#BookReview How Beautiful We Were by Imbolo Mbue

How Beautiful We WereAbout the Book

Set in the fictional African village of Kosawa, How Beautiful We Were tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made – and ignored. The country’s government, led by a brazen dictator, exists to serve its own interest only. Left with few choices, the people of Kosawa decide to fight back. But their fight will come at a steep price, one which generation after generation will have to pay.

Told through the perspective of a generation of children and the family of a girl named Thula, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold onto its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom.

Format: Hardcover (368 pages)       Publisher: Canongate
Publication date: 11th March 2021 Genre: Literary Fiction

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My Review

The story is told from multiple points of view, including a group of children, ‘age-mates’ born in the same year, who act rather like the Chorus in a Greek play. This structure allows the reader to see the story from a number of different perspectives, reflecting the varying experiences and attitudes of young and old, male and female. It also gave a sense of the oral storytelling tradition.

I was less a fan of the frequently shifting timelines meaning that the story goes back and forth in time. One moment a character is dead, the next moment they are still in prison. I confess I found this both confusing and distracting. I was grateful when I reached the section told from the point of view of Thula’s grandmother, Yaya, not just because it revealed the history of the injustices visited on the people of Kosawa over many generations – slavery, forced labour on rubber plantations, the destruction of their land by the construction of oil pipelines – but because it was narrated in a largely linear fashion, placing into some order the events featured in previous sections.

The book conveys a strong sense of the traditional beliefs and customs that form the backbone of life in the village. How its inhabitants see themselves as different from, even distrustful of, those who live in the towns; tribal and family ties being more important than nationality. The villagers of Kosawa gain strength from their belief that the spirits of their ancestors guide and protect them, as represented in the village anthem: “Sons of the leopard, daughters of the leopard, beware all who dare wrong us, never will our roar be silenced.”

The reader learns about what is a strongly patriarchal society, in which women’s role is largely confined to cooking, cleaning and child-rearing and women who lose their husbands are unable to remarry. ‘You can be alone, the men say to us. You’re a woman, you’re built to endure.’ However, it’s also a community that comes together to mark events such as births, the passage into manhood, marriages and deaths. Sadly, the village witnesses many of the latter.

The spirit of resistance is most clearly represented by Thula who is described as having ever since the day she was born ‘wanted what she wanted’. I’m always drawn to characters who demonstrate a love of books and reading so it’s no surprise I warmed to Thula for whom, as her mother Sahel observes, books become ‘her pillow and her blanket, her plate of food and the water that quenched her thirst’. Thula’s education takes her away, first from her village, and then from her country to America. However, Kosawa and its plight remains forever in her thoughts, and in her heart.  She becomes both an enabler and catalyst for action against the oil company, Pexton, and later a figurehead for much wider change.

One of the last sections of the book, narrated from the point of view of Thula’s brother, Juba, was less compelling than I’d hoped. For me, it got rather bogged down in the details of negotiations, court cases and preparations for the campaign led by Thula.  It also included a brief return to the back and forth in time that I’ve mentioned earlier, and there were some parts I felt were redundant.

Although I may have had some reservations about the structure and pace of the book, I had no doubts about the quality of the writing. If you can get past what, for me, was the book’s rather convoluted structure – and I’m conscious other readers may find it imaginative rather than distracting – How Beautiful We Were is a powerful story about the fight against injustice, corruption and environmental destruction.

I received an advance review copy courtesy of Canongate via NetGalley.

In three words: Powerful, emotional, authentic

Try something similar: Wake Me When I’m Gone by Odafe Atogun

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Imbolo MbueAbout the Author

Imbolo Mbue is the author of the New York Times bestseller Behold the Dreamers, which won the PEN/Faulkner Award for Fiction and was an Oprah’s Book Club selection. The novel has been translated into eleven languages, adapted into an opera and a stage play, and optioned for a mini-series. A native of Limbe, Cameroon, and a graduate of Rutgers and Columbia Universities, Mbue lives in New York. (Photo credit: Goodreads author page)

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#BookReview The High-Rise Diver by Julia von Lucadou, trans. by Sharmila Cohen @WorldEdBooks

The High-Rise DiverAbout the Book

Riva is a “high-rise diver”, a top athlete with millions of fans, and a perfectly functioning human on all levels. Suddenly she rebels, breaking her contract and refusing to train. Cameras are everywhere in her world, but she doesn’t know her every move is being watched by Hitomi, the psychologist tasked with reining Riva back in. Unquestionably loyal to the system, Hitomi’s own life is at stake: should she fail to deliver, she will be banned to the “peripheries”, the filthy outskirts of society.

For readers of The Handmaid’s Tale, The Circle and Brave New World, this chilling dystopia constructs a world uncomfortably close to our own in which performance is everything.

Format: Ebook (288 pages)            Publisher: World Editions
Publication date: 2nd March 2021 Genre: Dystopian, Science Fiction, Literature in Translation

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My Review

In the High-Rise Diver, Julia von Lucadou creates a vivid, if disturbing, picture of a future society in which surveillance is not just widespread but constant and invasive. Think activity trackers that monitor your sleep patterns, nutritional intake and vital signs. Where every action you take online is recorded and scrutinized. Where facial recognition technology is omnipresent and your location is tracked in real time using the tablet device that continuously bombards you with news alerts and advertising messages.

The book introduces the reader to a highly stratified society in which those who have earned the right to dwell in the city enjoy privileges denied to those who live in the ‘peripheries’. The only route out of the latter is via success at “casting sessions” at which future life and career paths are determined based on a candidate’s performance. Naturally, the sessions are live-streamed on social media to millions.

Reminiscent of The Handmaid’s Tale, many children are conceived by ‘breeders’ and even those who aren’t may have little contact with their ‘bioparents’. However, like everything else in this society, the simulated experience of family life can be bought for a price. And if you don’t have the credits for that, there’s always the ‘parentbot’ app.

Readers are likely to have varying responses to certain features of the book, such as the absence of speech marks and the frequent use of ™ appended to certain words. Personally, the former didn’t cause me a problem and, although I found the latter a little annoying, it did underline the sense of a society in which anything can be commercialized, even a celebrity’s favourite cocktail. Pour me another flydrive™ barman. (You may be reassured to know that you can still get a martini even in this imagined future.)

If you thought an annual appraisal with your manager was something to be apprehensive about just imagine a situation in which your performance is continuously monitored, evaluated and rated by your superior, and in which your income, social status, accommodation and other ‘privileges’ are dependent on the outcome. If that doesn’t make you shudder, then how about the thought of having a date reviewed and rated by the other party and having to complete a profile in advance setting out your sexual preferences and expectations.

Although it wasn’t hard for me to imagine why Riva might not want to continue training in order to perform ever more daring dives off high buildings – surely a metaphor for the status conscious society imagined by the author – I’m not sure I really felt much connection with her. I was more drawn to Hitomi’s story, that of the watcher who is constantly watched herself and is gradually overwhelmed by the nature of her assignment.

The High-Rise Diver paints a rather grim vision of a possible future, one I hope will never come to pass. By the end, I definitely found myself hoping that Hugo Masters, Hitomi’s creepy boss, might have an encounter with a defective flysuit™. And if you’ve ever lacked the motivation for a digital detox, The High-Rise Diver will definitely provide the kick you need.

I received an advance review copy courtesy of World Editions via NetGalley.

In three words: Chilling, thought-provoking, imaginative

Try something similar: A Calculated Life by Anne Charnock

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About the Author

Julia von Lucadou was born in Heidelberg in 1982. She studied film and theater at Johannes Gutenberg University of Mainz and Victoria University of Wellington and earned her PhD in Film Studies in 2015. Lucadou worked as both an assistant director and a television editor prior to writing The High-Rise Diver, her debut novel, which was nominated for the Swiss Book Prize in 2018. She lives between Biel, New York, and Cologne. (Bio credit: Publisher author page)

About the Translator

Sharmila Cohen is an award-winning writer and German-to-English translator who has translated the works of several leading German-language authors. Her work has been featured in publications such as BOMB and Harpers, and her projects span from poetry and literary fiction to crime and children’s stories. Originally from New York, Cohen came to Berlin in 2011 as a Fulbright Scholar to complete an experimental translation project with local poets. She now divides her time between both cities. (Bio credit: Publisher author page)