#BlogTour #BookReview The Improbable Adventures of Miss Emily Soldene: Actress, Writer, and Rebel Victorian by Helen Batten @AllisonandBusby

Improbable Adventures Twitter blog tour graphic

Welcome to today’s stop on the blog tour for The Improbable Adventures of Miss Emily Soldene: Actress, Writer, and Rebel Victorian by Helen Batten. My thanks to Helen at Helen Richardson PR for inviting me to take part in the tour and to Allison & Busby for my review copy. Do be sure to check out the reviews by the other book bloggers taking part in the tour.


The Improbable Adventures of Emily SoldeneAbout the Book

‘I rode on the stage in such style, that the men in front forgot I was a girl, and also forgot to laugh.’

From humble beginnings as the daughter of a Clerkenwell milliner, Emily Soldene rose to become a leading lady of the London stage and a formidable impresario with her own opera company. The darling of London’s theatreland, she later reinvented herself as a journalist and writer who scandalised the capital with her backstage revelations.

Weaving through the spurious glamour of Victorian music halls and theatres, taking encounters with the Pre-Raphaelites and legal disputes involving Charles Dickens in her stride, Emily became the toast of New York and ventured far off the beaten track to tour in Australia and New Zealand. In The Improbable Adventures of Miss Emily Soldene, a life filled with performance, travel and incident returns to centre stage.

Format: Hardcover (320 pages)               Publisher: Allison & Busby
Publication date: 23rd September 2021 Genre: Nonfiction, Biography

Find The Improbable Adventures of Miss Emily Soldene: Actress, Writer, and Rebel Victorian on Goodreads

Purchase links
Bookshop.org
Disclosure: If you buy a book via the above link, I may earn a commission from Bookshop.org, whose fees support independent bookshops

Publisher | Hive | Amazon UK
Links provided for convenience only, not as part of an affiliate programme


My Review

Helen Batten’s fascinating book explores Emily’s eventful journey from country girl, to music hall artiste, to doyenne of opera bouffe, to theatrical producer, novelist and journalist.  She also brings out of the shadows Emily’s family – her husband, children, nephews and nieces – who are curiously absent from not only Emily’s memoirs but also largely from her life and career. The exception is the relationship between Emily and her sister, Clara, the dynamics of which the author explores in some detail.

Helen Batten admits in her introduction that there are gaps in Emily’s memoirs – and sometimes downright untruths – which she has filled either with information from other sources or with speculation. The latter is always well-argued and insightful. By the way, in the introduction Helen explains her own very particular connection to Emily Soldene.

Alongside Emily’s story, the author includes fascinating nuggets of social history whether that’s contemporary attitudes to marriage and parenting roles, the Victorian male’s predeliction for saucy postcards, the prevalence of the casting couch in Victorian theatre, or the beginnings of the cult of celebrity journalism. Clearly the product of extensive research, this historical detail is delivered in an accessible way that never feels heavy-handed. Helen Batten also takes the opportunity to bring other female theatrical entrepreneurs out of the shadows, such as Charlotte Cushman, a singer and actress who became the first female theatre manager in the United States.

The author makes judicious use of excerpts from Emily’s memoirs and her newspaper columns. These really allow Emily to come alive, showcasing her keen observational skills and wicked sense of humour. One example is her less than complimentary observations about New York ladies of 1874: ‘They wore diamonds at the breakfast table, and cut through the vast space of the hotel dining-room with elevated, thin, nasal, metallic voices that made one’s skin creep.’ Being thin is something Emily herself could never be accused of.  Many years later attending the Motor Show at Olympia Emily imagines the conversation in the salon set aside for members of the Ladies’ Automobile Club: ‘Tea and transmissions, coffee and clutches, macaroons and magnetos, discussed with ardour and zest’.   As the author rightly observes of Emily’s journalism, ‘Her joie de vivre bubbles up in her prose like the literary equivalent of Offenbach’s champagne bounce’.

There is a great cast of secondary characters with walk-on parts for, among others, Charles Dickens, Oscar Wilde (‘unconvential, not to say impertinent’ remarks Emily) and aristocratic figures such as Lord Dunraven, whom Emily describes admiringly as ‘Gay, bright, clever and full of life; and who after the opera would walk home with us, cut the cold beef, and open the oysters and stout with the unconvential facility of the man who has been everywhere…’  As it happens, oysters and stout feature prominently in Emily’s life.

During her life Emily was also witness to many historic events including the 1908 London Olympics, the Sidney Street siege, the opening of the Central Line of the London Underground, and even the invention of the mobile phone. Yes, really… okay, an early version of it.  About the latter Emily wonders with uncanny prescience whether it will prove ‘a beneficent boon or a holy terror’.

As well as being a fascinating, impeccably researched and hugely entertaining read, the book contains some wonderful photographs of Emily, members of her family and of locations mentioned in the book. I absolutely loved following Emily’s ‘improbable adventures’ as she criss-crosses the globe. The book is a picture of a woman who lived life at full tilt and on her own terms; an example of girl power in the Victorian age, if you like.

In her introduction to the book, Helen Batten observes that Emily’s memoirs don’t tell the whole story. She writes, ‘I think she left some of the best bits out. So I’ve put them back in’. Helen, you absolutely did.

In three words: Fascinating, spirited, entertaining

Follow this blog via Bloglovin


Helen BattenAbout the Author

Helen Batten is the Sunday Times bestselling author of Sisters of the East End, and of The Scarlet Sisters which told the story of her grandmother’s life. She is also the co-author of Confessions of a Showman: My Life in the Circus, Gerry Cottle’s autobiography.

After reading history at Cambridge, Helen studied journalism at Cardiff University. She went on to become a producer and director at the BBC. She now works as a writer and psychotherapist. She lives in West London with her three daughters.

Connect with Helen
Twitter | Goodreads

Emily Soldene twitter quote

BlogTour #BookReview Daughters of War (Daughters of War 1) by Dinah Jefferies @RandomTTours @fictionpubteam

Daughters of War BT Poster

Welcome to today’s stop on the blog tour for Daughters of War by Dinah Jefferies, the first in a new series set in World War 2 occupied France. My thanks to Anne at Random Things Tours for inviting me to participate in the tour and to HarperCollins for my digital review copy.


Daughters of War CoverAbout the Book

France, 1944. Deep in the river valley of the Dordogne, in an old stone cottage on the edge of a beautiful village, three sisters long for the end of the war.

Hélène, the eldest, is trying her hardest to steer her family to safety, even as the Nazi occupation becomes more threatening. Élise, the rebel, is determined to help the Resistance, whatever the cost. And Florence, the dreamer, just yearns for a world where France is free.

Then, one dark night, the Allies come knocking for help. And Helene knows that she cannot sit on the sidelines any longer. But bravery comes at a cost, and soon the sisters’ lives become even more perilous as they fight for what is right. And secrets from their own mysterious past threaten to unravel everything they hold most dear…

Format: Paperback (544 pages)              Publisher: HarperCollins
Publication date: 16th September 2021 Genre: Historical Fiction

Find Daughters of War (Daughters of War #1) on Goodreads

Purchase links
Bookshop.org
Disclosure: If you buy a book via the above link, I may earn a commission from Bookshop.org, whose fees support independent bookshops

Hive | Amazon UK
Links provided for convenience only, not as part of an affiliate programme


My Review

Told in alternating chapters from the point of view of Hélène, Élise and Florence, the author carefully delineates the three sisters’ personalities. Hélène is sensible, cautious and feels a keen sense of responsibility towards her younger sisters in the absence of their mother. Élise is impulsive, courageous but at times heedless of the risks to which she exposes herself and her sisters. Florence is sensitive, caring and has an instinctive feeling for the natural world.  At first, the sisters lead a charmed life, tucked away in their cottage and fortified by the food Florence seems to be able to create out of nothing.  They are also fortunate to have, or have come into their lives, three handsome men who offer them practical help, reassurance and often a little bit more.

It is Hugo, the local doctor, and his wife Marie, who initially experience the realities of life under the Nazis. However, everything also changes for the sisters following a brutal encounter (the nature of which may be triggering for some) which is quite different in tone from that of the book so far.  In fact, this event signals a change to a much more dramatic storyline during which the author explores in minute detail how each of the sisters respond emotionally to the often traumatic experiences they witness. The revelation concerning their mother towards the end of the book, although resolving a mystery signalled early on, may not come as that much of a surprise to the observant reader but does bring unexpected complications.

What the book does particularly well is convey the realities of life under German occupation: the violence of the Vichy-supporting Milice, the fear of reprisals for acts of sabotage by the Resistance, the shortages of food and fuel.  It’s a time of distrust, divided loyalties and uncertainty about what tomorrow might bring.  After all, how can you plan for the future when you don’t even know if you’ll be there to see it? ‘The world was cracking and splintering deep in its bowels. And people were falling through the cracks, never knowing which of them was going to meet their fate.’

Another strength of the book is its descriptions of the landscape of the Dordogne, a gift surely to the area’s tourist board.  So, through the eyes of the sisters, the reader is given a picture of ‘the languid twists of the river’ from which can be seen castles perched on high cliffs and fortified hilltop towers with old stone walls.

The first in a planned trilogy, in the concluding chapters of Daughters of War the author lays the groundwork for a number of possible story arcs in subsequent books.

In three words: Romantic, sweeping, dramatic

Try something similar: The Girl From Vichy by Andie Newton

Follow this blog via Bloglovin


Dinah Jefferies Author PicAbout the Author

Dinah Jefferies began her career with The Separation, followed by the number 1 Sunday Times and Richard and Judy bestseller, The Tea-Planter’s Wife. Born in Malaysia, she moved to England at the age of nine. As a teenager she missed the heat of Malaysia, which left her with a kind of restlessness that led to quite an unusual life. She studied fashion design, went to live in Tuscany where she worked as an au-pair for an Italian countess, and there was even a time when
Dinah lived with a rock band in a ‘hippie’ commune in Suffolk.

In 1985, the death of her fourteen-year-old son changed everything and she now draws on the experience of loss in her writing. She started writing novels in her sixties and sets her books abroad, aiming to infuse love, loss and danger with the extremely seductive beauty of her locations.

Connect with Dinah
Website | Twitter | Facebook

Daughters of War Graphic