#BlogTour #GuestPost After the Rising & Before the Fall by Orna Ross

After the Rising &Before the Fall Centenary Edition Blog TourToday I’m delighted to be taking part in the blog tour to celebrate the special edition of After the Rising & Before the Fall by the acclaimed Irish historical novelist and poet, Orna Ross. It marks the centenary of the Irish Civil War of 1922/3 the events of which form the background to the books. Based on Orna’s own family history, the book was an instant bestseller when it was first published by Penguin Ireland 20 years ago. It has now been reissued by the author and is also being made available for the first time in audiobook format.

I’m delighted to bring you a guest post in which Orna writes about the events that inspired the novels, including her own family history.

WinAnd there’s also a giveaway (open internationally) with a chance to win a signed paperback copy of After the Rising & Before the Fall. Enter before 30th June 2022 by following this link Orna Ross: After the Rising & Before the Fall Signed Book Giveaway


After-the-Rising-and-Before-the-Fall-Cover-EBOOK-scaled-1About the Book

A love forbidden by family. A feud spanning generations. A woman still yearning for freedom.

Twenty years after she was driven away from her family and the only man she ever truly loved, Jo Devereux has returned to the small Irish village where she grew up. And this time, she wants answers.

What happened to her family during the Irish Civil War? Did her great-uncle’s best friend really shoot him dead? And what did this “war of the brothers” mean for mothers, sisters and daughters?

Searching through papers bequeathed by her estranged mother, Jo uncovers astonishing truths about her grandmother and great-aunt – secrets of a cold-blooded murder with consequences that ricocheted down the generations into her own life.

Urged on by Rory O’Donovan, her lost love and the son of her family’s sworn enemies, Jo is tempted to reignite the fires of rebellion. Can she ever go back to the life she’d made for herself in San Francisco? Or will what she’s learning about her heritage incite her to cast off caution–and claim what should have been hers?

Find After the Rising & Before the Fall on Goodreads

Purchase links
Author website | Amazon UK
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After the Rising & Before the Fall by Orna Ross – A Guest Post

In William Faulkner’s words, “The past is never dead. It’s not even past.”

In 1923, my father’s uncle was shot dead in the civil war known in Ireland as “The War of the Brothers.” I wrote this book because I wanted to know how but mainly to explore the deep silences around the event – why nobody talked about this civil war which I knew, from my fiery great-aunt, had been a “war of the sisters” too.

Silences

I grew up in a village in the south-eastern corner of Ireland, called Murrintown. Back then it was tiny – no more than a handful of houses, a church, a post office, and our shop and pub – but small as it was, an unspoken divide separated its few families.

As children, we knew who was one of ‘us’. Nobody put into words who or what ‘we’ were, but we carried the divide within us. We were born it and we passed it on, without asking why. I knew from my fiery aunt that it was something to do with being a republican, but I wasn’t quite sure what a republican was.

Our Irish school history books were full of our glorious Easter 1916 Rising against British rule, of the glorious War of Independence of 1918 to ’21, of our glorious admission into the League of Nations in 1924. But the Civil War of 1922/23? That was a blank page.  And, as my father’s uncle had been killed in that war (murdered, my great-aunt said), that was the one I wanted to know more about.

Was it true that he’d been shot dead by his best friend? That he’d been killed because he was in the IRA (the “old IRA” who were heroes, I was told, not the new IRA who were then bombing Northern Ireland and the UK)? How could this have happened? My persistent questions got vague answers. Nobody knew anything. Least said, soonest mended. Whatever you say, say nothing.

Someday, I told my friend who sat beside me in school, I was going to write a book about all this. Then I grew up, and rejected it all – the public, nationalist politics and the private family history. I left home, went to university, found feminism and a different way of thinking about everything.

When you reject something, though, you’re not indifferent – as I learned when, approaching middle-age, I set about fulfilling that long-ago vow to my friend, and beginning that long-promised book, though my aunt was now dead.

I turned to old County Wexford newspapers, old documents in libraries and archives, old books written by those who’d been part of the conflicts of that time. I began to make notes. And somewhere along the line, research and memory gave way to imagination. I never did find out what really happened to my great-uncle. It turned out that I was writing a novel.

In my book, I tell the story of another family, the Devereux-Parles, similar-but-different to my family. The narrator is a progressive young woman, Jo Devereux, similar-but-different to me, tracing her family history back to a similar-but-different event to the one that shadowed my childhood.

Centenary Edition

It’s now almost 100 years since the events they describe happened and today Ireland is at the end of a ten-year programme commemorating “the many significant centenaries” of the decade from 1913 to 1923”, including the suffrage movement, the trade union struggles, the Easter Rising of 1916, the foundation of the Irish Free State, and they promise, the Civil War.

What happened to Jo, her ancestors and descendants, has now grown into a three-volume saga, After the RisingBefore the Fall and In the Hour, covering the lives of five generations of women, across two continents. I will launch the third volume of the book next year, in 2023, 100 years after my uncle was shot.

As I look back over the writing of this trilogy, I see now why it had to be a novel. Only the inventions of fiction could contain the truths of that time – and its ambivalent legacy. Only fiction could recreate those people who’d been wiped out of the history books. I hope they, and their way of life, will live again for you as you read.

So, it felt timely to re-release a centenary edition of the first two volumes of this Irish trilogy in advance of publishing the third and final book of this story.


Orna RossAbout the Author

Orna Ross is a bestselling and award-winning independent author. She writes historical fiction – mostly multi-generational murder mysteries – inspirational poetry and, as Orna A Ross, creative and publishing guides for authors. Born and raised in County Wexford, in the south-east corner of Ireland, she now lives in London and in St Leonard’s-on-Sea, in the south-east corner of England. In 2012, she founded the award-winning non-profit organization, the Alliance of Independent Authors (ALLi), with her husband and business partner.

Connect with Orna
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#WWWWednesday – 1st June 2022

WWWWednesdays

Hosted by Taking on a World of Words, this meme is all about the three Ws:

  • What are you currently reading?
  • What did you recently finish reading?
  • What do you think you’ll read next?

Why not join in too?  Leave a comment with your link at Taking on a World of Words and then go blog hopping!


Currently reading

News of the DeadNews of the Dead by James Robertson (Hamish Hamilton)

Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time.

In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach.

Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community.

In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own.

The Fire KillerThe Fire Killer (DI Barton #5) by Ross Greenwood (eARC, Boldwood Books)

When DI Barton is asked to investigate a seemingly innocuous fire that kills, he believes it’s either children fooling around or a worrying racially motivated crime.

As he delves deeper into the case, he soon realises that there is a history of similar blazes spread out over many years, all within a close area. And after an idea is suggested by pathologist Mortis, Barton suspects he has the arsonist’s motives wrong.

When a night worker comes forward with a tip, Barton narrows down the suspects. Yet all of them act suspiciously and he knows for sure that one or more of them are lying. And when a huge house blaze shocks everyone, Barton fears the killer has lost all control.

Who is The Fire Killer? What will be next to burn?


Recently finished

Twenty-Eight Pounds Ten Shillings: A Windrush Story by Tony Fairweather (HopeRoad Publishing)

Young Women by Jessica Moor (Zaffre)

Portable Magic: A History of Books and their Readers by Emma Smith (Allen Lane)


What Cathy (will) Read Next

Villager Cover ImageVillager by Tom Cox (eARC, Unbound)

There’s so much to know. It will never end, I suspect, even when it does. So much in all these lives, so many stories, even in this small place.

Villages are full of tales: some are forgotten while others become a part of local folklore. But the fortunes of one West Country village are watched over and irreversibly etched into its history as an omniscient, somewhat crabby, presence keeps track of village life.

In the late sixties a Californian musician blows through Underhill where he writes a set of haunting folk songs that will earn him a group of obsessive fans and a cult following. Two decades later, a couple of teenagers disturb a body on the local golf course. In 2019, a pair of lodgers discover a one-eyed rag doll hidden in the walls of their crumbling and neglected home. Connections are forged and broken across generations, but only the landscape itself can link them together. A landscape threatened by property development and superfast train corridors and speckled by the pylons whose feet have been buried across the moor.