#BookReview The Readers’ Room by Antoine Laurain @BelgraviaB

The Readers' RoomAbout the Book

When the manuscript of a debut crime novel arrives at a Parisian publishing house, everyone in the readers’ room is convinced it’s something special. And the committee for France’s highest literary honour, the Prix Goncourt, agrees.

But when the shortlist is announced, there’s a problem for editor Violaine Lepage: she has no idea of the author’s identity. As the police begin to investigate a series of murders strangely reminiscent of those recounted in the book, Violaine is not the only one looking for answers. And, suffering memory blanks following an aeroplane accident, she’s beginning to wonder what role she might play in the story …

Format: Paperback (176 pages)    Publisher: Gallic Books
Publication date: 17th June 2021 Genre: Contemporary Fiction, Mystery, Literature in Translation

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My Review

I really enjoyed Antoine Laurain’s amusing novel The President’s Hat so had no hesitation in accepting the kind offer by Isabelle Flynn at Gallic Books of a review copy of the new paperback edition of The Readers’ Room, translated by Emily Boyce and Jane Aitken. The Readers’ Room was originally published in hardback in September 2020.

Set in the world of publishing it’s full of references to authors past and present, and to the often tortuous process of getting a book from blank page, to spiral bound manuscript, to finished edition. The book focuses on the gatekeepers of the process at the publishing house where editor Violaine Lepage works – the members of the readers’ room. Their task is to review unsolicited manuscripts in order to sort the wheat from the chaff. Usually it’s mostly the latter but then the manuscript of a novel entitled Sugar Flowers arrives. All the readers agree it’s something out of the ordinary even if its author seems unusually anxious to conceal their identity.

An element of the uncanny is introduced when a series of murders appear to match those in the book. Soon Violaine and the detective investigating the case, Inspector Sophie Tanche, discover they have a mutual interest in tracking down the author of the novel. For Violaine, it’s about maximising the publicity benefits that arise from having published a prize-winning book. For Sophie it’s about successfully solving the murders.

The author, like his fictional counterpart, has fun throwing in all sorts of red herrings to keep the reader guessing whilst at the same time making sly digs at the inner workings of the publishing industry. For instance, the lunches at which editors feed their authors “like fat misanthropic cats they’re hoping to butter up and make purr”. I suspect the author may also have misgivings about the proliferation of modern technology given brief scenes featuring a rather unsettling encounter with an advanced AI program and a sat nav that answers back. Naturally, as a Parisian, the author has no trouble conjuring up the atmosphere of his home city with its grand parks and avenues lined with restaurants, bars and brasseries.

If you subscribe to the view that everyone has a novel in them, you’ll enjoy the following image from early in the book. “All those phantom books form a sort of enveloping cloud around literature like the ozone layer around the earth.” In fact, in the book, Violaine has some rather unearthly encounters with authors such as Marcel Proust and Virginia Woolf.

They say truth is stranger than fiction, but is it? And was Oscar Wilde right when he said “life imitates art far more than art imitates life”? I confess the solution to the mystery when it came didn’t quite live up to the ingenuity of the rest of the book but The Readers’ Room remains an extremely entertaining read.

In three words: Clever, witty, stylish

Try something similar: The Forgers by Bradford Morrow or The 7th Function of Language by Laurent Binet

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Antoine Laurain
Pascal Ito © Flammarion

About the Author

Antoine Laurain is the bestselling author of six previous novels, including The President’s Hat, a Waterstones Book Club pick which won the Prix Landerneau and the Prix Relay des Voyageurs, and was adapted for television, and The Red Notebook which was selected for HRH the Duchess of Cornwall’s Reading Room book club in April 2021. His novels have been translated into more than twenty languages. Antoine was an Author of the Day at London Book Fair 2019. A writer, journalist and antiques collector, he lives in Paris. (Bio/photo credit: Publisher author page)

About the Translators

Jane Aitken is a publisher and translator from the French. Emily Boyce is an editor and in-house translator at Gallic Books.

#BookReview Everything Happens for a Reason by Katie Allen @OrendaBooks @RandomTTours

Welcome to today’s stop on the blog tour for Everything Happens for a Reason by Katie Allen. My thanks to Anne at Random Things Tours for inviting me to take part in the tour and to Orenda Books for my digital review copy.


Everything Happens for a ReasonAbout the Book

Mum-to-be Rachel did everything right, but it all went wrong. Her son, Luke, was stillborn and she finds herself on maternity leave without a baby, trying to make sense of her loss.

When a misguided well-wisher tells her that ‘everything happens for a reason’, she becomes obsessed with finding that reason, driven by grief and convinced that she is somehow to blame. She remembers that on the day she discovered her pregnancy, she’d stopped a man from jumping in front of a train, and she’s now certain that saving his life cost her the life of her son.

Desperate to find him, she enlists an unlikely ally in Lola, an Underground worker, and Lola’s seven-year-old daughter, and eventually tracks him down, with completely unexpected results…

Format: Paperback (320 pages)    Publisher: Orenda Books
Publication date: 10th June 2021 Genre: Contemporary Fiction

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My Review

The publishers describe Everything Happens for a Reason as “a heart-wrenching portrait of grief” and a “gloriously uplifting and disarmingly funny story”. If you’re sceptical that those two things can exist side by side in a book then think again because somehow the author manages it.

The book is structured as a series of emails from Rachel to a recipient who is initially unidentified but whose identity the reader will soon guess. The format works well, allowing the reader to get inside her mind even if that is a troubling place to be. Having said that, I did marvel at Rachel’s ability to recall conversations in word for word detail.

Her early emails reveal the sad details of her daily life which she has filled with small tasks, all planned to a strict routine and aimed at simply getting her from one day to the next. Akin to the effort of putting one foot in front of the other when you’re absolutely exhausted. Although it might sound intrusive, I actually felt reading the emails made me feel a connection with Rachel as if by being a witness to her grief I was also part of a silent, unseen support network.

As the book reveals, grief can be a lonely place. Rachel’s husband Ed (often referred to simply as ‘E’) is mostly absent, either at work or travelling on business. Often their communication is limited to text messages or notes left pinned to the fridge. There are brief glimpses of his own grief and I did find myself feeling it was shame Ed and Rachel couldn’t communicate with each other as openly as Rachel does in her emails. London Underground employee, Lola, is the one person who, despite initial appearances, appreciates what Rachel is going through and gives her practical help and support. Through Lola, Rachel forms a relationship with Lola’s daughter, Josephine.

When Rachel becomes convinced there is a connection between the man she saved and the loss of her son, her emails recount her efforts to trace him. When she does, Rachel embarks on a mission to make his life of value, as if that can replace the positive impact on the world she’s sure her son would have had. Unfortunately, Ben is not a brain surgeon saving countless others lives but a dog walker. However, that doesn’t deter Rachel and she comes up with a plan for a joint business venture. But is her idea a valuable service, an astute identification of a gap in the market or the sign of her need to control events? I felt usettled by how much she invests in it, both emotionally and financially, especially given I couldn’t really warm to Ben.

Despite the sad events underpinning the story, there are moments of humour. For example, Rachel’s unspoken response to the question about whether the ginger biscuits she’s brought to a prayer meeting are vegan. Or, when returning on the Tube and finding herself quietly repeating a phrase she’s heard at the meeting, her observation that ‘There’s nothing unusual about chanting “all in God’s plan” on the Northern line’.

The most powerful element of the book for me was the way it demonstrated just what an impact ill-thought-out words and deeds can have on someone going through what Rachel is, what she describes at one point as being ‘haunted by other people’s clumsy words’. Something for us all to bear in mind, I think.

In three words: Perceptive, tender, heartbreaking

Try something similar: Train Man by Andrew Mulligan

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Katie AllenAbout the Author

Everything Happens for a Reason is Katie’s first novel. She used to be a journalist and columnist at the Guardian and Observer, and started her career as a Reuters correspondent in Berlin and London. The events in Everything Happens for a Reason are fiction, but the premise is loosely autobiographical. Katie’s son, Finn, was stillborn in 2010, and her character ’s experience of grief and being on maternity leave without a baby is based on her own. And yes, someone did say to her ‘Everything happens for a reason’.

Katie grew up in Warwickshire and now lives in South London with her husband, children, dog, cat and stick insects. When she’s not writing or walking children and dogs, Katie loves baking, playing the piano, reading news and wishing she had written other people’s brilliant novels.

Connect with Katie
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