#Extract Lights Along The Interstate by Adam Fike

My guest today on What Cathy Read Next is Adam Fike whose novella Lights Along The Interstate was published in December 2018 and is available in paperback and as an ebook. It’s described as ‘The Canterbury Tales meets Paradise Lost at a classic roadside diner. Except the apple falls from a needle this time’. Intriguing, huh?

Readers have described it as ‘beautifully written’, ‘powerful’, ‘thought-provoking’ and ‘a fun little novella’. If you love interconnected stories or fancy a quick read, this may be the book for you. There’s an extract below to whet your appetite…


About the Book

Book cover of Lights Along The Interstate by Adam Fike

A retirement home escapee is off to parts unknown. The Devil quits (he’s in love with a waitress). Unexpected gunshots create late-night companions. A traveling salesman gets to choose his own place in the Universe. A wandering ex-priest looks for answers between the lines of a legal pad. Somebody’s flinging pennies at a naked businessman and she’s not at all sorry it hurts. Stranded, a student finds himself, and dinner, in the middle of nowhere. A drunk widow skips the service. A long overdue family reunion solves nothing and resolves everything. Then two lost kids the age of grownups decide something really big for the rest of us. And the Bus Driver? Well, all he’s praying for is a good night’s sleep.

Format: Paperback (136 pages) Publisher:
Publication date: 26th December 2018 Genre: Contemporary Fiction

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Purchase Lights Along The Interstate from Amazon UK or Amazon.com


Extract from Lights Along The Interstate by Adam Fike

I’ll bet the first time he came in it was just for coffee and maybe some pie, the pale man says.

Irene fills the guy in the corner booth’s cup and clomps away.

But it’s that waitress that keeps him coming back, he says. See how she wears one of those pink waitress-type uniforms with the frill at the bottom? That’s his thing, I’m telling you. Irene is the name on her blouse. Irene the mean? Irene the dream? He wants to know. Irene the queen, he imagines, because she looks like a princess to him.

The Reverend chuckles.

Trust me, I’m very, very good at this, he says.

Mitchell’s right. Every time the nervous Trucker pulled into town, he spent a few hours in a corner booth at the diner, just picking up clues about the waitress named Irene. Sometimes, he drove hundreds of miles out of his way, picking up his route the next morning without telling anyone. She got off every night at a quarter until two, so it always worked out, and he never lost time. Earlier that night, he decided to finally make his move.

Irene works her way past the metal-trimmed tables, wiping and cleaning.

Tonight, maybe he’d drop a quarter into the jukebox selector at his booth. Maybe not. What sort of thing would she like? He didn’t know. The Trucker looks at his watch. The place just wasn’t right. Too bright. Too shiny. Behind the counter, the rims around the cushions on the stools, the edges around the walls. Bouncing florescence. Tubes of bees. Not romantic. Windows like big mirrors. Not how it was in his mind. Sitting there looking at himself doesn’t do anything for his courage.

At the counter, the drunk Hunter burps over his eggs. He didn’t bother to take off his big orange hunting vest. Or his sidearm. A fork hits the floor. When Irene bends for it, the old drunk is still sober enough to notice.

The Trucker in the corner booth shifts, agitated as Irene rounds the counter toward him, grinding her gum below a heavy, end-of-day glaze.

Anything else, she asks.

The nervous Trucker locks up tight and skids. Irene stares back at him.

Well, she asks.

Nah, he mumbles, slack-jawed, shifting his eyes between her and the floor. She reaches for his cup.

There’s a noise behind her at the counter, like water out of a bucket. Eggs and bourbon coat both the floor and man, now moaning with his head in his hands. No one moves. A happy, neon-faced clock ticks.

The Trucker in the corner booth blinks up at Irene as she glares at the old drunk in disgust. The Trucker doesn’t know what to do, so he puts his hand on her hand, still frozen to his cup on the table.

Irene glances down at him in surprise. He smiles.

The Reverend drops a few dollars on the table and quickly gathers her things.

Caught off guard, staring down at the Trucker, Irene chuckles. The Trucker hesitates, unsure. First, he laughs a little too. Then a little more. The louder she laughs, the more he laughs. She yanks away her hand and sighs for a long moment.

An explosion beside the counter. Another.

The drunk is on his feet, staggering toward them. Mostly toothless. Angry. Hunting pistol in his hand. Quit your laughing at me, he yells, the shots still ringing in his ears.

The first bullet from the Hunter’s pistol passed directly through the Trucker’s chest. The other through the window over his head. The gum drops from Irene’s mouth as she throws herself back against the counter.

The pale man is stunned, hovering mid-thought at the diner door. The Reverend’s eyes are shut tight, her hands over her face, reflex praying.

Well, I didn’t see that coming, the pale man says.

The Trucker in the corner booth reaches out for Irene to hold him until help arrives. Irene screams, bounding over the counter and through the kitchen door with the grace of a deer. A door slams in the distance. Outside the window, she crosses the parking lot’s circular glow, never looking back.

The Trucker in the corner booth watches her go, confused, then falls dead across the table. The drunk Hunter sits himself up on a stool, puts his gun on the counter and belches.

We should go, the Reverend says and pushes through the door.

The pale man in the suit takes a few steps toward the corner booth.

You might as well come with us, he says.

The Trucker doesn’t move.

Really, it’s no fun watching them cart you off, the pale man says.

The Trucker lifts his head, fuddled.

Come on, the pale man says.

The Trucker stumbles to his feet.

Wait, wait, don’t look down, the pale man says, taking the Trucker by the shoulders and stepping with him toward the door.

Actually, know what, he says. Go ahead and look.

The Trucker gasps at his own dead body.

You would have hated me if I hadn’t let you see that, the pale man says, leading the Trucker out the door and towards the idling bus.


About the Author

Author Adam Fike

Adam Fike co-created Wyndotte Street’s original video library, studied sketch and long-form improv at the Upright Citizens Brigade in Los Angeles and is a former suburban Washington D.C. area newspaper reporter.

Connect with Adam
Website | Goodreads

Book Review – Orbital by Samantha Harvey

About the Book

Six astronauts rotate in their spacecraft above the earth. They are there to collect meteorological data and conduct scientific experiments. But mostly they observe. Together they watch our silent blue planet: endless shows of spectacular beauty witnessed in a single day.

Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. The fragility of human life fills their conversations, their fears, their dreams.

So far from earth, they have never felt more part – or protective – of it. They begin to ask, what is life without earth? What is earth without humanity?

Format: Paperback (135 pages) Publisher: Vintage
Publication date: 5th December 2023 Genre: Contemporary Fiction

Find Orbital on Goodreads

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My Review

‘A hand-span away beyond a skin of metal the universe unfolds in simple eternities.’

This is just one of the stunning sentences that feature in the small but perfectly formed Orbital. Viewed by the astronauts as they orbit the planet, Earth is ‘an unbounded place, a suspended jewel so shockingly bright’. In the course of one day they see daybreak and nightfall as they travel over continents. The fragility of the Earth is brought home as they track the progress of a huge typhoon, able only to measure its movement and observe – later – the damage it has wrought while they slept.

But their existence is fragile too, reliant on the protection of the spacecraft, the remote monitoring of their vital signs, and on each other.

I loved the frequent juxtapositions the author creates. For example, that the astronauts must be at peak fitness in order to undertake the mission yet they will return to Earth less healthy as a result of their time in space. ‘These hearts, so inflated with ecstasy at the spectacle of space, are at the same time withered by it.’ They look down on a living planet but from a place where they could not survive without the spacecraft, and only then if it remains intact. Seen from space the Earth has no visible borders yet they know below there is conflict over those very same borders. And although the astronauts come from a range of countries, the spacecraft is not quite a ‘nationless, borderless outpost’. As mandated by their government, the Russians use a separate toilet and shabbier sleeping quarters.

Thanks to the author’s in-depth research, there is fascinating detail about life aboard the space station, including the practical difficulties of moving around, eating and carrying out everyday activities. And the sort of chores you encounter on Earth still need to be carried out: emptying the rubbish, cleaning toilets.

If there is a weakness in the book, it’s character development. Of the six it was only Chie, the Japanese astronaut, I felt I got to know really well. She feels most keenly the vast distance between herself and Earth when she learns of the death of her mother, sad that she will be unable to carry out the traditional rituals. She calms herself by making lists of ‘anticipated things’, things she will be able to experience or do once back on Earth, such as slamming a door in anger. Tasked with carrying out scientific experiments on mice that require precision and a degree of detachment, she neverthless feels a tenderness towards them as they, like her, struggle to adapt to zero gravity.

There is one particularly striking chapter – ‘Orbit 13’ – that captures the infinitesimally small period of human existence in the ‘cosmic calendar of the universe of life’. Taking the starting point of the Big Bang as 1st January, humans – ‘the most opportunistic and crafty [life]form’ – don’t appear until mid-afternoon on 31st December. And it’s only in the closing second of the year that a vast array of things appear: inventions, scientific discoveries, artistic and philosphical concepts, the birth of famous individuals. The author delivers this in a wonderfully eclectic list that includes everything from teabags, the sprung mattress, W.B. Yeats and the split atom to crowdfunding.

The book has a strong ecological message about the damage being wrought on the Earth by human activity. And not just on the planet either because spacecraft must today navigate through the junkyard of debris that lies in low-Earth orbit. We litter wherever we go, seemingly.

Orbital is one of those books that leaves you with something to ponder on every page, every paragraph even. I can understand why the judges saw fit to award it the Booker Prize.

In three words: Lyrical, thought-provoking, immersive
Try something similar: In This Ravishing World by Nina Schuyler


About the Author

Author Samantha Harvey

Samantha Harvey is the author of five novels, The Wilderness, All Is Song, Dear Thief, The Western Wind and Orbital. She is also the author of a memoir, The Shapeless Unease. Her novels have been shortlisted for the Orange Prize for Fiction, the Guardian First Book Award, the Walter Scott Prize and the James Tait Black Prize, and longlisted for the Man Booker Prize, the Baileys Prize, the Jerwood Fiction Uncovered Prize and the HWA Gold Crown Award. The Western Wind won the 2019 Staunch Book Prize, and The Wilderness was the winner of the AMI Literature Award and the Betty Trask Prize.

Orbital, was published in November 2023 by Jonathan Cape (UK) and Grove Atlantic (US). It was shortlisted for the Orwell Prize for Political Fiction and the Ursula K. Le Guin Prize for Fiction 2024. It is currently on the long list for the Climate Fiction Prize. It is the winner of The InWords Literary Award 2024, the 2024 Hawthornden Prize for Literature and the 2024 Booker Prize.

Samantha lives in Bath, UK, and is a Reader in Creative Writing at Bath Spa University.(Photo: Goodreads author page)

Connect with Samantha
Website