Book Review: All Among the Barley by Melissa Harrison

All Among the BarleyAbout the Book

The autumn of 1933 is the most beautiful Edie Mather can remember, although the Great War still casts its shadow over the fields and villages around her beloved home, Wych Farm.

Constance FitzAllen arrives from London to document fading rural traditions and beliefs. For Edie, who must soon face the unsettling pressures of adulthood, the glamorous and worldly outsider appears to be a godsend. But there is more to the older woman than meets the eye.

As harvest time approaches and pressures mount on the entire community, Edie must find a way to trust her instincts and save herself from disaster.

Format: Hardcover, ebook, paperback (345 pp.)    Publisher: Bloomsbury Publishing
Published: 23rd August 2018         Genre: Historical Fiction

Purchase Links*
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*links provided for convenience, not as part of any affiliate programme

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My Review

All Among the Barley is definitely a book to lose yourself in and admire the quality of the writing and characterisation rather than expect a swiftly moving story line.   It’s also, I think, a book that is worthy of some reflection as there are ideas and issues explored that are not immediately discernible but subtly introduced by the author.  Like the onion that farmhand John enjoys between two pieces of bread during a break from the harvest, it has layers to be peeled away.

In Edie, Melissa Harrison captures all the uncertainty of early adolescence.  Edie has a sense that she wants more from her life than her mother and her siblings, but she doesn’t know quite what.  She also feels a strong loyalty and connection to the family farm. ‘Despite its privations I was happy to grow up there because I loved our land fiercely, every single inch of it – and because I knew nothing else.’  She even begins to believe that, in some strange way, the success of the harvest and the future of the farm is down to her.

When she meets the worldly and singular Connie FitzAllen, Edie initially falls prey to a kind of hero worship, seeing in Connie the possibility of a different kind of life, one less constrained by society’s conventions.  Ironically, Connie has a sentimental and bucolic view of the countryside, favouring the preservation of rural traditions over modernising initiatives that would relieve farming families like the Mathers of the repetitive, manual work that is their daily life. Like the reader, it will be only latterly that Edie learns Connie is not entirely what she seems and that her bright and breezy exterior hides some unpalatable attitudes.

After the measured pace of the rest of the book, I’ll confess I wasn’t completely sold on the rapid wrap-up contained within the epilogue.   However, I was definitely a fan of the wonderfully lyrical and closely observed descriptions of landscape and nature.

‘At dawn, the dew silvered the spiders’ silk strung between the grass blades in our pastures  so that the horses left trails where they walked, like the wakes of slow vessels in still water.’

‘It was full of the wheezing demands of newly fledged birds, the sky above us a hard blue vault where larks invisibly sang.’

‘The elders were in bloom, holding the creamy plates of their flowers up to the sky; somewhere deep in their green foliage wood-pigeons clattered and fought.’

All Among the Barley is one of the books in The Walter Scott Prize for Historical Fiction’s ‘Academy Recommends’ list for 2019.  I received a review copy courtesy of publishers, Bloomsbury Publishing, and NetGalley. I interspersed reading the book with listening to the audiobook version narrated by Helen Ayres.

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In three words: Expressive, reflective, measured

Try something similar…Call of the Curlew by Elizabeth Brooks (read my review here)


Melissa HarrisonAbout the Author

Melissa Harrison’s debut novel Clay won the Portsmouth First Fiction Award, was selected for Amazon’s ‘Rising Star’ programme and chosen by Ali Smith as a Book of the Year for 2013.  Her second novel At Hawthorn Time was shortlisted for the Costa Novel Award 2015 and longlisted for the Bailey’s Women’s Prize for Fiction 2016.  Rain, a work of non-fiction, was longlisted for the 2016 Wainwright Prize. A nature writer, critic and columnist for The Times, the Financial Times and the Guardian, she lives in London and Suffolk.  (Photo credit: Goodreads author page)

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Book Review: The Glass Woman by Caroline Lea

The Glass WomanAbout the Book

1686, Iceland. An isolated, windswept land haunted by witch trials and steeped in the ancient sagas.  Betrothed unexpectedly to Jón Eiríksson, Rósa is sent to join her new husband in the remote village of Stykkishólmur. Here, the villagers are wary of outsiders.

But Rósa harbours her own suspicions. Her husband buried his first wife alone in the dead of night. He will not talk of it. Instead he gives her a small glass figurine. She does not know what it signifies.

The villagers mistrust them both. Dark threats are whispered. There is an evil here – Rósa can feel it. Is it her husband, the villagers – or the land itself?

Alone and far from home, Rósa sees the darkness coming. She fears she will be its next victim…

Format: Hardcover, ebook (400 pp.)    Publisher: Michael Joseph
Published: 7th February 2019       Genre: Historical Fiction

Purchase Links*
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*links provided for convenience, not as part of any affiliate programme

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My Review

Rosa finds herself far from home, far from everything and everyone she has known, and married to Jon, leader of a remote Icelandic community.  Given the mystery surrounding the death of Jon’s first wife, hints of madness and a loft she is forbidden to enter from which strange noises seem to emanate at night, Rosa could be forgiven for thinking she’s in some 17th century Icelandic version of Jane Eyre or Rebecca.  Add to that Jon’s reluctance to talk about his past and his command that Rosa should not mix with the other villagers and you’ve all the ingredients for a deliciously atmospheric Gothic-style mystery.

The author does a brilliant job of creating an atmosphere of claustrophobia and suffocating seclusion as well as bringing to life the realities of the harsh life of the remote community, the endless domestic drudgery and battle against the elements. ‘The world is reduced – they cannot see the hills, the sky or the endless ocean, only a tiny circle of life and warmth as far as their arms can reach.  Beyond that, an unknown wilderness lies, snaggle-toothed and snarling.’  And there is some imaginative writing such as the fantastic use of alliteration in the sentence, ‘Beneath bulge-bellied clouds, the ground groans.’

There’s also fascinating detail about Icelandic culture of the time including the food, language, household routines, customs, social order and mythology.  It’s a society in which the expected role of women is obedience and where any deviation brings the risk of accusation of witchcraft.

Alternating between the point of views of Rosa and Jon, the narrative switches between past and present until both storylines converge and all is finally revealed. When it is, it’s a story of cruelty, forbidden love, madness born out of grief and unfulfilled desire, dark nights and even darker deeds.

The Glass Woman is an atmospheric, intense and powerful story and I thoroughly enjoyed it.

I received a review copy courtesy of publishers, Michael Joseph, and NetGalley.

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In three words: Atmospheric, dramatic, intense

Try something similar…Smile of the Wolf by Tim Leach (read my review here)


Caroline LeaAbout the Author

Caroline Lea was born and raised in Jersey. She gained a First in English Literature and Creative Writing from Warwick University and has had poetry published in The Phoenix Anthology and An Aston Anthology, which she also co-edited. Her first novel, When the Sky Fell Apart,  was published in 2016. (Photo credit: Twitter profile)

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