Blog Tour/Review: The Black Earth by Philip Kazan

I’m delighted and honoured to be kicking off the blog tour for The Black Earth by Philip Kazan ahead of its publication on Thursday 19th April.  You can read my review of this wonderful novel set in wartime Greece below.

Do check out the tour schedule at the bottom of this post to see the other great book bloggers taking part in the tour over the next ten days.


The Black Earth CoverAbout the Book

1922: When the Turkish Army occupies Smyrna, Zoë Haggitiris escapes with her family, only to lose everything. Alone in a sea of desperate strangers, her life is touched, for a moment, by a young English boy, Tom Collyer, also lost, before the compassion of a stranger leads her into a new life.

Years later when war breaks out, Tom finds himself in Greece and in the chaos of the British retreat, fate will lead him back to Zoë. But he will discover that the war will not end so easily for either of them.

Format: ebook, hardcover (350 pp.)       Publisher: Allison & Busby
Published: 19th April 2018                        Genre: Historical Fiction

Pre-order/Purchase Links*
Amazon.co.uk ǀ  Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Black Earth on Goodreads


My Review

The theme of chance encounters, connections and convergence has featured in quite a few books I’ve read recently.  Whether that’s the working of fate, such as in From a Low and Quiet Sea by Donal Ryan, or the concept of quantum entanglement – the idea that entangled particles remain connected and that actions performed on one affect the other even when separated by great distances – as in Oliver Loving by Stefan Merrill Block and Entanglement by Katy Mahood.  (Three great books, by the way.)

Following their first brief, chance encounter as young children in the chaos of Piraeus harbour, the reader follows the lives of Zoë and Tom through childhood until fate or destiny throws them together again in another chance meeting.  They will each in turn act as rescuer of the other but face separation, loss and traumatic experiences.   The connection they feel will help them make sense of the chaos around them, finding in it something pure and true amongst the horrors of war.

The Black Earth convincingly portrays the chaos and breakdown of society in time of war.   Particularly memorable is the depiction of the terrible suffering of the people of Athens, including near starvation, during the occupation by the Nazis during World War 2, and in the aftermath when the area descends into civil war.  I know the author drew on his own family history as inspiration for many of the events and some of the characters in the book which no doubt accounts for its sense of authenticity.

Amongst all the horror, however, the book shows that there are still opportunities for random acts of kindness, even in time of war, including the one that will change the course of Zoë’s life.  I was particularly moved by part three of the book in which the story is told partly through Tom’s letters describing his experiences and hopes for the future.  Reflecting what must have been the experience of many in wartime, the letters are written and sent more in hope than expectation of being received by the intended recipient; the correspondent not knowing, even, if the recipient is still alive to read them.

I absolutely loved this book, even though it put me through the emotional wringer.  The author kept me hoping and fearing, fearing and hoping right up until the last page.  I’m not ashamed to admit I shed a little tear at the end.   The Black Earth is highly recommended for fans of historical fiction who love a strong story based around real life events with engaging and believable characters.   I’m so glad to have been introduced to the writing of Philip Kazan and I can safely say The Black Earth won’t be the last book of his I read.

My sincere thanks to publishers, Allison & Busby, Emma Finnigan and Anne Cater at Random Things Tours for my uncorrected proof copy in return for an honest and unbiased review.

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In three words: Powerful, emotional, heart-breaking

Try something similar…The Good Doctor of Warsaw by Elisabeth Gifford (click here to read my review)


Philip KazanAbout the Author

Philip Kazan was born in London and grew-up on Dartmoor in south west England. He is the author of two previous novels set in fifteenth-century Florence: Appetite, about the adventures of an early celebrity chef and The Painter of Souls, an imagining of the early career of the artist Fra Filippo Lippi.  As Pip Vaughan-Hughes, he also wrote the Petroc series – Relics, Vault of Bones, Painted in Blood and The Fools’ Crusade – following a thirteenth-century adventurer.

After living in New York and Vermont, Philip is back on the edge of Dartmoor with his wife and three children.

Connect with Philip

Website  ǀ   Twitter  ǀ  Goodreads

The Black Earth FINAL BT Poster

 

Guest Post: The Jinn and the Sword by Robert Peacock and Sara Cook

As a bookblogger, it’s frustrating not to be able to accept every review request that comes your way.  After all, there are only so many hours in the day.  However, just because my own review pile is verging on the mountainous, it doesn’t mean I should hide away what might be your next perfect read.

Today I’m delighted to welcome to What Cathy Read Next, siblings Robert Peacock and Sara Cook, authors of The Jinn and the Sword.   The book is described – enticingly – as ‘a tale of mystery, suspense and romance in the sixteenth century court of Suleyman the Magnificent’.  And just look at that gorgeous cover!

I’m pleased to say the authors have selected a few of their favourite quotations from the book to whet your appetite and, in a fascinating guest post, Sara shares her very personal writing journey.

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The Jinn and the SwordAbout the Book

Set in the 16th century imperial Ottoman court of Suleyman the Magnificent, this novel of mystery, suspense and romance introduces the Venetian Conte Vincenzo Lupo (Il Lupo, the Wolf), renowned for his swordsmanship and investigative skills.

Fearing Topkapi Palace officials may be complicit in assassination attempts and palace intrigues, Il Lupo travels to Istanbul at Suleyman’s behest. His equally skilled daughter, Francesca, whom he has raised as a single father, accompanies him disguised as a boy. Escorted by Kemal, commander of the elite palace guard, and Aziz, a formidable Harem eunuch, they quash assassination attempts against Suleyman and his favored concubine, Roxelana.

Multiple mysteries requiring resolution include the theft, masterminded by the ghoulish Shaitan, of the sacred relics of Muhammed from the palace repository and murders committed by a demonic jinn, dwelling in labyrinthine passageways beneath the palace. Although filled with action, suspense and mystery, at its heart, the novel is a tale of love, awakenings, yearnings and beneficence that will touch the human spirit.

Format: ebook, hardcover, paperback (344 pp.) Publisher: Xlibris US
Published: 25th January 2018                        Genre: Historical Fiction, Mystery, Suspense

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Jinn and the Sword on Goodreads


A Taste of The Jinn and the Sword

‘The cruelties man inflicts upon fellow man are endless and barbaric…These things are beyond comprehension and each brutal bestial act creates an individual human tragedy, the consequences spilling into many lives.”

“This is the man known for solving mysteries of the imperial courts. He is very clever and often impassive.  Be cautious.  Vincenzo Lupo is more a fox than a wolf.”

‘A terrified Mehmed gazed into the distorted and grotesque face of the Shaitan, its wildly flashing eyes exuding a phlegethon of malice and drooling mouth filled with sharp, cuspidated teeth.’

‘A journey within itself, Istanbul always revealed new discoveries with each visit. To cross from one side of the street to another was to walk through the centuries.’

‘Il Lupo cautioned, “Apparent demeanour is an insufficient reason to rule anyone out at this time. Remember, we cannot discard clues until we are completely certain they are of no value. We must always open-mindedly interrogate our assumptions.”’

‘Tears still softly falling from her eyes, she slowly began to move her hips in a seductive, circling motion with arms raised over her head, her gauzy fabric draped from her fingertips as she pulled it over her face, exposing only her moist eyes. Moving with exquisite grace around the room, her motions intensified, matching the pace of the music. Roxelana’s dance was rapturous.’

“Blasphemous brushstrokes!”

 “Make no mistake, Kemal.  Yes, I am a woman, but never underestimate me.  I am a match for any man.”


Guest Post ‘Vision and Inspiration: The Jinn and the Sword’ by Sara Cook

How do vision and inspiration emerge for a novel…a tale such as ours?

In our case, our novel came to fruition in a collaboration that evolved over many years.  My brother and co-author, Rob, handed me a 20,000 word outline complete with a mesmerizing setting and ingenious plot, and framed with a beautifully written poetic Prologue and Epilogue. He provided that vision a decade ago, but the vicissitudes of both our lives intervened. I required inspiration to write which, I would discover, could only be found in the quiet…a listening to the stillness and I was certainly not there ten years ago.

Now, as I sit here in the great Northern Plains of the massive North American continent, the quiet is profound.  After years of “sensory city cacophony” (a perfectly coined phrase from Rob), coming here made me aware that my hectic pace was robbing me of the life I thought I was living. In the doing – this change of lifestyle – I was finally able to accept my brother’s long ago invitation to take on the vision for his story.

I did not know it then – that this is where I needed to be; humbled and quieted, receptive to my own thoughts and instincts – away from the jarring and vexing chaos.  The quiescence was the balm to my battered soul, presenting me with gifts…realization of my own significance and insignificance…how small I am in the world and yet the power that lies within, and even hearing, for the first time in my life, how the “earth sounds” in all this exquisite and swaddling quiet. I understood why the Native Americans named even, the wind.

There is a special kind of magic in all this serenity and I was inspired to do something I never imagined I would do.  Write…co-author…a book as I plunged into the ambiguous, “uncharted labyrinth” of my mind, sending him my first draft of 98,000 words. The wordsmith had the audacity to cut it to 82,000 words! My revenge was to send it to him again, and this time with 118,000 words.  (The seesaw of increasing and decreasing words continued seemingly, ad infinitum – or at least five manuscripts.)

Once the decision was made, the question became, what do I do to make the book unforgettable? Ha! May as well try to catch a falling star! How could I build on his intriguing plot?  He was staccato and I was legato. There were intense searches for perfect words…quidnunc, coxcomb, fallalery, froideur, effluvium, caliginous (how many ways can one describe darkness?), pulchritudinous, esperance…lovely, irresistible, necessary words.  Finding compromise was at times difficult and of course, there were the predictable sibling spats. We were often focused on how to make our cross-genre novel relevant to all manner of reader – attempting to appeal to those who would enjoy its suspense and mystery, while still appealing to those who might relish romantic moments with words intended to be repeated and whispered under their breath.

I suppose these are questions common to many writers. However I am unsure since I still do not consider myself a “writer.”  Perhaps, I could describe myself as an “expresser”, if such a word exists. Steeling myself, I gathered up all those “pearls” that reside in each of us – those which we are cautioned should not be cast before the undeserving – trusting and bequeathing them out into the world of readers in the thoughts and actions of our characters, praying they be found worthy.

Once I started, I could not stop, loving to add visual richness to the scenes and creating emotional identities for the characters, imagining where they wanted to go. I will confess that my fantasy inspiration for Vincenzo Lupo – our protagonist – was that British jewel – Rufus Sewell – #sigh.  I surprised, even myself, with the writing of the opening scene…the book starts off with a bang…all gruesome….with a murderous Jinn lurking beneath the Topkapi Palace and Istanbul. I was more versatile at portraying violence, murder and mayhem than I thought – rather scary, actually.  And Rob, all pristine and power, was able to write with enormous sensitivity.

“And thus, in this moment, Francesca Lupo acquiesced, submitting herself to the utterly irresistible metamorphosis of the girl into the woman, a transformation tenderly and profoundly touching her embryonic soul.”

There were endless hours of research required to ensure the accuracy of the timeline and geopolitics of the era, required for the verisimilar nature of the tale as well as planning, in advance, timelines necessary for possible sequels (#tease).

A final note…the book was originally intended to be illustrated in a manner evocative of the times and the tale…illuminated in rich and breathtaking colour, but the cost to our readers would have been prohibitive.  To see our original intent, images are available on Instagram.  We hope you love our story.

© Sara Lawrence Cook (and for, Robert Peacock)


About the Authors

Robert PeacockRobert Truss Peacock is an attorney/CPA who has served as an Administrative Judge for the past thirty-two years, most recently on the Armed Services Board of Contract Appeals (ASBCA) and previously on the Corps of Engineers Board of Contract Appeals prior to its merger with the ASBCA in 2000. His inspiration for the book emanated from his study of Ottoman history and culture and visits to the magnificent city of Istanbul when he was stationed in Turkey as an Air Force JAG officer approximately forty years ago. Whenever able, he spends his free time with his twin daughters, Mary and Anne, and his grandchildren, Wilfred and Amelia.

Sara CookSara Lawrence (Peacock) Cook is a published interior designer and retired from her thirty year career as owner of an interior design business and importer of antiques. Living in Europe for fifteen years she travelled extensively for clients, business and pleasure, including a visit to Istanbul, Turkey – the setting for the novel. A self-described “collector of experiences and impressions,” she turned her creative efforts to writing, using her vivid recollections to build scenes and characters in The Jinn and the Sword, an intriguing, inspired plot and mesmerizing outline developed by her brother and co-author, Robert.

Joining forces, their shared vision was to enhance the reader’s experience by illustrating the book in a manner evocative of the manuscripts of the 16th century. Leaving behind the hectic pace of suburban life, she recently relocated to the northern Great Plains in search of a more Arcadian lifestyle. She has been married forty-five years to John L. Cook, a retired Army Lieutenant Colonel and published author. She credits Katelyn Cook and Rebecca Cook, daughters made family through marriage to their sons, Zachary and Joshua, for their elevated artistic and editorial contributions.

Connect with Robert & Sara

Website ǀ  Instagram ǀ  Goodreads