The Walter Scott Prize for Historical Fiction 2021 – Who Will Win?

Walter Scott Prize Shortlist 2021
Photo credit: The Walter Scott Prize for Historical Fiction

The shortlist for The Walter Scott Prize for Historical Fiction 2021 was announced on 23rd March 2021. My intention was to read the five shortlisted books before the winner is crowned in mid-June (exact date to be confirmed) but unfortunately I’ve met with my customary lack of success.  However, here are my thoughts on the shortlisted books I have read and my prediction of the book that might win the coveted prize. Links from the title will take you to my reviews.


The Mirror & the Light by Hilary Mantel (4th Estate) – I really enjoyed the previous two books in this much lauded series – Wolf Hall and Bring Up The Bodies – however I’ve still to find time to embark on this monumental final instalment in the trilogy.

The Dictionary Of Lost Words by Pip Williams (Affirm Press/Chatto & Windus) – I listened to the audiobook version of this narrated by Pippa Bennett-Warner. I found it a little slow to begin with but the book grew on me as new characters were introduced around a third of the way through. The question of which words make it into dictionaries and which don’t – and the reasons why – certainly made it a thought-provoking read.

A Room Made of Leaves by Kate Grenville (Canongate/Text Publishing) – Again, I listened to the audiobook version narrated by Valerie Bader. Although I enjoyed it, I had my usual reservations about the literary device of the discovery of a secret cache of papers and found I couldn’t quite share the judges obvious enthusiasim for the book.

Hamnet by Maggie O’Farrell (Headline) – Once again I seem to be in a minority as, although I admired the book and there were sections that I thought were fantastic, I couldn’t rave about it to the extent that so many other readers have. For this reason alone, I suspect it will win!

The Tolstoy Estate by Steven Conte (HarperCollins Australia) – As this doesn’t yet have a UK publisher, I’ve been unable to obtain a copy which is a pity because the description makes me think I might really enjoy it. Just a personal view but I think that, for a prize named after a Scottish author, the shortlisted books – and, ideally, the books on the longlist too – should all have been published in the UK, even if they were first published elsewhere.

If you’ve read any of the shortlisted books, or even if you haven’t, who would your money be on?

#BookReview My Dark Vanessa by Kate Elizabeth Russell #SUDTP21 @dylanthomprize @MidasPR

Dylan Thomas Prize 2021My Dark Vanessa by Kate Elizabeth Russell is one of the books on the shortlist for the Swansea University Dylan Thomas Prize 2021, the winner of which will be announced later today. You can watch the award ceremony live here.  My thanks to Bei Guo at Midas PR for offering me the opportunity to read one of the shortlisted books.

About the Dylan Thomas Prize

Launched in 2006, the annual Swansea University Dylan Thomas Prize is one of the most prestigious awards for young writers, aimed at encouraging raw creative talent worldwide. It celebrates and nurtures international literary excellence.

Worth £20,000, it is one of the UK’s most prestigious literary prizes as well as one of the world’s largest literary prizes for young writers. Awarded for the best published literary work in the English language, written by an author aged 39 or under, the Prize celebrates the international world of fiction in all its forms including poetry, novels, short stories and drama

The prize is named after the Swansea-born writer, Dylan Thomas, and celebrates his 39 years of creativity and productivity. One of the most influential, internationally-renowned writers of the mid-twentieth century, the prize invokes his memory to support the writers of today and nurture the talents of tomorrow


My Dark VanessaAbout the Book

Vanessa Wye was fifteen years old when she first had sex with her English teacher.

Now the teacher, Jacob Strane, has been accused of sexual abuse by another former student, and a journalist has asked Vanessa to contribute to a story about him. But no one seems to understand that what Vanessa and Strane had together wasn’t abuse. It was love.

Wasn’t it?

Format: Paperback (384 pages)        Publisher: 4th Estate
Publication date: 21st January 2021 Genre: Contemporary Fiction, Thriller

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My Review

The book is narrated in the first person and switches between two timelines. In the earlier timeline, set in 2000, the reader witnesses the beginnings of Vanessa Wye’s relationship with Jacob Strane, her English teacher at Browick, a boarding school. In the Afterword, the author writes that, after discarding many earlier drafts of the book, “I unapologetically centred Vanessa in a first person, present-tense narrative, and by doing so I forced the reader to experience the story through her voice”.  The later timeline charts the impact of the relationship over the following seven years.

The book raises all sorts of questions about abuse of power, the insidious nature of grooming and the need for safeguarding. The latter seems to be sadly lacking at Browick despite the presence of ‘dorm parents’ and counsellors.

Although sometimes involving subterfuge, Vanessa’s actions always seem instinctive, albeit naive. On the other hand, Strane’s come across as premeditated, even practised.  For example, his asking for permission as things progress from kisses to more intimate contact (in scenes that I found disturbing to read).  They might be sincere but, as the reader suspects, are more likely to be a ruse to make Vanessa believe she’s in control, that she’s not being coerced.  Likewise, his statements that he thinks about her constantly and misses her when they cannot meet are surely uttered knowing these are just the sort of things a lonely, friendless girl would want to hear.  Similarly, his lavish praise of her work.

At times, it felt almost voyeuristic watching him manipulate Vanessa into doing what he wants. For Vanessa, Strane’s attention gives her a feeling of value she otherwise lacks. ‘He thinks about me. He thinks about me so much, certain things remind him of me. That means something.’ Oh, Vanessa, it means nothing only that his manipulation is working.

Vanessa’s growing disillusionment and eventual realisation about the nature of her relationship with Strane is hard to witness. As she reflects, ‘How easy it is to be tricked into building a narrative out of air, out of nothing’.  Although one might expect Vanessa to feel solidarity towards the other abused women as more cases come to light and to be prepared to share her story for ‘the greater good’, she continues to feels protective towards Strane, having swallowed the lie that she is as complicit in their relationship as him, if not more so. In this version of reality, he simply could not help himself because it was she who ‘brought out the darkness in him’.

My Dark Vanessa is a compelling but, at times, disturbing book to read. Having said that, it’s also a deeply impressive and confident debut. It must take some courage as an author to tackle such controversial subject matter, especially in your first novel. Since the author reveals in the Afterword that the book is the product of eighteen years work, it is clearly a subject she feels strongly about. I can understand why My Dark Vanessa has divided readers but also why it has earned a place on the shortlist for such a prestigious prize.

In three words: Unsettling, provocative, compelling

Try something similar: Lolita by Vladimir Nabokov

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Kate Elizabeth Russell

About the Author

Kate Elizabeth Russell is originally from eastern Maine. She holds a PhD in Creative Writing from the University of Kansas and an MFA from Indiana University.

My Dark Vanessa is her first novel. (Photo credit: Author website)

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