Book Review – The Map of Bones by Kate Mosse

About the Book

Book cover of The Map of Bones by Kate Mosse

Olifantshoek, Southern Africa, 1688. When the violent Cape wind blows from the south-east, they say the voices of the unquiet dead can be heard whispering through the deserted valley. Suzanne Joubert, a Huguenot refugee from war-torn France, is here to walk in her cousin’s footsteps. Louise Reydon-Joubert, the notorious she-captain and pirate commander, landed at the Cape of Good Hope more than sixty years ago, then disappeared from the record as if she had never existed. Suzanne has come to find her – to lay the stories to rest. But all is not as it seems…

Franschhoek, Southern Africa, 1862. Nearly one hundred and eighty years after Suzanne’s perilous journey, another intrepid and courageous woman of the Joubert family – Isabelle Lepard – has journeyed to the small frontier town once known as Oliftantshoek in search of her long-lost relations. A journalist and travel writer, intent on putting the women of her family back into the history books, she quickly discovers that the tragedies and crimes of the past are far from over. Isabelle faces a race against time if she is not only going to discover the truth but escape with her life…

Format: ebook (462 pages) Publisher: Mantle
Publication date: 10th October 2024 Genre: Historical Fiction

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My Review

The Map of Bones is the fourth and final book in the series chronicling the lives of the Joubert family, a series which has taken us from 16th century France to 19th century Cape Town. (You can read my reviews of the previous books in the series – The Burning Chambers, The City of Tears and The Ghost Ship – by following the links from each title.) I suggest The Map of Bones is best enjoyed if you have read previous books in the series since there is an extensive family tree and a deadly rivalry which extends all the way back to the first book. If you haven’t got time to embark on the whole series, then a good compromise would be to read The Ghost Ship as events in this book follow straight on from that one.

Suzanne’s search for the truth about what happened to her forbear, Louise Reydon-Joubert (the infamous captain of the vessel known as the ‘Ghost Ship’) after she arrived in Cape Town, involves a perilous voyage of her own and a journey to the interior of a country in which relations between settlers and the indigenous population are fragile and likely to explode at any moment.

The author’s reasearch is always second to none, and as in all her novels, the period setting is wonderfully evoked so that you can imagine yourself walking the streets of early Cape Town or traversing the interior of the country dodging jaguars and maurauding baboons.

Suzanne’s quest is partly successful, although not before she has experienced great danger, but still leaves many unanswered questions about Louise’s life and the reason she stayed in South Africa. It’s only in the second part of the book that those gaps begin to be filled. I used to think the secret diary a convenient trope of historical fiction but, of course, for many women living in earlier times a journal was the only medium through which they could document events in their lives or express their feelings, so I greet its use by authors with more generosity these days.

Isabelle’s financial situation, the result of an inheritance, may make her journey across the world more comfortable but it’s still a perilous one for a single woman travelling alone. It requires her to marshall all the courage and independence of spirit of her female forbears because when she embarks on her enquiries in Cape Town she finds the legacy of that rivalry I mentioned at the beginning still persists. And what she discovers is a story of violence but also of an intense and loving relationship that could only flourish beyond the fringes of society.

The book’s finale reflects the author’s own passion for bringing the achievements of women, past and present, out of the shadows and into the light.

I would have loved to learn more about the latter years of Suzanne’s life, which is rather glossed over in the book. Perhaps the author is saving that for a companion novel? Although The Map of Bones doesn’t have quite the riproaring adventure of The Ghost Ship, it’s still an enthralling and satisfying conclusion to the series.

I received an advance reader copy courtesy of Mantle via NetGalley.

In three words: Dramatic, intricate, immersive


About the Author

Author Kate Mosse

Kate Mosse CBE, FRSL is an award-winning novelist, playwright, essayist and non-fiction writer. The author of eleven novels and short-story collections, her books have been translated into thirty-eight languages and published in more than forty countries. Fiction includes the multimillion-selling Languedoc Trilogy, The Joubert Family Chronicles, and number one bestselling Gothic fiction. Her highly acclaimed non-fiction includes An Extra Pair of Hands and Warrior Queens & Quiet Revolutionaries: How Women (Also) Built the World.

The Founder Director of the Women’s Prize for Fiction and the Women’s Prize for Non-Fiction, she is the founder of the global #WomenInHistory campaign. A Fellow of the Royal Society of Literature, Kate is a Visiting Professor of Contemporary Fiction and Creative Writing at the University of Chichester, President of the Festival of Chichester, Fellow of the Society of Authors and a Trustee of the British Library.

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Book Review – The Glassmaker by Tracy Chevalier

About the Book

Book cover of The Glassmaker by Tracy Chevalier

Venice, 1486. Across the lagoon lies Murano. Time flows differently here – like the glass the island’s maestros spend their lives learning to handle.

Women are not meant to work with glass, but Orsola Rosso flouts convention to save her family from ruin. She works in secret, knowing her creations must be perfect to be accepted by men. But perfection may take a lifetime.

Skipping like a stone through the centuries, we follow Orsola as she hones her craft through war and plague, tragedy and triumph, love and loss.

The beads she creates will adorn the necks of empresses and courtesans from Paris to Vienna – but will she ever earn the respect of those closest to her?

Format: Hardcover (400 pages) Publisher: The Borough Press
Publication date: 12th September 2024 Genre: Historical Fiction

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My Review

I’ve read several of Tracy Chevalier’s previous books: her most well-known novel, The Girl with the Pearl Earring, but also The Last Runaway, A Single Thread, At the Edge of the Orchard and New Boy. What those books demonstrated is her ability to create stories that draw you in and to capture the essence of a period, whether that’s 17th century Delft, 1930s Winchester or 19th Century Ohio.

In The Glassmaker she attempts to do more than that with a story that encompasses centuries but focuses on a set of characters (chiefly the Rosso family but also a few others in their ‘bubble’) who age at a slower rate than the world around them. The author likens this to skipping a stone over water meaning that we see the history of Murano glassmaking and of Venice evolve through the centuries whilst remaining with the same small cast of characters. The book thus takes the reader from the 15th century to almost the present day. I confess I struggled with the concept as we got further away from the fifteenth century and modern technology became more of a feature. The last section set in a flooded Venice in 2019 felt like a bit of an add-on in order to introduce the impact of climate change.

The book’s main character, Orsola Rosso, daughter of a family who have been involved in glassmaking for centuries, faces the obstacle experienced by pretty much all women at the time: her gender prevents her pursuing her ambitions and restricts her independence. It even removes her freedom to choose with whom she should spend her life, the interests of the family coming before her own desires. The prospect of a life filled with household chores fills her with dismay.

However, encouraged by a woman who has defied convention, Orsola begins to learn the craft of glass beadmaking, work that doesn’t require a furnace like the other objects produced in the family’s factory. Her brother Marco considers beads an inferior product although as time goes on Orsola’s work proves its value to the family when tastes change and Murano no longer has a monopoly on glassmaking.

The 16th century sees the arrival of the plague in Venice and this, for me, was the most gripping section of the book. The inhabitants of Murano pray that the stretch of water that divides them from the city will protect them, but it is not to be. The Rosso family experience loss, separation and the rigors of quarantine on an island that is not self-sufficient. Some members of the family are never quite the same afterwards, physically or psychologically.

I loved learning about the process of glassmaking which the author has clearly researched in exhaustive detail. Although Murano is easily accessible today, for its inhabitants in earlier times it was very separate from Venice, not just geographically but culturally. When Orsola makes her first visit to Venice she feels very much an outsider, confused by the layout of the city and its busy streets and waterways. And the notion of visiting the mainland – terrafirma – fills her with terror despite her curiosity.

Even if the structure didn’t completely work for me, The Glassmaker is an intriguing story of a family, of a city and a craft over the centuries and entwined within it is a bittersweet romance.

I received an advance reader copy courtesy of The Borough Press via NetGalley.

In three words: Fascinating, imaginative, emotional
Try something similar: The Outcasts of Time by Ian Mortimer


About the Author

Author Tracy Chevalier

Tracy is the author of 11 novels, including the international bestseller Girl With A Pearl Earring, which has sold over 5 million copies and been made into an Oscar-nominated film starring Scarlett Johansson and Colin Firth. American by birth, British by geography, she lives in London and Dorset. Her latest novel, The Glassmaker, is set in Venice and follows a family of glass masters over the course of 5 centuries.

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