#GuestPost Cold War Noir by M. Z. Urlocker

I’m delighted to welcome brothers Michael and Zack Urlocker, authors of The Man From Mittelwerk, to What Cathy Read Next today. It’s particularly special as it’s publication day of their debut novel. The Man From Mittelwerk is available to purchase now from Amazon.

So, as Michael says, “Sit down my friends, pour yourself a Scotch (or a cold, bitter cup of Joe) and let me take you on a tour of some of the Cold War noir novels and themes that influenced our book The Man from Mittelwerk“.


The Man From MittelwerkAbout the Book

1950. The Cold War simmers, and ex-GI Jack Waters is called in to investigate a fatal accident at a research lab in California.

When Waters recognizes the victim, he realizes he must revisit his hidden past in World War II to solve a murder and prevent Nazi scientists from creating a terrible, new weapon in America.

Blending noir detective fiction with post-WWII history, The Man from Mittelwerk builds from the facts of Operation Paperclip, the US government’s secret recruitment of 1,600 top Nazi scientists, to pose a dark what-if scenario.

Format: Paperback (362 pages)             Publisher: Inkshares
Publication date: 6th September 2022 Genre: Historical Fiction, Thriller

Find The Man from Mittelwerk on Goodreads


Guest Post – Six Cold War Noir Novels You Will Love by M. Z. Urlocker

Cold War Noir

Growing up as teenagers in the 1970s my brother and I became fans of Cold War fiction before we even knew it was a genre. Our parents had original Pan paperback copies of Ian Fleming’s James Bond series that we read until the bindings dried out and the pages fell loose.

From Russia With LoveFrom Russia With Love stood out among Fleming’s work. Agent 007 doesn’t even make an appearance until a third of the way into the story, instead Fleming takes you behind the Iron Curtain in a detailed exploration of the dark operations of the MGB (precursor to the KGB) and SMERSH, Stalin’s counter-intelligence agency. Fleming wrote the book at the start of the Cold War, as Britain and the United States were coming to grips with a new, dangerous enemy. It was a new era, where the old rules no longer applied. It wasn’t the black and white world of earlier noir fiction or war novels, it was a world where you no longer knew who you could trust. Fleming isn’t always given his due as a writer but he opened the door for a broad range of Cold War novels which reflected the growing tension between East and West for decades.

Pulp Fiction

Early pulp noir is often built around a “lose lose” situation. Take a down-on-his luck protagonist, beaten by the world and paint him (or her) into a corner where there are only bad choices. Classic works by Ed McBain, Lawrence Block and Jim Thompson fit this bill; these are gritty books of terrible consequences.

The Dark TunnelOne of the best first novels is The Dark Tunnel (originally published in 1944 under the name Kenneth Millar) but later reissued under the more well-known pseudonym, Ross MacDonald. MacDonald was influenced by Raymond Chandler and John Buchan, but he puts his own twist on things. The book is set in the early days of WWII in a university town, not unlike Ann Arbor where MacDonald taught. It’s a fast-paced tale with protagonist Professor Robert Branch fighting for his life against a German spy conspiracy as well as petty crooks, rural rednecks, Union men and university politics. What makes the book especially tense is the conspiracy going on that’s bigger than Professor Branch realizes, and it just keeps getting darker. The pacing is a bit uneven compared to MacDonald’s later works but there’s a level of paranoia MacDonald never captured in his more famous Lew Archer PI series.

One Lonely NightConspiracy and paranoia are two themes that also come out in Mickey Spillane’s fourth Mike Hammer novel, One Lonely Night (1951). Hammer is a US government-trained killer from WWII trying to adapt to life stateside as a private investigator.

“Twice I looked in the mirror and saw me. I didn’t look like me at all. I used to be able to look at myself and grin without giving a damn how ugly it made me look. Now I was looking myself the same way those people did back there. I was looking at a big guy with an ugly reputation, a guy who had no earthly reason for existing in a decent, normal society.”

Hammer, an avowed anti-communist (as was Spillane) stumbles upon a communist conspiracy in New York, a conspiracy that goes to the highest levels and threatens the American way of life. Spillane captures the tension of Senator Joseph McCarthy’s communist witch hunt. The larger-than-life conspiracy is a theme that emerges time and again in Cold War noir.

Gritty Realism

The Ipcress FileLen Deighton’s The Ipcress File (1962) is the definitive noir Cold War novel. Its unnamed hero was christened Harry Palmer and portrayed by Michael Caine in the 1965 adaptation and follow-on films. In this remarkable first novel, Deighton created the ultimate noir protagonist trying to survive in a system set against him. Palmer’s a street-smart working-class punter who is pulled into a game he cannot win. Assigned to track down a top military scientist who is being sold to the Soviets, Palmer is kidnapped, whisked behind the Iron Curtain and electronically brainwashed by Chinese captors. When he manages to escape, he finds a much more sinister interpretation that calls into question the nature of Cold War alliances. If you can’t trust your allies, who can you trust? Coming off the “special relationship” between Franklin Roosevelt and Winston Churchill in WWII and the brainwashing of US troops by the Chinese in the Korean War, this was pretty shocking stuff.

The Spy Who Came In From The ColdJohn le Carré, pen-name for former intelligence officer David Cornwell, published his third novel The Spy Who Came In From The Cold in 1963 at the height of the Cold War. (My brother and I joke that virtually any novel set between 1957 and 2022 can be said to be “at the height of the Cold War” as global tensions continued to escalate.) The Spy Who Came In From the Cold became an immediate bestseller. Its protagonist, WW2 veteran Alec Leamas, takes on one last case in order to avenge the death of a colleague. It involves a descent into the underworld of working-class trade unions and local communist party reps in order to infiltrate East Germany and bring down his nemesis. As with the best noir fiction, Leamas succeeds, but pays the ultimate price.

Along with Deighton, le Carré redefined espionage, taking it from Fleming’s upper-class black and white world of playboys in casinos with exploding devices into the gritty world of spooks and petty criminals against a shifting landscape of grey where no one could be trusted. Le Carré’s later novels transcend the espionage genre. But the underpinnings are never far from the cold, bleak setting of his early books.

Devil in a Blue DressWalter Mosley’s first novel, Devil in the Blue Dress (1990), brought about a resurgence in the noir genre. His hard-boiled detective Easy Rawlins (who deserves an entire article to himself) like many noir protagonists before him, is a WWII veteran up against a system meant to keep him down. Rawlins, manages to survive and even win despite the institutional racial discrimination against him, a topic as relevant today as it was in the 1950s.

Modern Noir

The good news is there are many authors continuing to write modern takes on this important era. For example, Joseph Kanon (Leaving Berlin, The Berlin Exchange), Paul Vidich (The Coldest Warrior, The Matchmaker) and Dan Fesperman (The Double Game, Winter Work) have continued the tradition of putting tough men (and women) against the backdrop of hard choices in politically charged settings.

If you yearn for the classics, I can recommend the James Bond continuation novels by Anthony Horowitz as well as Max Allan Collins’ completions of unfinished manuscripts by Mickey Spillane. Both managed the tricky prospect of ‘honouring the canon’ while also besting their originators. I’d argue Complex 90 is the best Mike Hammer novel and A Mind to Kill is even better than From Russia With Love.


M Z UrlockerAbout the Authors

Twin brothers Michael Urlocker and Zack Urlocker write under the name M. Z. Urlocker.  The Man from Mittelwerk is their first novel. (Photo: Author website)

Connect with Michael and Zack
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#BlogTour #BookReview Sometimes People Die by Simon Stephenson

Sometimes People Die Blog Tour Banner Week 2-2Welcome to today’s stop on the blog tour for Sometimes People Die by Simon Stephenson. My thanks to Sofia at Midas PR for inviting me to take part in the tour and for my digital review copy. Do check out the posts by my tour buddies for today, Joanna at Over The Rainbow Book Blog and Amanda at Ginger Book Geek.


Sometimes People DieAbout the Book

The year is 1999. Returning to practice after a suspension for stealing opioids, a young Scottish doctor takes the only job he can find: a post as a senior house officer in the struggling east London hospital of St Luke’s.

Amid the maelstrom of sick patients, over-worked staff and underfunded wards a darker secret soon declares itself: too many patients are dying.

Which of the medical professionals our protagonist has encountered is behind the murders? And can our unnamed narrator’s version of the events be trusted?

Format: Hardback (368 pages)             Publisher: The Borough Press
Publication date: 1st September 2022 Genre: Crime, Thriller

Find Sometimes People Die on Goodreads

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My Review

I really enjoyed this fascinating mix of medical memoir, with its realistic insight into the challenges of being a junior doctor in a busy hospital, and intriguing murder mystery. I suspect anyone who has ever worked in a hospital setting will recognise the long hours, the exhausting night shifts, the challenge of scarce resources, the neverending paperwork and the snatched meal breaks depicted by the author.  And, of course, the life and death decisions junior doctors are required to make, often in a state of near exhaustion. Those in the medical profession will no doubt also be impressed by the level of detail of diagnostic techniques, medical interventions and drug regimes, something that could surely only come from someone with the author’s background.

The voice of the unnamed narrator is sardonic, cynical and displays the black humour that is often a prequisite for getting through the day, for processing the traumatic things witnessed day in and day out, and coming to terms with the fact that despite best efforts ‘sometimes people die’. Having said that there’s also lot of gentle humour. For example, the ‘granny-dumping’ that occurs on Fridays preceding a summer bank holiday weekend, our narrator’s sessions with his narcoleptic CBT therapist or the medical examination case study that turns out to be a little difficult.

Our narrator is unsparing when it comes to admitting his own weaknesses, meaning the reader never loses sympathy with him even during his most serious lapses and expecially when he finds himself under suspicion of involvement in what turns out to be a case of murder. His compassion and dedication to his patients is never in doubt, unless of course you agree with the detectives assigned to the case that’s he’s the obvious culprit. I particularly loved his friendship with the affable George whose offer of a room allows him to escape from his previous accommodation, aka Stalag Motorsport.

For those beginning to think this sounds too much like a medical memoir, I can reassure you that at the heart of the book is an intriguing, cleverly constructed murder mystery with plenty of red herrings and false trails… or should that be debatable diagnoses and misleading symptoms. There are unexpected revelations akin to suddenly drawing back the cubicle curtains around a hospital bed and at one point a rather different form of intensive care. And I don’t think there are many books where a cactus and an articulated skeleton called Patrick play a significant role in the story, although I’m happy to be corrected on that.

Another thing I enjoyed about the book are the occasional sections that describe real life murderers who practiced medicine, from famous cases such as Dr. Crippen and Harold Shipman to less well-known ones. What’s surprising – or perhaps depressing is a better word – is how long in some cases it took for their crimes to be discovered, either through negligence or a kind of medical omerta.

I thoroughly enjoyed Sometimes People Die‘s blend of dark humour, skilfully constructed plot and convincing detail.

In three words: Clever, witty, intriguing


Simon StephensonAbout the Author

Simon Stephenson originally trained as a doctor and worked in Scotland and London. He previously wrote Let Not the Waves of the Sea, a memoir about the loss of his brother in the Indian ocean tsunami. It won Best First Book at the Scottish Book Awards, was a Book of the Week on BBC Radio 4, and a Daily Telegraph Book of the Year.

His first novel, Set My Heart to Five was a Bookseller Book of the Month and was described by the Daily Mail as ‘Funny, original and thought-provoking.’ It has been optioned by Working Title Films to be directed by Edgar Wright from Stephenson’s screenplay.

He currently lives in Los Angeles, in a house where a famous murder took place. As a screenwriter, he originated and wrote the Benedict Cumberbatch starrer The Electrical Life of Louis Wain and wrote the story for Pixar’s Luca. He also contributed to everybody’s favourite film, Paddington 2.

Connect with Simon
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