#BookReview The Fortune Men by Nadifa Mohamed @VikingBooksUK

The Fortune MenAbout the Book

The story of a murder, a miscarriage of justice, and a man too innocent for his times . . .

Mahmood Mattan is a fixture in Cardiff’s Tiger Bay, 1952, which bustles with Somali and West Indian sailors, Maltese businessmen and Jewish families. He is a father, chancer, petty criminal. He is a smooth-talker with rakish charm and an eye for a good game. He is many things, but he is not a murderer.

So when a shopkeeper is brutally killed and all eyes fall on him, Mahmood isn’t too worried. Since his Welsh wife Laura kicked him out for racking up debts he has wandered the streets more often, and there are witnesses who allegedly saw him enter the shop that night. But Mahmood has escaped worse scrapes, and he is innocent in this country where justice is served. Love lends him immunity too: the fierce love of Laura, who forgives his gambling in a heartbeat, and his children. It is only in the run-up to the trial, as the prospect of returning home dwindles, that it will dawn on Mahmood that he is in a fight for his life – against conspiracy, prejudice and cruelty – and that the truth may not be enough to save him.

Format: Hardcover (372 pages)    Publisher: Viking
Publication date: 27th May 2021 Genre: Historical Fiction

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My Review

Shortlisted for the Booker Prize 2021, The Fortune Men is a fictionalized account of a true story of a miscarriage of justice.

Set in Cardiff in 1952, the author really conjures up the melting pot that is the Tiger Bay area of the city, inhabited by people from different cultures – Somali, Jamaican, India – and religions – Jewish, Hindu, Muslim.  However, many of its inhabitants live a hand-to-mouth existence on the margins of society: ‘the unfortunate, distant-eyed flotsam of Cardiff, their quiet lives sustained by day wages and borrowed rations’.  Non-whites face racial discrimination, especially from the police who consider them guilty until proven innocent. When Mahmood is arrested, he initially believes it is for theft. When he discovers he is suspected of the murder of a local woman, he protests his innocence. ‘He won’t let them use him as the rag they soak up spilt blood with’.

The book also explores the feelings of Diana, the sister of the murdered woman. As well as shock and a desire for justice, Diana feels a sense of guilt given the murder took place barely feet away, albeit in another section of the house that served as a shop. The loss of her sister causes her to reflect on other losses in her life and her wartime experiences.

As Mahmood awaits trial in prison, the reader gets an insight into his childhood in Somalia, his religious education and the country’s history which is one of occupation by the British and Italians. We learn how Mahmood, seeking a new and better life, became a stoker on board cargo ships travelling the world, eventually leading him to Cardiff and a meeting with the young woman, Laura, who would eventually become his wife and the mother of his children. Despite the difficulties of an interracial marriage, theirs is a deep and loving relationship. As Laura tells Mahmood at the end of the book, in circumstances which will surely tug at your heartstrings, ‘You have been the best thing to happen in my life, you know that’.

I loved the way the author explored the character of Mahmood who, by his own admission, has not led the life of a saint. During his trial he is incredulous at the picture painted of him by the police and prosecution witnesses. ‘They are blind to Mahmood Hussein Mattan and all his real manifestations: the tireless stoker, the poker shark, the elegant wanderer, the love-starved husband, the soft-hearted father.’ The situation he finds himself in doesn’t seem real. ‘His life was, is, one long film with mobs of extras and exotic, expensive sets’. The verdict, when it comes, is a foregone conclusion but is no less upsetting for that. In the weeks and months that follow, which are described in unflinching detail, Mahmood hopes against hope for a different outcome. It’s one he is powerless to influence, leading him to ponder on the gulf that exists between him and the people who have the power to decide his destiny. His thoughts even turn to the Queen: ‘You rich, I’m poor, you white, I’m black, you Christian, I’m Muslim, you English, I’m Somali, you’re loved, I’m despised’.

There are many features of the book I enjoyed, such as the chapter numbers also being shown in Somali, the occasional use of vernacular words and phrases (although a glossary would have been useful) and the section of the book covering Mahmood’s trial which takes the form of a Q&A mimicking a transcript. But perhaps my favourite thing was the detailed lists the author includes from time to time. For example, this from near the beginning of the book listing the various roles of the migrant workers who have ended up in Tiger Bay: ‘dockers, talleymen, kickers, stevedores, winch men, hatch men, samplers, grain porters, timber porters, tackle men, yard masters, teamers, dock watchmen, needle men, ferrymen, shunters, pilots, tugboatmen, foyboatmen, freshwater men, blacksmiths, jetty clerks, warehousemen, measurers, weighers, dredgermen, lumpers, launch men, lightermen, crane drivers, coal trimmers…stokers.’  Yes, I don’t know what a lot of them do either!

The final chapter of The Fortune Men made me cry; the epilogue made me angry. I think the book thoroughly deserves its place on the Booker Prize shortlist and I would love to see it win. You can learn more about the case and the author’s research for the book in this article on the BBC website.

In three words: Compelling, intense, chilling

Try something similar: This Mortal Boy by Fiona Kidman

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nadifa_mohamedAbout the Author

Nadifa Mohamed was born in Hargeisa, Somaliland in 1981 and moved to Britain at the age of four. Her first novel, Black Mamba Boy, won the 2010 Betty Trask Prize; it was shortlisted for the Guardian First Book Award, the John Llewellyn-Rhys Memorial Prize, the Dylan Thomas Prize and the PEN Open Book Award. Her second novel, Orchard of Lost Souls, won a Somerset Maugham Award and Prix Albert Bernard. Nadifa Mohamed was selected for the Granta Best of Young British Novelists in 2013, and is Fellow of the Royal Society of Literature.  She lives in London.

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#BlogTour #BookReview Blasted Things by Lesley Glaister @sandstonepress

Blasted things blog tour twitter banner

Welcome to today’s stop on the blog tour for Blasted Things by Lesley Glaister. My thanks to Ceris and Niki at Sandstone Press for inviting me to take part in the tour and for my review copy.


Blasted ThingsAbout the Book

1920: Britain is trying to forget the Great War.

Clementine, who nursed at the front and suffered losses, must bury the past. Then she meets Vincent, an opportunistic veteran whose damage goes much deeper than the painted tin mask he wears.

Their deadly relationship will career towards a dark and haunting resolution.

Format: Paperback (352 pages)              Publisher: Sandstone Press
Publication date: 16th September 2021 Genre: Historical Fiction

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My Review

Structured in three parts – Before, During and After – the opening chapters of Blasted Things transports the reader to the mayhem and horror of a Casualty Clearing Station close to the Front and the Allied trenches in 1918. The job of nurses like Clementine (Clem) and the other medical staff is to ‘patch up’ the wounded for the journey to hospital; many of them will not make it, dying on the operating table or from infection. The sheer awfulness of what Clem witnesses – the results of what human beings can do to other human beings – is vividly depicted. I loved the imaginative metaphors, such as the descrption of the sounds Clem hears as she lies exhausted on her bunk in her cramped quarters: ‘the rat-tat-tat of gunfire, rapid and snippy like the keys of two vast, duelling typewriters battering out threats to each other in a paper sky’.  Snatched moments of joy are intense and serve as a temporary distraction. Just how temporary, the reader will discover. The dramatic event which ends part one of the book is conveyed in a quite remarkable way. 

Part two of the book, set in 1920, sees Clem, now married and with a young child, suffering the after-effects of her wartime experiences. Taking the form of something between shellshock and post-natal depression, it brings Clem to the brink of a monstrous act. She spends the next few months confined to bed, isolated and in a drug-fuelled haze as a result of the medication prescribed by her doctor husband, Dennis. ‘Months, months after months, a blur. Fingers on the arms, a steel shaft in a vein, sparkle of drug in blood, limbs loose, child cries, someone always looking in…’  Clem imagines her brain as ‘a house with an upstairs room and a basement: the basement locked with a long, serious key’ containing the traumatic memories she dare not face, the memories Dennis urges her to put behind her.  Gradually, Clem recovers but she finds herself restless – ‘There is not enough – though enough of what she was not clear’ – and finally determined to assert herself. 

Chance brings an encounter with Vincent Fortune, left with severe facial wounds by his time in the trenches. Clem is drawn to him by a resemblence – real or imagined – to someone she once cared about deeply.  The mask Vincent wears seems as much a way of concealing the baser aspects of his nature as a means of hiding his injuries. Yet, as we learn more about his background, his wartime experiences and impact of his injuries, he becomes a slightly more sympathic character.  I was especially touched by his pathetic devotion to his landlady, Doll, imagining his feelings are returned despite all evidence to the contrary.  The events that follow will have consequences for Clem, revealing an unexpected source of love and loyalty, but even more so for Vincent.  His is a story of misfortune, not fortune, and the final sections of the book will surely tug at the heartstrings.

As Clem observes at one point, ‘It was normal to be damaged these days, visibly or not’. Blasted Things explores the multiple ways in which that damage can manifest itself and the struggle to overcome it, if indeed it ever can be. The book left a deep impression on me both for the quality of the writing and the power of the story it tells. 

In three words: Intense, compelling, moving

Try something similar: The Winter Soldier by Daniel Mason

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Lesley Glaister (c) Gayle McIntyre - University of St AndrewsAbout the Author

Lesley Glaister is a fiction writer, poet, playwright and teacher of writing. She has published fourteen adult novels, the first of a YA trilogy and numerous short stories. She received both a Somerset Maugham and a Betty Trask award for Honour Thy Father (1990), and has won or been listed for several literary prizes for her other work. She has three adult sons and lives in Edinburgh (with frequent sojourns to Orkney) with husband Andrew Greig. She teaches creative writing at the University of St Andrews and is a Fellow of the Royal Society of Literature.

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