Book Review – Piranesi by Susanna Clarke

About the Book

Book cover of Piranesi by Susanna Clarke

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

There is one other person in the house — a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Format: Paperback (245 pages) Publisher: Bloomsbury
Publication date: 15th September 2020 Genre: Fantasy, Mystery

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My Review

Piranesi was the book chosen for the October edition of BBC Radio 4’s Bookclub, hosted by broadcaster and author Jim Naughtie. I attended the recording of the programme on 25th September and joined an audience of readers to hear its author Susanna Clarke answer questions about the book. The programme will be transmitted on Sunday 6th October 2024 and is available after that on BBC Sounds (as are all previous episodes of the programme). My review is a combination of my own thoughts about the book and my recollections of the conversation that took place during the recording.

I’ll confess that for the first 80 or so pages of the book I felt completely lost, as if I was in some sort of labyrinth myself. I found myself wondering was Piranesi in an actual building? If so, how did he get there, and why? Perhaps it was all in his head and the House was some sort of analogy for mental illness? I think I was actually trying too hard to make sense of things and when I let myself go with the flow, as it were, I found myself drawn into this strange world the author has created. She admitted her favourite books as a child were C. S. Lewis’s Narnia series and one can see how this would have inspired her conception of the House. Susanna is also an admirer of the works of Jorge Luis Borges. If you’re looking for other intertextual links – as I often find myself doing – than the legend of the Minotaur is certainly one and I also found myself thinking of The Palace of Green Porcelain the Time Traveller discovers in H. G. Wells’ The Time Machine.

Piranesi, which he knows instinctively is not his real name but is the one given to him by the mysterious Other, has a childlike innocence. (The choice of the name Piranesi is no accident. Giovanni Battista Piranesi was an 18th century Italian architect who, amongst other things, produced a series of prints depicting fantastical subterranean prisons.) Where others might find the House forbidding, “our” Piranesi finds it a nurturing entity. It provides him with shelter and food – fish and shellfish – and seaweed which he dries and uses to create all manner of things. He spends his days exploring the various floors and vast halls that make up the House – some of which are derelict – and meticulously recording his findings in journals, his only means of recording the passing of time. Amongst the artefacts in the house are hundreds of statues depicting human figures and animals.

He believes himself to be alone in the House and one of only two living people in the world, the second being the man he knows as the Other. The Other arrives promptly every Tuesday and Thursday in the main vestibule of the House but never ventures any further in. Piranesi looks upon him as a kindly presence because of the useful things he sometimes brings him, such as a pair of shoes or a new supply of multivitamins. I don’t think I’ll be alone in regarding the Other’s intentions as distinctly sinister and manipulative.

Having initially struggled a bit with the fantasy element of the book, surprisingly I found myself regretting when it became more of a mystery as we gradually discover how and why Piranesi came to be in the House. Having said that, in Piranesi the author has created a character you won’t forget, and in the House, the sort of place you might encounter in your dreams.

In three words: Imaginative, fantastical, mysterious
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About the Author

Author Susanna Clarke

Susanna Clarke’s debut novel Jonathan Strange & Mr Norrell was first published in more than 34 countries and was longlisted for the Man Booker Prize and shortlisted for the Whitbread First Novel Award and the Guardian First Book Award. It won British Book Awards Newcomer of the Year, the Hugo Award and the World Fantasy Award in 2005. 

The Ladies of Grace Adieu, a collection of short stories, some set in the world of Jonathan Strange & Mr Norrell, was published by Bloomsbury in 2006. Piranesi was a New York Times and Sunday Times bestseller, was shortlisted for the Costa Novel of the Year Award and the RSL Encore Award and won the Women’s Prize for Fiction 2021. Susanna Clarke lives in Derbyshire. (Photo: Amazon author page)

Book Review – normal rules don’t apply by Kate Atkinson

About the Book

Book cover of normal rules don't apply by Kate Atkinson

In this first full collection since Not the End of the World, we meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a man whose luck changes when a horse speaks to him.

With clockwork intricacy, inventiveness and sharp social observation, Kate Atkinson conjures a feast for the imagination, a constantly changing multiverse in which nothing is quite as it seems . . .

Format: Paperback (240 pages) Publisher: Penguin
Publication date: 23rd May 2024 Genre: Short Stories

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My Review

This was a book club pick and almost without exception members enjoyed this engaging collection of short stories. For many, this was their first time reading Kate Atkinson’s work.

From the very first story the reader is immersed in a world where unpredictable things happen but often in the most everyday of situations, such as in a Waitrose supermarket in the opening story, ‘The Void’. Even when you’re dead, as in ‘Blithe Spirits’, it turns out there are rules of time and place you might not expect.

I loved the interconnections between the stories some of which are so ‘under the radar’ you might only pick up on them on a second reading. My favourite involved an 18th century patterned wallpaper. One character, Franklin, appears in a number of stories although his life does not necessarily follow a linear pattern, alluding to the final story, ‘What If?’.

One of my favourite stories was ‘Spellbound’ in which a fairy tale is combined with a depiction of the stresses and strains of contemporary family life, and whose last line filled me with delight at its cleverness. There are some memorable characters, such as the eponymous heroine of ‘Shine, Pamela! Shine!’ who the author manages to make both a figure of fun and someone for whom you have sympathy. The only story I didn’t care for was ‘Existential Marginalization’ but only because I found it genuinely creepy. However, other book club members who don’t mind dark aspects to a story loved it.

As well as all the clever interconnections, there are some recurring themes including motherhood and the environment. The latter is most obvious in the story ‘Gene-sis’ (superbly clever title given what unfolds) in which the damage humans wreak on the planet is seemingly beyond even the Creator to prevent.

normal rules don’t apply (including of punctuation) is a really enjoyable collection of short stories whose myriad interconnections means it’s best read as one continuous whole rather than dipping in and out of individual stories. And it’s a book that would definitely repay rereading to pick up all the little connections between stories you missed first time around.

In three words: Playful, inventive, entertaining
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About the Author

Author Kate Atkinson

Kate Atkinson is one of the world’s foremost novelists. Her most recent novel, Shrines of Gaiety, set in the aftermath of the First World War, is a Sunday Times bestseller. She won the Whitbread Book of the Year prize with her first novel, Behind the Scenes at the Museum.

Her three critically lauded and prize-winning novels set around the Second World War are Life After Life, an acclaimed 2022 BBC TV series, A God in Ruins (both winners of the Costa Novel Award) and Transcription. Her bestselling literary crime novels featuring former detective Jackson Brodie, Case Histories, One Good Turn, When Will There Be Good News? and Started Early, Took My Dog, became a BBC TV series starring Jason Isaacs. Jackson Brodie later returned in the novel Big Sky.

Kate Atkinson was awarded an MBE in 2011 and is a Fellow of the Royal Society of Literature.