#BookReview Molly & the Captain by Anthony Quinn

Molly & The CaptainAbout the Book

A celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as “Molly & the Captain”, becomes instantly famous, its fate destined to echo down the centuries, touching many lives.

In the summer of 1889 a young man sits painting a line of elms in Kensington Gardens. One day he glimpses a mother at play with her two daughters and decides to include them in his picture. From that moment he is haunted by dreams that seem to foreshadow his doom.

A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait of “Molly & the Captain”. Meanwhile friendship with a young musician stirs unexpected passions and threatens to tear the family apart.

Format: Hardback (432 pages)           Publisher: Abacus
Publication date: 27th October 2022 Genre: Historical Fiction

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My Review

The most impressive thing about the book is the way the author effortlessly evokes three different time periods. The clearest example is the first section set in the 1780s in which the story is related in the form of the journal of Laura (the ‘Captain’ of the book’s title), daughter of the famous but fictional painter, William Merrymount, and her letters to her cousin, Susan.  The prose has the idiosyncracies of style of that period, exemplified in this passage from the opening chapter. ‘Mr Lowther called at the house again. He stayed for an hour & behaved with a Civility I had thought beyond him…. Molly & I later prevail’d on him to accompany Ma on the piano forte.’  Moving between Bath and London we witness how Laura’s desire for recognition of her artistic talent is thwarted by circumstances and social conventions.

The second part of the book, set a hundred years later, was much my favourite section. I loved the character of Paul, a young artist whose disability places limits – sometimes self-imposed – on his achieving the success his talent deserves. His friend, the impoverished Philip Evenlode, is also a wonderfully sympathetic character. I really became engaged in Paul’s story and that of his sister, Maggie, frustrated in her ambition to pursue a university education because of the expectation she will care for their ailing mother. There are some particularly moving parts to the book and, for me, this section could have been a novel in its own right.

The final – and longest – section, set in 1983, is largely a story of strained family relationships. It was my least favourite part of the book not because it’s not well written but because it seemed the most tangential to the story of fate of the painting. I suspect it may be of most interest to those who, like me, have read the author’s earlier book, Eureka, because it features a key character from that book, actress Billie Cantrip. In fact, this section felt rather like a follow-up to Eureka. What Billie did next, if you like.  The final reveal of the solution to the mystery of the painting Molly & the Captain didn’t come as much of a revelation to me nor, I suspect, to other observant readers. However it did neatly bring the story full circle providing links between characters separated by centuries.

This is sounding like I didn’t enjoy the book; I did. It’s just I found myself actively seeking out connections between the three sections of the book rather than these emerging unbidden. Having said that, there were some neat touches such as the little ‘time tunnels’ that occasionally open giving brief glimpses of events or characters from earlier periods.  If there is a recurring theme to the book it’s the barriers placed in the way of individuals – particularly women – to realising their potential in life, expressing their creativity and being recognised for their talent.

If it didn’t completely succeed for me, Molly & the Captain is still a skilfully crafted novel, impressive in its scope with some wonderfully drawn characters.

I received an advance review copy courtesy of Abacus via NetGalley.

In three words: Assured, insightful, engaging

Try something similar: The House of Birds by Morgan McCarthy


Anthony QuinnAbout the Author

Anthony Quinn was born in Liverpool in 1964. From 1998 to 2013 he was the film critic for the Independent. His novels include The Rescue Man, which won the 2009 Authors’ Club Best First Novel Award; Half of the Human Race; The Streets, which was shortlisted for the 2013 Walter Scott Prize; Curtain Call, soon to be a feature film starring Ian McKellen and Gemma Arterton; Freya, Eureka, Our Friends in Berlin and London, Burning. He also wrote the recent Liverpool memoir Klopp. (Photo credit: RWC Literary Agency)

#BookReview All The Broken Places by John Boyne

All The Broken PlacesAbout the Book

1946. Three years after a cataclysmic event which tore their lives apart, a mother and daughter flee Poland for Paris, shame, and fear at their heels, not knowing how hard it is to escape your past.

Nearly eighty years later, Gretel Fernsby lives a life that is a far cry from her traumatic childhood. When a couple moves into the flat below her in her London mansion block, it should be nothing more than a momentary inconvenience. However, the appearance of their nine-year-old son Henry brings back memories she would rather forget.

Faced with a choice between her own safety and his, Gretel is taken back to a similar crossroads she encountered long ago. Back then, her complicity dishonoured her life, but to interfere now could risk revealing the secrets she has spent a lifetime protecting.

Format: Hardback (384 pages)                Publisher: Doubleday
Publication date: 15th September 2022 Genre: Historical Fiction

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My Review

I have the feeling I may be one of the few people in the world who has not read The Boy in the Striped Pyjamas or seen the film adaptation. I wondered if this would effect my appreciation of this, its sequel; the answer is a definite no. In fact All The Broken Places may be one of the most memorable and thought-provoking novels I read this year. It’s one of the reasons why I’ve found it so difficult to write a review that will do it justice. (I’m still not sure I have.)

Moving between past and present, we gradually learn about Gretel’s childhood and the impact her proximity to the horrific events of the Holocaust has had on her. Having had an early taste of what her identity becoming known might result in, the majority of Gretel’s life has been spent hiding her past, adopting new identities when disclosure is threatened, moving to new places and being in a constant state of watchfulness.

In addition, she has lived with a constant sense of guilt – at the dreadful things that took place ‘on the other side of the fence’ and her part in the death of a loved one.  ‘Guilt was what kept you awake in the middle of the night or, if you managed to sleep, poisoned your dreams. Guilt intruded upon any happy moments, whispering in your ear that you had no right to pleasure. Guilt followed you down streets, interrupting the most mundane moments with remembrances of days and hours when you could have done something to prevent tragedy but chose to do nothing.’ Managing those feelings of guilt has meant repressing unwelcome memories. There are photographs Gretel can’t bear to look at, a location she refers to only as ‘that other place’, a name she can’t bear to say.

There are a number of occasions on which Gretel is challenged about her defence that she was ‘just a child’ and had no knowledge of what was taking place. And, that even if it was true, she did nothing after the war to help bring the perpetrators to justice. In fact that she took deliberate steps to avoid this. When, soon after the end of the war, she is presented with indisputable evidence of what occurred and how close she was to that cruelty, the effect on her is so unbearable it results in a catastrophic act and the destruction of a relationship.

In the book there are not just broken places but broken people too. Gretel, of course, but also her mother, and Gretel’s new neighbour Madelyn.

There are moments of light amongst the darkness. For example, Gretel’s tender relationship with her vulnerable neighbour, Heidi, and the way she bonds with young Henry. And Edgar, Gretel’s late husband, whom we meet at the very beginning of their relationship, is a wonderful model of devotion, understanding and acceptance.

All the Broken Places is an unsparing exploration of how the sins of the past can weigh on individuals and the burden of complicity. ‘By doing nothing, you did everything. By taking no responsibility, you bear all responsibility.’ The book poses some difficult questions. If someone you love commits terrible acts is it right to still love them? Can anything you do ever make up for the sins of others? Is taking one life to save another justified?

I’m not sure the actions Gretel takes at the end of the book represent sufficient reparation given the scale of the evil that occurred in ‘that other place’ but I got the sense Gretel thought they did and she viewed the consequences of her actions as a kind of justice, as the punishment she deserved.

In his afterword, the author states his belief that, for all the mistakes in her life and her complicity in evil, Gretel’s story is still worth telling but it’s up to the reader to decide if it’s worth reading.  My conclusion is an unequivocal yes.

I received an advance digital copy courtesy of Doubleday via NetGalley.

In three words: Powerful, moving, thought-provoking


John BoyneAbout the Author

John Boyne is the author of thirteen novels for adults, six for younger readers and a collection of short stories. His 2006 novel The Boy in the Striped Pyjamas has sold more than 11 million copies worldwide and has been adapted for cinema, theatre, ballet and opera. His many international bestsellers include The Heart’s Invisible Furies and A Ladder to the Sky. He has won three Irish Book Awards, along with a host of other international literary prizes. His novels are published in over fifty languages. (Photo: Goodreads author page)

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