#BookReview Blood Runs Thicker by Sarah Hawkswood @AllisonandBusby

Blood Runs ThickerAbout the Book

August 1144. Osbern de Lench is known far and wide as a hard master, whose temper is perpetually frayed.

After his daily ride to survey his land, his horse returns to the hall riderless, and the lifeless body of the lord is found soon after. Was it the work of thieves, or something closer to home?

With an heir who is cast in the same hot-tempered mould, sworn enemies for neighbours and something amiss in the relationship between Osbern and his wife, undersheriff Hugh Bradecote, the wily Serjeant Catchpoll and apprentice Walkelin have suspects aplenty.

Format: Paperback (300 pages)       Publisher: Allison & Busby
Publication date: 18th March 2021 Genre: Historical Fiction

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My Review

Sarah Hawkswood’s Bradecote and Catchpoll historical mystery series set in medieval Worcestershire has been around for some time but it’s one I only discovered recently when I read River of Sins, the seventh in the series. That made me keen to read more so I was delighted when I spotted this latest book, Blood Runs Thicker, on NetGalley and even more delighted when my request was approved by the lovely people at Allison & Busby.

Readers new to the series can be reassured that Blood Runs Thicker can definitely be enjoyed without having read any of the previous books, the occasional references to earlier events and the back stories of the leading characters, including some personal tragedies and longstanding enmities, being subtly introduced.

It was a pleasure to be reunited with Hugh Bradecote, Undersheriff of Worcestershire, and Serjeant Catchpoll. Also, enthusiastic young Walkelin, Catchpoll’s apprentice, ever eager to prove his abilities and showing early signs of a keen intelligence. Bradecote and Catchpoll make an effective team each contributing something different. Bradecote has the status to ensure they get access to those they need to speak to whilst Catchpoll possesses the detective nous and a rather intimidating gaze. Once again, they deploy their equivalent of a ‘good cop, bad cop’ strategy or perhaps more accurately ‘toff cop, common cop’. At one point, as they plan how to go about questioning the villagers of Lench, Catchpoll proposes, “Do you come the high and mighty and let me act the willing vessel into which they pours their remembering?” In fact, Catchpoll exhibits a touching pride in the signs of Bradecote’s developing investigative instincts. Observing Bradecote’s questioning of a suspect, ‘Catchpoll very nearly sighed with pleasure. This was just how serjeanting worked.’

In my review of River of Sins I noted that it had all the features of a police procedural but transported to medieval Worcestershire. The same is true of Blood Runs Thicker. Like their modern day counterparts, Bradecote and Catchpoll visit crime scenes in the search for clues and physical evidence, closely examine the body of the victim to establish the cause of death, interview witnesses and explore possible motives.

What they refuse to do is accept without question the accusation by Osbern’s son, Baldwin, now the new Lord of Lench, that his half-brother, Hamo, is responsible for their father’s death. Whilst Baldwin has inherited the short temper and high-handed nature of his father, Hamo is a gentler character albeit with a rather single-minded and literal way of thinking, often showing little emotion.  Today we would probably recognize Hamo as being on the autistic spectrum but it’s not surprising that the villagers of Lench find it strange and unsettling.

Bradecote and Catchpoll begin their search for suspects with the neighbouring lords of the manors, Raoul Parler and Walter Pipard, both of whom Osbern was widely known to have fallen out with. As Bradecote observes, “in dangerous times… petty rivalries hid beneath greater ones”. These greater ones include the constantly shifting loyalties of English nobles between Empress Maude and King Stephen, the warring rivals for the English throne.

As before, alongside what turns out to be a particularly complex mystery that had me a little baffled at some points, the author creates a vivid sense of what daily life for the inhabitants of an 11th century manor house and estate must have been like. Above all, the profound desire of everyone for a successful harvest to stave off hunger in the months to come. The latter is a concern Hugh Bradecote shares for his own estate. His wife, Christina, just wants Hugh back safely.

Blood Runs Thicker is another well-crafted historical mystery involving love, betrayal and family secrets. Fans of the series will be pleased to learn a further instalment is promised for later this year.

In three words: Intriguing, immersive, engaging

Try something similar: The Monastery Murders (Stanton and Barling #2) by E. M. Powell

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Sarah HawkswoodAbout the Author

Sarah Hawkswood describes herself as a ‘wordsmith’ who is only really happy when writing. She read Modern History at Oxford and her factual book on the Royal Marines in the First World War, From Trench and Turret, was published in 2006. The Bradecote and Catchpoll series are her first novels. She takes her pen name from one of her eighteenth century ancestors who lived in Worcestershire, and selected it because the initials match those of her maiden name. She is married, with two grown up children, and now lives in Worcestershire. She is a member of the Crime Writers’ Association, the Historical Writers’ Association, and the Historical Novel Society.(Photo/bio credit: Goodreads author page)

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#BookReview The Art of the Assassin by Kevin Sullivan @AllisonandBusby

The Art of the AssassinAbout the Book

1899, Glasgow. A man is stabbed to death in a tenement courtyard, and Juan Camarón, photographer-cum-sleuth, is enlisted to assist the police investigation. Perhaps his innovative photographic method can bring to light what the eye may have overlooked.

Yet Juan has problems of his own. His late father’s legacy, a monumental photographic record of the architecture of colonial Cuba, is threatened by a charge of plagiarism from a mysterious señora. Meanwhile, Juan’s hoped-for happiness with his fiancée, Jane, might be over before it’s begun, and even more so when a visiting professor is murdered and Jane is witnessed fleeing the scene. Juan is torn between finding the killer and finding Jane, but are they one and the same? The truth may be hidden in the photographs.

Format: Hardcover (325 pages)           Publisher: Allison & Busby
Publication date: 18th February 2021 Genre: Historical Fiction, Mystery, Crime

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My Review

As in The Figure in the Photograph, Juan’s skill as a photographer and his keen eye for detail play an important role in the unfolding of the story. As he notes, the camera sees more than the naked eye since it records everything. “The camera does not distinguish; does not judge, it does not jump to conclusions. Details missed by the brain are preserved by the machine.” Whereas in The Figure in the Photograph Juan’s application of his serial photography technique – the taking of multiple images of the same scene over a long time period – was the key to solving the mystery, this time it’s his careful and systematic analysis of photographs taken at the crime scene that provide the first clues.

Even when not directly engaged in crime solving, I liked the way Juan responds to people, objects and places with the instincts of a photographer. For instance, noticing how the light falls on a surface or how he might compose a portrait so as to soften the lines on a woman’s face. And he reacts with annoyance when shown a photograph of a scene because he feels the person wielding the camera has created an image open to misinterpretation, dismissing it as “a photograph that recorded an event without conveying its unique meaning”.

The book is set in a period of technological development such as the first moving pictures (although Juan doubts whether these will catch on) and the emergence of the science of psychology, innovative theories about the personality and the first use of talking therapies.

Although the book sees Juan and Jane once again working together to investigate a murder and a possible abduction, there are strains apparent in their relationship. Whereas Juan should admire Jane’s independence of spirit, at times he almost seems to resent her willingness to take the lead, displaying a rather disappointing touch of chauvinism. At one point he reflects, “I should have been proud of her investigative acumen, her keen intelligence. Instead, I felt that my position was being undermined.” As it turns out, Jane’s resourcefulness is sorely needed.

At one point, it seems possible that Jane may have a rival for Juan’s affections when a glamorous figure from the world of the theatre makes an entrance into the story. I loved how the author described the atmosphere of a 19th century theatre before a performance: the spell cast by a full auditorium, the smell of tobacco smoke in the air, the patrons in evening dress and the ‘rising, falling hum of human voices’.

With a plot that encompasses murder, abduction, fortuitous escapes from captivity, agents of a foreign power and industrial espionage, the book has many of the ingredients of a John Buchan adventure novel. As regular followers of this blog will know, there’s no higher praise in my eyes! Indeed, the dramatic events at the Theatre Royal towards the end of The Art of the Assassin recalled for me the music hall scene at the conclusion of Alfred Hitchcock’s film adaptation of John Buchan’s The Thirty-Nine Steps.

Like its predecessor, The Art of the Assassin is an absorbing historical crime mystery with plenty of twists and turns, great period detail and many colourful characters. My thanks to Christina at Allison & Busby for my advance review copy. If my review has made you keen to read the first book in the series, The Figure in the Photograph, it’s now available in paperback.

In three words: Engaging, suspenseful, atmospheric

Try something similar: Castle Gay by John Buchan

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sullivan-kevin-wbAbout the Author

Kevin Sullivan was born in Glasgow. His career in journalism has placed him on the frontline of defining historical moments, from documenting events at Tiananmen Square to driving over a landmine while reporting in Sarajevo. His work has taken him to Singapore, Japan and Spain, and his experiences influence his writing. Kevin currently lives in Bosnia. (Photo credit: Publisher author page)

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