#ThrowbackThursday #BookReview The Book of Forgotten Authors by Christopher Fowler

Christopher FowlerIt wasn’t just the authors included in this book I’d forgotten about but the book itself until another user on Goodreads liked my review of it recently. Reading my thoughts on it again, I was reminded how much I enjoyed it so I thought I’d share my review again, especially once I found out that its author, Christopher Fowler, sadly died earlier this year.

You can read his own version of his obituary and others by friends and fellow authors here. Gone but definitely not forgotten.


TheBookofForgottenAuthorsAbout the Book

Absence doesn’t make the heart grow fonder. It makes people think you’re dead.

So begins Christopher Fowler’s foray into the back catalogues and back stories of 99 authors who, once hugely popular, have all but disappeared from our shelves. Whether male or female, domestic or international, flash-in-the-pan or prolific, mega-seller or prize-winner – no author, it seems, can ever be fully immune from the fate of being forgotten. And Fowler, as well as remembering their careers, lifts the lid on their lives, and why they often stopped writing or disappeared from the public eye.

These 99 journeys are punctuated by 12 short essays about faded once-favourites: including the now-vanished novels Walt Disney brought to the screen, the contemporary rivals of Sherlock Holmes and Agatha Christie who did not stand the test of time, and the women who introduced us to psychological suspense many decades before it conquered the world.

This is a book about books and their authors. It is for book lovers, and is written by one who could not be a more enthusiastic, enlightening and entertaining guide.

Format: Hardcover (352 pp.)        Publisher: riverrun
Published: 5th October 2017          Genre: Non-Fiction

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Amazon.co.uk ǀ Waterstones
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My Review

Reading The Book of Forgotten Authors is like browsing in the best second-hand bookshop in the world. That’s second-hand bookshop, mind – not antiquarian bookshop – because the works of the authors featured in Christopher Fowler’s hugely entertaining book are the sort you’d most likely find on the bargain shelf or in a cupboard box near the door.

From (too) much time spent in said second-hand bookshops over the years, I pride myself on having a good knowledge of authors and confidently expected to recognise most of the names mentioned. I was wrong. Over 80% were completely unknown to me and of the rest, some only sparked recognition once I’d read their entry and the titles of some of their books.  I confess to feeling a little thrill of pride on the few occasions a book was mentioned that resides somewhere on the many bookshelves in our house.  Yes, I’m talking about you Richard Hughes (In Hazard, A High Wind in Jamaica).

There were some authors whose inclusion frankly surprised me: Denis Wheatley, Barbara Pym, Marjory Allingham, Georgette Heyer, Winifred Watson. However, when I thought about it further, they may have name recognition but does anyone still buy, borrow or read their books? Which, surely, is Christopher Fowler’s main argument. And, am I the best person to judge? After all, I’m lucky enough to be part of the book blogging community containing some of the best read people on the planet.

The author clearly has an eclectic and esoteric taste in books and, despite his best efforts, some of the authors seem justifiably forgotten to me. I only jotted down a handful of titles to look out for during my next foray into a second-hand bookshop. However, even if the books don’t sound appealing (and, on occasions, the authors likewise), the joy of this book is the wit and humour of each bookish vignette.  For those of us who occasionally struggle to write reviews, the author provides an object lesson in conciseness, managing to summarise books in a single sentence and an author’s life story in a few pages.

So why do authors become forgotten? If I may attempt to emulate the author’s brevity, here are my thoughts in 9.9 (rounded up to 10) bullet points:

  • They wrote too much
  • They wrote too little
  • They wrote in an unpopular genre or format
  • They died
  • Their books went out of print
  • They were usurped by the fame of their character
  • Their book became a more famous film, play, musical
  • They were overshadowed by another contemporaneous author
  • They wrote under many pseudonyms
  • They wrote ‘challenging’ books

To some extent, The Book of Forgotten Authors looks back to an age of traditional publishing when there were few alternative avenues for authors to publicise their books. Today, with the advent of independently published and self-published books, the appearance of new genres (Young Adult, New Adult, etc) and the sheer explosion in the number of titles available, it’s interesting to wonder who the ‘forgotten authors’ of tomorrow will be.

The Book of Forgotten Authors is a treat for bibliophiles and would make a fantastic addition to any book lover’s Christmas present list. It’s ideal for dipping in and out of, using as a reference guide or as a source of inspiration for the bookish equivalent of the jaded palate. I can imagine it triggering many conversations starting with, “Listen to this….” and attracting curious glances at the reader due to its laugh out loud moments. Speaking of the latter, here are a few of my favourites:

  • [On Dan Brown] ‘He makes readers turn pages, and he’s fun to read, albeit in the same way that you’d watch a viral video of a drunk Russian falling over a railing.’
  • [On R. M. Ballantyne] ‘What drew the Scots to literary Tropicana? Did they just enjoy reading books where nobody wore a jumper?’
  • [On The Swiss Family Robinson] ‘This chronicle of survival against pirates, wild animals and the elements went on to become a beloved classic and the most memorable thing about Switzerland except Toblerones and euthanasia…’
  • [On Baroness Orczy, author of The Scarlet Pimpernel] ‘More than a dozen sequels followed, and with the proceeds the Baroness was able to buy an estate in Monte Carlo. As you would.’

In three words: Quirky, engrossing, bookish

Try something similar: Portable Magic by Emma Smith or Bookworm: A Memoir of Childhood Reading by Lucy Mangan

#BookReview #BlogTour The Hollow Throne by Tim Leach @HoZ_Books @AriesFiction @TimLeachWriter #TheHollowThrone

Welcome to today’s stop on the blog tour for The Hollow Throne by Tim Leach. My thanks to Andrew at Head of Zeus for inviting me to take part in the tour and for my review copy.


About the Book

180 AD. North of the Wall, Sarmatian warrior Kai and his adopted tribe, the Votadini, struggle for survival, cast into unfamiliar lands by Roman reprisals.

When news arrives that an old enemy is in charge of the Votadini’s hated foes, a confederation of tribes known as the Painted People, and has roused them to action, Kai heads south towards the Wall, hoping to ally with the Romans against this resurgent threat.

Meanwhile, the Romans have heard tales of butchery and mayhem beyond the Wall. Lucius, Legate of the North, believes it is Kai and his allies who are responsible, and sends forth an expedition to capture his old comrade.

Can Kai and his loved ones survive the onslaught – or will the combined might of Rome and the hatred of their enemies spell the end for the warrior and his tribe?

Format: Hardback (320 pages) Publisher: Head of Zeus
Publication date: 3rd August 2023 Genre: Historical Fiction

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Hive | Amazon UK 
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My Review

The Hollow Throne is the final book in The Sarmation Trilogy. Although it could be read as a standalone, The Hollow Throne has frequent references to events in the two earlier books – A Winter War and The Iron Way – so for full enjoyment I’d recommend starting from the beginning. In addition, there is so much in this final book that rests on the relationships between the main characters that have developed over the course of the series. As it happens, I haven’t read the first book, A Winter War, but I definitely intend to do so because I’m keen to learn more about the characters’ first encounters.

I’d never heard of the Sarmation people before reading The Iron Way and I suspect I wouldn’t be alone in that. Very little is known for certain about them as they left no written records and minimal archaeological evidence, other than that they were a nomadic, warlike people who travelled across the steppes of eastern Europe. However, a gap in the historical record is fertile ground for an author of historical fiction and Tim Leach has taken full advantage of this giving us a picture of a people bound together by ties of kinship but also by sacred oaths and a belief that to die in battle is glorious. And it’s not just the men who fearlessly ride into battle on their mighty steeds but the Sarmatian women too. It’s a culture in which once you’re too old to ride or wield a sword you’re expected to submit to the sword.

The book sees the return of four main characters: Sarmatian warrior Kai; his sister Laimei, known by the war name ‘the Cruel Spear’; Lucius, a Roman commander who, as a result of events in previous books, has formed strong ties with the Sarmatians; and Arite, the wife of Kai’s former friend and also briefly Kai’s lover. An old enemy returns too.

Second century Roman Britain was a dangerous time to be alive and death – violent death – was often close at hand. If you were lucky it was quick but if you weren’t it was anything but. As becomes all too clear, the fearsome Painted People are the masters of the slow death, fuelled by a messianic fervour whipped up by a ruthless and deranged leader who is the subject of the intensely dramatic Prologue.

The author brings a mystical element to the story with characters influenced by visions, dreams, legends handed down through the generations or sacred objects the possession of which can give the possessor untold power or unleash evil on the world. As Kai and his tattered band of comrades face what may be a pivotal confrontation with the Painted People he senses death all around him. ‘The land had forgotten them, but he was certain that its people had not. Ghosts seemed to watch them from every forest and bank of heather, unseen eyes clustering thick about the cairns on the hillsides, peering up from the swift-running river. It was as though an army of vengeful spirits closed about them, and what use were spears against the dead?’ But for those who crave action in their historical fiction, there’s plenty of that as well.

Being the final book in the trilogy, it’s not surprise that there is an elegaic air to it with some relationships repaired and others remaining severed forever because of betrayals and broken promises that can never be forgiven. I found some of the events towards the end of the book intensely moving, especially as the author resists the temptation to give every character a happy ending.

I found The Hollow Throne completely gripping and I can’t wait to see what Tim Leach comes up with next. In the meantime I shall be looking out my copy of A Winter War and adding to my wishlist The King and the Slave, the follow-up to The Last King of Lydia, the book that first introduced me to the author’s work.

In three words: Dramatic, immersive, gripping.

Try something similarA Night of Flames by Matthew Harffy


About the Author

Tim Leach is a graduate of the Warwick Writing Programme, where he now teaches as an Assistant Professor. His debut novel, The Last King of Lydia, was shortlisted for the Dylan Thomas Prize, and his first Sarmation Trilogy novel, A Winter War, was shortlisted for the Historical Writers’ Association Gold Crown Award.

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