young. I think my focus sharpened, however, as a result of having some amazing creative writing teachers in college. Two in particular, who are amazing authors in their own right, were Diana Joseph and Jeff Conine. Their influence over my writing sensibility feels almost incalculable to me. I’m lucky to feel their guidance and support whenever I sit down to write anything.

Bells of Avalon is set in the Hollywood of the 1950s. What were the challenges in creating an authentic picture of life in that period?

It was extremely important to me that the period setting ring true. That meant if Katie wore a particular dress, piece of jewellery, or brand of makeup – it all had to be creditably related to her time period. Likewise with the rest of the characters. It was also important that the cultural habitats of WWII-era London and, eventually, the late 60s vibe of Greenwich Village be very reliable. That was sometimes challenging as I obviously have no sense memory of those time periods. Writing those passages felt daunting and technical, at times.

How did you approach the research for the book? Do you enjoy the process of research?

By virtue of my interests, I guess you could say I’ve been informally researching the material since I was young. There were definitely times, though, that I had to do a great amount of new research depending on the direction of the plot. Some days I alternated writing days with research days. That was beneficial because sometimes you can get into this gridlocked state, where you aren’t sure where to go next. A lot of the time, the research will lead you down a completely new, creative pathway. My ultimate goal was that someone who spent their formative years during the 1940s and 50s could pick up the book and feel reminiscent – or at least, see elements of own lives within the setting.

If Bells of Avalon was to be made into a film, who would you love to see play Katie and Danny?

That’s a great question! Danny, in my mind, will always look like Richard Beymer from West Side Story. Katie will always be Esther Ralston. Max came to look a lot like Eric Dane to me…but that could have been due to my mass consumption of Grey’s Anatomy at the time!

Libbet Bradstreet is a pen name. Why did you decide to use a pen name and how did you come up with it?

I guess I’m a bit of a private person, so using a pen name felt more comfortable. I did want the name to mean something, though. Bradstreet is an old family surname – and it serves as a dual allusion to my favourite comedian and indie filmmaker, Brad Jones. Libbet is a nickname I stole from a close high school friend (don’t worry…she gave me permission!)

Which other writers do you admire?

Christine Fletcher, Carole Radziwill, Sarah Dessen, Stephen King, Lloyd Alexander, Ann Brashares, Daphne Du Maurier, Nora Roberts, Zoa Sherburne, Ernest Hemingway, Vladimir Nabokov, Cindy Bonner, Dodi Smith, Clarissa Pinkola Estes, Helen Maslin, Charlotte Bronte, Bette Greene, Joyce Carol Oates. Too many to count!

What a great list!  What would be your favourite Hollywood movie to curl up in front of the TV with?

Postcards from the Edge with Meryl Streep and Shirley MacLaine

What are you working on next?

I’m finishing up a collection of YA short stories. The stories share a common, coming-of-age sentiment, but they also exist within vastly different genres/settings/time periods. I’m experimenting a bit with sci-fi and horror, so it’s a bit different from what I’ve done in the past.

Thank you, Libbet, for those fascinating answers. I’m sure reading about the book and its inspiration has created a lot of interest in Bells of Avalon.  Who can resist the glamour of the Golden Age of Hollywood?


LibbetBradstreetAbout the Author

Libbet Bradstreet is a philanthropy writer currently residing in Austin, Texas. Since 2007, she has served as a fiction judge for the New York-based non-profit NYC Midnight. Her short fiction has been published by Ophelia Street Literary Arts Journal. Bells of Avalon is her debut novel.

Connect with Libbet

Website ǀ Facebook ǀ Twitter ǀ Goodreads