Book Review: Shadows on the Grass by Misha M. Herwin

ShadowsontheGrassAbout the Book

Every family has its secrets. In the nineteen-sixties Bristol, seventeen-year-old Kate is torn between the new sexual freedom and her rigid Catholic upbringing. Her parents have high expectations of her. She, however, is determined to lead her own life.  Mimi, her grandmother, is dying. In her final hours, Mimi’s cousin, the Princess, keeps watch at her bedside. Born in the same month, in the same year, the two women are bound by their past and a terrible betrayal.

Meanwhile, caught between the generations, Mimi’s daughter Hannah struggles to come to come to terms with her relationship with her mother, and struggles to keep the peace between her daughter and her husband. She too must find her own way in a land foreign to her, in a new post-war world, where the old certainties have gone and everything she knows has been swept away.

Format: ebook (220 pp.)                 Publisher: The Penkhull Press
Published: 11th January 2018        Genre: Literary Fiction

Purchase Links*
Amazon.co.uk
*links provided for convenience, not as part of any affiliate programme

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My Review

Set in Bristol in 1965, the book focuses on three generations of women who are each in their own way struggling to come to terms with their past, their Polish heritage and the modern day.

Mimi is dying and, as she moves in and out of consciousness, events in the past prey on her mind: memories of bereavement, exile, love, loss and betrayal.  The carefree girl she once was has grown into a disappointed, bitter old woman who tests the bounds of family loyalty to the limits with her cruel words and intransigence.   Even her old friend, the Princess Marianna, is not spared.

Hannah, Mimi’s daughter, is weighed down by the mental and physical strain of caring for her ailing mother.  Yet there is nothing Hannah would not do for her family – her husband Gregor, daughter Kate and young son Peter – putting their needs before her own desires and aspirations, hiding her own fears and worries.  Having never experienced affection from Mimi, whose favourite was Hannah’s older brother Jan, Hannah is determined her own family will not want for love or care. ‘Her family was the most important thing in her life.  If any of them were unhappy, or in pain, so was she.  She wanted nothing but the best for them.  And what about you? the demon cried and her stomach lurched, as she saw that to give everything to her husband and children was to leave herself bankrupt.’

Moody and rebellious, Kate is conflicted between the strict Catholic faith she has been brought up in and her desire to explore sexually and venture beyond the expectations of her family.  ‘There was no way she was drowning in religion like her mother.’

One of the themes of the book is the convergence of past and present, the idea that a thin veil exists between the two.   “I think that maybe,” Kate grappled with the concept, “we’re all part of the universe and sometimes things get muddled and slip through the cracks.”  Often characters see or experience things that immediately transport them in their mind’s eye to the past, evoking memories of childhood and adolescence.   Some of these memories are happy but many are traumatic – such as the wartime experiences of Mimi and Marianna (the Princess) and their exile from Poland.  Other memories are unwelcome, bringing to the surface secrets that were better left buried or feelings of guilt for past actions, even for escaping death.

Marianna’s way of coping with these memories is to transform them into fairy tales, merging fact with fiction, rewriting past events as she would have liked them to happen.  ‘The facts of my life are all there, yet how much of what I told her was true and how much was not?  I doubt whether even I know, after all this time.  Besides, what does it matter?  We all do it.  We weave our fantasies about ourselves, because the truth is too cruel and constructing our own reality is the only way we can survive.’ It is only Mimi’s impending death that forces Marianna to face the demons from the past.

There is some wonderfully descriptive language in the book.  ‘The afternoon sun hung hot and furious above the street; its heat collecting on the small walled courtyard.  The only relief was where the shadow of the house sliced across the stone flags bisecting the area into light and dark.  Geraniums wilted in their pots, the ivy clung limply to the wall and the climbing rose dropped, its leaves white with dust.’

The writing has a sensual quality to it with evocative descriptions of bodily sensations – scent, touch and taste.  ‘Kate sat back and pressed her bare legs against the statue.  The bronze flank of the lion was smooth and warm between her thighs.  Her dress was so short it scarcely covered her pants.  Her sandals were sticky against the soles of her feet.  The leather sucked at her skin as she moved.  She hooked her hair behind her ears and felt the night air slip in under her arms, sweet as honey over her breasts.’

The author switches from past to present tense in the book with the scenes in the past being in present tense and those in the present in the past tense (I think, because I only noticed it part way through the book).  Sometimes this occurred within chapters as events, sights and sounds triggered memories for the characters. Personally, I’m not sure this stylistic device added anything to the book although it didn’t affect my enjoyment.

I found this a fascinating book, full of interesting ideas, rich in detail and characterisation.  I received an advance reader copy courtesy of the author in return for an honest review.

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Try something similar…Letting Go by Maria Thompson Corley (click here to read my review)


Misha HerwinAbout the Author

Misha M Herwin is a writer of books for adults and (as Misha Herwin) for children. She has had a number of short stories published in anthologies, in UK and US including The Way to My Heart, Voices of Angels, The Darkest Midnight in December, The Yellow Room and Bitch Lit, among others.  Misha blogs regularly at http://authorselectric.blogspot.co.uk/ and is available for Q&As and interviews.

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Book Review: The Biographies of Ordinary People, Vol. 1 by Nicole Dieker

TheBiographiesofOrdinaryPeopleAbout the Book

The Biographies of Ordinary People is the story of the Gruber family: Rosemary and Jack, and their daughters Meredith, Natalie, and Jackie. The two-volume series begins in July 1989, on Rosemary’s thirty-fifth birthday; it ends in November 2016, on Meredith’s thirty-fifth birthday.

When the Grubers move to a small Midwestern town so Jack can teach music at a local college, each family member has an idea of who they might become. Jack wants to foster intellectual curiosity in his students. Rosemary wants to be “the most important person in her own life for the length of an afternoon.” Meredith wants to model herself after the girls she’s read about in books: Betsy Ray, Pauline Fossil, Jo March. Natalie wants to figure out how she’s different from her sisters – and Jackie, the youngest, wants to sing.

Set against the past thirty years of social and cultural changes, this story of family, friendship, and artistic ambition takes us into intimately familiar experiences: putting on a play, falling out with a best friend, getting dial-up internet for the first time. Drinking sparkling wine out of a paper cup on December 31, 1999 and wondering what will happen next.

Format: eBook, paperback (384 pp.)    Publisher:
Published: 23rd May 2017                       Genre: Literary Fiction

Purchase Links*
Amazon.co.uk ǀ Amazon.com ǀ Kobo
*links provided for convenience, not as part of any affiliate programme

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My Review

In her guest post published on my blog a few months ago, Nicole talked about the  inspiration for her book and her reason for focussing on the lives of just one family. She illustrated this with a quote from volume two in which Meredith asks:

“There are all these biographies of famous people and how they lived their lives, but most of us aren’t going to be famous. It’s like we’ve gotten these models for life that aren’t applicable…We’ve learned about all of these well-known artists and how they did their work, but we don’t ever study how the rest of us do it. Where are the biographies of ordinary people?”

The Biographies of Ordinary People has been described as, ‘a millennial-era Little Women’ but don’t think that this means it’s at all sentimental, preachy or twee (not that I’m suggesting Little Women deserves those descriptions either). I saw a one-star review that said (summarising) “not much happens” and feel that the reviewer missed the point of this book really. Sure, there are no dramatic events like murders or violent deaths but then those things are not a feature of normal family life for most of us, unless you’re really unfortunate.

Things do happen in The Biographies of Ordinary People but they’re the things that make up everyday domestic life and reflect the experience of most of us growing up: making up games for entertainment on car journeys, starting school, making new friends, moving to a new town, going to the swimming pool, visiting the video store, attending your first prom. In the case of the Gruber girls, their experiences also reflect the period covered by the book so it’s videos not DVDs or streaming, video games not apps on your phone and the first glimpses of something called the Internet. There are also the sad events that unfortunately occur in any family over time.

Meredith is the character that resonated most strongly with me. She’s clever, thoughtful, bookish, protective towards her younger sisters, competitive but perhaps over-absorbed by the desire to get things right and, in this respect, can come across as mature beyond her years. At one point she muses, “I wonder if I am good at anything that I haven’t practiced”. Meredith seems absolutely real as a character with the good points and flaws that make up all humans and I think this is the author’s chief accomplishment that, in this book, she has created truly realistic characters that you feel you could meet in the street or the local shop.

I found the Gruber parents – Rosemary and Jack – really interesting although not altogether likeable. They seem so careful and controlled in their parenting and in bringing up their girls so that this carefulness becomes ingrained in Meredith, in particular. In fact, at the town’s annual Easter Egg Hunt, Rosemary does seem to recognise this: ‘Rosemary often didn’t know how to feel about her daughter; certainly there was a sense of pride and love and accomplishment in the idea that she had raised a child who would hold back, whose sharp, smart eyes would case the room for eggs and then help her younger sisters find them. But she also felt a little sad, watching this, because she saw her daughter growing up and doing exactly what she and Jack had taught her, think before you speak and before you act – and she worried that Meredith thought too much.’

I really liked the contrast made with the arrangements in the household of Meredith’s best friend, Alex.  [Meredith] had never known anyone like Alex, who walked down the sidewalks saying hello to everyone, who climbed up on a library stepstool without asking, who ran towards her father every evening shouting “Daddy, daddy, daddy!” Mike MacAllister was big and red-headed and he would lift Alex off the ground or tousle her tangled hair. When Meredith went back to her own home she said “Hello” and whichever parent was in the living room said “Hello” and asked how her visit had been…’

‘That was one of the reasons Meredith and Alex were best friends. They talked, in Alex’s bedroom, about the Gruber way and the MacAllister way.’

I received a review copy courtesy of the author in return for an honest and unbiased review.  I really enjoyed the first volume of The Biographies of Ordinary People and I’m looking forward to reading the second volume covering the years 2004 to 2016 and seeing what life has in store for Meredith, her siblings and friends. It’s due for publication some time in 2018.

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NicoleDiekerAbout the Author

Nicole Dieker is a freelance writer, a senior editor at The Billfold, and a columnist at The Write Life. Her work has appeared in Boing Boing, Popular Science, Scratch, SparkLife, The Freelancer, The Toast, and numerous other publications. The Biographies of Ordinary People is her debut novel, if you don’t count the speculative fiction epic she wrote when she was in high school.

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