Event Review: A J Pearce & Anne Youngson | Henley Literary Festival 2018 | 1st October 2018

This is a longer version of a review that first appeared on the Henley Standard website.

A J Pearce, author of Dear Mrs. Bird, and Anne Youngson, author of Meet Me at the Museum, are both debut novelists whose books have the reading and writing of letters at their heart.  Journalist and author, Hannah Beckerman, opened the event in the Festival Hub by asking A J and Anne what their first few months of being published authors had been like.

Anne said a wonderful part for her had been meeting readers at events like this, getting their feedback and being asked questions about her book she hadn’t considered before.  Her experience was readers often have different interpretations of the book or point out influences of which she wasn’t aware.  A J said the experience had been wonderful but a bit mad!  She joked that she’d had to make herself practice saying ‘I am an author’.  People had been lovely and she enjoyed chatting about her book and particularly loved discovering mothers and daughters or best friends who had enjoyed the book together.  The authors then read short passages from their books.

Hannah observed that both novels use letter writing as a central idea.  She asked Anne why she had decided to write Meet Me at the Museum as an epistolary novel.  Anne explained the starting point was the book, The Bog People by P. V. Glob, and its dedication in the form of a letter that turned into a whole book.   The same thing happened to her essentially.  She’d originally thought it would be a short story that started with a letter.  However a letter demands a reply, that reply demands another, and so on.  Anne wondered if she might reach a point in the story where what she wanted to say couldn’t be expressed in letter format but she never did.  She felt a more ‘conventional’ format would have created distance between her characters and the reader.  In fact, as a writer, she’d found the letter format easy as it had a momentum of its own.

A J Pearce’s novel Dear Mrs. Bird involves letters written to an agony aunt on a range of subjects.  A J explained they were inspired by actual letters from a wartime edition of Woman’s Own. Reading them had opened up a whole new world, allowing her to see a different era but through a familiar medium. Some of the letters were about subjects similar to contemporary problems; everything from queries about fat ankles to worries about being in love with the wrong person.  Others were very particular to the war, involving separation and heartbreaking decisions.  Dear Mrs. Bird is A J’s version of those stories.   Hannah asked if anonymity perhaps created a safe space for the letter writers?  A J felt, on the positive side, the correspondents clearly trusted the person they were asking for advice.  On the other hand, they were serious questions and she felt it a little sad they needed to confide in a complete stranger, especially since Mrs. Bird would no doubt either ignore them or tell them to ‘buck up and carry on’.

Anne felt the act of letter writing involves careful consideration of the words used and there are still occasions when thoughts and feelings can more be easily expressed in a letter than face-to-face.  Hannah observed that in Anne’s book reading and writing letters becomes a form of self-discovery.  Anne agreed but felt this was manifested in different ways for each character.  Initially, Anders, the museum curator, is more formal and pedantic whereas Tina really ‘puts herself out on the page’.  Later, Anders begins to let go of his emotional tension.

Hannah wondered if, in both books, the exchange of letters acts as form of joint therapy.   A J felt the main character in her book, Emmy, learns about herself from reading the letters written to Mrs. Bird.  She begins to see that through her answers she can contribute to morale and help with real heartache.  The letters also merge into her own life experiences.

Both authors believe that writing letters may be becoming a lost art and we risk losing a rich archive for the future as a result.   Anne said she felt that, in writing the book, to a certain extent she was trying to make sense of these changes for herself and contributing to the debate.  A J felt that modern communication can still offer encouragement but there is a greater sense of immediacy and expectation of a speedy response.

Hannah observed both books deal with history in different ways.  Anne explained how Seamus Heaney’s poem ‘The Tollund Man’ had led her to read Professor Glob’s book, The Bog People, providing the inspiration for the novel.  (How stories start is the focus of her current study for her PhD.) From the point of view of research, the Iron Age is a time before written records so evidence of how people lived can only be gained from artefacts.

When it came to researching wartime London for Dear Mrs. Bird, A J said she wished she’d had the foresight to ask her grandparents more about their own experiences.  She’d used old photographs to ‘cast’ the characters in the book, giving her a sense of responsibility to ‘do a good job for the characters’.  A J confided that she’d never intended to write a historical novel being slightly nervous about the need to get historical facts right.

Hannah remarked that Emmy in Dear Mrs. Bird has a distinct voice and asked if she came fully formed as a character?  A J said she found writing the dialogue between Emmy and best friend Bunty came easily.  Emmy’s back story, that she was the daughter of the suffragette generation, made her consider how this would influence someone’s thinking.   Hannah observed the characters in Meet Me at the Museum are unsure of themselves to begin with but blossom as the book progresses.  Anne said Tina’s voice was clear in her head but both characters revealed themselves to her as she was writing.  As she got near the end, there were aspects of their lives she felt they might share as their relationship developed.   Hannah asked Anne about the creative challenge of having only two characters.  Anne said it had been an intimate process spending a year and a half with them existing only in her head, as she never spoke about them to other people.  A sort of double life!

A J confessed writing is a slow process for her.  Although the book starts cheerfully, it gets darker.  Knowing that there must be conflict, she’d had to stop writing occasionally, even finding herself crying, because she’d known that rotten things were going to happen to some of her characters.  It had felt, she said, like ‘carrying a knife you can’t see’.

Other themes the two books share are friendship, the need to be courageous and to be open to new opportunities throughout life.  Anne observed that, in her book, Tina represents a generation of women who weren’t able to reach their full potential, partly because they never realised what their potential was.  Similarly, Emmy in A J’s book, finds herself on a path she never expected but which turns out to be better in the long run.  She learns never to give up on people and to keep going.

As someone who loved Dear Mrs. Bird and Meet Me at the Museum, I was delighted to learn that both authors are working on second novels.  It would be lovely to see them make return visits to Henley Literary Festival to talk about their next books.  After the event, I was thrilled to meet both Anne and A J in person and have Anne sign my copy of her book.


Dear Mrs BirdAbout the Book – Dear Mrs. Bird

London, 1940. Emmeline Lake is Doing Her Bit for the war effort, volunteering as a telephone operator with the Auxiliary Fire Services. When Emmy sees an advertisement for a job at the London Evening Chronicle, her dreams of becoming a Lady War Correspondent suddenly seem achievable. But the job turns out to be working as a typist for the fierce and renowned advice columnist, Henrietta Bird. Emmy is disappointed, but gamely bucks up and buckles down.

Mrs. Bird is very clear: letters containing any Unpleasantness must go straight in the bin. But when Emmy reads poignant notes from women who may have Gone Too Far with the wrong men, or who can’t bear to let their children be evacuated, she is unable to resist responding. As the German planes make their nightly raids, and London picks up the smouldering pieces each morning, Emmy secretly begins to write back to the readers who have poured out their troubles.

Format: ebook, hardcover (320 pp.) Publisher: Picador
Published: 5th April 2018   Genre: Historical Fiction

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Find Dear Mrs. Bird on Goodreads

A J PearceAbout A J Pearce

AJ Pearce grew up in Hampshire and studied at the University of Sussex. A chance discovery of a 1939 women’s magazine became the inspiration for her ever-growing collection and her first novel Dear Mrs Bird. She now lives and writes in the south of England.

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Meet Me at the MuseumAbout the Book – Meet Me at the Museum

In Denmark, Professor Anders Larsen, an urbane man of facts, has lost his wife and his hopes for the future. On an isolated English farm, Tina Hopgood is trapped in a life she doesn’t remember choosing. Both believe their love stories are over.

Brought together by a shared fascination with the Tollund Man, subject of Seamus Heaney’s famous poem, they begin writing letters to one another. And from their vastly different worlds, they find they have more in common than they could have imagined. As they open up to one another about their lives, an unexpected friendship blooms. But then Tina’s letters stop coming, and Anders is thrown into despair. How far are they willing to go to write a new story for themselves?

Format: Hardcover, ebook (224 pp.)    Publisher: Doubleday
Published: 17th May 2018  Genre: Literary Fiction, Contemporary Fiction

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Find Meet Me at the the Museum on Goodreads

About Anne Youngson

Anne Youngson worked for many years in senior management in the car industry before embarking on a creative career as a writer. She has supported many charities in governance roles, including Chair of the Writers in Prison Network, which provided residencies in prisons for writers. She lives in Oxfordshire and is married with two children and three grandchildren to date. Meet Me at the Museum is her debut novel, which is due to be published around the world.

Connect with Anne

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Event Review: Alan Johnson – In My Life | Henley Literary Festival 2018 | 30th September 2018

This is a longer version of a review that first appeared in the Henley Standard on Friday 5th October.

My Review

The audience gathered in the historic Kenton Theatre gave an enthusiastic welcome to former Labour Home Secretary turned award-winning author, Alan Johnson.  Sponsored by Laithwaite’s Wine, the sold out event marked Alan’s third visit to the Henley Literary Festival, this time in conversation with journalist, Lesley Garner, about his latest book, In My Life: A Music Memoir. (You can find the book description and purchase links at the bottom of this post.)

Alan explained the book covers the period from 1957 to 1982 with each chapter linked to a song.  They’re not necessarily his favourite pieces of music. For example, the Beatles song included in the book is ‘All My Loving’ but his personal favourite is ‘And Your Bird Can Sing’ from the Revolver album.  However, they are songs that evoke particular memories for Alan of his life at that time: listening to Two-Way Family Favourites on the family’s Bakelite wireless, playing 78’s on his sister’s Dansette record player, acquiring his first guitar, hearing about the death of John Lennon.

Starting with ‘True Love’ by Bing Crosby and Grace Kelly, each chapter of the book charts the evolution of popular music as experienced by Alan and other members of the ‘Baby Boomer’ generation.  He observed that before Lonnie Donegan and Tommy Steele came on the scene there was no real youth music culture.  Their arrival opened up a huge generation gap as singer/songwriters such as Lennon & McCartney replaced artists who sang songs written by other people.

Lesley observed that musicality was in Alan’s DNA as his father was a piano player.  Alan, whose difficult relationship with his father is described in This Boy, joked that he didn’t get much else from him.  He recalled that there was always a piano in every house they lived in but that his father kept the keyboard locked…until his sister, Linda, managed to prise it open with a screwdriver.  Alan said he always wanted to play a guitar and was bought his first one by his mother when he was six or seven, albeit only a pink plastic one.  When she later had a win on the Pools, she bought Linda a Dansette record player and Alan an acoustic Spanish guitar.

Alan agreed with Lesley that this period marked a huge change in how people listened to music.  Previously, it was largely on the radio, more likely than not the Light Programme on the BBC.  Now there became a ‘materiality’ about how people experienced music. Alan recalled polishing shellac 78s, reading record labels and playing records at the wrong speed on the Dansette.

As Lesley observed, the book is not only a nostalgic catalogue of music but also an account of Alan’s own musical career which seemed to have more than its fair share of setbacks (unlike his political career) despite his obvious musical talent.  Alan recounted with characteristic humour some of the ups and downs of his musical exploits: his early attempts at song writing (he’s still waiting to hear back from Elvis Costello about the songs he sent him in 1982); joining his first band (the Vampires) in the hope of impressing girls; and being invited to join the In Between, a multi-racial group with a (rare at the time) female lead singer.  Unfortunately, having musical gear stolen on multiple occasions put paid to most of these enterprises as did the fact Alan was shortly to get married and needed a ‘proper job’.  On the advice of a friend, he joined the Post Office where he was told he could make good money, albeit in exchange for long hours.

Lesley said she understood Alan played a crucial role in the first EU Referendum in 1975. Alan recalled he was on the committee of the postal workers union at the time and the postmen (they were all men then) were ‘up in arms’ at being expected to deliver all the Referendum material – as if they were no more than leaflet deliverers.  Alan was responsible for negotiations and managed to strike a deal for four hours overtime.  He recalls being treated as something like a hero as a result.

Alan said he still occasionally plays the guitar and told the story of how he was reunited with his treasured Hӧfner Verithin guitar, stolen more than thirty years before, when someone contacted him after hearing it mentioned when Alan appeared on Desert Island Discs.  However, it did cost him a lot more than he originally paid for it to do so!

In person, Alan comes across exactly as he does in his books: warm, witty, honest and a tireless campaigner against injustice.  He has a lovely line in self-deprecating humour.  For example, he mentioned an English teacher who, recognizing Alan’s love of books and fondness for writing short stories, encouraged him to submit some of stories to publishers and lent him books.  In recognition of this early encouragement, Alan invited the teacher to the launch of his first book, This Boy, but was disappointed to find the man didn’t remember him at all!

From Alan’s responses to questions from the audience, we discovered:

  • He doesn’t really have a favourite punk rock single, preferring artists who came directly after such as Paul Weller, Joe Jackson and Elvis Costello
  • He never met Lonnie Donegan although he did once see him live at the Chiswick Empire and made a TV documentary about him that was unfortunately never shown. However, Alan did once meet musical hero, Paul McCartney.
  • He never harboured any ambition to lead the Labour Party although he did run for Deputy Leader on one occasion. He was beaten by Harriet Harman who he thought did a much better job than he would have done anyway.
  • He is proud of the many achievements of the Labour Government in which he served. He mentioned, in particular, his successful campaign in support of the Hull trawler-men who had been battling for twenty years to get the compensation for loss of their livelihoods promised them by previous governments.

Perhaps predictably, Alan was also asked how he would solve the Brexit negotiations and gave what sounded a very realistic and well-informed answer.

In My Life SignedThe evening ended with an opportunity to purchase a copy of In My Life: A Music Memoir from Festival partner, The Bell Bookshop, and have it signed by the author.  My husband was thrilled to get the chance to have a brief word with Alan and have him sign his copy of Please, Mister Postman.  My husband later treated me to a signed copy of In My Life: A Music Memoir.

Alan revealed his next book will be fiction – historical fiction, to be precise – as he relishes the idea of being able to control plot and characters, something not possible in non-fiction.  The details he gave about his ideas for plot and period setting sounded fascinating.  However, I’m not going to reveal them here except to say they relate to the history of the area where he currently lives. You’ll have to wait for him to write it, I’m afraid.  On the other hand, it sounds like the perfect reason for Alan to make a return visit to a future Henley Literary Festival.

About the Book

From being transported by the sound of ‘True Love’ by Bing Crosby and Grace Kelly on the radio, as a small child living in condemned housing in ungentrified West London in the late 1950s, to going out to work as a postman humming ‘Watching the Detectives’ by Elvis Costello in 1977, Alan Johnson’s life has always had a musical soundtrack. In fact music hasn’t just accompanied his life, it’s been an integral part of it.

In the bestselling and award-winning tradition of This Boy, In My Life vividly transports us to a world that is no longer with us – a world of Dansettes and jukeboxes, of heartfelt love songs and heart-broken ballads, of smoky coffee shops and dingy dance halls. From Bob Dylan to David Bowie, from Lonnie Donnegan to Bruce Springsteen, all of Alan’s favourites are here. As are, of course, his beloved Beatles, whom he has worshipped with undying admiration since 1963.

But this isn’t just a book about music. In My Life adds a fourth dimension to the story of Alan Johnson the man.

Format: Hardcover, ebook (272 pp.)    Publisher: Transworld Digital/Bantam Press
Published: 20th September 2018   Genre: Non-Fiction, Memoir

Find In My Life: A Music Memoir on Goodreads

Purchase Links*
Amazon.co.uk  ǀ  Amazon.com  ǀ Hive.co.uk (supporting UK bookshops)
*links provided for convenience, not as part of any affiliate programme

Alan JohnsonAbout the Author

Alan Johnson was born in May 1950.  He was General Secretary of the Communication Workers Union before entering Parliament as Labour MP for Hull West and Hessle in 1997.  He served as Home Secretary from June 2009 to May 2010.  Before that, he filled a wide variety of cabinet positions in both the Blair and Brown governments, including Education and Health.  His first memoir, This Boy, was published in May 2013 and won the RSL Ondaatje Prize and the Orwell Prize.  Alan’s latest book, In My Life: A Music Memoir, was published in September 2018.  (Photo credit: Goodreads author page)

Connect with Alan

Website  ǀ  Goodreads