Tag: literary fiction

#BookReview #Ad Old God’s Time by Sebastian Barry

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Old God's TimeAbout the Book

Recently retired policeman Tom Kettle is settling into the quiet of his new home, a lean-to annexed to a Victorian castle overlooking the Irish Sea. For months he has barely seen a soul, catching only glimpses of his eccentric landlord and a nervous young mother who has moved in next door. Occasionally, fond memories return, of his family, his beloved wife June and their two children, Winnie and Joe.

But when two former colleagues turn up at his door with questions about a decades-old case, one which Tom never quite came to terms with, he finds himself pulled into the darkest currents of his past.

Format: eARC (272 pages)                  Publisher: Faber & Faber
Publication date: 2nd March 2023 Genre: Literary Fiction

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My Review

Sebastian Barry is the author of a book that has stayed with me ever since I read it back in 2017, the wonderful Days Without End. (I wasn’t alone in loving it because it went on to win the Walter Scott Prize for Historical Fiction that year.) He’s done it again with Old God’s Time which is just as wonderful and unforgettable.

Written in close third person, the author takes us inside the mind of retired policeman, Tom Kettle.  And what an unsettling and disordered place it is to be as past and present intermingle. Tom remembers some things like they were yesterday. On the other hand, events and conversations that appear to be occurring in the present day turn out to be the product of his imagination or echoes of things that happened long ago.  Some of these moments, especially those concerning his family are truly heartbreaking.

As Tom looks back on his marriage to June, we are witness to an intensely moving love story. Tom may get confused about other things but he can remember the day he met June with perfect clarity, even the dress she wore. And as the story unfolds, we learn that. as children. they both experienced horrific cruelty at the hands of Catholic priests. The details are harrowing and difficult to read but it feels necessary to do so to bear witness to the people who experienced this in real life and to understand the devastating and lasting impact it had on them. Also shocking is, if not actual complicity, then a failure to act by other institutions including the Garda, the police service of Ireland in which Tom himself served.

It’s such a failure that had dreadful consequences for Tom and June, setting off a chain of tragic events.  His resilience in the face of tragedy is humbling. ‘Things happened to people, and some people were required to lift great weights that crushed you if you faltered just for a moment. It was his job not to falter. But every day he faltered. Every day he was crushed, and rose again the following morn…’

There are mesmerising descriptions of the sea, the changing light and weather that Tom observes through the picture window of his flat as he sits in his favourite, ‘sun-faded’ wicker chair smoking a cigarillo. There are also touches of wry humour.

My first thought on finishing the book was, Oh Tom, I wish I could give you a hug; my second was, what a truly brilliant piece of writing. Old God’s Time is the kind of book that, on turning the last page, you want to read all over again. It’s also further proof that a novel doesn’t have to be big to deliver a powerful punch. Old God’s Time is definitely the best book I’ve read so far this year.

You can read an extract from Old God’s Time here. I can also recommend this Waterstones podcast in which Sebastian Barry talks about the book and his approach to writing.

I received a review copy courtesy of Faber & Faber via NetGalley.

In three words: Lyrical, tender, heartbreaking

Try something similar: Small Things Like These by Claire Keegan

SebastianBarryAbout the Author

Sebastian Barry was born in Dublin in 1955. The current Laureate for Irish Fiction, his novels have twice won the Costa Book of the Year award, the Independent Booksellers Award and the Walter Scott Prize. He had two consecutive novels shortlisted for the Man Booker Prize – A Long Long Way (2005) and the top ten bestseller The Secret Scripture (2008) – and has also won the Kerry Group Irish Fiction Prize, the Irish Book Awards Novel of the Year and the James Tait Black Memorial Prize. He lives in County Wicklow. (Photo: Publisher author page)

#BookReview #Ad The New Life by Tom Crewe @ChattoBooks

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The New LifeAbout the Book

Two Victorian marriages, two dangerous love affairs, one extraordinary partnership . . .

After a lifetime spent navigating his desires, John Addington, a married man, has met Frank, a working-class printer. Meanwhile Henry Ellis’s wife Edith has fallen in love with a woman – who wants Edith all to herself.

When in 1894 John and Henry decide to write a revolutionary book together, intended to challenge convention and the law, they are both caught in relationships stalked by guilt and shame.

Yet they share a vision of a better world, one that will expand possibilities for men and women everywhere. Their daring book threatens to throw John and Henry, and all those around them, into danger.

How far should they go to win personal freedoms? And how high a price are they willing to pay for a new way of living?’

Format: eARC (384 pages)                Publisher: Chatto & Windus
Publication date: 12th January 2023 Genre: Historical Fiction

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My Review

The ‘New Life’ which John Addington and Henry Ellis are in search of is one of social, personal and sexual freedom where, in particular, homosexuality (referred to as ‘sexual inversion’) is no longer illegal but accepted as a natural variant of human sexuality. They begin writing a book together intended to demonstrate their case through a combination of scientific evidence and personal case studies. This collaboration takes place mostly via correspondence with the two men hardly ever meeting.

Their motivations for writing the book are different. For Henry, it’s more an intellectual pursuit in line with his beliefs in the need for a more open society in which less conventional relationships – like his marriage to Edith, which is unconsummated – can flourish.  For John it’s deeply personal as his life has been one of hiding his homosexual desires behind the facade of a conventional marriage. He feels he has got to the point where he can do that no longer.

What the two men have in common is the existence of a third party in their marriages. John has taken as his lover a young working class man called Frank, eventually installing him in the family home under the guise of him being his secretary. It doesn’t fool anyone, not least John’s wife, Catherine. Henry’s wife, Edith, has a close friend named Angelica with whom she spends much time since Edith and Henry live apart.

Given homosexuality is a criminal offence, both men are taking a great risk in publishing their book. This becomes even greater when, shortly before publication, Oscar Wilde is arrested, tried and convicted of gross indecency with men and sentenced to imprisonment with hard labour.  John and Henry are presented with a dilemma. Should they go ahead and publish because they believe in the principles they are espousing or should considerations of safety for themselves and their families prevail?  John is determined to press ahead with publication regardless of the consequences, even if it means the end of his marriage and public disclosure of his homosexuality with everything that might follow from that.

I found Henry quite a tragic figure. Painfully shy, he is touchingly devoted to his wife and believes fervently in the principles of personal freedom. John, on the other hand, although clearly deeply unhappy, seemed to me to be thoroughly self-absorbed. I could understand his desire to be true to himself but he just seemed so oblivious to the impact of his crusade on other people, including Frank, the man he professes to love, who also risks imprisonment if the nature of their relationship is revealed.

More than anything my sympathies were with John’s wife, Catherine. Having silently tolerated her husband’s homosexuality whilst bringing up their three daughters, she has to put up with him bringing his lover into their household and now faces the prospect of the family’s public disgrace. I definitely couldn’t blame her for coming to the conclusion that enough is enough. ‘I am too tired. I have spent so long in fear for you. Fearing with you, or so it once seemed. I have dreaded your disgrace, your being made to suffer – I have ached with the dread of it. It has made me old. But you are not frightened now. You wish to take greater and greater risks. That is your business. You may do it on your own.’

I think the author is particularly good at depicting the erotic charge between John and Frank, and the release John feels at finally being able to express freely his sexual desires. Much of the writing is in keeping with the style of the period in which the book is set but there are occasional flashes of more unrestrained descriptive prose. ‘They walked, fitting in the cracks and gaps that opened between the men and women on the streets. Beneath buildings black as slate, unblemished stone showing like rubbings of chalk. With the traffic, that surged and stalled, slipped and rushed; that strained and rolled and chanted and drummed, that clapped and dashed its rhythms on the road.’

The New Life is an intricate, detailed and thought-provoking exploration of the search for sexual freedom and equality in Victorian Britain.  It’s quite an intense read, a little slow to get going and does contain some sexually explicit scenes (not least the bravura opening chapter) but is clearly the work of a talented author.

My thanks to Chatto & Windus for my review copy via NetGalley.

In three words: Thought-provoking, intense, assured

Tom CreweAbout the Author

Tom Crewe was born in Middlesbrough in 1989. He has a PhD in nineteenth century British history from the University of Cambridge. Since 2015, he has been an editor at the London Review of Books, to which he contributes essays on politics, art, history and fiction.

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