Blog Tour/Review: CWA Anthology of Short Stories ed. by Martin Edwards

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I’m thrilled to co-host today’s stop on the blog tour for the Crime Writers’ Association latest anthology of short stories, subtitled ‘Mystery Tour’. If you love crime and good writing, then be sure to snap this one up when it’s published on 15th November 2017. It would also make a superb Christmas present for any lover of crime fiction.


MysteryTour CWA AnthologyAbout the Book

Crime spreads across the globe in this new collection of short stories from the Crime Writers’ Association, as a conspiracy of prominent crime authors take you on a world mystery tour. Highlights of the trip include a treacherous cruise to French Polynesia, a horrifying trek in South Africa, a murderous train-ride across Ukraine and a vengeful killing in Mumbai. But back home in the UK, life isn’t so easy either. Dead bodies turn up on the backstreets of Glasgow, crime writers turn words into deeds at literary events, and Lady Luck seems to guide the fate of a Twickenham hood. Showcasing the range, breadth and vitality of the contemporary crime-fiction genre, these twenty-eight chilling and unputdownable stories will take you on a trip you’ll never forget.

Format: eBook, paperback (276 pp.)      Publisher: Orenda Books
Published: 15th November 2017             Genre: Crime, Short Stories

Purchase Links*
Amazon.co.uk ǀ Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find CWA Anthology of Short Stories: Mystery Tour on Goodreads


My Review

The stories in this collection are an object lesson in conciseness. Each of the contributors possesses the ability to create an atmosphere of tension, intrigue and suspense from the off, propelling the reader straight into the story and then delivering a satisfyingly punchy conclusion.  There are tales motivated by revenge, envy, greed, lust, to punish sins or a desire for freedom. But, as is so often the case, best laid plans are thwarted and events take an unexpected turn.

Because of the high standard of all the stories in the collection, it’s really difficult to single out specific ones and it’s also tough to summarise any of them without giving away the plots. However, I particularly liked the dark, self-deprecating humour of Ann Cleeve’s ‘The Queen of Mystery’ and Judith Cutler’s ‘Mystery Tour’, which both feature authors as their protagonists, and the inventiveness of Christine Poulson’s ‘Accounting for Murder’.

The CWA Anthology is like a plate of exquisitely crafted truffles begging to be tasted: some dark, some with exotic flavours, some lighter but disguising unexpected centres. Now, I don’t mean to alarm you, but have you noticed that, of the two of us, you’re the only one who’s eaten them?

I received an advance reader copy courtesy of publishers, Orenda Books, in return for an honest and unbiased review.

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In three words: Sharp, dark, accomplished

Try something similar…CWA Anthology of Short Stories: Truly Criminal ed. by Martin Edwards


About the Authors

Martin Edwards has published eighteen novels, including the Lake District Mysteries. The Golden Age of Murder won the Edgar, Agatha, H.R.F. Keating, and Macavity awards. He has edited thirty-five crime anthologies and has won the CWA Short Story Dagger, the CWA Margery Allingham Prize and the Poirot award. He is president of the Detection Club and current chair of the CWA.

Martine Bailey writes about food and mystery and was credited by Fay Weldon as inventing a new genre, the ‘culinary gothic’. Her debut in the genre was An Appetite for Violets, and while living in New Zealand she wrote The Penny Heart (retitled A Taste for Nightshade in the US). Martine is an award-winning amateur cook and now lives in Cheshire.

Gordon Brown lives in Scotland but splits his time between the UK and Spain. He’s married with two children and has been writing since his teens. So far he has had five books published – his latest, Darkest Thoughts, being the first in the Craig McIntyre series. Gordon also helped found Bloody Scotland – Scotland’s International Crime Writing Festival.

Paul Charles was born and raised in the Northern Irish countryside. He is the author of the Detective Inspector Christy Kennedy series, set in Camden Town, and the Inspector Starrett series, which is set in Donegal in Ireland. The short mystery in this collection features retired PSNI Detective McCusker fro Down on Cyprus Avenue. Paul is currently working on a second McCusker novel.

Ann Cleeves began her crime-writing career with a series featuring George and Molly Palmer-Jones, and followed it with books about a cop from the North-East, Inspector Ramsay. More recently she was won international acclaim for two further series, featuring Vera Stanhope and Jimmy Perez, respectively, which have been successfully adapted for television as Vera and Shetland. Raven Black won the CWA Gold Dagger, and in 2017 Ann was awarded the CWA Diamond Dagger.

Julia Crouch has been a theatre director, playwright, drama teacher, publicist, graphic/website designer and illustrator. It was while she was doing an MA in sequential illustration that she realised what she really loved was writing. Her debut novel, Cuckoo, was followed by Every Vow You Break, Tarnished, The Long Fall and Her Husband’s Lover.

Judith Cutler has produced no fewer than five series of crime novels and more than thirty books in all. Her first regular detective was Sophie Rivers, and since then she has featured Fran Harman, Josie Welford, Tobias Campion and Lina Townend. She has also published stand-alone novels, and is a former secretary of the CWA.

Carol Anne Davis is the author of seven novels and eight true-crime books, the latest of which is Masking Evil: When Good Men and Women Turn Criminal. She is currently one of the judges for the CWA’s Gold Dagger for Non-Fiction, and when she’s not reading or writing she loves to dance. Unfortunately she’s dyspraxic so can’t tell her left foot from her right and has been in the beginner’s flamenco class for the past five years.

Kate Ellis worked in teaching, marketing and accountancy before finding success as a writer. The latest title in her series featuring Wesley Peterson is The Mermaid’s Scream, while she has published a series about another cop, Joe Plantagenet, and two historical crime novels, including A High Mortality of Doves.

Paul Gitsham started his career as a biologist, before deciding to retrain and impart his love of science and sloppy lab skills to the next generation of enquiring minds as a school teacher. Paul lives in a flat with more books than shelf space, where he writes the DCI Warren Jones series of police procedurals and spends more time than he should on social media.

JM (Jeanette) Hewitt is a crime-fiction writer living on the Suffolk coast. She is the author of Exclusion Zone, The Hunger Within and The Eight Year Lie. Her short story ‘Fingers’ was published in Twisted50, a horror anthology, and she was the winner of the BritCrime Pitch Competition in 2015, a success that led to the publication of Exclusion Zone.

Susi Holliday grew up in Scotland and now lives in London. She was shortlisted for the CWA Margery Allingham Prize with her short story ‘Home From Home’. She has published three crime novels set in the fictional Scottish town of Banktoun, and her latest novel is a Christmas themed serial killer thriller, The Deaths of December.

Maxim Jakubowski is a crime, erotic, science-fiction and rock-music writer and critic. He is also a leading anthologist. Born in England to Russian-British and Polish parents, he was raised in France and ran the Murder One bookshop for many years. He is the current chair of judges for the CWA Debut John Creasy Dagger, and also serves as joint vice chair of the CWA. He is a frequent commentator on radio and television.

Ed James writes crime-fiction novels, predominantly the Scott Cullen series of police procedurals set in Edinburgh and the surrounding Lothians. He is currently developing two new series set in London and Dundee, respectively. He also writes the Supernature series, featuring vampires and other folkloric creatures.

Ragnar Jonasson was born in Reykjavik, where he still lives, and is a lawyer. He teaches copyright law at Reykjavik University and has previously worked on radio and television, including as a TV news reporter for the Icelandic National Broadcasting Service. His novels include the Dark Iceland series.

Vaseem Khan is the author of the Baby Ganesh Detective Agency novels, a series of crime novels set in India. The books feature retired Mumbai police inspector Ashwin Chopra and his sidekick, a baby elephant named Ganesha. Vaseem says that elephants are third on his list of passions, first and second being great literature and cricket, not always in that order. He plays cricket all summer, attempting to bat as an opener, while fielding as little as possible.

Peter Lovesay’s short stories have won a number of international awards, including the Veuve Clicquot Prize, the Ellery Queen Reader’s Award and the CWA Short Story Dagger. When the Mystery Writers of America ran a competition to mark their fiftieth year, The Pushover was the winner. Peter is a recipient of the CWA Diamond Dagger (among many other honours) and also a former chair of the CWA.

Anna Mazzola writes historical crime fiction. She studied English at Pembroke College, Oxford, before becoming a criminal justice solicitor. Her debut novel was The Unseeing, and her second, about a collector of folklore on the Isle of Skye will be published in Spring 2018. She lives in Camberwell, London, with two small children, two cats and one husband.

William Burton McCormick’s fiction appears regularly in American mystery magazines. A Nevada native, William earned his MA in novel writing from Manchester University, was elected a Hawthornden Fellow in Scotland and has lived in Russia, Ukraine and Latvia. His novel Lenin’s Harem was the first fictional work added to the Latvian War Museum’s library in Riga.

Before Christine Poulson turned to crime, she was a responsible academic with a PhD in the history of art. Cambridge provided the setting for her first three novels, Dead Letters, Stage Fright and Footfall, which were followed by a stand-alone suspense novel, Invisible. The first in a new series, Deep Water, appeared in 2016. Her short stories have been short-listed for a Derringer and for the CWA Margery Allingham Prize

Sarah Rayne is the author of a number of acclaimed psychological thrillers, and ghost-themed books. Much of the inspiration for her settings comes from the histories and atmospheres of old buildings, a fact that is strongly apparent in many of her books. She recently launched a new series, featuring the music historian and researcher Phineas Fox.

Kate Rhodes went to the University of Essex and completed a doctorate on the playwright Tennessee Williams. She has taught at universities in Britain and the United States, and now writes full time. Her first books were two collections of poetry, and her novels Crossbones Yard and A Killing of Angels are both set in London, her birthplace. She lives in Cambridge.

William Ryan is an Irish writer, living in London. He was called to the English Bar after university in Dublin, and then worked as a lawyer in the City. He now teaches crime writing at City University. His first novel, The Holy Thief, was shortlisted for four awards, including a CWA New Blood Dagger. His latest book is The Constant Soldier.

Shawn Reilly Simmons lives in Frederick, Maryland, and has worked as a bookstore manager, fiction editor, convention organiser and wine rep. Currently she serves on the Board of Malice Domestic, is a member of the Dames of Detection, and an editor and co-publisher at Level Best Books. Her Red Carpet Catering Mysteries feature Penelope Sutherland, an on-set movie caterer. She has also published several short crime stories, and co-edited crime anthologies.

Chris Simms graduated from Newcastle University then travelled round the world before moving to Manchester in 1994. Since then he has worked as a freelance copywriter for advertising agencies throughout the city. The idea for his first novel, Outside The White Lines, came to him one night when broken down on the hard shoulder of a motorway. More recently he has written a series featuring DC Iona King.

Cath Staincliffe is an award-winning novelist, radio playwright and creator of ITV’s hit series Blue Murder. She was joint winner, with Margaret Murphy, of the CWA Short Story Dagger in 2012. She also writes the Scott & Bailey books, based on the popular ITV series. She lives with her family in Manchester.

Michael Stanley is the writing team of Michael Sears and Stanley Trollip. Both born in South Africa and have worked in academia and business. Their first mystery, A Carrion Death, introduced Detective Kubu Bengu of the Botswana Criminal Investigation Department, and was a finalist for five awards, including the CWA Debut Dagger. Their third book, Death of the Mantis, won the Barry Award and was a finalist for an Edgar Award.

CL Taylor was born in Worcester, studied psychology in Newcastle and has had a variety of jobs, including fruit picker, waitress, postwoman, receptionist, shipping co-ordinator, graphic designer and web developer. Her debut novel was Heaven Can Wait and in 2011 she won the RNA Elizabeth Goudge Trophy. More recently she has enjoyed success with psychological thrillers such as The Missing and The Escape.

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Blog Tour: The Secret Life of Alfred Nightingale by Rebecca Stonehill

Today’s guest on What Cathy Read Next is Rebecca Stonehill, author of The Secret Life of Alfred Nightingale. The Secret Life of Alfred Nightingale is Rebecca’s third novel and I’m delighted to bring you my interview with Rebecca as part of the blog tour for the book. In it Rebecca talks about secrets, bringing to life the 1960s and her passion for history.

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The Secret Life of Alfred NightingaleAbout the Book

1967: Handsome but troubled, Jim is almost 18 and he lives and breathes girls, trad jazz, Eel Pie Island and his best friend, Charles. One night, he hears rumours of a community of young people living in caves in Matala, Crete. Determined to escape his odious, bully of a father and repressed mother, Jim hitchhikes through Europe down to Matala. At first, it’s the paradise he dreamt it would be. But as things start to go wrong and his very notion of self unravels, the last thing Jim expects is for this journey of hundreds of miles to set in motion a passage of healing which will lead him back to the person he hates most in the world: his father. Taking in the counter-culture of the 1960’s, the clash of relationships between the WW2 generation and their children, the baby boomers, this is a novel about secrets from the past finally surfacing, the healing of trauma and the power of forgiveness.

Format: eBook (299 pp.)                          Publisher: Sunbird Press
Published: 11th November 2017                 Genre: Historical Fiction

Purchase Links*
Amazon.co.uk ǀ Amazon.com
*links provided for convenience, not as part of any affiliate programme

Find The Secret Life of Alfred Nightingale on Goodreads


Interview: Rebecca Stonehill, author of The Secret Life of Alfred Nightingale

Without giving too much away, can you tell us a bit about The Secret Life of Alfred Nightingale?

This story begins in 1967 with arrogant eighteen-year old Jim, following his painful transition into manhood, with glimpses into his insecurities and what might lie behind them. One night, he hears rumours of a group of young people living in some caves in southern Crete. Determined to see the place for himself, and against the wishes of his oppressive, out of touch father, he enlists the support of his best friend and hitchhikes down to Matala in Crete. Initially, Jim is spellbound by the place and the community of young travellers living there. But as the days go by, his insecurities come to the fore and the very last thing he expects happens: this journey of hundreds of miles sets in motion a passage of healing which will lead him back to the person he most hates in the world: his father.

What was the inspiration for the book?

The setting came first. My mother Elizabeth (to whom I have dedicated the book) spent some time in Matala in her early twenties. I was always intrigued by the stories she told me and the photographs I looked at of these young people standing outside the Neolithic caves, almost looking like cavemen and women! My own travels at around the same age as my mother and Jim had a huge impact on me and I wanted to explore that period we all go through, when we are trying to assert our independence in the world and carve our unique paths, but are often painfully self-conscious and unsure of ourselves. At the same time, I did not want my book to simply be a coming of age story, hence the second half that is set in Crete during the Second World War.

The Secret Life of Alfred Nightingale is set partly in the 1960s. How did you go about creating an authentic picture of life in that period?

I read a number of novels set in the 1960s, trawled the internet for information and mined the memories of a large number of people from my parents’ generation who were young people during that time. A couple of people shared their diary entries with me; this was fascinating and helped to bring certain details to life, such as expressions of the time in common usage. I also love music and the novel is peppered with references to songs and musicians. I had a lot of fun reaching out to members of a book group on Facebook I am a member of and asking them to share with me (if they were around then!) their favourite songs of 1967. Music is so evocative and although I was born a decade later, simply by listening to music of this period, I was able to wind back the clock.

In the book, secrets from the past are uncovered. Why do you think secrets are so enticing to us as readers?

I think it’s so interesting what we share with one another and what we decide to keep to ourselves. I am fascinated by words left unspoken and this, essentially, is what secrets are. As readers, we need a force of some kind to propel us through a story: something to find out and mysteries to be revealed. In Jim’s case, he is not even aware that secrets exist. All he is able to sense is that something is wrong, but it is not until he travels to Crete and back again to England to the fate that awaits him that he can start to understand where his discomfort stems from.

One of the settings for the book is Eel Pie Island on the River Thames near London, famous as a location for live music in the 1960s. If you’d been around then, which group or solo artist would you have loved to see perform live?

Funnily enough, I have a playlist on Spotify that kept me company during the writing of the early Eel Pie Island scenes in the book. They are all artists who performed back then on the island, crowds of young people going wild over them. Eel Pie Island is famous for playing host to bands such as The Rolling Stones and Pink Floyd (before they were huge names) but if I’d had the opportunity to go to a live concert on the island in the sixties, I would love to have heard some of those less well known bands.  Jim and his friends dance to The Yardbirds in my book – I’d love to have joined them. They have such a distinctively Sixties sound and look and their music is very danceable!

Your previous books, The Poet’s Wife and The Girl and the Sunbird, were set in 1920s Spain and turn of the century East Africa. What is it you enjoy about writing historical fiction?

When I write (though not necessarily when I read), I like to inhabit a world that is completely different from the one I live in. Of course, this doesn’t limit me to writing historical fiction, but I am drawn to the questions that historical settings offer: How did people live in this era? What did they wear and what did they eat? How did social norms differ, particularly for women?

As a child, I loved visiting old, historical houses and gardens. I felt as though I had jumped into the pages of The Secret Garden or Miss Havisham’s crumbling mansion. Strangely, I didn’t enjoy history much at school, as it was all about reading text-books and felt rather wooden and dry. For me, history means visiting those places, delving into museums and archives, asking questions and watching films and reading books set in the period. It’s like solving a huge mystery. Even when I went to University, I chose Durham for the (rather shallow!) reason that I would be surrounded by beautiful old buildings. I’ve never grown out of that sense of wonder at the past, one reason why it is such a treat to live in a historical old house in Nairobi.

And what attracts you to a particular historical period?

It helps if I have lived somewhere to pique my interest in its past (i.e. Granada, Nairobi & Twickenham) but it doesn’t just have to be this. A few years ago, I walked past an old meat market building in East London and read a small plaque. It said that in the 18th Century, women were sold on this site by their husbands. This is horrifying! But also fascinating, and I have stored this away for use as a possible future book.

[We’ll watch out to see if that turns up in one of your books!]

Do you have a special place to write or any writing rituals?

I live in an old timber cottage in a suburb of Nairobi and I sit every morning on the wooden verandah to write. People are often surprised to hear that Nairobi can get quite chilly, as the city sits at an altitude of 2000 metres above sea level. Because of this, I normally start the day wrapped in blankets and even a hat and as the day warms up, the layers are removed! I am surrounded by tropical birds and old trees and also, a sense of history as this cottage is one of the oldest houses in the area. I find that mornings are my best time to write. In many ways, this is strange as I am not a morning person at all and find I am far more awake in the evenings. But this dreamy morning state I find myself in must be conducive to writing!

Which other writers do you admire?

There are so many I could mention here! But to name a few: Susan Fletcher, Maya Angelou, Niall Williams, Jo Baker, Jill Dawson, Kazuo Ishiguro and Maggie O’Farrell. I love a combination of beautifully crafted prose and a cracking good story.

What are you working on next?

We have seen so much on the news over the past years of the refugee crisis. These people become facts and figures and we become desensitized to the plight of refugees seeking better lives. I hope to be able to humanize and personalize a story of one family of refugees fleeing war-torn Syria, including a historical element that rewinds the clock to the days when this country was considered the jewel of the Middle East. Watch this space!

Can’t wait, Rebecca. Thank you for those absolutely fascinating answers. It’s certainly made me eager for The Secret Life of Alfred Nightingale to reach the top of my review pile.


Rebecca StonehillAbout the Author

Rebecca Stonehill is from London but currently lives in Nairobi with her husband and three young children where she set up Magic Pencil, an initiative to give children greater access to creative writing and poetry. She has had numerous short stories published over the years, for example in Vintage Script, What the Dickens magazine, Ariadne’s Thread and Prole Books but The Poet’s Wife (Bookouture) was her first full-length novel, set in Granada during the Spanish Civil war and Franco’s dictatorship. Her second novel, The Girl and the Sunbird, was published by Bookouture in June 2016. Her third novel, set in Crete in WW2 and the 1960’s will be published on 11th November 2017.

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