#BookReview Talland House by Maggie Humm @SheWritesPress

Talland House BT PosterWelcome to today’s stop on the blog tour for Talland House by Maggie Humm. My thanks to Anne Cater at Random Things Tours for inviting me to take part in the tour and to She Writes Press for my digital review copy.


About the Book

Royal Academy, London 1919: Lily has put her student days in St. Ives, Cornwall, behind her – a time when her substitute mother, Mrs. Ramsay, seemingly disliked Lily’s portrait of her and Louis Grier, her tutor, never seduced her as she hoped he would. In the years since, she’s been a suffragette, a nurse in WWI,and now she’s a successful artist with a painting displayed at the Royal Academy.

Then Louis appears at the exhibition with the news that Mrs. Ramsay has died under suspicious circumstances. Talking to Louis, Lily realizes two things: she must find out more about her beloved Mrs. Ramsay’s death (and her sometimes-violent husband, Mr. Ramsay); and she still loves Louis.

Set between 1900 and 1919 in picturesque Cornwall and war-blasted London, Talland House takes Lily Briscoe from the pages of Virginia Woolf’s To the Lighthouse and tells her story outside the confines of Woolf’s novel – as a student in 1900, as a young woman becoming a professional artist, her loves and friendships, mourning her dead mother, and solving the mystery of her friend Mrs. Ramsay’s sudden death.

Talland House is both a story for our present time, exploring the tensions women experience between their public careers and private loves, and a story of a specific moment in our past – a time when women first began to be truly independent.

Format: (Paperback, 352 pages) Publisher: She Writes Press
Publication date: 3rd September 2020 Genre: Historical fiction

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My Review

I haven’t read Virginia Woolf’s To The Lighthouse, the novel in which the character Lily Briscoe appears, so I came to Talland House without any knowledge of the book which inspired it. I think this probably placed me at a disadvantage when it came to appreciating how and to what extent Maggie Humm has incorporated elements of Woolf’s original into Talland House, and how much of the characterization of the individuals who appear in the book is drawn from the author’s own imagination or builds on what is in To The Lighthouse.

This is particularly the case with Mr. Ramsey who, in Talland House, is depicted as having few redeeming qualities. Described variously as ‘hot-tempered’ and ‘self-centred’, the reader witnesses sudden outbursts which, if carried out by a child, would probably be described as temper tantrums. However, since he is a grown man, and a heavily built one at that, these fits of temper, with their undercurrents of violence, are considerably more alarming. His wife’s attempts to prevent these outbursts or distract others’ attention from them I found unsettling.

Having lost her own mother, it’s no surprise when Lily finds herself drawn to Mrs. Ramsey, the very epitome of a caring mother. Not only is Mrs. Ramsay beautiful but she displays a keen interest in art, music and literature. Finding her friendship returned, Lily delights in the “rich essence of female connection, a fervent intensity because they were were both women”.

Having visited St. Ives in Cornwall, I enjoyed the sections of the book set there and could easily imagine the picturesque streets, houses and sea views inspiring artists like Lily. I could also appreciate the challenge of trying to capture the essence of the natural world in paint. For Lily, painting is a vital form of self-expression allowing her a freedom to communicate thoughts and feelings she feels unable to articulate verbally, either because of the inadequacy of words or because of social conventions. “She wanted always to paint as she’d dimly known she could paint, not imitating others but becoming herself.” Her inability to complete her portrait of Mrs. Ramsey, therefore, is more than just an irritation, it is a reflection of Lily’s doubts about her own artistic ability and, in a way, her feeling of incompleteness as a person.

The events in Talland House play out at a measured pace switching back and forth in time, from Lily’s first arrival in St. Ives in 1900 to the final scenes in 1919. This provides plenty of opportunities for descriptions of landscapes which emphasise their colours and shapes, as if seen through the eyes of an artist. I especially liked how the author captured the gloomy, eerily silent atmosphere of First World War London, such as in this passage in which Lily glimpses the tower housing Big Ben. “It was silent, the unlit white-and-black clock difficult to see in the smog. Missing the striking of hours and quarters, she felt outside of time, and the streets, too, seemed to float free, as if a grey ocean had swept up the Thames enveloping them all.”

Although a smaller element of the story than the blurb might suggest, Lily’s efforts to discover the true circumstances surrounding Mrs Ramsey’s death add a sprinkling of mystery to the final chapters of the book. However, I mean it in the best possible way when I say that I didn’t think the book needed this extra, rather melodramatic element. Personally, I found Lily’s story, as she grows in self-confidence and forges an independent path in life, sufficiently engaging in its own right. On the other hand, for those who have read To The Lighthouse, the author’s solution may provide the vital missing piece to complete the equivalent of a literary jigsaw. Or perhaps I should say, the last brushstroke on the canvas.

Rich in detail, Talland House is an absorbing story that celebrates female friendship during a period of upheaval and social change.

In three words: Thoughtful, engaging, detailed

Try something similar: Charlotte by Helen Moffett

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About the Author

Maggie Humm is an Emeritus Professor at the University of East London in the UK. An international Woolf scholar, she is the author/editor of fourteen books, the last three of which focused on Woolf and the arts. Talland House was shortlisted for the Impress and Fresher Fiction prizes in 2017 (as Who Killed Mrs. Ramsay? ) and the Retreat West and Eyelands prizes in 2018. She lives in London and is currently writing Rodin’s Mistress, a novel about the tumultuous love affair of the artists Gwen John and Rodin.

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#BookReview Charlotte by Helen Moffett @ZaffreBooks

9781785769108About the Book

Everybody thinks that Charlotte Lucas has no prospects. She is unmarried, plain, poor, and reaching a dangerous age.

When she stuns the neighbourhood by accepting the proposal of buffoonish clergyman Mr Collins, her best friend Lizzy Bennet is appalled by her decision. Yet this is the only way Charlotte knows how to provide for her future.

Her married life propels Charlotte into a new world: not only of duty and longed-for children, but secrets, grief, unexpected love and friendship, and a kind of freedom.

This powerful reimagining takes up where Austen left off, showing us a woman determined to carve a place for herself in the world. Charlotte offers a fresh, feminist addition to the post-Austen canon, beautifully imagined, and brimming with passion and intelligence.

Format: (Hardcover, 368 pages)              Publisher: Manilla Press
Publication date: 3rd September 2020 Genre: Historical fiction

Find Charlotte on Goodreads

Purchase links*
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*links provided for convenience not as part of an affiliate programme


My Review

The Charlotte who emerges from the book is loyal, honest, intelligent, an attentive, loving mother and wife. Above all, she’s a pragmatist, her aim being ‘to secure a future free of anxiety and material want’ for herself and her children. The author provides the reader with a different picture of the relationship between Charlotte and Mr Collins than might be imagined from Pride and Prejudice. Although a marriage of convenience initially, there is mutual affection and, at times, even desire between the pair. Yes, really. Granted, Mr Collins remains his overly talkative self and pathetically grateful for every favour that comes his way from his patron, Lady Catherine, but there are some touching scenes in which he and Charlotte are brought together by grief.

The author has some fun imagining “what happened next” to the other Bennet sisters and expanding the role of some of the secondary characters from Pride and Prejudice, notably Anne de Bourgh, daughter of the formidable Lady Catherine. There are also literary allusions to spot such as a first meeting on a moonlit road, a female character with a fondness for wearing men’s clothes and a wet-shirted emergence from water.

An invented character, Austrian musician and piano tuner Jacob Rosenstein, acts as a vehicle for Charlotte to recount, in a series of flashbacks, scenes from Pride and Prejudice (seen from her point of view) as well as details of the early part of her marriage. He also acts as a welcome distraction from her grief over a family tragedy.

The book is written in elegant prose reminiscent of, but not slavishly copying, Jane Austen’s style. Much tea is consumed, health-giving country walks are taken and musical evenings are enjoyed.

A repeated theme of the book is the inferior status of women whether manifested through inheritance laws, social conventions or the constraints of marriage. It leads Charlotte to reflect on ‘the swinging unfairness of the lot that made her a woman’ making her ‘little better than a parcel to be lodged where first a father and then a husband decreed’. Having said this, Charlotte proves herself adept at subtle manipulation and the end of the book sees her influencing the turn of events.

I received an advance review copy courtesy of Manilla Press and Readers First.

In three words: Tender, assured, engaging

Try something similar: The Other Bennet Sister by Janice Hadlow or Longbourn by Jo Baker

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EQngv350_400x400About the Author

Helen Moffett is a South African writer, freelance editor, activist, and award-winning poet. She had a PhD on Pre-Raphaelite poetry and has authored or co-authored university textbooks, short story anthologies, non-fiction books on the environment, two poetry collections, and various academic projects. Charlotte is her first novel. (Photo credit: Twitter profile)

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