Book Review – A Pretender’s Murder by Christopher Huang @inkshares

About the Book

The year is 1925. Few have given more for the Empire than Colonel Hadrian Russell. Robbed of his four sons by the Great War, he now holds court as the acting president of the Britannia, a prestigious soldiers-only club in London. But when the Colonel is shot and thrown out the club’s front window, it seems the shadows of the Great War may extend further than previously thought.

Lieutenant Eric Peterkin, newly installed secretary at the Britannia, finds himself thrust into the role of detective after Scotland Yard points fingers at friends he knows are innocent. But is the true murderer an unknown spy? Or a recently resurfaced friend of the Colonel’s dead sons? Or is it one of the Colonel’s four widowed daughters-in-law, who by all appearances paid him complete devotion?

Accusations from personal betrayal to wartime espionage mount among the suspects as Eric’s investigation draws him back to scenes and sites of a war he’s sought to leave behind. From the greening fields of Flanders and the springtime streets of Paris to the sterile wards of a Swiss sanatorium, and back to the Britannia itself, Eric finds that even myths leave behind bones.

Format: ebook (400 pages) Publisher: Inkshares
Publication date: 27th January 2026 Genre: Historical Fiction, Crime

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My Review

A Pretender’s Murder is the second book in the author’s historical crime series featuring amateur sleuth Eric Peterkin, the follow-up to A Gentleman’s Murder. It’s not published until January next year but is available for pre-order now.

As a result of events in the previous book and his role in them, Eric is now Secretary of the Britannia Club. He’s the latest in a long line of Peterkins to be members of the Club. Only the male members of the family, of course. But no sooner has he begun to find his feet in his new role than he finds himself once again drawn into the investigation of a murder. This time it’s the violent killing of the Britannia Club’s acting President, Colonel Hadrian Russell, and on the premises no less. There’s an obvious suspect, at least that’s what Inspector Crane of Scotland Yard believes, but Eric’s not so sure. For example, who could have gained access to the Club premises when every door was locked and only a few trusted people had keys? Who was the person glimpsed leaving the building on the night of the murder? What was the motive?

As in the previous book, the investigation leads back to events in the Great War, in particular the death of Andrew, one of the fours sons of Colonel Russell killed during the conflict. His death was not on active service like his brothers, but was assumed to be an assassination carried out by German spies on account of his espionage activity. Most of the culprits were rounded up and executed but one slipped through the net.

There are many things I enjoyed about the book, not least of which is the cunningly constructed plot that will keep you guessing up until the final pages. If you worked out who did it, how and why before the solution is revealed, well done you because I didn’t.

Eric is the son of a Chinese mother and English father and this allows the author to explore the theme of identity. Judging by the reaction of others, Eric’s appearance marks him down as someone of Chinese heritage. (Eric’s sister Penny, is lighter skinned and able to ‘pass’ as white, seen as useful for her marriage prospects.) But Eric speaks no Chinese much to the puzzlement of Inspector Crane, recently returned from a long posting in Hong Kong, who has enthusiastically embraced Chinese culture such as breakfasting on congee. On the other hand, as we learn in a welcome insight into his childhood, Eric’s mother took pains to cultivate an English accent and embrace all things British.

Another thing the author does well is to weave into the story the lasting impact of the war, including on those who survived it or those who experienced loss. Colonel Russell’s four widowed daughter-in-laws have each responded in different ways to their bereavement. Lady Alice takes comfort from a perpetual show of mourning, dressed always in black, whilst her sister-in-law Flora seeks to live life to the full. Eric himself is haunted by memories of what he witnessed in the trenches, enduring periodic flashbacks. Other elements introduced into the story include the emergence of ‘alienists’ (a now obsolete term for psychiatrists), the rise of suburban housing estates and the activities of charlatans seeking to take advantage of the bereaved by professing to be able to communicate with the dead.

Eric’s hunt for clues necessitates a visit to post-war Europe where he finds evidence that turns everything on its head. As he discovers, not everyone is who they profess to be and it’s possible to be both a war hero and an utter cad.

A Pretender’s Murder is another clever historical mystery that incorporates all the elements of ‘Golden Age’ crime fiction but with moments of darkness. By the way, I heartily recommend reading the Historical Notes at the end of the book which contain a wealth of fascinating information about the factual basis for many of the events, people and locations in the book, but also clearly demonstrate the depth of the author’s research.

I received a digital review copy courtesy of Inkshares.

In three words: Intriguing, intricate, atmospheric
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About the Author

Christopher Huang grew up in Singapore, an only child in a family tree that expands dramatically sideways at his parents’ generation. He moved to Canada after his National Service, studied architecture at McGill, and settled down in Montreal, apparently for good. His first novel, A Gentleman’s Murder, was named a 2018 Foreword INDIES Book of the Year and is in development for television. He is also the author of the standalone mystery Unnatural EndsA Pretender’s Murder is his third novel. (Photo: Author website)

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Book Review – For Thy Great Pain Have Mercy On My Little Pain by Victoria MacKenzie

About the Book

In the year of 1413, two women meet for the first time in the city of Norwich.

Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ – which have long alienated her from her family and neighbours, and incurred her husband’s abuse – have placed her in danger with the men of the Church, who have begun to hound her as a heretic.

Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-­three years. She has told no one of her own visions – and knows that time is running out for her to do so.

The two women have stories to tell one another. Stories about girlhood, motherhood, sickness, loss, doubt and belief; revelations more powerful than the world is ready to hear. Their meeting will change everything.

Format: ebook (167 pages) Publisher: Bloomsbury
Publication date: 19th January 2023 Genre: Historical Fiction

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My Review

For Thy Great Pain Have Mercy On My Little Pain was longlisted for the Walter Scott Prize for Historical Fiction in 2024.

The book tells the story of two 15th century female mystics – Julian of Norwich and Margery Kempe – alternating frequently between the perspectives of the two women. Both names were vaguely familiar to me but I knew pretty much nothing about their lives or their writings. I’m not sure if that was a help or a hindrance. On the one hand it meant I came to the book with no preconceptions but, on the other hand, it made it difficult for me to assess how much of the story was the product of the author’s imagination. Not having much interest in religious doctrine or a belief in visions, I appreciated the book more for the insight it gave into the lives of medieval women than anything else.

I found myself particuarly drawn to Julian’s story. I felt the author really managed to convey in a believable way Julian’s profound religious conviction and suggest credible reasons for her decision to seek a contemplative life. The detail about the life of an anchoress and the process of becoming one was absolutely fascinating and I liked the way the author brought out Julian’s feelings of isolation and her struggles with the daily realities of confinement. ‘I could take ten paces in one direction, turn and take six paces, turn and take eight paces, turn and take six paces. Ten. Six. Eight. Six. Ten. Six. Eight. Six. Ten. Six. Eight. Six.’

Who can say whether Margery’s visions were real – she obviously believed them to be – or the result of some sort of mental disorder, possibly post-natal depression. I found the rigour of her self-imposed regime disturbing. However, the fact she continued to share her visions in the face of suspicion, anger and ridicule, as well as accusations of heresy, speaks to the strength of her conviction. The Margery of the book is a woman of passion in all senses of the word, someone prepared to defy the constraints imposed on her on account of her sex. Apart from anything else, the fact she gave birth to fourteen children suggests remarkable resilience.

The meeting between the two women mentioned in the first sentence of the blurb only features at the very end of the book and is rather fleeting. This made the book feel slightly unbalanced. It also didn’t seem that consequential, just a sharing of their similar experiences.

For Thy Great Pain Have Mercy On My Little Pain is a fascinating book and taught me a lot of things I didn’t know such as the fact that The Book of Margery Kempe is the first autobiography written in English by a man or woman and Revelations of Divine Love by Julian of Norwich is the earliest surviving book in English written by a woman. Its simple prose made it very readable but it didn’t completely enthrall me.

In three words: Intimate, introspective, meditative
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About the Author

Victoria MacKenzie is a fiction writer and poet. She has won a number of writing prizes, including a Scottish Book Trust New Writers Award, and has been awarded writing residencies in Scotland, Finland and Australia. For Thy Great Pain Have Mercy On My Little Pain won the Saltire First Book Award and was a Book of the Year in the Guardian, Sunday Times, Scotsman and Irish Times. (Photo: Author website)

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