Book Review – Hungry Ghosts by Kevin Jared Hosein

About the Book

Book cover Hungry Ghosts by Kevin Jared Hosein

The music was still playing when Dalton Changoor vanished into thin air…

On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognisable to those who reside in the farm’s shadow. Down below is the barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops – Hans, Shweta, and their son, Krishna, who live hard lives of backbreaking work, grinding poverty and devotion to faith.

When Dalton Changoor goes missing and Marlee’s safety is compromised, farmhand Hans is lured by the promise of a handsome stipend to move to the farm as watchman. But as the mystery of Dalton’s disappearance unfolds their lives become hellishly entwined, and the small community altered forever.

Format: Hardback (352 pages) Publisher: Bloomsbury
Publication date: 16th February 2023 Genre: Historical Fiction

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My Review

As well as being a BBC2 Between the Covers book club pick and being longlisted for The Walter Scott Prize for Historical Fiction 2024, Hungry Ghosts is one of the books on the longlist for the Swansea University Dylan Thomas Prize 2024. The shortlist will be announced on Thursday 21st March 2024.

Hungry Ghosts has been described as ‘a mesmerising novel about violence, religion, family and class’ and as ‘biblical in scope and power’. I wouldn’t disagree with either of these although the comparison that came to my mind was a Shakespearean tragedy such is the story of cruelty, revenge, betrayal, hate and lust that unfolds.

The novel focuses on four main characters: Hansraj Saroop and his wife, Shweta; their son, Krishna; and Marlee, the wife of rich businessman Dalton Changoor whose disappearance remains an unresolved mystery for much of the book but is also the catalyst for a chain of events that will bring far-reaching consequences. Other characters, such as Krishna’s cousin, Tarik, and Lata, the daughter of one of the families who share the Saroop’s cramped living space, play important roles in the story. They are not just shadowy figures in the background but are vividly brought to life. Robinson, one of the other workers on the Changoor estate, was a character that particularly stuck in my mind. If there’s anything close to ‘a good man’ in the book, he’s a candidate.

As we learn, many of the characters have experienced violence and cruelty in their lives, often as children at the hands of their fathers. They carry the legacy of those experiences in their actions: sometimes perpetuating them, sometimes seeking to rise above them. Loss – of parents, of children – is a persistent backdrop to the characters’ lives. One loss in particular is a source of grief that Shweta lives with daily but which Hansraj seems unwilling or unable to acknowledge. It’s a ‘hungry ghost’ that feeds upon her every day.

Many of the characters seek to better themselves and to get more from life than what fate has dealt them so far, which in most cases is not very much. Shweta longs for a house of her own that she doesn’t have to share with other families, that offers more privacy than a flimsy partition and that doesn’t leak when it rains. Krishna, an intelligent young man, knows the local school cannot provide the education that will allow him to forge a life beyond the village. He resents the prejudice directed at his family and is frustrated at his father’s seeming acceptance of it. Marlee is one person who has made a new life for herself but it has come at a cost. There will be a cost to others as well.

The story may be bleak but the writing is anything but. You get the sense that every sentence has been thought about and lovingly crafted. The author has an obvious love of language, including some unfamiliar words (‘rufescent’ ‘thaumaturgy’ ‘eutrophic’ ) that had me reaching for the dictionary.

Hungry Ghosts has scenes that are harrowing and difficult to read but the sheer power of the narrative propels you through them. I can see why it has garnered so much praise.

My thanks Henrietta at Midas PR for inviting me to be part of the blog tour celebrating the books on the Swansea University Dylan Thomas Prize 2024 longlist and to Bloomsbury Publishing for my review copy.

Swansea University Dylan Thomas Prize

In three words: Intense, powerful, moving
Try something similar: Fortune by Amanda Smyth


About the Author

Author Kevin Jared Hosein
Photo credit: Mark Lyndersay

Kevin Jared Hosein is a Caribbean novelist. He has also worked as a secondary school Biology teacher for over a decade. He was named overall winner of the Commonwealth Short Story Prize in 2018, and was the Caribbean regional winner in 2015. He has published two books: The Repenters and The Beast of Kukuyo. The latter received a CODE Burt Award for Caribbean Young Adult Literature, and both were longlisted for the International Dublin Literary Award. His writing, poetry, fiction and non-fiction have been published in numerous anthologies and outlets. He lives in Trinidad Tobago.

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#BookReview #Ad God’s Children Are Little Broken Things by Arinze Ifeakandu #SUDTP23

God's Children Are Little Broken ThingsAbout the Book

A man revisits the university campus where he lost his first love, aware now of what he couldn’t understand then. A daughter returns home to Lagos after the death of her father, where she must face her past – and future -relationship with his longtime partner. A young musician rises to fame at the risk of losing himself and the man who loves him.

Generations collide, families break and are remade, languages and cultures intertwine, and lovers find their ways to futures; from childhood through adulthood; on university campuses, city centres, and neighbourhoods where church bells mingle with the morning call to prayer.

Format: Hardback (224 pages)       Publisher: Weidenfeld & Nicolson
Publication date: 28th July 2022  Genre: Contemporary Fiction, Short Stories

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My Review

I was fortunate enough to be offered a copy of this short story collection by Emily at Midas PR when it appeared on the longlist for the Swansea University Dylan Thomas Prize 2023. Unfortunately, I couldn’t fit it into my reading schedule at that point but I’m rectifying that now that it has made the shortlist.

The author’s debut collectionit’s described by the publishers as ‘nine exhilarating stories of queer love in contemporary Nigeria’ and has been praised by Sarah Waters as ‘A hugely impressive collection, full of subtlety, wisdom and heart’.

As a straight white British woman I wondered if I would be able to feel a connection with the experiences of characters so different from me. However, at their heart, these are stories about relationships that involve passion, longing, betrayal, tenderness, disappointment and loss, experiences and emotions to which all of us can probably relate to some degree. However, in an environment in which homosexuality not only brings abuse and discrimination but is also illegal, as it is in Nigeria, there is an added element: the need for secrecy and hiding your true self. ‘He was not new to pretense. Wasn’t his entire life a play, and hadn’t he put on, so far, a stellar performance? He had picked this life and sworn to be very good at it because there was no reward in loving boys… It made you the most hated person in the world.’

In some cases, this hatred takes the form of physical violence, even perpetrated within familes. And, for many of the characters, the need to hide their sexuality leaves them open to abuse and violence that they cannot report. Intimacy may be confined to snatched moments in anonymous hotel rooms, in clandestine clubs, teenage bedrooms or even abandoned buildings.  Disclosure can damage careers, destroy reputations and wreck lives.

A story I found particularly moving was ‘Where The Heart Sleeps’ in which the relationship between Nonye and Tochukwu, the partner of Dubem, Nonye’s recently deceased father, changes gradually from hostility to a degree of understanding, united by their shared loss.  ‘They were silent, but it was not the silence of before. It was not exactly comfortable, but it was nice.’ It caused me to think about aspects of discrimination that wouldn’t otherwise have occurred to me, such as Tochukwu having no official status, even to have Dubem’s body released to him or to have the right to continue living in the house they shared. ‘It hit him like a sudden shard of light at a precarious bend on a dark road, the extent of his powerlessness.’ And the notion that Tochukwu, as a gay man, must by nature be predatory is reflected in Nonye’s mother’s remark that he ‘will be an old story soon, a memory, something that happened’ and that he will ‘move on to the next man’.

There is some beautiful writing, such as in the first story, ‘A Dreamer’s Litany’ in which a young man gazes at a cityscape from a hotel room.  ‘The city was like a drunken man, it wobbled, garrulous and loud, and then a moment came when it tempered into a fitful somberness, slipping finally into a long, exhausted sleep.’

The stories in God’s Children Are Little Broken Things are often dark, and occasionally distressing, but there are flashes of light in that darkness, such as in the final story, ‘Mother’s Love’. For those sensitive to such things, some of the stories contain scenes of a sexually explicit nature. And there are occasional fragments of dialogue in the native languages of Nigeria which, whilst giving authenticity, did require me to search out translations.

You can find details about the other books on the shortlist here.  The winner will be announced on Thursday 11th May 2023.

In three words: Intense, thought-provoking, intimate


About the Author

Arinze Ifeakandu was born in Kano, Nigeria. An AKO Caine Prize for African Writing finalist and A Public Space Writing Fellow, he is a graduate of the Iowa Writers’ Workshop and is pursuing his PhD at Florida State University. His work has appeared in A Public Space, One Story, and Guernica. God’s Children Are Little Broken Things is his first book.

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