Blog Tour/Book Review: The Summer Will Come by Soulla Christodoulou

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I’m thrilled to be co-hosting today’s stop on the blog tour for The Summer Will Come by Soulla Christodoulou and to share my review of this novel set partly in 1950s Cyprus and partly in London.  It made me want to book a holiday to Cyprus right this minute.


 The Summer Will ComeAbout the Book

Set in the 1950s, the story begins in Cyprus. EOKA, British rule, and the fight for Enosis (unity) disrupt the world of two Greek Cypriot families, living in different villages on the island. They are desperately trying to cope with the unpredictability of this fractious time. Circumstances over a five-year period push both families to escape to London where, as immigrants, they struggle to settle, face new challenges, trauma and cope with missing their homeland’s traditions and culture. Both families’ lives cross paths in London and it seems that happier beginnings could be theirs. But at what cost?

A story of passion for a country in turmoil, family love, loyalty and treachery and how, sometimes, starting over isn’t always as imagined.

Format: ebook, paperback (492 pp.)      Publisher:
Published: 6th March 2018                       Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find The Summer Will Come on Goodreads


My Review

The Summer Will Come tells the story of two Cypriot families both affected by the unrest on the island resulting from the struggle for Cypriot independence that took place in the 1950s.  The reader sees events from the points of view of Elena and her mother, Evangelia, and Christaki and his father, Loizos.

The author does a great job of communicating the atmosphere of rising tension and fear on the island as families and communities are split by support for one side or the other.  Supporters of the nationalist organisation EOKA risk arrest, internment, interrogation (and potentially worse) by the British authorities as they smuggle coded messages and hold secret meetings.   It’s a time of curfews, informers, repression and often violent reprisals.

However, the book is not all doom and gloom.  There are wonderful descriptions of the landscape of Cyprus and, for those of us in the United Kingdom currently enduring snow and overcast skies, enticing depictions of blue skies, hot days and balmy nights.  In addition, there are some evocative descriptions of food that literally made my stomach rumble as I was reading them.  ‘Elena imagined paklava, galatoboureko, pitoues, daktila and kateifi, the sweet filo and shortcrust pastries bursting with chopped pistachios, almonds and thick yellow custard sitting together in a warm goo of syrup’.  (By the way, there is a really helpful glossary at the back of the book including, for those not on a diet, mouth-watering descriptions of Cypriot pastries and desserts.)

Eventually both families are forced to leave Cyprus to seek a new life in England.  For Elena, her twin brother, Andreas, and their mother, Evangelia, the journey offers the prospect of being reunited with their father, Kostas.    For Christaki, his brother and sister and, in particular, his mother, Anastasia, it’s a chance to leave traumatic memories behind.

However, the move to England brings fresh challenges for both families.  The author brilliantly conveys the contrast between their life in Cyprus and their experience of London.  There are obvious things like the cold weather and different food.  ‘She felt like she was always shrouded in grey; she could barely see the buildings, the streets, the sky, the landscape from a few hundred yards away.’  But also less obvious things, such as the dirty, dingy housing, the multi-racial nature of London  and the noise.  ‘It was not the peaceful sound of the lapping waves of the sea in Limassol.  No, it was a different world, a noisy one.’  And they find it difficult to adjust to the different pace of life as well. ‘Loizos noticed how those around him seemed to be in a hurry to get somewhere; a complete contrast to life in Cyprus, or at least life as it used to be before the Cyprus tragedy, with trundling buses, slow donkeys and hours spent in the kafenion.’

I loved the little details like the families’ surprise that in England olive oil is only available from a pharmacist!  There’s a lovely sense of the atmosphere of the 1950s – the fashion, the music and things like the opening of the first Wimpy Bars!  However, there are also forceful reminders of the darker side of life.

Conflict arises as the younger members of both families – especially the female members – seek to take advantage of the freedom enjoyed by their peers whilst their parents cling to the traditions of Cyprus, including the custom of arranging introductions between members of the opposite sex and the expected behaviour of girls. ‘The women in the village were raised to be passive and accepting of their role in life; to marry well, be respectful wives and loving mothers…’   When connections within the Cypriot community eventually (and perhaps inevitably) bring two members of the families together, this reader certainly had a clear idea of the resolution she desired.

I really enjoyed The Summer Will Come.  I loved learning about the culture and traditions of Cyprus.  My only minor niggle (and it is minor) is that the book felt slightly longer than it needed to be.  For instance, there was a section set in Blackpool that I felt could have been removed entirely.   However, I found the parts of the book set in Cyprus absolutely fascinating and the story of the two families once they moved to London really compelling.  If you love historical fiction that is rich in cultural detail and rooted in actual events, then The Summer Will Come will not disappoint.

I received a review copy courtesy of the author and Rachel’s Random Resources in return for an honest and unbiased review.

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Soulla ChristodoulouAbout the Author

Born in London to Greek Cypriot parents, Soulla Christodoulou spent much of her childhood living carefree days full of family, school and friends. She was the first in her family to go to university and studied BA Hotel & Catering Management at Portsmouth University. Years later, after having a family of her own she studied again at Middlesex University and has a PGCE in Business Studies and an MA in Education.

Soulla is a fiction author and wrote her first novel Broken Pieces of Tomorrow over a few months while working full time in secondary education. She is a mother of three boys. She is a compassionate and empathetic supporter of young people. Her passion for teaching continues through private tuition of English Language and Children’s Creative Writing Classes as well as proof reading and other writing services.

Her writing has also connected her with a charity in California which she is very much involved in as a contributor of handwritten letters every month to support and give hope to women diagnosed with breast cancer. One of her letters is featured in a book, Dear Friend, released on Amazon in September 2017.

When asked, Soulla will tell you she has always, somewhere on a subconscious level, wanted to write and her life’s experiences both personal and professional have played a huge part in bringing her to where she was always meant to be; writing books and drinking lots of cinnamon and clove tea!

She also has a poetry collection, Sunshine after Rain, published on Amazon.  The Summer Will Come is her second novel. She is currently working on a third novel Trust is a Big Word about an online illicit relationship that develops between two people.

Connect with Soulla

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Book Review: The Gallows Pole by Benjamin Myers

WaltScott_The Gallows PoleAbout the Book

“I saw them. Stag-headed men dancing at on the moor at midnight, nostrils flared and steam rising…”

An England divided. From his remote moorland home, David Hartley assembles a gang of weavers and land-workers to embark upon a criminal enterprise that will capsize the economy and become the biggest fraud in British history.  They are the Cragg Vale Coiners and their business is ‘clipping’ – the forging of coins, a treasonous offence punishable by death.  A charismatic leader, Hartley cares for the poor and uses violence and intimidation against his opponents. He is also prone to self-delusion and strange visions of mythical creatures.

When excise officer William Deighton vows to bring down the Coiners and one of their own becomes turncoat, Hartley’s empire begins to crumble. With the industrial age set to change the face of England forever, the fate of his empire is under threat.

Forensically assembled from historical accounts and legal documents, The Gallows Pole is a true story of resistance that combines poetry, landscape, crime and historical fiction, whose themes continue to resonate. Here is a rarely-told alternative history of the North.

Format: ebook, paperback, hardcover  (360 pp.) Publisher: Bluemoose Books
Published: 17th May 2017                                          Genre: Historical Fiction

Purchase Links (Kindle edition currently 99p on Amazon UK)
Amazon.co.uk  ǀ  Amazon.com  ¦ Publisher ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programmePublisher

Find The Gallows Pole on Goodreads


My Review

The Gallows Pole is one of the books long-listed for The Walter Scott Prize for Historical Fiction 2018.  Click here for the full long-list and links to information or my reviews of the long-listed books.

The book recounts events that took place in Calderdale, West Yorkshire, over a few years in the 1760s: the exploits of a gang known as the ‘Cragg Vale Coiners’.  ‘Coining’ was the illegal practice of removing shavings of gold from the edges of genuine coins, milling the edges of those coins smooth again and then using the shavings to produce counterfeit coins.

The narrative is interspersed with excerpts from a document written in the first person using vernacular dialogue, eccentric spelling and very little punctuation.  Its author is the so-called ’King’ of the coiners, David Hartley.  It’s his jail cell testimony – not confession, mind you – he’s keen to point that out.  Hartley recounts his first exposure to the coining process in the forges of The Black Country: ‘…What they done is smelt and pour and hammer and mould What they done is hoist and heft and scald and steam And what they done was learn us a new trayde a new way.’

The Gallows Pole transports the reader to a period when the first impact of industrialization and mechanisation was starting to be felt by residents of places like Calderdale.  Power was becoming concentrated in the hands of landowners, of factory and mill owners and employment was taking the place of self-employment or small-scale agriculture.  Old ways were coming into conflict with the forces of progress and modernity.  For many ordinary people, their whole way of life was changing, not necessarily for the better (reminiscent in some ways of the modern day impact of globalisation).   It’s not surprising that desperation and poverty should force some to look outside the law for the means to survive.  Or, that men like Hartley, should reject the notion of change altogether.  [Readers who dislike swearing should skip the next quotation.]

‘An he seys the day of the hand loom is over mass produckshun is cumin wether you lyke it or not aye mass produckshun and organysed laber is what I’m talkin abowt and if youv got any sens about yer yerll embrayce the new ways.  And I says fuck the new ways and fuck the company and fuck your fucken scut with a rusted nyfe if yor still thinken on telling King David of Cragg Vale wer it is he can or cannit wander you soppybolickt daft doylem fiddler of beests.’

I think you may be starting to get a sense that creative use of language is a key element of this book.  [Can I give a shoutout to the copy editors and proof-readers of the book at this point.]  The author evocatively conjures up the atmosphere of the moors; its bleakness but also its harsh beauty.  ‘Then when the downpour eased and the clouds passed over to slowly bank across the open moors in the direction of Haworth, the valley slopes were left with a fresh dusting of white, a patchwork of powdered shapes divided by the black streaks of stone walls that snaked over and around copses, hamlets and the top quarries…’

There is a rhythmic, almost poetic quality to the language with frequent use of alliteration and assonance: ‘In to dell and dingle.  Gulch and gully.’ ‘From the dells and dales and dingles.’ ‘Slipping and sliding.  Gasping and striding.’  Some of the prose is positively audacious – for its use of repetition:

‘Tom Spencer walked to Horsehold and folk there gave up their coin.  Tom Spencer walked to Burnt Stubb and folk there gave up their coin.  Tom Spencer walked to Boulder Clough and folk there gave up their coin.  Tom Spencer walked to Midgley and folk there gave up their coin…’

And for the lists – sometimes long lists – of names and of places giving a sing-song quality to the writing.

‘Up they came and over they came and through they came.  Many men.
Isaac Dewhurst and Absolom Butts.
Thomas Clayton and Benjamin Sutcliffe.
Abraham Lumb and Aloysius Smith and Nathan Horsfall and Matthew Hepworth and Joseph Gelder and Jonathan Bolton.
John Wilcox and Jonas Eastwood.
Fathers and brothers and sons and uncles.  Up they came.  And others too.’

The language at times is earthy and raw with visceral descriptions of bodily sensations and creative evocations of sights, sounds, smells, tastes.  ‘Soot and ash.  Snot and spume. Quag and sump and clotted moss.’ 

The story that unfolds is as compelling as the language. However, despite his criminal activity and the violence perpetrated by those around him, the reader is left with a sense of David Hartley as a tragic figure.  He certainly becomes a folk hero in the eyes of the local community.  That is, to those who don’t attempt to resist him, swindle him, usurp him or bring him to justice.  Retribution is swift and violent for them.

There is a real sense of period atmosphere in The Gallows Pole, of a time when life was hard for many and death was an often close companion.  It was definitely not the time or place to be a woman; relegated to the role of child bearer, provider of sexual pleasure (willingly or not) and household drudge.   The only sign of tenderness is between Hartley and his wife, and even that is relative.

The Gallows Pole made a deep impression on me.  The story was powerfully told and had a marvellous sense of authenticity.  However, it was the imaginative writing that really drew me in.  It may not turn out to be the closest to my heart of the books on the long-list but its author has certainly earned my admiration. I realise it’s early to be making predictions, especially as I haven’t read all the books on the long-list yet.   Nevertheless, I’m going to stick my neck out and say I can see The Gallows Pole being the Days Without End of 2018.  In other words, not only making the shortlist but possibly being the eventual winner.  If I’m wrong, forget you read this.  If it turns out I’m right, remember, you saw it here first.

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Try something similar…Days Without End by Sebastian Barry (click here to read my review)


Benjamin MyersAbout the Author

Benjamin Myers was born in Durham, UK, in 1976.  He is an award-winning author and journalist. As a journalist he has written about the arts and nature for publications including New Statesman, The Guardian, NME, Mojo, Time Out, New Scientist, Caught By The River, The Morning Star, Vice, The Quietus, Melody Maker and numerous others.

Pig Iron (2012) was the winner of the inaugural Gordon Burn Prize and runner-up in The Guardian’s Not The Booker Prize. A controversial combination of biography and novel, Richard (2010), was a bestseller and chosen as a Sunday Times book of the year.  Myers’ short story ‘The Folk Song Singer’ was awarded the Tom-Gallon Prize in 2014 by the Society of Authors and published by Galley Beggar Press. His short stories and poetry have appeared in dozens of anthologies.

His novel Beastings (2014) won the Portico Prize For Literature, was the recipient of the Northern Writers’ Award and longlisted for a Jerwood Fiction Uncovered Award 2015. Widely acclaimed, it featured on several end of year lists, and was chosen by Robert Macfarlane in The Big Issue as one of his books of 2014.  Turning Blue (2016) was described as a “folk crime” novel, and praised by writers including Val McDermid. A sequel These Darkening Days followed in 2017.

Recipient of the Roger Deakin Award, his novel The Gallows Pole was published to acclaim in 2017.  His latest book, Under The Rock, a work of non-fiction, is published May 2018.

He currently lives in the Upper Calder Valley, West Yorkshire, UK.

Connect with Benjamin

Website ǀ  Twitter  ǀ  Goodreads

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