Blog Tour: Keep Me Safe by Daniela Sacerdoti

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I’m thrilled to host today’s slot on the blog tour for Keep Me Safe by Daniela Sacerdoti and to help celebrate its publication today in paperback. I’m pleased to say I have an extract from the book to give you a little taster of just why Keep Me Safe has garnered so much praise and why so many readers love Daniela’s books.

Praise for Keep Me Safe:

‘I fell in love with this book’ (Prima magazine)

‘Beautifully written and atmospheric… I adored Keep Me Safe’ (The Sun)

‘I couldn’t put it down’ (Daily Mail)

‘Heart-warming and mysterious with great atmosphere’ (Katie Fforde)

‘I was hooked from the beginning, rooting for the mystery to be unravelled. Softly paced yet captivating. I loved Keep Me Safe’ (Alice Peterson)

‘Heart-warming and intriguing. An absorbing and mysterious journey to Seal, a place I already want to revisit’ (Dani Atkins)

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Keep Me SafeAbout the Book

When Anna’s partner walks away from their relationship, she is shattered. But it is her little girl Ava who takes it hardest of all. The six year old falls silent for three days. When she does speak, her words are troubling. Ava wants to go home. To a place called Seal. To her other mother. Anna knows to unravel the mystery she must find Seal and take Ava there. She hopes this tiny island will unlock her daughter’s memories.

But could it also offer a new life… and unexpected love… for Anna too?

Format: Paperback (352 pp.)                           Publisher: Headline
Published: 7th September 2017                       Genre: Contemporary Fiction

Purchase Links*
Amazon.co.uk ǀ Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find Keep Me Safe on Goodreads


 

Extract: Keep Me Safe (Seal Island #1) by Daniela Sacerdoti

Prologue

Little soul

Where I am, there is no day and no night, there is no time. There is nobody but me, and all these little flames that move and flicker, even without wind. Sometimes I feel whirlpools brushing past me, touching me with wispy, invisible hands, their breaths and sighs cold against me. I hear them whisper, talk about their lives and their deaths, and I listen.

So many stories.

So much love and pain and happiness and sadness, so many lives and so many deaths. I try to call, I try to stop them, so I can speak to them. But they never listen, they never stop. They flow and float away, invisible currents of fog inside fog. All that is left is a little flame gleaming in the distance, and a memory, a shadow of their story – and I’m alone again.

I know things now, things I used to not know before. I listened to the whispers for so long, I’ve known so many lives. I was a child but I’m not a child any more, for all I know and for all I have heard. I dive into the sea of souls and listen to the voices of those here with me. I listen and I know what they carry in their hearts.

I remember my time as a child. I remember when the sea came, and how it was stronger than me, stronger than those who loved me. I’d always known the sea wanted me; I’d been nearly taken when I wasn’t much older than a baby, but my father held on to me and took me home, dripping and distraught, and he and my mum said to each other what a freak accident, how could it have happened, I was watching her, I really was, I know you were, thank goodness she’s here, you brought her home.

And now the sea was back for me. I screamed in my child’s heart: please let me go.

Please let me go home.

Please, sea, don’t take me.

Please, sea, give me back.

I cried and cried and thought I need to breathe, I need to breathe – but I couldn’t feel my tears in the water that was all around me, I couldn’t fill my lungs with air. And then everything was peaceful, black and warm. I didn’t hurt any more, I wasn’t cold any more. I’m saved, I thought. But I wasn’t saved, I was drowned.

When the darkness disappeared and my eyes could see again, there was a golden light in front of me. From the light I heard voices calling my name, calling me to go with them. The light pulled me and pulled me, just like the sea that drowned me; and the voices were tender, promising to enfold me with love, and I wanted to reach them, I wanted their embrace because I’d been so scared and in so much pain. But I needed my mum and dad. I couldn’t go in there, I couldn’t leave them behind. I couldn’t leave my family.

And so I turned away from the golden light – and then the greyness and loneliness frightened me, because it was all so desolate, like I was the last person in the world, the only one left. I turned back, but the light and the voices were gone. I was left in the grey and the lonely.

Little lights appeared all around, over my head, under my feet; little flickering flames.

And now I am here, and I wander and listen, and sometimes I cry, sometimes I sing tunes I used to know. Everything is grey and soft, like walking in cotton wool.

I am not sure if a long time has passed or just a little while.

I don’t know where I am.

I just know I want to go home.

Whispers echo in the fog, my soft sobs, the tunes I hum. They come back to me a hundred times. But then, one day – if there’s such a thing as day where I am – I hear something else, something that is not an echo. Someone calling. The flames all around dance and dance, like they’ve heard her too, and whirlpools move the fog in slow currents. I walk among the little candles and follow the voice – joy overwhelms me, and I haven’t felt joy in so long, so long, it’s like I feel it for the first time. It’s all new and warm, it feels like sunshine, and I want to laugh and cry at the same time, and I run, run towards whoever is calling me. It must be my family, it must be. It’s me, I’m here, I cry without noise – I put my hands up in the white fog and the sound of calling and crying is everywhere, please, Mum, hold my hands and take me home – and she does, she holds my hands and pulls me through.

Everything is black for a moment, and then I open my eyes.

1

Snow in March

Anna

When Ava started inside me, sudden and surprising like snow in March, I didn’t have time to ask myself the reasons for such a miracle. I was working too hard, worrying too hard. With all the practical problems and the morning sickness and trying to stay awake during my night shifts, I didn’t have much time left to consider what was happening: a human being had taken up residence in my belly, and was growing, growing. Somebody with eyes and ears and hands and legs and a heart. And more; she was more than a body and its parts. A soul lived inside this body‑in‑the-making, a consciousness, a set of feelings and emotions and thoughts like sparks inside her tiny brain.

I fretted about how I’d look after a baby, with my shifts and little money and no family at hand to help, while the man who did this to me in the first place was lost in one crazy project or another. He was forever wheeling and dealing somewhere while I threw up and cried and surveyed the wards full of new mums, their babies beside them in plastic cots, not quite believing I would be one of them soon. I couldn’t sleep, and when I did, I had strange dreams, dreams of water and the sea and grey waves swallowing me. And then Toby would caress my barely-there bump and promise me the world, promise our baby the world – I didn’t believe him any more, of course, but I didn’t want my child to grow up without a father, like me.

I knew she was a girl. And not just any girl – she was Ava. I loved her with an intensity that blew me away. Somehow, in the lottery of procreation, one I witnessed every day in my job, this baby, this baby and no other, among the millions of possible genetic combinations, had been given to me. An old rhyme came into my mind, one my Scottish grandmother used to sing:

Of all the babies who swam in the sea Ava was the one for me . . .

While I was making beds, or fetching nappies for the midwives, or cleaning up mess, I was aware of her, like a constant song in the back of my mind. My belly grew, the fears grew, my love for her grew. In this city of eight million people, I thought as I contemplated the London skyline out of the staffroom window, there was now one more.

Months went by as my secret came into the light, my bump too big to hide. Ava talked to me in every way but words. I know you, baby – I’ve known you forever, I thought as I chose curtains for her nursery, and a Moses basket, and I dreamt of the day I’d hold her in my arms. I love you, I’ve loved you forever, I whispered to her as we lay in bed in the middle of the day, waiting for another exhausting night shift.

I lay half naked with a little thing breaking me from the inside, my body clamping onto itself over and over again. When she finally came out, after what seemed like days, I looked into her eyes, semi-blind and alien black, and I had the strangest thought: that I had fooled myself believing I knew her, this little soul that had sat inside me waiting, this creature I’d been a vessel for.

I didn’t know her at all. I had no idea who she was. I never told anyone about what came into my mind the moment she was born – about the way I didn’t recognise her like I thought I would, and how that feeling of of course, it was you all along never happened for me. A sense of knowing the creature that has been inside you for nine months and finally getting to meet her – it wasn’t like that. I didn’t know her, I never had known her. She was somebody other from the little life I had imagined.

It would have been impossible to explain such a weird sensation. People don’t talk about these things anyway, and your head is all over the place after you’ve given birth. You’re bound to have strange thoughts.

I soon forgot all about it as Ava grew into herself and I grew into my new life, a life where it was Ava and Anna, our little family.

My daughter’s eyes have lost their alienness and now she’s fully here, fully herself. Now, I do know her. Ava Elizabeth Hart, six years old, happy and chatty and lively and fearless like I never was, so different from me and yet so much mine, a part of Toby and me and yet herself.

But when it all began, when Ava told me about a life she had without me, with people I didn’t know – that day I thought again of the moment she was born. I thought of the moment they placed her gently in my arms, wrapped in a white blanket, my blood still encrusted in her hair, and she opened those other-worldly eyes and the first thing I thought was I love you, and the second was Where were you before?


DanielaSacerdotiAbout the Author

Daniela Sacerdoti is a mother and a writer. Born in Naples, but brought up in a small village in the Italian Alps, she lives near Glasgow with her husband and sons. She steals time to write when everyone has gone to bed, or before they wake up. She’s a Primary teacher, but she chose to be at home with her children. She loves being with her boys, reading anything she can get her hands on and chatting with her girlfriends. But she also adores being on her own, free to daydream and make up stories.

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Blog Tour: A Jigsaw of Fire and Stars by Yaba Badoe

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I’m thrilled to host today’s stop on the blog tour for A Jigsaw of Fire and Stars by Yaba Badoe. Yaba is an award-winning Ghanaian-British filmmaker and her novel is described as a ‘powerful, haunting, contemporary debut that steps seamlessly from the horrors of people-trafficking to the magic of African folklore’.  The gorgeous cover is the work of illustrator, Leo Nickolls.

I’m delighted to say you can find an extract from this magical book below.

Plus, I can offer two lucky people the chance to own a SIGNED copy of A Jigsaw of Fire and Stars:

1) How to enter: Like and leave the comment “A Jigsaw of Fire and Stars”’ on the pinned post on What Cathy Read Next’s Facebook page – click here for link.
2) Winners: Two winners will be chosen at random and contacted via Facebook to provide name and address details. Prizes will be despatched direct from the publisher.

3) Eligibility: UK & Republic of Ireland postal addresses only.
4) Closing date: Entries must be submitted by 11.59pm GMT on 18th September.

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Badoe_A JIGSAW OF FIRE AND STARS_illus Leo NickollsAbout the Book

Sante was a baby when she was washed ashore in a sea-chest laden with treasure. It seems she is the sole survivor of the tragic sinking of a ship carrying migrants and refugees. Her people. Fourteen years on she’s a member of Mama Rose’s unique and dazzling circus. But, from their watery grave, the unquiet dead are calling Sante to avenge them: A bamboo flute. A golden bangle. A ripening mango which must not fall . . . if Sante is to tell their story and her own. Rich in the rhythms and colours of Africa and glittering circus days. Unflinching in its dark revelations about life. Yaba Badoe’s novel is beautiful and cruel and will linger long in the memory.

Praise for A Jigsaw of Fire and Stars:

‘The dark magic of African folklore meets the horror of modern-day people-trafficking in a powerful YA debut told in dazzling style with rich, seductive language.’ (Fiona Noble, The Bookseller)

Format: Hardback (278 pp.)        Publisher: Zephyr     Published: 7th September 2017
Genre: YA, Fantasy

Purchase Links*
Amazon.co.uk ǀ Publisher ǀ Kobo
*links provided for convenience, not as part of any affiliate programme

Find A Jigsaw of Fire and Stars on Goodreads


Extract: A Jigsaw of Fire and Stars by Yaba Badoe

There’s only one thing makes any sense when I wake from my dream. I’m a stranger and shouldn’t be here. Should my luck run out, a black-booted someone could step on me and crush me, as if I’m worth less than an ant. This I know for a fact. And yet once or twice a week, the dream seizes me and shakes me about:

‘Kill ’em! Kill ’em! Take their treasure!’ The order goes out and a dilapidated trawler in a stormy sea shudders. An iron-grey vessel, lights blazing, rams it a second time. The iron monster backs away, then with engines at full throttle, lunges again.

Faces contort. Old ones, young ones, men and women, brown and black faces. Screams punch through the air. Fishing nets tangle, spill over. A fuel tank explodes and the sea glows, roiling with blood and oil.

Below deck, a stench like an over-ripe mango oozes from a crouched woman. She shrieks: ‘My baby! My baby! Save my baby!’

A tall man responds with a command: ‘The sea-chest. Fetch our treasure. Quickly. For the child’s sake. Move.’

A figure tumbles into the sea. Then an old man, a girl in his arms, leaps. A deafening jumble of sound and sea swallows the cries of the drowning. The slip-slip-patter of bare feet on galley stairs ascend. Anxious eyes flit in faces bright with fear in the flame-light. The hand of the tall man pummels a pillow of yellow dust, then a footrest filled with glittering stones for the baby’s feet. Someone folds a cloth, a fine tapestry of blue and green, into a blanket.

‘Give her this,’ says a burly, bald-headed man. ‘My dagger to help her in battle. May the child be a princess, a true warrior, valiant in the face of danger yet merciful to those she defeats.’

‘May your spear arm be strong, my daughter,’ the tall man adds. ‘Your legs swift as a gazelle’s, and your heart the mighty heart of a lioness protecting her cubs.’

The petrified woman scribbles a note and hides it beneath the pillow, whispering a prayer. ‘May our ancestors watch over you, my child. May the creator of all life guide you and make you wily in the ways of the world we are sending you to.’      

The grey vessel, a trail of carnage in its wake, surges forwards with a splutter of gunfire. Bullets splinter the deck, tearing it open, and the trawler erupts in flames.

The tall man grabs the baby and bundles her into the chest. He holds it aloft and flings it into the sea. It lurches and almost capsizes. The baby gurgles, entranced by the rough play of water as a wave steadies her boat. She smiles, a jigsaw of fire and stars reflected in her eyes, and she stretches a dimpled hand to touch the moon.

Burning timber from the trawler’s bow crashes and splashes the baby’s face. Enchanted by flying embers, she coos. But when the sobs of the dying reach her, and waves stifle their gasps, she begins to whimper.

And, flung to and fro, bobs up and down, crying in the night.


Yaba Badoe photoAbout the Author

Yaba Badoe is an award-winning Ghanaian-British documentary filmmaker and writer. In 2014 Yaba was nominated for the Distinguished Woman of African Cinema award. She lives in London.

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