Book Review – A Cold Wind From Moscow by Rory Clements @ZaffreBooks

About the Book

Frong cover of A Cold Wind From Moscow by Rory Clements featuring red hammer & sickle on white background

Winter, 1947. Britain’s secret services have been penetrated. The country is more vulnerable than ever – and Soviet leader Joseph Stalin knows it. He decides it is time to send his master of ‘Special Tasks’ to create extra chaos.

But Stalin has a more important motive than mere disruption. He has a man on the inside who must be protected at all costs – a communist super-spy who has the secrets of the atomic bomb at his fingertips.

Freya Bentall, a senior MI5 officer, no longer knows who to trust and is left with one to bring in an outsider whose loyalty is beyond question – Cambridge professor Tom Wilde. His to find the traitor in MI5.

Bentall has three main suspects and Wilde must get close to them all. That means delving deep into the criminal underworld, attaching himself to the cultural elite of the arts and finding a way into the extreme reaches of British politics.

As winter bites and violence erupts, Wilde faces an uphill battle to protect those he loves from merciless killers. And he knows that one slip will spell disaster for the country – and his family.

Format: Hardcover (368 pages) Publisher: Zaffre
Publication date: 30th January 2025 Genre: Historical Fiction, Thriller

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My Review

A Cold Wind From Moscow is the eighth book in the author’s Tom Wilde spy thriller series. It’s a series I absolutely love and nothing excites me more than learning another book is on the way. You probably could read it as a standalone but if you want to give yourself a real treat, read the series from the beginning starting with Corpus.

Tom is continuing his vain attempt to free himself from the grip of MI5 and return to his role as a Professor of History at Cambridge University. He has a young son whom he wants to spend more time with, especially as his wife Lydia is away training to be a doctor. It’s a long-held ambition of hers and Tom is not the sort of man to stand in her way. To be fair, she’s not the sort of woman to let a man stand in her way either. Their meetings are limited to brief encounters in London hotels where Tom, in the words of Lydia, is called upon to perform his ‘nuptial duties’.

However Freya Bentall, a senior officer with MI5, is a difficult woman to say no to, particularly when the security of the country is at risk. Tom may be American by birth but he’s a Briton by choice, and a patriot. With echoes of Tinker, Tailor, Soldier, Spy by John le Carre, Tom takes on the task of identifying the traitor Freya believes has infilitrated MI5. In engaging with her three suspects he finds himself visiting some varied places – from seedy gambling dens, to dockside cafes and elegant art galleries – and characters from all echelons of society, including some pretty violent individuals with their own signature way of despatching people who get in their way.

We also know from the dramatic opening chapter that there are even nastier people out there, motivated by political ideology and utterly ruthless because they know the personal consequences of failure. ‘Bloodshed was in their nature. Compassion was an alien concept.’ They also know that someone with secrets is the perfect target for coercion.

The story is peppered with exciting action scenes, including a violent assault on a remote house made even more dramatic by the fact the harsh winter has brought England to a virtual standstill. We also find out some intriguing information about the enigmatic and famously taciturn Freya Bentall.

Rory Clements has perfected the art of combining real events, in this case the post-war atomic weapons race, with exciting fictional scenarios. The story moves at the speed of a runaway train and has surprises around every corner. Don’t be shocked if a character you trust turns out to be a wrong’un, or the other way around.

As a gift for faithful followers of the series, there are references to events and characters in the second Tom Wilde book, Nucleus. I also loved the walk-on parts for three real-life individuals in the closing pages of the book.

If you are a fan of spy thrillers, A Cold Wind From Moscow will most definitely not disappoint. I loved it.

In three words: Fast-paced, dramatic, immersive


About the Author

Author Rory Clements

Rory Clements writes full-time is a quiet corner of Norfolk, where he lives with his wife, the artist Naomi Clements Wright. He is a Sunday Times bestselling author, and twice winner of the CWA Historical Dagger Award, for Revenger and Nucleus. Three of his other novels – Martyr, Prince and The Heretics – have been shortlisted for awards. A Cold Wind From Moscow is Rory’s sixteenth novel, and the eighth featuring Professor Tom Wilde.

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Book Review – The Ghosts of Rome by Joseph O’Connor @vintagebooks

About the Book

Front cover of The Ghosts of Rome by Joseph O'Connor

February 1944. Six months since Nazi forces occupied Rome. Inside the beleaguered city, the Contessa Giovanna Landini is a member of the band of Escape Line activists known as ‘The Choir’. Their mission is to smuggle refugees to safety and help Allied soldiers, all under the nose of Gestapo boss Paul Hauptmann.

During a ferocious morning air raid a mysterious parachutist lands in Rome and disappears into the backstreets. Is he an ally or an imposter? His fate will come to put the whole Escape Line at risk.

Meanwhile, Hauptmann’s attention has landed on the Contessa. As his fascination grows, she is pulled into a dangerous game with him – one where the consequences could be lethal.

Format: Hardcover (384 pages) Publisher: Harvill Secker
Publication date: 30th January 2025 Genre: Historical Fiction

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My Review

The Ghosts of Rome is the second book in the author’s Rome Escape Line trilogy. I loved My Father’s House but, if that’s possible, I loved this one even more. As before, the book has a wonderful cast of characters. (Many of them were real people who committed acts of the utmost bravery as part of the actual Choir.)

The author brings each character brilliantly to life, in particular through the invented transcripts of interviews recorded twenty years after the events, allowing us to hear the distinctive voices the author has created for them. For example, the acerbic wit and Irish lilt of diplomat’s wife, Delia Kiernan (my favourite) or the Cockney accent and sardonic asides of John May.

As the book opens, Gestapo chief Paul Hauptmann is under increasing pressure from Berlin to bring an end to the activities of ‘The Choir’ and capture the escaped Allied prisoners hidden in places across Rome and in the Vatican City itself. Not only is his career on the line but the lives of his wife and daughters too, removed for ‘safe keeping’ by Himmler. Increasingly he tries to justify his own actions: the brutal interrogation of prisoners, the meticulous drawing up of death lists for savage reprisals. ‘Important to push away weakness. Too far along the road. Sometimes a man of peace must perform terrible duties, he tells himself. I had to do what I did, there was no other choice.’ And he has become obsessed with one particular member of the Choir, Contessa Giovanna Landini (known as Jo to her comrades).

Having taken possession of her palazzo, he wanders its corridors admiring her furniture, selecting paintings he thinks Hitler might appreciate, examining her extensive wardrobe and choosing gowns to send to his wife Elise in a vain attempt to win back her favour. (He’s almost certain she’s being unfaithful.) He raids the Contessa’s wine cellar, listens to her records, examines her books and takes midnight strolls in her garden. ‘She feels close to him here – every garden is a portrait of its owner.’ Most creepily of all, he takes to sleeping in her bed.

For The Choir, operating the escape line has become a cat and mouse game but one in which there are thousands of Nazi cats for every mouse. No mercy is shown to those who harbour escapees, there are tempting rewards for those prepared to inform and harsh reprisals on the population of Rome for German soldiers killed in acts of resistance. Add to this Allied bombing raids, food and fuel shortages, and Rome has become a very uncomfortable place in which to live.

The Choir’s missions outside the Vatican have become increasingly dangerous and the burden of responsibility for so many lives is huge. There are escapees hidden in every nook and cranny of Rome: abandoned buildings, crawl spaces, cellars, tunnels, even catacombs. It weighs on all the members of The Choir, but particularly on Monsignor Hugh O’Flaherty whom the others look to for guidance. He is physically and mentally exhausted, and finding less and less solace in prayer. ‘Pallid, puff-eyed, watchful, uncombed, he has started to acquire the aura of a man who lives in shadow.’ No wonder, with a bounty on his head. As he confides to Jo, ‘I’m lately on a mission into a shadowy old dungeon – my head – to rescue a beaten-down prisoner – my soul.’

Like My Father’s House, the book combines thrilling action scenes that are full of tension with wonderful writing. There’s also an intriguing sub-plot involving an injured airman that explores the sort of moral dilemmas members of The Choir face. Is saving the life of one man worth endangering the lives of others, including your comrades? Can you live with yourself if you turn away and do nothing?

By the end of the book we know, sadly, there are characters we won’t meet again. But the work must go on because the Nazis are not yet defeated and a savage beast is often most dangerous when cornered.

I found The Ghosts of Rome an utterly compelling historical thriller, full of tension and authentic detail. Although I shall be sorry for the series to end, at the same time I cannot wait for the final book.

In three words: Gripping, suspenseful, immersive


About the Author

Author Joseph O'Connor

Joseph O’Connor’s fiction has been published in forty languages. His twenty books include eleven novels, among them the million-selling Star of the Sea, Ghost Light, Shadowplay and My Father’s House, a Washington Post Book of the Year. His work has been shortlisted for the LA Times Book Award, twice for the Whitbread/Costa and twice for the Walter Scott Prize for Historical Fiction and has won the Nielsen Bookscan Golden Book Award, France’s Millepages, Italy’s Premio Acerbi and Premio Napoli, an American Library Association Award, the American Ireland Fund Literary Award, the Hennessey Writer of the Year and Hall of Fame Awards, the Eason/An Post Novel of the Year Award, a Cullman Fellowship at the New York Public Library, the Irish PEN Award for Outstanding Achievement and the Prix Madeline Zepter for European Novel of the Year. He is Frank McCourt Chair of Creative Writing at the University of Limerick.

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