Tag: interview

My bookish chat with Zoe Caryl, author of Julia Sleeps @ZoeCarylTrakks2

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I’m delighted to welcome author Zoe Caryl to What Cathy Read Next today. Zoe’s novel Julia Sleeps was published on 8th June 2025 and is available to purchase now in paperbook or as an ebook. Read on as I chat to Julia about the very personal inspiration for the book, her research and what she’s working on next.

Listen to Zoe reading an excerpt from Julia Sleeps here.

About the Book

Glasgow 1936. In the very heart of the city, Evie Jameson, the child of a poor tenement family is determined to follow her dreams of becoming a singer, but must persuade her loving family of where her vocation truly lies. Her path is paved with triumphs and setbacks.

‘The world is bigger than Glasgow – do you want to see it?’ her agent challenges her, sparking excitement in her heart. ‘Yes! Yes, I do!’ she exclaims, and her resolve only deepens when war breaks out and she is called on to serve her country. The conflict thrusts Evie into dangers and adventures she could never have imagined, but amid the chaos, will she also find love?

From London in the blitz to magical, mysterious India her courage and integrity are put to the test and she must draw on the strength forged by her proud Scottish heritage.

Inspired by a true story, Evie’s tale is one of nostalgia, ambition and resilience where true friendships and love shape both the woman and the singer she is destined to become.

Find Julia Sleeps on Goodreads

Q&A with Zoe Caryl, author of Julia Sleeps

Q. Julia Sleeps is based on a true story. What was it that made you want to turn it into a novel?  

Whilst Julia Sleeps is a work of fiction, the inspiration for the main character Evie was my wonderful, funny, glamorous, talented, charismatic mother Celia. In the final year of her life, I helped her seek a publisher for her memoirs, gain interest from presenters of nostalgic radio shows and many others concerned with the history of entertainment. Our endeavours were not successful and I was very disappointed for my mother, as she still had much to contribute and was a great storyteller. I began to consider attempting to create a novel based on her memoirs, wondering if this might be a more attractive way to tell the story of her life, and so the initial idea for my novel Julia Sleeps was born. Sadly, my mother passed away whilst the idea was still in its infancy, and my life took a turn that did not permit the writing of a novel. I was finally able to complete the work and publish it in June 2025.

Q. Can you give us brief pen pictures of your main characters? 

My main character is Evie, who we find at age eleven entering her first Go As You Please singing competition in Glasgow. She is a determined wee soul and knows even from this young age that her raison d’être is to sing. She is fiercely loyal to her family, ambitious, fun loving and not afraid of hard work. Her father Johnny is her champion, a man toughened by the struggle to survive the First World War and the need to feed and care for his large family during the Great Depression, but his love for his children and wife shines through. Evie’s mother Maggie is one of those women on whom Glasgow’s greatness is built; born a Catholic, she defied her parents to marry Protestant Johnny and devotes her life to him and their children and is the heart of their little tenement home. Later in the novel when Evie is older there is romance, but to find out about who she falls for – or doesn’t – you’ll have to get the book!

Q. The book is set in 1930s Glasgow, WW2 London and post-war India. What do you think is the secret of creating a strong sense of time and place? 

To create a strong sense of time and place I think I invented the three-sense rule for myself. Or, maybe I didn’t invent it and it arrived in my mind some other way. I ask myself this: what can the character concerned see, hear, feel, smell, taste or sense? Then I try only to pick the three most important of those answers and include them in the piece. I try not to overload the reader with too much detail. For example, in one chapter Evie sees the headline on a newspaper stand which reads ’14th November 1941 – the Ark Royal torpedoed and sunk with only one life lost.’ She’s on her way to have tea in a café in wartime Glasgow and rationing is mentioned, so she ‘tastes’ the meagre fare that passes for afternoon tea, she ‘sees’ the headline on the way in and she ‘feels’ compassion for the cold watery death of the one sailor who died.

Q. How did you approach your research for the book?  Did you discover anything that surprised you during your research?

I adore research and particularly enjoyed studying old maps of Glasgow as compared to the modern city; it was fun to imagine my characters walking through old lanes and streets that have long gone. My most precious resources were all the wealth of things left to me by my mother, which included the wartime letters between her and her father. It is a huge privilege to be the guardian of these and to note the tone in which certain things were mentioned which was often the opposite of what one might expect. A saved menu from a forces canteen in Calcutta from 1945 can tell us many things not presented to us in a documentary for example.

Q. Julia Sleeps is your first novel. Based on your experience, what advice would you give to other first time writers?

I actually did a blog on this as so many people remarked that they also had ideas for novels or writing projects that they intended to get around to, when I published Julia Sleeps. I called it ‘How a state school educated girl dared to write a book’. I’m very fortunate to have a photo of my class with our wonderful English teacher Mrs. Read who inspired and encouraged me. You can read the blog here.

Q. If you had to describe Julia Sleeps in three words, what would they be?

Heartwarming, nostalgic, inspiring.

Q. Do you have any writing heroes? 

I have many writing heroes but to name just three I would choose Richard Adams whose novel Watership Down resonates with me to this day. His general message of ‘be kind to the other creatures with whom we share the Earth’ affected me deeply; I think this book should be required reading for all children over the age of ten.

I admire Edward Rutherford immensely for his ability to bring to life the various locations and eras that feature in his novels, but he takes it so much further. His method of giving the equivalent of maybe five or six novellas in one book, each one with a new storyline is staggering, keeping the reader’s attention through sometimes a thousand years of history.

Like countless other writers, I am also eternally grateful to Steven King for his book On Writing. Although not a fan of his genre, the advice on writing contained in that book has proved invaluable to me.

Q. What are you working on next?  

The sequel to Julia Sleeps, entitled Julia Wakes. This work is currently in the editing process but I have found that the more I write, the more I want to write! The idea for a third novel has been with me for some time, and after the busy summer season I now have the opportunity to begin it, so these are exciting times for me.

About the Author

Zoe writes: I’m a stage school educated girl from West London, UK and have sung professionally all my life. I have been fortunate enough to work in TV, film, radio and musical theatre, playing the title role in the musical Annie in the West End of London as a young girl, amongst other credits. After appearing in Starlight Express for five years I became a solo singer, following in my parents’ footsteps in taking engagements all over the world. In 2014 my husband Kenny and I moved to France where we continue to play concerts.

Connect with Zoe
Website | Facebook | Instagram | X/Twitter | YouTube | TikTok

A publication day interview with Micah Thorp, author of Aegolius Creek @TypeEighteenBks

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My guest today is Micah Thorp whose novel, Aegolius Creek is published today by Type Eighteen Books. Congratulations, Micah! Read on as I chat with Micah about Aegolius Creek and the inspiration behind it.

About the Book

Don Karlsson has lived on his family’s Oregon homestead for most of his life. The timber on his land is his greatest asset—planted and replenished by his hand, maintained with his labor and sweat, and harvested for income at his discretion.

After a new species of voles is discovered living in those trees, authorities step in to protect the creatures, and Karlsson fights back. No one can tell him what to do with his property. He enlists the help of his children: Billy, a local who understands his father’s connection to the land; Stacy, a fierce attorney from Boston determined to represent her father’s interests—even if they go against her own; and the beloved and sensitive youngest, Zeke, who organizes local environmentalists to make sure his father does not win.

The impending confrontation engulfs the community and competing interests—local businesses and political groups, infiltrators seeking profit—with the Karlsson family at the center, still trying to reconcile the loss of Don’s wife and their mother, Marlene. Tempers flare, desperate acts are taken, and the courtroom battle spills over into protests and riots, leading to a riveting and stunning conclusion.

Format: Paperback (198 pages) Publisher: Type Eighteen Books
Publication date: 16th September 2025 Genre: Contemporary Fiction

Find Aegolius Creek on Goodreads

Purchase Aegolius Creek from Amazon UK or Type Eighteen Books

Interview with Micah Thorp, author of Aegolius Creek

What was the inspiration for the story?

The most famous book about western Oregon, Sometimes a Great Notion, was written by Ken Kesey in the 1960s. He was well known for One Flew Over a Cuckoo’s Nest (and a rather eccentric bus ride he took with the Grateful Dead), but Sometimes a Great Notion is considered by many to be his best work. It’s a story about a rural Oregon family running a small timber company in the mid twentieth century.

I grew up not far from where Kesey lived and had relatives in the area described by his Oregon novel. There was a certain culture that existed in the mid twentieth century in rural western Oregon; rugged and very independent, that I understood well. During my youth that culture dramatically changed. Conflict over harvesting timber on public lands pitted the environmental community against local blue-collar workers. The subsequent changes led to the dismantling of much of the industry. I wanted to write about the effect those changes had on the people and communities that went through them.

Why did you particularly want to explore the conflict between individual rights and environmental concerns?

Aside from the conflict that surrounded my upbringing, I think the topic is prescient. We are in the midst of a period in which concerns about climate change are going to be confronted by groups that must give something up to slow global warming. Understanding and resolving these conflicts is necessary to bring about change.

A central problem in these confrontations is a level of certainty that pervades different groups which often undermines the very position they advocate. In Aegolius Creek I tried to carefully balance the differing points of view and let the reader empathize with all of them. This particular conflict (land rights vs environment protection) isn’t particularly unique in the sense that the problem is complicated, while the arguments about it are simplistic. Only when you dig into the details are you confronted by implications of completely adopting one point of view – which is generally destructive. Dialectical thinking isn’t easily adapted by most, but it makes great fodder for a writer.

How important to the story is the book’s setting?

Very. The book is about place, both as a concept and a reality. Aegolius Creek is a fictional place, but quite similar to a number of different rural areas up and down the Willamette Valley. In order to make Aegolius Creek feel real, I devoted a short soliloquy about the Aegolius Creek Valley at the beginning of each chapter, a number of which are based on the real characteristics of real communities.

How did you go about creating your main character, Don Karlsson?

I had family members that could be a pretty easily substitute for Don – hard working, intense and remarkably reflective. He doesn’t change much through the course of the book – he’s an anchor for the story and the other characters revolve around him.

One of the important things I knew I needed to do with Don was detail the complexities of his point of view. It would be hard to empathize with him without his backstory or appreciating his point of view in some detail. With a pretty quiet, austere personality it was important to get inside his head a bit.

Were there any scenes that were particularly challenging to write? If so why?

The climactic scene in the book (which I won’t spoil) was difficult because I wanted to write it from a number of different perspectives all at once without losing any of the emotional punch. It made the sequencing difficult.

One of the things I was aware of as I was writing was juxtaposing point of view and tense. The prologue and epilogue are in first person past tense, from the point of view of a character that isn’t in the rest of the book. In the body of the story I primarily use third person present tense, but there are places where Don’s point of view is italicized in first person present or past tense.

The book has been described as ‘a vision of a disappearing world’. Do you agree with this assessment?

Yes and no….

There were a number of changes that occurred between the 1970s and 2000’s that affected the timber industry and all the communities built around it. The inability to cut timber on public lands obviously had an effect as did the subsidizing of Canadian logging. Automation reduced the number of loggers and millworkers needed. The lost tax revenues timber communities needed to support their public services were initially offset by funding from the federal government, but eventually the lack of jobs led to their decline.

With all these difficulties, the timber industry is still alive, if only a shell of its former self. At its peak Oregon timber harvests were around 10 billion board feet a year. By 2010 they had declined to less than a quarter of that.

Timber communities haven’t gone away, but many are a shell of what they once were.

Thank you, Micah, for such fascinating answers to my questions.

About the Author

Micah Thorp is a physician, writer, and lifelong Oregonian. His research has been published in numerous medical journals, and his short fiction has appeared in various literary journals. His first novel, Uncle Joe’s Muse, won a 2022 Next Generation Indie Book Award and a Foreword Indies Book of the Year Award. His sequel, Uncle Joe’s Senpai, was a finalist for the Foreword Indies Book of the Year Award. Micah’s novel, Aegolius Creek, is the recipient of a 2025 IPPY Independent Publisher Book Award: West-Pacific Best Regional Fiction.

Connect with Micah
Website | Instagram | Goodreads