Buchan of the Month: Huntingtower (Dickson McCunn #1) by John Buchan

Buchan of the Month

HuntingtowerAbout the Book

This modern fairy-tale is also the gripping adventure story about Dickson McCunn, a respectable, newly retired grocer who finds himself in the thick of a plot involving the kidnapping of a Russian princess held prisoner in the rambling mansion, Huntingtower. Here, Buchan introduces some of his best-loved characters and paints a remarkable picture of a man rejuvenated by joining much younger comrades in a fight against tyranny and fear.

Format: Paperback, ebook  Publisher: Various
Published: Various [1922]  Genre: Fiction, Adventure

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My Review

Huntingtower is the eighth book in my Buchan of the Month reading project.  You can find out more about the project plus my reading list for 2018 here.  You can also read a spoiler-free introduction to the book here.  My copy of Huntingtower is an undated (but probably 1920’s)  hardcover edition published by Thomas Nelson & Son.

Huntingtower introduces readers to Dickson McCunn, a middle-aged Glasgow grocer newly retired from his successful business.  With his wife away at a health spa, he finds himself at somewhat of a loose end following his retirement.  ‘It was the end of so old a song, and he knew no other tune to sing.  He was comfortably off , healthy, free from any particular cares in life, but free too from any particular duties.’  He decides to take a walking tour of the Highlands.   Early in his travels, he reaches a point in the road where two potential routes converge.   Uncharacteristically, he rejects his intended route, drawn by some whim instead to take the other direction.  The author sagely notes: ‘For he [McCunn] had come, all unwitting, to a turning of the ways, and his choice is the cause of this veracious history.’

Dickson McCunn’s decision results in him becoming involved in an adventure like something out of the romance novels he favours.  There’s a damsel in distress (Princess Saskia) imprisoned in, if not quite a castle, a gloomy Scottish manor house, there’s a gang of bad guys some of whom may be foreigners (or even worse, Bolsheviks) and a lovelorn hero (modernist poet, John Heritage).   But things turn distinctly hairy when it becomes clear that the bad guys will stop at nothing, are large in number and heavily armed.  As Dickson reflects ruefully, ‘Romance, forsooth!  This was not the mild goddess he had sought, but the awful harpy who battened on the souls of men.’  However, he faces down his doubts and fears, clinging steadfastly to the belief that there is a solution to most problems if one one applies a business mind to it (such as some sleight of hand involving a left luggage office) – and that there’s life in the old dog yet.

There’s a lot of humour in the book, chiefly contributed by the exploits of the gang of Glasgow street urchins who come to the aid of Dickson and Heritage in their attempts to rescue the Princess.  The self-styled ‘Gorbals Die-Hards’ are a bit like the militant wing of Sherlock Holmes’ trusty ‘Baker Street Irregulars’.  Their appointed Chieftain is the feisty, courageous and resourceful Dougal.

The book includes two recurring features of Buchan’s adventure stories: a villain who has a great brain but no scruples to go with it; and the idea that only ‘a very thin crust’ separates civilization from anarchy (first explored in Buchan’s early novel, The Power-House).   The book also finds a place in the story for Archie Roylance, the character first introduced in the Richard Hannay novel, Mr. Standfast.

I do need to mention some fine descriptions of food in the book, like that of the splendidly generous Scottish tea that follows.  Those who are observing a strict diet should probably look away now.  ‘There were white scones and barley scones, and oaten farles, and russet pancakes.  There were three boiled eggs for each of them; there was a segment of an immense currant cake…; there was skim milk cheese; there were several kinds of jam, and there was a pot of dark-gold heather honey.’

As an adventure story, Huntingtower is great fun, with some exciting action scenes as the good guys go into battle against the bad guys.  However, there are one or two elements to set against that.  The first is that Buchan has chosen to render a lot of the dialogue in broad Scots, including liberal use of dialect words and phrases, which can at times be difficult to understand and could be off-putting for some readers.  For example,  ‘But if ye’re my nevoy ye’ll hae to keep up my credit, for we’re a bauld and siccar lot’.  No, no idea either.  However, I did like the description of one character as ‘as useless as a frostit tattie’.

Also distinctly off-putting to this reader was an ill-judged reference to Jews, the use of the word ‘cripple’ to describe someone with a disability and a general hostile and suspicious attitude to  foreigners.   However, one must perhaps bear in mind when this book was written (1922) and that language and attitudes we would find offensive today would have been considered less so at the time.

Next month’s Buchan of the Month is Castle Gay, the second novel in the Dickson McCunn trilogy.  Look out for my introduction to the book next week and for my review of Castle Gay towards the end of September

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John BuchanAbout the Author

John Buchan (1875 – 1940) was an author, poet, lawyer, publisher, journalist, war correspondent, Member of Parliament, University Chancellor, keen angler and family man.  He was ennobled and, as Lord Tweedsmuir, became Governor-General of Canada.  In this role, he signed Canada’s entry into the Second World War.   Nowadays he is probably best known – maybe only known – as the author of The Thirty-Nine Steps.  However, in his lifetime he published over 100 books: fiction, poetry, short stories, biographies, memoirs and history.

You can find out more about John Buchan, his life and literary output by visiting The John Buchan Society website.

Buchan of the Month: Introducing…Huntingtower

 

Buchan of the MonthHuntingtower is the eighth book in my John Buchan reading project, Buchan of the Month. To find out more about the project and my reading list for 2018, click here.  If you would like to read along with me you will be very welcome – leave a comment on this post or on my original challenge post.  I’ll be sharing my review later this month.  What follows is an introduction to the book (no spoilers!).

HuntingtowerHuntingtower was published in the UK in August 1922 by Hodder & Stoughton and in the US in November 1922 by George H Doran Company.  Like many of Buchan’s early novels, it had first appeared in serial form, in this case in Street & Smith’s The Popular Magazine in the editions published on 20th August and 7th September 1921.

David Daniell, author of The Interpreter’s House: A Critical Assessment of the Work of John Buchan, describes Huntingtower as ‘a stirring adventure’ and notes that it was the first novel Buchan wrote at Elsfield, the house in Oxfordshire that became his family home.  Buchan scholar Kate MacDonald, describes Huntingtower as an ‘ostensibly gentle thriller’ with ‘elements of classic Stevensonian romance’, a comparison Buchan would no doubt have been happy with given that Robert Louis Stevenson, along with Sir Walter Scott, was one of his literary heroes.

Huntingtower introduces readers to Dickson McCunn, retired middle-aged Glasgow grocer.  He is based on Scottish literary professor, William Paton Ker, to whom the book is dedicated.  In the book, along with modernist English poet, John Heritage, and Scottish landowner, Archie Roylance, Dickson McCunn becomes involved in the rescue of Princess Saskia who has been captured by a group of dastardly Bolsheviks.   The book also introduces the reader to the gang of street urchins known as the ‘Gorbals Die-Hards’ – a sort of equivalent of Sherlock Holmes’ trusty ‘Baker Street Irregulars’.  Kate MacDonald sees the Gorbals Die-Hards as Buchan’s response to the overly sentimental treatment of children (and of rural life in general) in the so-called ‘Kailyard School’ of Scottish fiction that flourished in the late nineteenth and early twentieth century.

Dickson McCunn was to feature in two further Buchan novels – Castle Gay (1930) and The House of the Four Winds (1935) – although MacDonald describes these as ‘continuations’ rather than sequels.   Hodder & Stoughton published a compendium of the stories in 1937 under the title Adventures of Dickson McCunn. A film version of Huntingtower was released in 1927 starring the well-known Scottish music-hall artist of the time, Harry Lauder, as Dickson McCunn.  A six-part BBC TV series was broadcast in 1957 and there was a second adaptation in 1978.

Huntingtower was a reasonable commercial success, selling 18,000 copies in its first year of publication.  Buchan’s biographer, Janet Adam Smith, reports that by 1960 it had combined sales of 230,000.  Huntingtower was published by Penguin in 1956 and this edition had sold 104,000 copies by June 1964.

Sources:

David Daniell, The Interpreter’s House: A Critical Assessment of the Work of John Buchan (Nelson, 1975)

Kate Macdonald, John Buchan: A Companion to the Mystery Fiction (McFarland, 2009)

Janet Adam Smith, John Buchan: A Biography (OUP, 1985 [1965])