Book Review: The Magick of Master Lilly by Tobsha Learner

The Magick of Mister LillyAbout the Book

In 1641, the country of England stands divided. London has become a wasps’ nest of spies, and under the eyes of the Roundheads those who practice magic are routinely sent to hang.

Living in exile in the Surrey countryside is the Master Astrologer and learned magician William Lilly. Since rumours of occult practice lost him the favour of Parliament, he has not returned to the city. But his talents are well-known, and soon he is called up to London once more, to read the fate of His Majesty the King.

What he sees in the stars will change the course of history.

Only Lilly and a circle of learned astrologers – Cunning Folk – know that London is destined to suffer plague and fire before the decade is through, and must summon angel and demon to sway the political powers from the war the country is heading toward. In doing so, Lilly will influence far greater destinies than his own and encounter great danger. But there will be worse to come . . .

Format: Paperback, ebook (480 pp.)    Publisher: Little Brown/Sphere
Published: 7th July (ebook), 1st November 2018 (paperback)
Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

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My Review

William Lilly tells his story in a distinctive narrative voice giving the reader privileged access to many of the pivotal events of the English Civil War.  Lilly comes across as slightly pompous, a little arrogant but also with an engaging sense of humour, often expressed in the form of disparaging remarks about fellow astrologers and clients or cheeky asides directed at the reader.  ‘At which Tobias collapsed in a chair and began fanning himself with a much-valued volume of Tycho Brahe’s astrological observations.  I carefully removed the volume and replaced it with an Nativity of a minor client of no consequence.’

As Lilly’s reputation increases, and despite remarking at one point on ‘humility being one of the conduits to success’, he’s not averse to proudly boasting that ‘…the accuracy of my prediction hath made me, by my own humble reckoning, the most famed Astrologer in the land’.

The reader observes Lilly as he sees clients (or ‘querents’) seeking the benefit of his astrological skills to provide solutions to everything from the location of missing items, the paternity of children, the likelihood of misadventure on the high seas, to the fate of nations.

A chance encounter sees Lilly succumb to the temptations of the flesh, described in intimate detail with no blushes spared.  (The author also writes erotic fiction.)  In fact, Lilly doesn’t try to resist temptation too hard (pardon the pun) and his dalliance provides him with a vital contact within the Royalist cause as well as, it seems, a soul mate and a welcome distraction from a loveless marriage.  Trying to keep a foot in both camps, as it were, by making himself useful to both the Royalists and the Puritans brings him into dangerously close contact with notorious figures such as Matthew Hopkins, the Witch-Finder General, running the risk of denunciation and arrest.

At just under 500 pages (hence the book’s description as ‘an epic telling of the role of magic in the English Civil War’),  I confess I found the book a little slow at times.  I’ll admit to skimming some of the lengthier and more detailed descriptions of Lilly’s procedures for drawing up his predictions as the book went on.  However, I admired the author’s creation of a distinctive narrative voice and the obviously detailed research undertaken into the events of the English Civil War (although, the author does admit to inventing one of the key characters in the book – Lilly’s love interest).

Readers like me interested more in the historical subject matter of the novel may find there is too much of the astrological and occult.  Conversely, readers interested in the life of a renowned astrologer (who, I confess, I had never heard of before coming across this book) may find they become too bogged down in historical detail.   The Magick of Master Lilly is full of interesting historical detail and colourful characters but I didn’t love it quite as much as I expected.

I received a review copy courtesy of publishers, Little Brown, and NetGalley.

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In three words: Detailed, bawdy, witty

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About the Author

Tobsha Learner was born and raised in England; she now divides her time between Australia, the UK and the USA. She is well known in Australia as an author and playwright.

Tobsha also writes under the pen name T. S. Learner.

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Throwback Thursday: The Thirteenth Tale by Diane Setterfield

ThrowbackThursday

Throwback Thursday is a weekly meme created by Renee at It’s Book Talk.  It’s designed as an opportunity to share old favourites as well as books that we’ve finally got around to reading that were published over a year ago.

Today I’m reviewing The Thirteenth Tale by Diane Setterfield.  Published to critical acclaim in 2006 and described as ‘a love letter to reading’, The Thirteenth Tale was Diane’s first novel.  It spent three weeks at number one in The New York Times hardback fiction list.


The Thirteenth TaleAbout the Book

All children mythologize their birth… So begins the prologue of reclusive author Vida Winter’s collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist.

The enigmatic Winter has spent six decades creating various outlandish life histories for herself – all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter’s story and her own, Margaret takes on the commission.

As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and wilful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire.

Margaret succumbs to the power of Vida’s storytelling but remains suspicious of the author’s sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.

Format: ebook (418 pp.)    Publisher: Orion
Published: 8th December 2011 [September 2006] Genre: Historical Fiction

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Find The Thirteenth Tale on Goodreads


My Review

I was part way through The Thirteenth Tale when I was lucky enough to hear Diane Setterfield speak at this year’s Henley Literary Festival about her approach to writing and, in particular, about her forthcoming book, Once Upon A River. You can read my full review of the event here.  (Oh, and look out for my review of Once Upon A River as part of the blog tour starting in December.)

I was struck by Diane’s thoughts on storytelling as an important theme in her books.  Admitting she’d always had an interest – and not just a professional interest – in storytelling, Diane observed that we all organise information, gossip, and so on into stories about ourselves.  Diane described humans as intrinsically ‘storytelling animals’.  To quote from The Thirteenth Tale, “Everybody has a story.”

The book epitomises that emphasis on storytelling because, not only is its main character, Vida Winter, an author but she is a notably reclusive one who has carefully guarded the true facts of her life, spreading misinformation in its place.  Furthermore, the plot centres on the mystery of a ‘missing’ thirteenth tale from her most famous collection of stories.  What could be more enticing than the prospect of tracking down and reading a missing story?

Having heard Diane’s thoughts made me return to the book with renewed interest and with an increased awareness of the way in which storytelling permeates the book.  Many of the characters are in search of or trying to make sense of the story of their life; others are facing up to the need to finally reveal it.  In some cases, uncovering the true nature of their story does not bring them the clarity or satisfaction they hoped for.  As Aurelius Love observes, “Perhaps it’s better not to have a story at all, rather than have one that keep changing.  I have spent my whole life chasing after my story, and never quite catching it.”

There is also a sense in the book of the story of Vida’s life having an existence of its own; that it is fighting to make itself heard.  At one point she comments: “Silence is not a natural environment for stories.  They need words.  Without them they grow pale, sicken and die.”

I found The Thirteenth Tale an engrossing read; full of atmosphere and with a series of intriguing mysteries at its heart helped by some fine writing. ‘From the day I was born grief was always present.  It settled like dust upon the household.  It covered everything; it invaded us with every breath we took.  It shrouded us in our own separate mysteries.’  The settings have a real sense of the Gothic.  I’m now excited to start reading Once Upon A River very shortly.

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In three words: Suspenseful, Gothic, mystery

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Diane SetterfieldAbout the Author

Diane Setterfield’s bestselling novel, The Thirteenth Tale (2006) was published in 38 countries worldwide and has sold more than three million copies. Her second novel, Bellman & Black (2013) was a genre-defying tale of rooks and Victorian retail.  January 2019 sees the publication of her new title, Once Upon a River, which has been called ‘bewitching’ and ‘enchanting’.

Born in Englefield, Berkshire in 1964, Diane spent most of her childhood in the nearby village of Theale.  Diane studied French Literature at the University of Bristol.  She taught English at the Institut Universitaire de Technologie and the Ecole nationale supérieure de Chimie, both in Mulhouse, France, and later lectured in French at the University of Central Lancashire in the UK. She left academia in the late 1990s to pursue writing.  Diane now lives in Oxford. When not writing she reads widely, and when not actually reading she is usually talking or thinking about reading.

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