Book Review – Tombland by C. J. Sansom

About the Book

Spring, 1549. Two years after the death of Henry VIII, England is sliding into chaos.

The nominal king, Edward VI, is 11 years old. His uncle, Edward Seymour, Lord Hertford, rules as Edward’s regent and Protector. In the kingdom, radical Protestants are driving the old religion into extinction, while the Protector’s prolonged war with Scotland has led to hyperinflation and economic collapse. Rebellion is stirring among the peasantry.

Matthew Shardlake has been working as a lawyer in the service of Henry’s younger daughter, the lady Elizabeth. The gruesome murder of one of Elizabeth’s distant relations, rumored to be politically murdered, draws Shardlake and his companion Nicholas to the lady’s summer estate, where a second murder is committed.

As the kingdom explodes into rebellion, Nicholas is imprisoned for his loyalty, and Shardlake must decide where his loyalties lie – with his kingdom, or with his lady?

Format: Audiobook (37h 41m) Publisher: Mantle
Publication date: 18th October 2018 Genre: Historical Fiction

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My Review

I’ve been trying to read all the books longlisted for the Walter Scott Prize for Historical Fiction since I first started following the prize in 2017. This, the seventh book in the author’s Matthew Shardlake series, was longlisted in 2019.

It’s taken me a long time to get around to reading Tombland, not least because it’s a whopper. I listened to the audiobook which would take you three days to complete if you did it continuously. Needless to say I didn’t, so it took me more like three weeks. The Matthew Shardlake series is one of the few series where I’ve read all the books and – crucially – in the right order, starting back in 2013 with Dissolution. Having said that, it’s coming up for ten years since I read the previous book in the series, Lamentation, and it’s the first time I’ve consumed one as an audiobook. (Although very good, I did find Steven Crossley’s narration on the slow side so chose to increase the reading speed.)

The book starts off as a crime mystery with Shardlake tasked by Henry VIII’s younger daughter, the Lady Elizabeth, to investigate the gruesome murder of Edith, the wife of John Boleyn, a distant relation of Elizabeth’s mother Anne. John Boleyn has been accused of the crime and is set to stand trial at Norwich Assizes. He appears to have means, motive and opportunity, especially since his alibi for the night of the murder is questionable. But as Shardlake and his young assistant Nicholas Overton discover, there are others who might want Boleyn’s wife dead or want Boleyn found guilty of her murder, executed and his land forfeited. There’s also the mystery of Edith’s unexplained disappearance nine years earlier. Just where did she go and why did she return after all that time?

At this point, the story goes off at a tangent, a rather lengthy tangent it has to be said. Shardlake, Nicholas and Shardlake’s former assistant Jack Barak find themselves caught up in an uprising taking place in protest against the enclosure of common land and other grievances against the landowners. In Norfolk it’s led by the charismatic Robert Kett and the rebels soon establish a large camp outside Norwich, at the time England’s second largest city. Barak throws in his lot with the rebels while Nicholas, opposed to them, becomes a prisoner in Norwich Castle and Shardlake finds himself legal advisor to Kett, trying to mitigate the penalties inflicted on the gentry tried at the rebel’s makeshift court. Inwardly he has sympathy with the rebels’ cause but dare not make it public and, as he constantly reminds himself, he must ensure John Boleyn receives justice.

The events of the so-called Kett’s Rebellion are described in detail and is obviously the result of much research. I confess my interest waned at this point and I was eager to get back to the murder mystery, which the book eventually does.

There are also secondary plots involving Shardlake’s former servant Josephine and her husband, Barak’s wife’s continuing animosity towards Shardlake, and the increasing frailty of Shardlake’s longtime friend Guy.

The Shardlake of Tombland is feeling his age. There are frequent references to his aching back and the exhaustion he feels after days of travel. There is an elegaic quality to the book, although apparently the author was working on the next book at the time of his death. Although not my favourite of the series, Tombland definitely demonstrates the author’s ability to combine historical fact and fiction.

In three words: Intriguing, atmospheric, immersive
Try something similar: Sacrilege by S. J. Parris

About the Author

C J Sansom was born in 1952 in Edinburgh. He achieved a BA and then a PhD in History from Birmingham University. After working in a variety of jobs, he retrained as a solicitor and practised in Sussex, until becoming a full-time writer. He combined both history and law in his debut novel Dissolution – which took readers into the dark heart of Tudor England in a gripping novel of monastic treachery and death. This success sparked the bestselling Shardlake series, set in the reigns of Henry VIII and young Edward VI, and following the sixteenth-century lawyer-detective Matthew Shardlake and his assistant Jack Barak. C J Sansom died on 27th April 2024 aged 71.

Book Review – A Gentleman’s Murder by Christopher Huang

About the Book

The year is 1924. The cobblestoned streets of St. James ring with jazz as Britain races forward into an age of peace and prosperity. London’s back alleys, however, are filled with broken soldiers and still enshadowed by the lingering horrors of the Great War.

Only a few years removed from the trenches of Flanders himself, Lieutenant Eric Peterkin has just been granted membership in the most prestigious soldiers-only club in London: The Britannia. But when a gentleman’s wager ends with a member stabbed to death, the victim’s last words echo in the Lieutenant’s head: that he would “soon right a great wrong from the past.”

Eric is certain that one of his fellow members is the murderer: but who? Captain Mortimer Wolfe, the soldier’s soldier thrice escaped from German custody? Second Lieutenant Oliver Saxon, the brilliant codebreaker? Or Captain Edward Aldershott, the steely club president whose Savile Row suits hide a frightening collision of mustard gas scars?

Eric’s investigation will draw him far from the marbled halls of the Britannia, to the shadowy remains of a dilapidated war hospital and the heroin dens of Limehouse. And as the facade of gentlemenhood cracks, Eric faces a Matryoshka doll of murder, vice, and secrets pointing not only to the officers of his own club but the very investigator assigned by Scotland Yard.

Format: ebook (344 pages) Publisher: Inkshares
Publication date: 31st July 2018 Genre: Historical Fiction, Crime

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My Review

A Gentleman’s Murder is the first book in the author’s historical crime series featuring amateur sleuth, Eric Peterkin. In fact, as the book starts Eric doesn’t know he’s going to be adopting the role of sleuth. It’s only once a murder occurs at the Britannia Club where he’s a member (as have generations of Peterkins been before him) that he feels obliged to conduct his own investigation. In addition, something he glimpses shortly after the murder is discovered makes him doubt how thoroughly the police will conduct the investigation.

Making Eric the son of a Chinese mother and English father not only makes him distinctive as a character but allows the author to address the racism of the time fuelled by sterotypical images of Chinese people contained in ‘Yellow Peril’ novels and plays which portrayed the Chinaman as a master-criminal involved in prostitution, gambling and opium smoking. (You can read more about this, as well other themes in the book, in Christopher Huang’s fascinating Author’s Note.)

The murder is not so much a ‘locked room’ mystery as a ‘locked vault’ mystery. As well as the means by which the murder was carried out, there are missing items which Eric suspects are vital to discovering the motivation for the murder and the identity of the murderer. It means a journey back into the past and the lives of those injured both physically and psychologically in the Great War, many of whom still bear the scars.

I really enjoyed this aspect of the book which brings home the lasting impact of the war, even on those who survived it. Eric himself is haunted by memories of what he witnessed in the trenches and increasingly feels a sense of guilt that he has not taken the trouble to find out how the soldiers under his command have fared since the war ended.

The author has constructed a cunningly plotted crime mystery with a range of possible suspects each of whom might have had a motive to carry out the murder. Very observant readers may spot a small detail at the beginning of the book which points to the culprit. I suspect most, like me, will only recognise this in retrospect after the solution has been revealed.

My one reservation was that I didn’t feel I got to know Eric very well as a person, not just as a sleuth. There were things I wanted to know, such as how he and his friend Avery met. It felt almost as if this was the second book in a series and those things had been spelled out in the earlier book. I’m hoping I get to know Eric a little better when he returns in A Pretender’s Murder.

A Gentleman’s Murder is a clever historical mystery with a great sense of period. Definitely recommended for fans of ‘Golden Age’ crime novels .

I received a digital review copy courtesy of Inkshares.

In three words: Intriguing, intricate, atmospheric
Try something similar: The House at Devil’s Neck by Tom Mead

About the Author

Christopher Huang was born in Singapore, where he lived out the first seventeen years of his life. He moved to Canada in the expectation of cooler weather, returning to Singapore the following year to serve his two years of National Service in the Singapore Army. He studied architecture at McGill University, and lived the next twenty-odd years in Montreal. He now lives in Calgary, Alberta, where he has yet to find a proper jar of real, actual Bovril. A longtime fan of the principles of fair play governing the mystery genre, he thinks of detective stories as an early form of interactive fiction. He is, of course, very fond of modern interactive fiction as well. (Bio/photo: Author website)

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