#BlogTour #GuestPost After the Rising & Before the Fall by Orna Ross

After the Rising &Before the Fall Centenary Edition Blog TourToday I’m delighted to be taking part in the blog tour to celebrate the special edition of After the Rising & Before the Fall by the acclaimed Irish historical novelist and poet, Orna Ross. It marks the centenary of the Irish Civil War of 1922/3 the events of which form the background to the books. Based on Orna’s own family history, the book was an instant bestseller when it was first published by Penguin Ireland 20 years ago. It has now been reissued by the author and is also being made available for the first time in audiobook format.

I’m delighted to bring you a guest post in which Orna writes about the events that inspired the novels, including her own family history.

WinAnd there’s also a giveaway (open internationally) with a chance to win a signed paperback copy of After the Rising & Before the Fall. Enter before 30th June 2022 by following this link Orna Ross: After the Rising & Before the Fall Signed Book Giveaway


After-the-Rising-and-Before-the-Fall-Cover-EBOOK-scaled-1About the Book

A love forbidden by family. A feud spanning generations. A woman still yearning for freedom.

Twenty years after she was driven away from her family and the only man she ever truly loved, Jo Devereux has returned to the small Irish village where she grew up. And this time, she wants answers.

What happened to her family during the Irish Civil War? Did her great-uncle’s best friend really shoot him dead? And what did this “war of the brothers” mean for mothers, sisters and daughters?

Searching through papers bequeathed by her estranged mother, Jo uncovers astonishing truths about her grandmother and great-aunt – secrets of a cold-blooded murder with consequences that ricocheted down the generations into her own life.

Urged on by Rory O’Donovan, her lost love and the son of her family’s sworn enemies, Jo is tempted to reignite the fires of rebellion. Can she ever go back to the life she’d made for herself in San Francisco? Or will what she’s learning about her heritage incite her to cast off caution–and claim what should have been hers?

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After the Rising & Before the Fall by Orna Ross – A Guest Post

In William Faulkner’s words, “The past is never dead. It’s not even past.”

In 1923, my father’s uncle was shot dead in the civil war known in Ireland as “The War of the Brothers.” I wrote this book because I wanted to know how but mainly to explore the deep silences around the event – why nobody talked about this civil war which I knew, from my fiery great-aunt, had been a “war of the sisters” too.

Silences

I grew up in a village in the south-eastern corner of Ireland, called Murrintown. Back then it was tiny – no more than a handful of houses, a church, a post office, and our shop and pub – but small as it was, an unspoken divide separated its few families.

As children, we knew who was one of ‘us’. Nobody put into words who or what ‘we’ were, but we carried the divide within us. We were born it and we passed it on, without asking why. I knew from my fiery aunt that it was something to do with being a republican, but I wasn’t quite sure what a republican was.

Our Irish school history books were full of our glorious Easter 1916 Rising against British rule, of the glorious War of Independence of 1918 to ’21, of our glorious admission into the League of Nations in 1924. But the Civil War of 1922/23? That was a blank page.  And, as my father’s uncle had been killed in that war (murdered, my great-aunt said), that was the one I wanted to know more about.

Was it true that he’d been shot dead by his best friend? That he’d been killed because he was in the IRA (the “old IRA” who were heroes, I was told, not the new IRA who were then bombing Northern Ireland and the UK)? How could this have happened? My persistent questions got vague answers. Nobody knew anything. Least said, soonest mended. Whatever you say, say nothing.

Someday, I told my friend who sat beside me in school, I was going to write a book about all this. Then I grew up, and rejected it all – the public, nationalist politics and the private family history. I left home, went to university, found feminism and a different way of thinking about everything.

When you reject something, though, you’re not indifferent – as I learned when, approaching middle-age, I set about fulfilling that long-ago vow to my friend, and beginning that long-promised book, though my aunt was now dead.

I turned to old County Wexford newspapers, old documents in libraries and archives, old books written by those who’d been part of the conflicts of that time. I began to make notes. And somewhere along the line, research and memory gave way to imagination. I never did find out what really happened to my great-uncle. It turned out that I was writing a novel.

In my book, I tell the story of another family, the Devereux-Parles, similar-but-different to my family. The narrator is a progressive young woman, Jo Devereux, similar-but-different to me, tracing her family history back to a similar-but-different event to the one that shadowed my childhood.

Centenary Edition

It’s now almost 100 years since the events they describe happened and today Ireland is at the end of a ten-year programme commemorating “the many significant centenaries” of the decade from 1913 to 1923”, including the suffrage movement, the trade union struggles, the Easter Rising of 1916, the foundation of the Irish Free State, and they promise, the Civil War.

What happened to Jo, her ancestors and descendants, has now grown into a three-volume saga, After the RisingBefore the Fall and In the Hour, covering the lives of five generations of women, across two continents. I will launch the third volume of the book next year, in 2023, 100 years after my uncle was shot.

As I look back over the writing of this trilogy, I see now why it had to be a novel. Only the inventions of fiction could contain the truths of that time – and its ambivalent legacy. Only fiction could recreate those people who’d been wiped out of the history books. I hope they, and their way of life, will live again for you as you read.

So, it felt timely to re-release a centenary edition of the first two volumes of this Irish trilogy in advance of publishing the third and final book of this story.


Orna RossAbout the Author

Orna Ross is a bestselling and award-winning independent author. She writes historical fiction – mostly multi-generational murder mysteries – inspirational poetry and, as Orna A Ross, creative and publishing guides for authors. Born and raised in County Wexford, in the south-east corner of Ireland, she now lives in London and in St Leonard’s-on-Sea, in the south-east corner of England. In 2012, she founded the award-winning non-profit organization, the Alliance of Independent Authors (ALLi), with her husband and business partner.

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#BlogTour #BookReview Young Women by Jessica Moor @RandomTTours

Young Women BT PosterWelcome to today’s stop on the blog tour for Young Women by Jessica Moor. My thanks to Anne at Random Things Tours for inviting me to take part in the tour and to Zaffre for my digital review copy via NetGalley.  Do check out the post by my tour buddy for today, Amanda at The Butler Did It.


YM Graphic 3About the Book

Everyone’s got that history, I guess. Everyone’s got a story.

When Emily meets the enigmatic and dazzling actress Tamsin, her life changes. Drawn into Tamsin’s world of Soho living, boozy dinners, and cocktails at impossibly expensive bars, Emily’s life shifts from black and white to technicolour and the two women become inseparable.

Tamsin is the friend Emily has always longed for; beautiful, fun, intelligent and mysterious and soon Emily is neglecting her previous life – her work assisting vulnerable women, her old friend Lucy – to bask in her glow.  But when a bombshell news article about a decades-old sexual assault case breaks, Emily realises that Tamsin has been hiding a secret about her own past. Something that threatens to unravel everything…

Format: Hardback (320 pages)      Publisher: Manilla Press
Publication date: 26th May 2022  Genre: Contemporary Fiction

Find Young Women on Goodreads

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My Review

For the first portion of Young Women I thought I knew exactly where the book was going. Tamsin is the manipulative young woman who wheedles her way into Emily’s life, adjusting her behaviour to be exactly what she thinks Emily needs; a life that’s much more exciting and daring than the one Emily is currently living – a diet of meal deals and a flatmate she hardly ever speaks to. And Tamsin’s an actress so she’ll have no problem putting on a performance and pulling the wool over Emily’s eyes until her true motives are revealed. Except it’s not as simple as that.

Everything changes in the second part of the book when the story becomes much more nuanced, as do the characters.  Gradually we learn that Tamsin and Emily, and Emily’s friend Lucy, have experiences in common none of which have resulted in action being taken against the perpetrators. (It may be a concidence but in each case where they’ve reported what they’ve suffered it was to a woman yet no action was taken.)  A neat counterpoint to this is Renee, Emily’s boss at the Women’s Advocacy Group, who is relentless in her support of women who have suffered sexual violence.

In a turnaround, it’s Emily who sees herself taking the dominant role in her relationship with Tamsin. Here’s her chance to demonstrate her activism by supporting Tamsin in calling out the actions of a powerful and influential figure in the film industry. Emily pictures the two of them being seen as a ‘force to be reckoned with’ taking part in joint interviews as the story reaches the press. She even fantasises about quitting her job to make time for it all. (Ironically, Emily’s has been careless in her handling of an actual case she’s been assigned at work.)  Emily is sure she knows exactly how Tamsin will respond, congratulating herself on ‘getting good at writing her’ so she’s disappointed at Tamsin’s reaction. She’s even more shocked at Tamsin’s subsequent actions, although her own are not exactly laudable. What happens next explores issues of consent and the extent to which there is a responsibility to speak out. Does failing to do so somehow make you complicit?

Although I had some reservations about Emily’s risk-taking behaviour towards the end of the book, Young Women raises some interesting moral questions, bringing to mind cases that have made the headlines in recent years.

In three words: Thought-provoking, intimate, intense

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Jessica Moor Author PicAbout the Author

Jessica Moor studied English at Cambridge before completing a Creative Writing MA at Manchester University. Her debut novel Keeper was published in 2020 to rave reviews and critical acclaim. Jessica Moor was selected as one of the Observer‘s debut novelists of 2020, and Keeper was chosen by the Sunday TimesIndependent and Cosmopolitan as one of their top debuts of the year. Keeper was nominated for the Desmond Elliott Prize and an Edgar Award. Young Women is her second novel.

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