Book Review – What Remains After A Fire: Stories by Kanza Javed @dylanthomprize #SUDTP26

About the Book

In eight unflinching and stunningly crafted stories, Kanza Javed unspools the lives of characters desperately trying to forge a path for themselves on the margins of society. An addict teaches his young son to shoot feral dogs on the streets of Lahore. A Christian nurse gets drawn into a plan to trap the ghost of her patient’s former lover. A Pakistani student in a small Appalachian town grapples with a startling act of violence that shatters her illusions of safety and freedom. A lonely wife becomes increasingly obsessed with a cloth worry doll left behind by a previous tenant.

Written with sharp insight and remarkable empathy, these stories reach across divides of class, gender, and religion as Javed deftly examines questions of identity and agency, belonging and loss. What Remains After a Fire is a moving portrayal of fiercely resilient characters who desire more than what their circumstances can offer them—and what these desires ultimately cost them.

Format: Hardcover (240 pages) Publisher: W. W. Norton
Publication date: 28th October 2025 Genre: Contemporary Fiction, Short Stories

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My Review

Longlisted for the Dylan Thomas Prize 2026, the description of What Remains After A Fire as ‘a haunting, powerful collection of stories’ is absolutely spot on. It’s a fantastically strong collection, each story containing something to admire, to move you or to make you think about things in a different way.

Recurring themes of the stories include motherhood, grief and loss, the weight of cultural expectation and family obligations, and the often unbearable burden of secrets. Many of the female characters (and they are predominately female) are struggling to keep things together or to move forward with their lives. Death and dying feature frequently, often associated with facing up to guilt about past actions, even the idea that current suffering is the price to be paid for wrongdoings. Past trauma is replayed in nightmares or the ghosts of departed loved ones. Misfortune is seen as evidence of evil spirits, a much more convenient explanation than the result of human actions.

The male characters are often predatory, or cowed by social pressure or purveyors of a toxic masculinity. For example, in ‘Stray Things Do Not Carry A Soul’, a boy begins to absorb his father’s negative attitude to the women of the household, the boy’s mother and sister. ‘Do you see how the witches are conspiring against us?’ When the boy suggests his sister should be married off, his father responds approvingly ‘Now you’re thinking like a man’.

Each story is beautifully crafted and I found myself frequently jotting down phrases that stood out for me. For example, in ‘Rani’, a young woman’s dying grandmother is described as existing ‘in fragments, in vapors’. And in ‘I Will Follow You Home’, the city of Lahore is ‘a mottled mess of vanishing history and new regimes.’ In ‘Carry It All’ a woman who has suffered multiple miscarriages imagines ‘a heavenly orphanage for ghostly, unborn children’. She’s made to feel a failure by her husband’s family for being unable to bear a son, her childhood dreams of marriage and motherhood recognised now as mere fantasy. ‘In the real world – bodies matter, and in some houses, fertility was the only currency.’ And in ‘My Bones Hold A Stillness’, a young student reflects, ‘Guilt wrecks people. It chews them right up.’

In What Remains After A Fire the author explores what is left behind after loss, betrayal and displacement. Sometimes it’s nothing, sometimes mere fragments of a previous life, sometimes it’s a seed of something that just might grow and flourish if nurtured.

My thanks to Henrietta at Midas for inviting me to join the blog tour celebrating the longlist and to W.W. Norton for my review copy.

In three words: Poignant, intimate, disquieting

About the Author

Kanza Javed is a Pakistani author with an MFA in Fiction from West Virginia University, where she received the Rebecca Mason Perry Award. She is also the winner of the 2020 Reynolds Price Prize for Fiction. Her writing has been published in the American Literary Review, Punch Magazine, Salamander and Greensboro Review, among other publications.

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Book Review – Hungry Ghosts by Kevin Jared Hosein

About the Book

Book cover Hungry Ghosts by Kevin Jared Hosein

The music was still playing when Dalton Changoor vanished into thin air…

On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognisable to those who reside in the farm’s shadow. Down below is the barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops – Hans, Shweta, and their son, Krishna, who live hard lives of backbreaking work, grinding poverty and devotion to faith.

When Dalton Changoor goes missing and Marlee’s safety is compromised, farmhand Hans is lured by the promise of a handsome stipend to move to the farm as watchman. But as the mystery of Dalton’s disappearance unfolds their lives become hellishly entwined, and the small community altered forever.

Format: Hardback (352 pages) Publisher: Bloomsbury
Publication date: 16th February 2023 Genre: Historical Fiction

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My Review

As well as being a BBC2 Between the Covers book club pick and being longlisted for The Walter Scott Prize for Historical Fiction 2024, Hungry Ghosts is one of the books on the longlist for the Swansea University Dylan Thomas Prize 2024. The shortlist will be announced on Thursday 21st March 2024.

Hungry Ghosts has been described as ‘a mesmerising novel about violence, religion, family and class’ and as ‘biblical in scope and power’. I wouldn’t disagree with either of these although the comparison that came to my mind was a Shakespearean tragedy such is the story of cruelty, revenge, betrayal, hate and lust that unfolds.

The novel focuses on four main characters: Hansraj Saroop and his wife, Shweta; their son, Krishna; and Marlee, the wife of rich businessman Dalton Changoor whose disappearance remains an unresolved mystery for much of the book but is also the catalyst for a chain of events that will bring far-reaching consequences. Other characters, such as Krishna’s cousin, Tarik, and Lata, the daughter of one of the families who share the Saroop’s cramped living space, play important roles in the story. They are not just shadowy figures in the background but are vividly brought to life. Robinson, one of the other workers on the Changoor estate, was a character that particularly stuck in my mind. If there’s anything close to ‘a good man’ in the book, he’s a candidate.

As we learn, many of the characters have experienced violence and cruelty in their lives, often as children at the hands of their fathers. They carry the legacy of those experiences in their actions: sometimes perpetuating them, sometimes seeking to rise above them. Loss – of parents, of children – is a persistent backdrop to the characters’ lives. One loss in particular is a source of grief that Shweta lives with daily but which Hansraj seems unwilling or unable to acknowledge. It’s a ‘hungry ghost’ that feeds upon her every day.

Many of the characters seek to better themselves and to get more from life than what fate has dealt them so far, which in most cases is not very much. Shweta longs for a house of her own that she doesn’t have to share with other families, that offers more privacy than a flimsy partition and that doesn’t leak when it rains. Krishna, an intelligent young man, knows the local school cannot provide the education that will allow him to forge a life beyond the village. He resents the prejudice directed at his family and is frustrated at his father’s seeming acceptance of it. Marlee is one person who has made a new life for herself but it has come at a cost. There will be a cost to others as well.

The story may be bleak but the writing is anything but. You get the sense that every sentence has been thought about and lovingly crafted. The author has an obvious love of language, including some unfamiliar words (‘rufescent’ ‘thaumaturgy’ ‘eutrophic’ ) that had me reaching for the dictionary.

Hungry Ghosts has scenes that are harrowing and difficult to read but the sheer power of the narrative propels you through them. I can see why it has garnered so much praise.

My thanks Henrietta at Midas PR for inviting me to be part of the blog tour celebrating the books on the Swansea University Dylan Thomas Prize 2024 longlist and to Bloomsbury Publishing for my review copy.

Swansea University Dylan Thomas Prize

In three words: Intense, powerful, moving
Try something similar: Fortune by Amanda Smyth


About the Author

Author Kevin Jared Hosein
Photo credit: Mark Lyndersay

Kevin Jared Hosein is a Caribbean novelist. He has also worked as a secondary school Biology teacher for over a decade. He was named overall winner of the Commonwealth Short Story Prize in 2018, and was the Caribbean regional winner in 2015. He has published two books: The Repenters and The Beast of Kukuyo. The latter received a CODE Burt Award for Caribbean Young Adult Literature, and both were longlisted for the International Dublin Literary Award. His writing, poetry, fiction and non-fiction have been published in numerous anthologies and outlets. He lives in Trinidad Tobago.

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