#BookReview #Ad The Truth Must Dazzle Gradually by Helen Cullen

The Truth Must Dazzle GraduallyAbout the Book

On an island off the west coast of Ireland, the Moone family gathers.

Maeve is an actor, struggling with her most challenging role yet – as a mother to four children. Murtagh, her devoted husband, is a potter whose craft brought them from the city to this rural life.

In the wake of one fateful night, the Moone siblings must learn the story of who their parents truly are, and what has happened since their first meeting, years before, outside Trinity College in Dublin.

We watch as one love story gives rise to another, until we arrive at a future that none of the Moones could have predicted. Except perhaps Maeve herself.

Format: ebook (325 pages)               Publisher: Penguin
Publication date: 20th August 2020 Genre: Contemporary Fiction

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My Review

When I read Helen Cullen’s debut novel The Lost Letters of William Woolf back in 2018 I commented that the real achievement of the book was the way she explored the dynamics of the relationship between William and his wife, Clare. It was a portrait of a marriage that had gone slightly astray because they had lost the ability to communicate openly and honestly about their feelings, hopes and ambitions.  

The author repeats that feat – in fact, with even greater skill –  in The Truth Must Dazzle Gradually. The book depicts the relationship between Maeve and Murtagh and, in particular, Maeve’s struggles with being the sort of mother to her four children she would like to be. In fact, to be the sort of person she would like to be. 

Following the tragic events of the opening chapter, the reader is taken back in time to witness Maeve and Murtagh’s first meeting and the blossoming of their relationship. It’s not hard to understand what attracts Murtagh to the beautiful, spirited but mercurial Maeve, a budding actor. In reality though Maeve’s life is something of a performance. As she observes, ‘Here people see the theatre student, the vinyl collector, the poet, Murtagh’s girlfriend, the American, the actress; so many different things, and none of them are the sick girl, or the other far worse things we know some folks called me’. 

When Murtagh is given the opportunity to pursue his career as a potter on Inis Óg, a small island off the coast of Galway in Ireland, it means Maeve giving up her own aspirations. It’s just one of the things that creates the first small fissures in Maeve’s mental state. Those fissures will gradually expand until the whole edifice comes crashing down. As the book progresses, we witness heartbreaking moments such as Maeve recording in her journal her ‘good’ days and ‘bad’ days and finding the second have become more numerous than the first. She worries about the impact the days when despair overwhelms her is having on her children, and on Murtagh in particular. ‘Murtagh is so loyal, he would never leave me. He would endure the challenge of living with me and my moods and my difficulties until the end of time if I let him.’  

It leads her to take a decision born out of love but which won’t appear that way to her family. Just the opposite in fact. It’s only years later that some kind of understanding dawns, bringing together a family which has become fractured, resentful and distant from one another. I absolutely fell in love with Murtagh who is the most wonderful character. I felt I shared with him every moment of joy, every moment of grief and silently cheered when he reflected, ‘There was room in his life for one more dream, maybe.’

If this is making it sound like a story of interminable sadness, I can reassure you it is not. There are moments of humour too and the book ends on the most wonderfully uplifting note. I’m not ashamed to admit I shed a few tears at some of the sadder moments but also got slightly misty-eyed at the end. I thought The Truth Must Dazzle Gradually was wonderful and I’m so glad I finally got around to reading it.

I received a review copy courtesy of Penguin via NetGalley.

In three words: Powerful, insightful, moving


Helen CullenAbout the Author

Helen Cullen is an Irish writer living in London. Helen worked at RTE (Ireland’s national broadcaster) for seven years before moving to London in 2010. Her debut novel, The Lost Letters of William Woolf, was published by Penguin in July 2018 in the UK, Ireland, Australia and South Africa, and published in America by Harper Collins in June 2019. The novel is also available in translation in numerous foreign markets including Italy, Germany, Russia, Greece and Israel where it hit the bestseller charts. The Lost Letters of William Woolf has also been optioned for television by Mainstreet Pictures. The novel also garnered Helen a Best Newcomer nomination in the An Post Irish Book Awards 2018. Her second novel, The Truth Must Dazzle Gradually, was published in Ireland and the UK and as The Dazzling Truth in the USA and Canada in August 2020.

Helen holds an M.A. Theatre Studies from UCD, an M.A. English Literature at Brunel University and commenced a PhD in Creative and Critical Writing at the University of East Anglia in October 2020. She is now writing full-time and also contributes to the Irish Times newspaper and Sunday Times Magazine. (Photo/bio: Author website)

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#BlogTour #BookReview #Ad Animal Life by Auður Ava Ólafsdóttir, trans. by Brian FitzGibbon @PushkinPress

TWITTER BLOG TOURS (3)Welcome to the opening day of the blog tour for Animal Life by Auður Ava Ólafsdóttir, translated by Brian FitzGibbon. My thanks to Kate at Pushkin Press for inviting me to take part in the tour and for my digital review copy via NetGalley.


Animal LifeAbout the Book

With just over a week until Christmas, Dómhildur delivers her one thousandth, nine hundred and ninety second baby. Beginnings and endings are her family trade; she is a midwife descended from a long line of midwives on her mother’s side and a long line of undertakers on her father’s.

There’s a terrible storm heading towards Reykjavík, and Dómhildur is feeling unsettled. In her apartment, she stumbles across decades’ worth of letters and manuscripts hidden amongst the clutter that belonged to her grandaunt – a legendary midwife with a reputation for unconventional methods. At the darkest point of the year, when the sun barely lifts above the horizon, Dómhildur discovers strange and beautiful new meanings in her grandaunt’s writings.

For even in the depths of an Icelandic winter, new life will find a way.

Format: Paperback (192 pages)            Publisher: Pushkin Press
Publication date: 1st December 2022  Genre: Contemporary Fiction, Literature in Translation

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My Review

Animal Life is probably not a book for those who like a conventional plot-driven narrative. Much like the letters and manuscripts that Dómhildur inherits from her great aunt (referred to as her grandaunt) the book is a kind of literary scrapbook made up of random thoughts on a vast variety of subjects. It becomes clear that Dómhildur’s great aunt had an interest – some might consider to the point of obsessional – in many different subjects and in gathering information about topics ranging from the lifespan of an oak tree to the nature of black holes.  In letters exchanged with a pen pal over the course of forty years she also speculated on the fragility of human life and the nature of conicidence, including the coincidences necessary to bring about the birth of any child. 

Amongst the many, many themes explored in the book is inheritance. Not only has Dómhildur followed in the footsteps of her great aunt and other members of her family in becoming a midwife but she has also inherited her great aunt’s apartment complete with an array of mismatched and rather outdated furniture which, for a long time, she feels disinclined to change.

Another theme the book explores is light and darkness – in both an actual and metaphorical sense. For instance, the book is set during the darkest part of the year when in Iceland there are only a few hours of daylight. ‘I wake up on the shortest day of the year into the longest night of time. It will be a long time before the light dissolves the night and the world takes on a form.’ We also discover that darkness is something Dómhildur knows all about both in her personal and in her professional life.  On the other hand, the Icelandic word for midwife is ljósmóðir which literally translates as ‘mother of light’.

There’s also a strong theme of environmentalism running through the book. In this respect, Dómhildur’s great aunt was something of a pioneer writing of the deleterious impact of humans – ‘the most dangerous animal of them all’ – on the planet.

If this all sounds a little serious, there are moments of humour too. For example, the calls Dómhildur receives from her sister which invariably open with the questions ‘where are you and what are you doing’ and are always followed by a close interrogation of her answers. Light relief (see what I did there?) is also provided by the tourist who takes up temporary residence on the top floor of Dómhildur’s apartment building and has chosen a particularly inappropriate time to go sightseeing in Iceland, by the electrician who is afraid of the dark, and by Dómhildur’s unsuccessful stint as a tour guide.

At one point Dómhildur muses, ‘The more I try to piece the jigsaw of my grandaunt’s life together the more questions it raises’. The fluid, fragmentary structure of Animal Life means it won’t appeal to everyone but those who are attracted by a book which explores a range of topics will, I think, find it a thought-provoking read. 

In three words: Quirky, reflective, enigmatic


Audur Ava OlafsdottirAbout the Author

Auður Ava Ólafsdóttir is a prize-winning novelist, playwright and poet.

Auður Ava’s novels have been translated into over 25 languages, and they include Butterflies in NovemberHotel Silence and Miss Iceland, also published by Pushkin Press. Hotel Silence won the Nordic Council Literature Prize, the Icelandic Literary Prize, and was chosen Best Icelandic Novel in 2016 by the booksellers in Iceland. Miss Iceland won the Prix Médicis Étranger and the Icelandic Booksellers Prize. 

About the Translator

Brian FitzGibbon translates from Italian, French and Icelandic. Recent translations include Woman at 1000 Degrees by Hallgrímur Helgason as well as Hotel Silence and Miss Iceland by Auður Ava Ólafsdóttir.